32
Rare and Special in the Digital Environment: Damaged Texts and Digitisation Technologies Professor Melissa Terras Professor of Digital Humanities, UCL Dept of Information Studies Co-Director, UCL Centre for Digital Humanities [email protected], @melissaterras

Rare and Special in the Digital Environment: Damaged Texts and Digitisation Technologies

  • Upload
    bree

  • View
    32

  • Download
    0

Embed Size (px)

DESCRIPTION

Rare and Special in the Digital Environment: Damaged Texts and Digitisation Technologies. Professor Melissa Terras Professor of Digital Humanities, UCL Dept of Information Studies Co-Director, UCL Centre for Digital Humanities [email protected], @melissaterras. - PowerPoint PPT Presentation

Citation preview

Page 1: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Rare and Special in the Digital Environment: Damaged Texts and Digitisation Technologies

Professor Melissa TerrasProfessor of Digital Humanities, UCL Dept of Information StudiesCo-Director, UCL Centre for Digital [email protected], @melissaterras

Page 2: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://ericwilliamcarroll.com/blog/?m=201203

Page 3: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 4: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Image Quality 1: Resolution

The higher the resolution, the higher the quality of image.

20 dpi 72 dpi 300 dpi

Page 5: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Image Quality 2: Bit Depth

• Use bi-tonal: when shading is not an issue

– modern printed books– Line art– But high res to capture detail

• Use Grey-scale: tones of Grey– black and white photographs,

half-tone illustrations, typescript, archival materials in black and white

– Where colour isnt important• Use colour whenever colour is

present in the original and it conveys meaning– Trade off in file sizes

Page 6: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Compression and File Formats

Page 7: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Biblia Latina, Petrus Angleus de Monte Ulmi , 1492

The first printed edition of Euclid, translated by Adelardus of Bath and with the commentary of Novarese, 1482

http://digitool-b.lib.ucl.ac.uk

Page 8: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://theartofgooglebooks.tumblr.com

Page 9: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Close up - Tablet 1563

Complex incisions

Woodgrain

Surface discolouration

Warping

Cracking

Noisy image

Palimpsest

Long process

Page 10: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Image processing: illumination correction

Original image After illumination correction

Page 11: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

After woodgrain removal

Image processing: woodgrain removal -1

Original image

With thanks to Dr Segolene Tarte, eSAD project, OeRC

Page 12: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Transmittance factors of 21 optical bandpass filters in the visible spectrum – with thanks to Lindsay Macdonald

Page 13: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 14: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 15: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 16: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 17: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

Syriac Galen Palimpsest (see http://digitalgalen.net/ ) – with thanks to Alejandro Giacometti, and Adam

Gibson

Page 18: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

1632, burnt in Guildhall Fire in 1786

Page 19: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://greatparchmentbook.wordpress.com/ - with thanks to Tim Weyrich and Kazim Pal

Page 20: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 21: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 22: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 23: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies
Page 24: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://www.sciencemuseum.org.uk/about_us/history/shipping.aspx

Page 25: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://www.solarstorms.org/Spipeline.html

Page 26: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://www.johnnycupcakes.com/blog/2010/03/objects-suitcases-tidbits/

Page 27: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://www.flickr.com/photos/sansplans/5440098840/sizes/l/

Page 28: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://truthbase.org/Weigh%20up%20module%201%20session%201.htm

Page 29: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://www.ewarrenperryjr.com/2009/06/rehearsals-have-begun-in-chicago-for-ekphrasis-cave-walls-to-soup-cans.html

Page 30: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://rochester.edu/college/mimesis/

Page 31: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

http://prov.vic.gov.au/community-programs/digitisation/projects-underway

Page 32: Rare and Special in the Digital Environment:  Damaged Texts and Digitisation Technologies

With thanks to

• eSAD Project– Prof Alan Bowman, Prof Mike Brady, Dr Ségolène Tarte, Dr Henriette Roued-Cunliffe

• Cultural Heritage Destruction Project– Alejandro Giacometti, Dr Adam Gibson, Lindsay MacDonald, Alberto Campagnolo, Simon

Mahony

• Great Parchment Book Project– Dr Tim Weyrich, Kazim Pal, Alberto Campagnolo, Philippa Smith, Caroline De Stefani, Rachael

Smither, Patricia Stewart, Nicola Avery.

• Science Museum Shipping Gallery– A Prugnon, J Hindmarch, Matthew Shaw, William Trossell, Anita Soni, Prof Stuart Robson