8
JAZZ STRAIGHT AHEAD camp JULY 18-22 2016 presented by in collaboration with 35 CPDU’s available for Chicago Public School Teachers Held at: Columbia College Music Center 1014 S. Michigan Avenue Chicago, IL The Jazz Institute of Chicago acknowledges the following for support of this camp: Dan Epstein, Crown Family Philanthropies, Illinois Arts Council Agency, a state agency, The Oppenheimer Family Foundation, The Polk Bros. Founda- tion, The Beidler Family Foundation, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, The Gaylord and Dorothy Donnelley Foundation and The MacArthur Fund for Arts and Culture at Prince For educators, musicians and jazz enthusiasts of all levels Plan to immerse yourself in five days of innovative, hands-on sessions led by world renowned jazz musicians and clinicians who will educate, challenge and inspire you! Monday: VICTOR GOINES Tuesday: SLIDE HAMPTON Wednesday: DEE ALEXANDER Thursday: REGINA CARTER Friday: STEFON HARRIS With Special Guest Artists:

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Page 1: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

JAZZ

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JULY 1

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presented by

in collaboration with

35 CPDU’s available for Chicago Public School Teachers

Held at: Columbia College Music Center 1014 S. Michigan Avenue Chicago, IL

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Location Columbia College Music Center 1014 South Michigan Avenue Chicago, Illinois 60605

cost Jic MeMbers early registration (ends June 1): $190

regular registration (begins June 2): $250

non-MeMbers* early registration (ends June 1): $225

regular registration (June 2): $285

*Non-member registration fees include a 1-year membership to the Jazz Institute of Chicago at the Educator Level.

#SAJC16

registration/ check-in Check-in begins at 9:30 AM on Monday, July 18 and at 8:30 AM on Tuesday, July 19 – Friday, July 22, 2016

enJoy Lunch on us! On Wednesday, July 20, 2016, enjoy a complimentary lunch at Buddy Guy’s featuring a live lunchtime jazz performance by the After School Matters Jazz Big Band!

MeMber benefits In addition to future discounts for educational workshops, your membership to the Jazz Institute of Chicago includes special discounts on magazines, at select jazz clubs throughout Chicago and to our Jazz Club Tour and annual Gala, and a subscription to the monthly Jazz Institute of Chicago member newsletter, the JazzGram.

About the CAmp

Now in its 8th year, Straight Ahead Jazz Camp offers five days of innovative, hands-on sessions led by professional jazz musicians and expert clinicians who will educate, challenge, and inspire. Created for adults and students ages 18 and up, the camp provides, educators, music lovers and musicians of all levels, with an opportunity to grow learn and connect. This year features regina carter, stefon harris, Dee alexander, slide hampton and Victor goines; five special guests who will jam with participants and share their insights and knowledge through lectures and workshops.

Additionally, the week-long camp includes sessions with renowned musicians and music educators Dr. Wes, Jose Diaz, tomeka reid, Dr. rosita sands, Willie Pickens, geof bradfield, greg Ward, Victor garcia, Pharez Whitted, bobbi Wilsyn and others!

35 CPDU’s are available for Chicago Public School teachers

Monday: Victor goines Saxophonist and clarinetist Victor Goines is widely recognized as one of the most engaging and versatile performers, composers, collaborators and educators in music today. Deeply committed to the field of jazz education, Mr. Goines is the Northwestern University Artistic Director for the Jazz Studies program, Education Consultant for Jazz at Lincoln Center and has conducted master classes, clinics, workshops and lectures nationwide.

tuesday: sLiDe haMPton Described by critics as a master composer, arranger and uniquely gifted trombone player, Slide Hampton’s career is among the most distinguished in jazz, performing with and composing and arranging for Art Blakey, Dizzy Gillespie, Barry Harris, Thad Jones, Mel Lewis and Max Roach, and touring with his octet in the 60s, which included stellar horn players Booker Little, Freddie Hubbard, and George Coleman. Mr. Hampton was named an NEA Jazz Master in 2005.

Wednesday: Dee aLexanDer Vocalist Dee Alexander’s talent spans every music genre, from Gospel to R&B, from Blues to Neo-Soul. Yet her true heart and soul are experienced in their purest form when she performs jazz. Equally adept in mainstream swing and outer-fringe experimentation, big-band jazz, and small-group fare, Alexander stands as a jazz vocalist for all occasions who has received critical acclaim for performances at festivals across the United States and around the world.

thursday: regina carter For Regina Carter, the violin isn’t merely an improvisational vehicle. It’s a passport to unexpected realms, a Rosetta stone that unlocks the door to a myriad of cultures and worlds. Violin virtuoso Regina Carter is considered the foremost jazz violinist of her generation. Winner of a coveted 2006 MacArthur Foundation “Genius” Fellowship for “showing exceptional merit and promise for continued and enhanced creative work.” Ms. Carter is also a Resident Artistic Director at SF JAZZ.

friday: stefon harris Jazz vibraphonist Stefon Harris is one of the most important young artists currently at the forefront of new music. Much in demand as a star sideman, Harris has played with many jazz luminaries including Kenny Barron, Steve Turre, Kurt Elling, David Sanchez and Christian Scott, in addition to releasing several of his own critically well-regarded albums. He tours the world with is band Blackout and teaches at New York University.

About StrAight AheAd JAzz CAmp’S SpeCiAl gueSt ArtiStS

The Jazz Institute of Chicago acknowledges the following for support of this camp: Dan Epstein, Crown Family Philanthropies, Illinois Arts Council Agency, a state agency, The Oppenheimer Family Foundation, The Polk Bros. Founda-tion, The Beidler Family Foundation, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, The Gaylord and Dorothy Donnelley Foundation and The MacArthur Fund for Arts and Culture at Prince

for educators, musicians and jazz enthusiasts of all levels

Plan to immerse yourself in five days of innovative, hands-on sessions led by world renowned jazz musicians and clinicians who will educate, challenge and inspire you!

Monday: VICToR GoInES

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Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

Monday: VICToR GoInES

Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

With Special Guest Artists:

Page 2: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

JAZZ STRAIGHT

AHEAD

campJULY 18-22 2016

presented by

in collaboration with

35 CPDU’s available for Chicago Public School Teachers

Held at: Columbia College Music Center 1014 S. Michigan Avenue Chicago, IL

JAZZ InSTITUTE of CHICAGo410 S. M

ICHIGAn AVE. SUITE 500CHICAGo, IL 60605

Location Columbia College Music Center 1014 South Michigan Avenue Chicago, Illinois 60605

cost Jic MeMbers early registration (ends June 1): $190

regular registration (begins June 2): $250

non-MeMbers* early registration (ends June 1): $225

regular registration (June 2): $285

*Non-member registration fees include a 1-year membership to the Jazz Institute of Chicago at the Educator Level.

#SAJC16

registration/ check-in Check-in begins at 9:30 AM on Monday, July 18 and at 8:30 AM on Tuesday, July 19 – Friday, July 22, 2016

enJoy Lunch on us! On Wednesday, July 20, 2016, enjoy a complimentary lunch at Buddy Guy’s featuring a live lunchtime jazz performance by the After School Matters Jazz Big Band!

MeMber benefits In addition to future discounts for educational workshops, your membership to the Jazz Institute of Chicago includes special discounts on magazines, at select jazz clubs throughout Chicago and to our Jazz Club Tour and annual Gala, and a subscription to the monthly Jazz Institute of Chicago member newsletter, the JazzGram.

About the CAmp

Now in its 8th year, Straight Ahead Jazz Camp offers five days of innovative, hands-on sessions led by professional jazz musicians and expert clinicians who will educate, challenge, and inspire. Created for adults and students ages 18 and up, the camp provides, educators, music lovers and musicians of all levels, with an opportunity to grow learn and connect. This year features regina carter, stefon harris, Dee alexander, slide hampton and Victor goines; five special guests who will jam with participants and share their insights and knowledge through lectures and workshops.

Additionally, the week-long camp includes sessions with renowned musicians and music educators Dr. Wes, Jose Diaz, tomeka reid, Dr. rosita sands, Willie Pickens, geof bradfield, greg Ward, Victor garcia, Pharez Whitted, bobbi Wilsyn and others!

35 CPDU’s are available for Chicago Public School teachers

Monday: Victor goines Saxophonist and clarinetist Victor Goines is widely recognized as one of the most engaging and versatile performers, composers, collaborators and educators in music today. Deeply committed to the field of jazz education, Mr. Goines is the Northwestern University Artistic Director for the Jazz Studies program, Education Consultant for Jazz at Lincoln Center and has conducted master classes, clinics, workshops and lectures nationwide.

tuesday: sLiDe haMPton Described by critics as a master composer, arranger and uniquely gifted trombone player, Slide Hampton’s career is among the most distinguished in jazz, performing with and composing and arranging for Art Blakey, Dizzy Gillespie, Barry Harris, Thad Jones, Mel Lewis and Max Roach, and touring with his octet in the 60s, which included stellar horn players Booker Little, Freddie Hubbard, and George Coleman. Mr. Hampton was named an NEA Jazz Master in 2005.

Wednesday: Dee aLexanDer Vocalist Dee Alexander’s talent spans every music genre, from Gospel to R&B, from Blues to Neo-Soul. Yet her true heart and soul are experienced in their purest form when she performs jazz. Equally adept in mainstream swing and outer-fringe experimentation, big-band jazz, and small-group fare, Alexander stands as a jazz vocalist for all occasions who has received critical acclaim for performances at festivals across the United States and around the world.

thursday: regina carter For Regina Carter, the violin isn’t merely an improvisational vehicle. It’s a passport to unexpected realms, a Rosetta stone that unlocks the door to a myriad of cultures and worlds. Violin virtuoso Regina Carter is considered the foremost jazz violinist of her generation. Winner of a coveted 2006 MacArthur Foundation “Genius” Fellowship for “showing exceptional merit and promise for continued and enhanced creative work.” Ms. Carter is also a Resident Artistic Director at SF JAZZ.

friday: stefon harris Jazz vibraphonist Stefon Harris is one of the most important young artists currently at the forefront of new music. Much in demand as a star sideman, Harris has played with many jazz luminaries including Kenny Barron, Steve Turre, Kurt Elling, David Sanchez and Christian Scott, in addition to releasing several of his own critically well-regarded albums. He tours the world with is band Blackout and teaches at New York University.

About StrAight AheAd JAzz CAmp’S SpeCiAl gueSt ArtiStS

The Jazz Institute of Chicago acknowledges the following for support of this camp: Dan Epstein, Crown Family Philanthropies, Illinois Arts Council Agency, a state agency, The Oppenheimer Family Foundation, The Polk Bros. Founda-tion, The Beidler Family Foundation, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, The Gaylord and Dorothy Donnelley Foundation and The MacArthur Fund for Arts and Culture at Prince

for educators, musicians and jazz enthusiasts of all levels

Plan to immerse yourself in five days of innovative, hands-on sessions led by world renowned jazz musicians and clinicians who will educate, challenge and inspire you!

Monday: VICToR GoInES

for more inform

ation, visit JAZZInCHICAGo.oRG or call (312) 427-1676 x4 or x116

JAZZ

STRAIGHT AHEADcamp

JULY 18-22, 2016

presented by

in collaboration with

#SAJC16

featuring special guest artists REGInA CARTER, VICToR GoInES, SLIDE HAM

pTon, DEE ALExAnDER AnD STEfon HARRIS and hands-on sessions with re-nowned educators and m

usicians includ-ing Dr. W

es, Jarrard Harris, Greg Ward,

Willie pickens, Jose Diaz, Geof Bradfield,

Victor Garcia, Tomeka Reid and others!

Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

Monday: VICToR GoInES

Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

With Special Guest Artists:

Page 3: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

JAZZ STRAIGHT

AHEAD

campJULY 18-22 2016

presented by

in collaboration with

35 CPDU’s available for Chicago Public School Teachers

Held at: Columbia College Music Center 1014 S. Michigan Avenue Chicago, IL

JAZZ InSTITUTE of CHICAGo410 S. M

ICHIGAn AVE. SUITE 500CHICAGo, IL 60605

Location Columbia College Music Center 1014 South Michigan Avenue Chicago, Illinois 60605

cost Jic MeMbers early registration (ends June 1): $190

regular registration (begins June 2): $250

non-MeMbers* early registration (ends June 1): $225

regular registration (June 2): $285

*Non-member registration fees include a 1-year membership to the Jazz Institute of Chicago at the Educator Level.

#SAJC16

registration/ check-in Check-in begins at 9:30 AM on Monday, July 18 and at 8:30 AM on Tuesday, July 19 – Friday, July 22, 2016

enJoy Lunch on us! On Wednesday, July 20, 2016, enjoy a complimentary lunch at Buddy Guy’s featuring a live lunchtime jazz performance by the After School Matters Jazz Big Band!

MeMber benefits In addition to future discounts for educational workshops, your membership to the Jazz Institute of Chicago includes special discounts on magazines, at select jazz clubs throughout Chicago and to our Jazz Club Tour and annual Gala, and a subscription to the monthly Jazz Institute of Chicago member newsletter, the JazzGram.

About the CAmp

Now in its 8th year, Straight Ahead Jazz Camp offers five days of innovative, hands-on sessions led by professional jazz musicians and expert clinicians who will educate, challenge, and inspire. Created for adults and students ages 18 and up, the camp provides, educators, music lovers and musicians of all levels, with an opportunity to grow learn and connect. This year features regina carter, stefon harris, Dee alexander, slide hampton and Victor goines; five special guests who will jam with participants and share their insights and knowledge through lectures and workshops.

Additionally, the week-long camp includes sessions with renowned musicians and music educators Dr. Wes, Jose Diaz, tomeka reid, Dr. rosita sands, Willie Pickens, geof bradfield, greg Ward, Victor garcia, Pharez Whitted, bobbi Wilsyn and others!

35 CPDU’s are available for Chicago Public School teachers

Monday: Victor goines Saxophonist and clarinetist Victor Goines is widely recognized as one of the most engaging and versatile performers, composers, collaborators and educators in music today. Deeply committed to the field of jazz education, Mr. Goines is the Northwestern University Artistic Director for the Jazz Studies program, Education Consultant for Jazz at Lincoln Center and has conducted master classes, clinics, workshops and lectures nationwide.

tuesday: sLiDe haMPton Described by critics as a master composer, arranger and uniquely gifted trombone player, Slide Hampton’s career is among the most distinguished in jazz, performing with and composing and arranging for Art Blakey, Dizzy Gillespie, Barry Harris, Thad Jones, Mel Lewis and Max Roach, and touring with his octet in the 60s, which included stellar horn players Booker Little, Freddie Hubbard, and George Coleman. Mr. Hampton was named an NEA Jazz Master in 2005.

Wednesday: Dee aLexanDer Vocalist Dee Alexander’s talent spans every music genre, from Gospel to R&B, from Blues to Neo-Soul. Yet her true heart and soul are experienced in their purest form when she performs jazz. Equally adept in mainstream swing and outer-fringe experimentation, big-band jazz, and small-group fare, Alexander stands as a jazz vocalist for all occasions who has received critical acclaim for performances at festivals across the United States and around the world.

thursday: regina carter For Regina Carter, the violin isn’t merely an improvisational vehicle. It’s a passport to unexpected realms, a Rosetta stone that unlocks the door to a myriad of cultures and worlds. Violin virtuoso Regina Carter is considered the foremost jazz violinist of her generation. Winner of a coveted 2006 MacArthur Foundation “Genius” Fellowship for “showing exceptional merit and promise for continued and enhanced creative work.” Ms. Carter is also a Resident Artistic Director at SF JAZZ.

friday: stefon harris Jazz vibraphonist Stefon Harris is one of the most important young artists currently at the forefront of new music. Much in demand as a star sideman, Harris has played with many jazz luminaries including Kenny Barron, Steve Turre, Kurt Elling, David Sanchez and Christian Scott, in addition to releasing several of his own critically well-regarded albums. He tours the world with is band Blackout and teaches at New York University.

About StrAight AheAd JAzz CAmp’S SpeCiAl gueSt ArtiStS

The Jazz Institute of Chicago acknowledges the following for support of this camp: Dan Epstein, Crown Family Philanthropies, Illinois Arts Council Agency, a state agency, The Oppenheimer Family Foundation, The Polk Bros. Founda-tion, The Beidler Family Foundation, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, The Gaylord and Dorothy Donnelley Foundation and The MacArthur Fund for Arts and Culture at Prince

for educators, musicians and jazz enthusiasts of all levels

Plan to immerse yourself in five days of innovative, hands-on sessions led by world renowned jazz musicians and clinicians who will educate, challenge and inspire you!

Monday: VICToR GoInES

for more inform

ation, visit JAZZInCHICAGo.oRG or call (312) 427-1676 x4 or x116

JAZZ

STRAIGHT AHEADcamp

JULY 18-22, 2016

presented by

in collaboration with

#SAJC16

featuring special guest artists REGInA CARTER, VICToR GoInES, SLIDE HAM

pTon, DEE ALExAnDER AnD STEfon HARRIS and hands-on sessions with re-nowned educators and m

usicians includ-ing Dr. W

es, Jarrard Harris, Greg Ward,

Willie pickens, Jose Diaz, Geof Bradfield,

Victor Garcia, Tomeka Reid and others!

Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

Monday: VICToR GoInES

Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

With Special Guest Artists:

Page 4: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

u leCture-diSCuSSionS Led by engaging and authoritative speakers, these sessions are designed for anyone who loves jazz or wants to learn more by enriching their understanding of the many intersections between jazz and art, culture, politics and history.

t CliniC-WorKShop These sessions are designed for musicians of various levels and music educators, though non-musicians are welcome. Most require some degree of previous musical study and/or expect that you perform on an instrument.

10:15 – 10:30 aMWeLcoMe & orientation

10:45 – 11:45 aMu Just Do It! Victor goinesOne of the simplest and most direct slogans in marketing history is that of the athletic brand Nike, Just Do It! This session, led by Victor Goines, embraces the same philosophy in regards to jazz improvisation. Explore the simplicities and complexities of developing the vocabulary and courage necessary to communicate in the language of Jazz.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PM H Jazz PerforMance raJiV haLiMIf you believe that the stars align, knowing that saxophonist Rajiv Halim has the same birthday as Cannonball Adderley has great significance. Demonstrating both a Cannonball-esque agility and a Coltrane-ish intensity, he brings his own coloristic concept showing that this Jazz Links alumnus is following his own muse.

2:15 – 3:45 PMu the center for bLack Music research: a

PLace for aLL Who LoVe bLack Music Dr. rosita sands, Professor of Music, Interim Chair,

Music Department, Columbia College ChicagoThis session presents an introduction to the work for the Center for Black Music Research; a research unit

of Columbia College founded in 1983. Unlike other research institutions that focus on a single genre, the Center’s collection is recognized for its broad scope and role in contributing to an understanding of the diasporal unities that connect the musics created by peoples of African descent. It is also one of the largest and most comprehensive collections of print and sound materials available.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 1: In these 4-part workshops, learn tunes, interact with peers, develop your sound and refine your improvisational skills. Choose between one of three levels:

beginning Jazz iMProVisationgreg WardDesigned for those new to jazz performance, interplay, harmony, and standards.

interMeDiate Jazz iMProVisationJarrard harrisDesigned for those with some familiarity playing and improvising on jazz standards.

aDVanceD Jazz iMProVisationPharez WhittedDesigned for those ready to tackle complex harmonic progressions and rhythmic feels.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Victor goines

monday, July 18, 2016

tuesday, July 19, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 2

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu insiDe nina siMone “Jazz is not Just

Music, it’s a Way of Life, it’s a Way of being, a Way of thinking.”

Dee alexanderInspired by her fierce determination and deep understanding of the power of music, Dee Alexander shares insights into Simone’s music and life. Alexander will share her research, personal experience and expression of the many layers of meaning of Simone’s life in the music.

11:45 – 2:15 PM Lunch on us at buddy guy’s featuring the After School Matters Jazz Big Band

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 2 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will continue the discussion about the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, is to teach them about American democratic ideals.

2:15-3:45PMt Jazz iMProVisation WorkshoPs – Part 3

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Dee aLexanDer

Wednesday, July 20, 2016

thursday, July 21, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 4

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu DeMocracy at PLay! stefon harrisUnderstanding the core cultural competencies of jazz and its significance pertaining to the future success of our democracy.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMt harMony cLouD stefon harrisThe Harmony Cloud™ is a tool which will help increase one’s access to their innate ability to experience music on a more visceral and emotional level and in the process, empower empathy among musicians beyond the boundaries of genre.

2:15 – 3:45 PMtif the coqui can saLsa, so can you! Jose DiazThe session will introduce Diaz’s new children’s book project, Freddie the Frog and the Invisible Coqui, the latin jazz/salsa music interpretation used in the book and teacher resource materials. Attendees should expect to fully participate in the session.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

stefon harris

5:00 – 6:00 PMenD of caMP recePtionA toast to your great week!

Friday, July 22, 2016

custoMize your caMP exPerience! choose one class and level for the sessions listed below. (sessions not listed will be attended by all.)MonDay-thursDay 2:15 – 3:45 PM

n Workshop/Lecture –or–n Jazz improvisation Workshops n beginning n intermediate n advanced

tuesDay-friDay 9:00 – 10:30 aM: instrumental Master classes

n saxophones & Woodwinds n trumpets & trombones n rhythm section n Voice

check the aPProPriate box:Jic MeMbersn early registration (ends June 1, 2016): $190n regular registration (begins June 2, 2016): $250

non-MeMbers: non-member registration fees include a 1-year membership to the Jazz institute of chicago at the educator Level.n early registration (ends June 1, 2016): $225n regular registration (begins June 2, 2016): $285

$

First & Last Name:

Mailing Address:

City: State: Zip:

Home Phone: Cell Phone:

E-mail:

Type of Registrant: n Educator n Hobbyist n Professional Musician n Student n Other

School Name (for Educators only):

Instrument:

How did you hear about the camp? n Past Attendee n Flyer/Postcard n Email n Friend n Internet Search n Other

PayMent: We gladly accept MasterCard, Visa, American Express and Check or Money Order payable to: the Jazz institute of chicago.

Please check the appropriate box: n Check n Money Order n MasterCard n Visa n American Express

Card#: Exp. Date:

Name on Card: CV2:

Signature: Zip Code:

Billing

registration: session seLection

registration: contact inforMation

MaiL this PaneL to: JAZZ InSTITUTE of CHICAGo | 410 S. MICHIGAn AVE. | SUITE 500 | CHICAGo, IL 60605

or Visit JAZZInCHICAGo.oRG to register. REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

H perFormAnCe

l JAm SeSSion

tuesday - friday, 9:00 – 10:30 aMt instruMentaL Master cLasses – Part 1In these four-part master classes, discuss and practice styles, techniques and exercises to improve your individual and sectional playing. Choose one based on your instrument:

saxoPhones & WooDWinDs Master cLassgeof bradfieldFor saxophonists and other woodwind instrumentalists.

truMPets & troMbones Master cLassVictor garciaFor trumpeters, trombonists, and other brass instrumentalists.

rhythM section Master cLassWillie PickensFor guitarists, pianists, bassists, drummers, and rhythm section instrumentalists.

Voice Master cLassbobbi WilsynFor vocalists and chorus instructors.

10:45 – 11:45 aMu coLLectiVe creatiVity tomeka reidHow does the concept of collectively creating music lead to creating organizations? Reid explores the history of artists’ music collectives across the United States and Europe and how these movements to establish cultural identity impacted creative improvised music.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu can’t knoW it aLL (but the More you LoVe

it, the More you Learn it) slide hampton

Trombonist, composer and arranger Slide Hampton discusses the importance of perpetually learning about music, regardless of how accomplished one thinks they are. Sharing examples from a combination of giants of jazz and personal experience, he will show that, no matter where you are, you’re always at the beginning of what you can learn and fortunately, we can pick up where those who came before us left off!

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 1 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will share insights on the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, can teach them about American democratic ideals.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 2

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisation Pharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

sLiDe haMPton

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 3

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu froM concePt to creation: the Process

of Putting a recorDing together regina carterRegina will play examples that inspired repertoire choices for her previous album releases, followed by a Q and A.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu four DecaDes of PubLic schooL Music

eDucation in chicago Willie Pickens and bethany PickensBoth music greats in their own rights, father Willie and daughter Bethany will discuss their insights on music and education over the decades

2:15 – 3:45 PMu is it Wrong notes or MisPronunciation? Jose DiazJazz phrasing and improvisation is based on language development. This session will discuss techniques used to develop the language of jazz.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 4

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00-5:00PMt the Practice of transcriPtion anD the

art of iMProVisation session with special guest artist regina carterParticipants will transcribe a solo with Ms. Carter and use some of the transcribed solo to create their own improvisations.

In addition to discounts at educational workshops, membership includes discounts at select jazz clubs, record stores and magazines throughout Chicago, a subscription to the monthly JazzGram newsletter and discounts at our Jazz Club Tour and annual Gala.

REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

Page 5: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

u leCture-diSCuSSionS Led by engaging and authoritative speakers, these sessions are designed for anyone who loves jazz or wants to learn more by enriching their understanding of the many intersections between jazz and art, culture, politics and history.

t CliniC-WorKShop These sessions are designed for musicians of various levels and music educators, though non-musicians are welcome. Most require some degree of previous musical study and/or expect that you perform on an instrument.

10:15 – 10:30 aMWeLcoMe & orientation

10:45 – 11:45 aMu Just Do It! Victor goinesOne of the simplest and most direct slogans in marketing history is that of the athletic brand Nike, Just Do It! This session, led by Victor Goines, embraces the same philosophy in regards to jazz improvisation. Explore the simplicities and complexities of developing the vocabulary and courage necessary to communicate in the language of Jazz.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PM H Jazz PerforMance raJiV haLiMIf you believe that the stars align, knowing that saxophonist Rajiv Halim has the same birthday as Cannonball Adderley has great significance. Demonstrating both a Cannonball-esque agility and a Coltrane-ish intensity, he brings his own coloristic concept showing that this Jazz Links alumnus is following his own muse.

2:15 – 3:45 PMu the center for bLack Music research: a

PLace for aLL Who LoVe bLack Music Dr. rosita sands, Professor of Music, Interim Chair,

Music Department, Columbia College ChicagoThis session presents an introduction to the work for the Center for Black Music Research; a research unit

of Columbia College founded in 1983. Unlike other research institutions that focus on a single genre, the Center’s collection is recognized for its broad scope and role in contributing to an understanding of the diasporal unities that connect the musics created by peoples of African descent. It is also one of the largest and most comprehensive collections of print and sound materials available.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 1: In these 4-part workshops, learn tunes, interact with peers, develop your sound and refine your improvisational skills. Choose between one of three levels:

beginning Jazz iMProVisationgreg WardDesigned for those new to jazz performance, interplay, harmony, and standards.

interMeDiate Jazz iMProVisationJarrard harrisDesigned for those with some familiarity playing and improvising on jazz standards.

aDVanceD Jazz iMProVisationPharez WhittedDesigned for those ready to tackle complex harmonic progressions and rhythmic feels.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Victor goines

monday, July 18, 2016

tuesday, July 19, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 2

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu insiDe nina siMone “Jazz is not Just

Music, it’s a Way of Life, it’s a Way of being, a Way of thinking.”

Dee alexanderInspired by her fierce determination and deep understanding of the power of music, Dee Alexander shares insights into Simone’s music and life. Alexander will share her research, personal experience and expression of the many layers of meaning of Simone’s life in the music.

11:45 – 2:15 PM Lunch on us at buddy guy’s featuring the After School Matters Jazz Big Band

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 2 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will continue the discussion about the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, is to teach them about American democratic ideals.

2:15-3:45PMt Jazz iMProVisation WorkshoPs – Part 3

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Dee aLexanDer

Wednesday, July 20, 2016

thursday, July 21, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 4

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu DeMocracy at PLay! stefon harrisUnderstanding the core cultural competencies of jazz and its significance pertaining to the future success of our democracy.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMt harMony cLouD stefon harrisThe Harmony Cloud™ is a tool which will help increase one’s access to their innate ability to experience music on a more visceral and emotional level and in the process, empower empathy among musicians beyond the boundaries of genre.

2:15 – 3:45 PMtif the coqui can saLsa, so can you! Jose DiazThe session will introduce Diaz’s new children’s book project, Freddie the Frog and the Invisible Coqui, the latin jazz/salsa music interpretation used in the book and teacher resource materials. Attendees should expect to fully participate in the session.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

stefon harris

5:00 – 6:00 PMenD of caMP recePtionA toast to your great week!

Friday, July 22, 2016

custoMize your caMP exPerience! choose one class and level for the sessions listed below. (sessions not listed will be attended by all.)MonDay-thursDay 2:15 – 3:45 PM

n Workshop/Lecture –or–n Jazz improvisation Workshops n beginning n intermediate n advanced

tuesDay-friDay 9:00 – 10:30 aM: instrumental Master classes

n saxophones & Woodwinds n trumpets & trombones n rhythm section n Voice

check the aPProPriate box:Jic MeMbersn early registration (ends June 1, 2016): $190n regular registration (begins June 2, 2016): $250

non-MeMbers: non-member registration fees include a 1-year membership to the Jazz institute of chicago at the educator Level.n early registration (ends June 1, 2016): $225n regular registration (begins June 2, 2016): $285

$

First & Last Name:

Mailing Address:

City: State: Zip:

Home Phone: Cell Phone:

E-mail:

Type of Registrant: n Educator n Hobbyist n Professional Musician n Student n Other

School Name (for Educators only):

Instrument:

How did you hear about the camp? n Past Attendee n Flyer/Postcard n Email n Friend n Internet Search n Other

PayMent: We gladly accept MasterCard, Visa, American Express and Check or Money Order payable to: the Jazz institute of chicago.

Please check the appropriate box: n Check n Money Order n MasterCard n Visa n American Express

Card#: Exp. Date:

Name on Card: CV2:

Signature: Zip Code:

Billing

registration: session seLection

registration: contact inforMation

MaiL this PaneL to: JAZZ InSTITUTE of CHICAGo | 410 S. MICHIGAn AVE. | SUITE 500 | CHICAGo, IL 60605

or Visit JAZZInCHICAGo.oRG to register. REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

H perFormAnCe

l JAm SeSSion

tuesday - friday, 9:00 – 10:30 aMt instruMentaL Master cLasses – Part 1In these four-part master classes, discuss and practice styles, techniques and exercises to improve your individual and sectional playing. Choose one based on your instrument:

saxoPhones & WooDWinDs Master cLassgeof bradfieldFor saxophonists and other woodwind instrumentalists.

truMPets & troMbones Master cLassVictor garciaFor trumpeters, trombonists, and other brass instrumentalists.

rhythM section Master cLassWillie PickensFor guitarists, pianists, bassists, drummers, and rhythm section instrumentalists.

Voice Master cLassbobbi WilsynFor vocalists and chorus instructors.

10:45 – 11:45 aMu coLLectiVe creatiVity tomeka reidHow does the concept of collectively creating music lead to creating organizations? Reid explores the history of artists’ music collectives across the United States and Europe and how these movements to establish cultural identity impacted creative improvised music.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu can’t knoW it aLL (but the More you LoVe

it, the More you Learn it) slide hampton

Trombonist, composer and arranger Slide Hampton discusses the importance of perpetually learning about music, regardless of how accomplished one thinks they are. Sharing examples from a combination of giants of jazz and personal experience, he will show that, no matter where you are, you’re always at the beginning of what you can learn and fortunately, we can pick up where those who came before us left off!

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 1 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will share insights on the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, can teach them about American democratic ideals.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 2

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisation Pharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

sLiDe haMPton

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 3

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu froM concePt to creation: the Process

of Putting a recorDing together regina carterRegina will play examples that inspired repertoire choices for her previous album releases, followed by a Q and A.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu four DecaDes of PubLic schooL Music

eDucation in chicago Willie Pickens and bethany PickensBoth music greats in their own rights, father Willie and daughter Bethany will discuss their insights on music and education over the decades

2:15 – 3:45 PMu is it Wrong notes or MisPronunciation? Jose DiazJazz phrasing and improvisation is based on language development. This session will discuss techniques used to develop the language of jazz.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 4

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00-5:00PMt the Practice of transcriPtion anD the

art of iMProVisation session with special guest artist regina carterParticipants will transcribe a solo with Ms. Carter and use some of the transcribed solo to create their own improvisations.

In addition to discounts at educational workshops, membership includes discounts at select jazz clubs, record stores and magazines throughout Chicago, a subscription to the monthly JazzGram newsletter and discounts at our Jazz Club Tour and annual Gala.

REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

Page 6: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

u leCture-diSCuSSionS Led by engaging and authoritative speakers, these sessions are designed for anyone who loves jazz or wants to learn more by enriching their understanding of the many intersections between jazz and art, culture, politics and history.

t CliniC-WorKShop These sessions are designed for musicians of various levels and music educators, though non-musicians are welcome. Most require some degree of previous musical study and/or expect that you perform on an instrument.

10:15 – 10:30 aMWeLcoMe & orientation

10:45 – 11:45 aMu Just Do It! Victor goinesOne of the simplest and most direct slogans in marketing history is that of the athletic brand Nike, Just Do It! This session, led by Victor Goines, embraces the same philosophy in regards to jazz improvisation. Explore the simplicities and complexities of developing the vocabulary and courage necessary to communicate in the language of Jazz.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PM H Jazz PerforMance raJiV haLiMIf you believe that the stars align, knowing that saxophonist Rajiv Halim has the same birthday as Cannonball Adderley has great significance. Demonstrating both a Cannonball-esque agility and a Coltrane-ish intensity, he brings his own coloristic concept showing that this Jazz Links alumnus is following his own muse.

2:15 – 3:45 PMu the center for bLack Music research: a

PLace for aLL Who LoVe bLack Music Dr. rosita sands, Professor of Music, Interim Chair,

Music Department, Columbia College ChicagoThis session presents an introduction to the work for the Center for Black Music Research; a research unit

of Columbia College founded in 1983. Unlike other research institutions that focus on a single genre, the Center’s collection is recognized for its broad scope and role in contributing to an understanding of the diasporal unities that connect the musics created by peoples of African descent. It is also one of the largest and most comprehensive collections of print and sound materials available.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 1: In these 4-part workshops, learn tunes, interact with peers, develop your sound and refine your improvisational skills. Choose between one of three levels:

beginning Jazz iMProVisationgreg WardDesigned for those new to jazz performance, interplay, harmony, and standards.

interMeDiate Jazz iMProVisationJarrard harrisDesigned for those with some familiarity playing and improvising on jazz standards.

aDVanceD Jazz iMProVisationPharez WhittedDesigned for those ready to tackle complex harmonic progressions and rhythmic feels.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Victor goines

monday, July 18, 2016

tuesday, July 19, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 2

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu insiDe nina siMone “Jazz is not Just

Music, it’s a Way of Life, it’s a Way of being, a Way of thinking.”

Dee alexanderInspired by her fierce determination and deep understanding of the power of music, Dee Alexander shares insights into Simone’s music and life. Alexander will share her research, personal experience and expression of the many layers of meaning of Simone’s life in the music.

11:45 – 2:15 PM Lunch on us at buddy guy’s featuring the After School Matters Jazz Big Band

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 2 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will continue the discussion about the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, is to teach them about American democratic ideals.

2:15-3:45PMt Jazz iMProVisation WorkshoPs – Part 3

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Dee aLexanDer

Wednesday, July 20, 2016

thursday, July 21, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 4

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu DeMocracy at PLay! stefon harrisUnderstanding the core cultural competencies of jazz and its significance pertaining to the future success of our democracy.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMt harMony cLouD stefon harrisThe Harmony Cloud™ is a tool which will help increase one’s access to their innate ability to experience music on a more visceral and emotional level and in the process, empower empathy among musicians beyond the boundaries of genre.

2:15 – 3:45 PMtif the coqui can saLsa, so can you! Jose DiazThe session will introduce Diaz’s new children’s book project, Freddie the Frog and the Invisible Coqui, the latin jazz/salsa music interpretation used in the book and teacher resource materials. Attendees should expect to fully participate in the session.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

stefon harris

5:00 – 6:00 PMenD of caMP recePtionA toast to your great week!

Friday, July 22, 2016

custoMize your caMP exPerience! choose one class and level for the sessions listed below. (sessions not listed will be attended by all.)MonDay-thursDay 2:15 – 3:45 PM

n Workshop/Lecture –or–n Jazz improvisation Workshops n beginning n intermediate n advanced

tuesDay-friDay 9:00 – 10:30 aM: instrumental Master classes

n saxophones & Woodwinds n trumpets & trombones n rhythm section n Voice

check the aPProPriate box:Jic MeMbersn early registration (ends June 1, 2016): $190n regular registration (begins June 2, 2016): $250

non-MeMbers: non-member registration fees include a 1-year membership to the Jazz institute of chicago at the educator Level.n early registration (ends June 1, 2016): $225n regular registration (begins June 2, 2016): $285

$

First & Last Name:

Mailing Address:

City: State: Zip:

Home Phone: Cell Phone:

E-mail:

Type of Registrant: n Educator n Hobbyist n Professional Musician n Student n Other

School Name (for Educators only):

Instrument:

How did you hear about the camp? n Past Attendee n Flyer/Postcard n Email n Friend n Internet Search n Other

PayMent: We gladly accept MasterCard, Visa, American Express and Check or Money Order payable to: the Jazz institute of chicago.

Please check the appropriate box: n Check n Money Order n MasterCard n Visa n American Express

Card#: Exp. Date:

Name on Card: CV2:

Signature: Zip Code:

Billing

registration: session seLection

registration: contact inforMation

MaiL this PaneL to: JAZZ InSTITUTE of CHICAGo | 410 S. MICHIGAn AVE. | SUITE 500 | CHICAGo, IL 60605

or Visit JAZZInCHICAGo.oRG to register. REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

H perFormAnCe

l JAm SeSSion

tuesday - friday, 9:00 – 10:30 aMt instruMentaL Master cLasses – Part 1In these four-part master classes, discuss and practice styles, techniques and exercises to improve your individual and sectional playing. Choose one based on your instrument:

saxoPhones & WooDWinDs Master cLassgeof bradfieldFor saxophonists and other woodwind instrumentalists.

truMPets & troMbones Master cLassVictor garciaFor trumpeters, trombonists, and other brass instrumentalists.

rhythM section Master cLassWillie PickensFor guitarists, pianists, bassists, drummers, and rhythm section instrumentalists.

Voice Master cLassbobbi WilsynFor vocalists and chorus instructors.

10:45 – 11:45 aMu coLLectiVe creatiVity tomeka reidHow does the concept of collectively creating music lead to creating organizations? Reid explores the history of artists’ music collectives across the United States and Europe and how these movements to establish cultural identity impacted creative improvised music.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu can’t knoW it aLL (but the More you LoVe

it, the More you Learn it) slide hampton

Trombonist, composer and arranger Slide Hampton discusses the importance of perpetually learning about music, regardless of how accomplished one thinks they are. Sharing examples from a combination of giants of jazz and personal experience, he will show that, no matter where you are, you’re always at the beginning of what you can learn and fortunately, we can pick up where those who came before us left off!

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 1 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will share insights on the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, can teach them about American democratic ideals.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 2

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisation Pharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

sLiDe haMPton

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 3

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu froM concePt to creation: the Process

of Putting a recorDing together regina carterRegina will play examples that inspired repertoire choices for her previous album releases, followed by a Q and A.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu four DecaDes of PubLic schooL Music

eDucation in chicago Willie Pickens and bethany PickensBoth music greats in their own rights, father Willie and daughter Bethany will discuss their insights on music and education over the decades

2:15 – 3:45 PMu is it Wrong notes or MisPronunciation? Jose DiazJazz phrasing and improvisation is based on language development. This session will discuss techniques used to develop the language of jazz.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 4

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00-5:00PMt the Practice of transcriPtion anD the

art of iMProVisation session with special guest artist regina carterParticipants will transcribe a solo with Ms. Carter and use some of the transcribed solo to create their own improvisations.

In addition to discounts at educational workshops, membership includes discounts at select jazz clubs, record stores and magazines throughout Chicago, a subscription to the monthly JazzGram newsletter and discounts at our Jazz Club Tour and annual Gala.

REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

Page 7: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

u leCture-diSCuSSionS Led by engaging and authoritative speakers, these sessions are designed for anyone who loves jazz or wants to learn more by enriching their understanding of the many intersections between jazz and art, culture, politics and history.

t CliniC-WorKShop These sessions are designed for musicians of various levels and music educators, though non-musicians are welcome. Most require some degree of previous musical study and/or expect that you perform on an instrument.

10:15 – 10:30 aMWeLcoMe & orientation

10:45 – 11:45 aMu Just Do It! Victor goinesOne of the simplest and most direct slogans in marketing history is that of the athletic brand Nike, Just Do It! This session, led by Victor Goines, embraces the same philosophy in regards to jazz improvisation. Explore the simplicities and complexities of developing the vocabulary and courage necessary to communicate in the language of Jazz.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PM H Jazz PerforMance raJiV haLiMIf you believe that the stars align, knowing that saxophonist Rajiv Halim has the same birthday as Cannonball Adderley has great significance. Demonstrating both a Cannonball-esque agility and a Coltrane-ish intensity, he brings his own coloristic concept showing that this Jazz Links alumnus is following his own muse.

2:15 – 3:45 PMu the center for bLack Music research: a

PLace for aLL Who LoVe bLack Music Dr. rosita sands, Professor of Music, Interim Chair,

Music Department, Columbia College ChicagoThis session presents an introduction to the work for the Center for Black Music Research; a research unit

of Columbia College founded in 1983. Unlike other research institutions that focus on a single genre, the Center’s collection is recognized for its broad scope and role in contributing to an understanding of the diasporal unities that connect the musics created by peoples of African descent. It is also one of the largest and most comprehensive collections of print and sound materials available.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 1: In these 4-part workshops, learn tunes, interact with peers, develop your sound and refine your improvisational skills. Choose between one of three levels:

beginning Jazz iMProVisationgreg WardDesigned for those new to jazz performance, interplay, harmony, and standards.

interMeDiate Jazz iMProVisationJarrard harrisDesigned for those with some familiarity playing and improvising on jazz standards.

aDVanceD Jazz iMProVisationPharez WhittedDesigned for those ready to tackle complex harmonic progressions and rhythmic feels.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Victor goines

monday, July 18, 2016

tuesday, July 19, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 2

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu insiDe nina siMone “Jazz is not Just

Music, it’s a Way of Life, it’s a Way of being, a Way of thinking.”

Dee alexanderInspired by her fierce determination and deep understanding of the power of music, Dee Alexander shares insights into Simone’s music and life. Alexander will share her research, personal experience and expression of the many layers of meaning of Simone’s life in the music.

11:45 – 2:15 PM Lunch on us at buddy guy’s featuring the After School Matters Jazz Big Band

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 2 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will continue the discussion about the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, is to teach them about American democratic ideals.

2:15-3:45PMt Jazz iMProVisation WorkshoPs – Part 3

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

Dee aLexanDer

Wednesday, July 20, 2016

thursday, July 21, 2016

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 4

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu DeMocracy at PLay! stefon harrisUnderstanding the core cultural competencies of jazz and its significance pertaining to the future success of our democracy.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMt harMony cLouD stefon harrisThe Harmony Cloud™ is a tool which will help increase one’s access to their innate ability to experience music on a more visceral and emotional level and in the process, empower empathy among musicians beyond the boundaries of genre.

2:15 – 3:45 PMtif the coqui can saLsa, so can you! Jose DiazThe session will introduce Diaz’s new children’s book project, Freddie the Frog and the Invisible Coqui, the latin jazz/salsa music interpretation used in the book and teacher resource materials. Attendees should expect to fully participate in the session.

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

stefon harris

5:00 – 6:00 PMenD of caMP recePtionA toast to your great week!

Friday, July 22, 2016

custoMize your caMP exPerience! choose one class and level for the sessions listed below. (sessions not listed will be attended by all.)MonDay-thursDay 2:15 – 3:45 PM

n Workshop/Lecture –or–n Jazz improvisation Workshops n beginning n intermediate n advanced

tuesDay-friDay 9:00 – 10:30 aM: instrumental Master classes

n saxophones & Woodwinds n trumpets & trombones n rhythm section n Voice

check the aPProPriate box:Jic MeMbersn early registration (ends June 1, 2016): $190n regular registration (begins June 2, 2016): $250

non-MeMbers: non-member registration fees include a 1-year membership to the Jazz institute of chicago at the educator Level.n early registration (ends June 1, 2016): $225n regular registration (begins June 2, 2016): $285

$

First & Last Name:

Mailing Address:

City: State: Zip:

Home Phone: Cell Phone:

E-mail:

Type of Registrant: n Educator n Hobbyist n Professional Musician n Student n Other

School Name (for Educators only):

Instrument:

How did you hear about the camp? n Past Attendee n Flyer/Postcard n Email n Friend n Internet Search n Other

PayMent: We gladly accept MasterCard, Visa, American Express and Check or Money Order payable to: the Jazz institute of chicago.

Please check the appropriate box: n Check n Money Order n MasterCard n Visa n American Express

Card#: Exp. Date:

Name on Card: CV2:

Signature: Zip Code:

Billing

registration: session seLection

registration: contact inforMation

MaiL this PaneL to: JAZZ InSTITUTE of CHICAGo | 410 S. MICHIGAn AVE. | SUITE 500 | CHICAGo, IL 60605

or Visit JAZZInCHICAGo.oRG to register. REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

H perFormAnCe

l JAm SeSSion

tuesday - friday, 9:00 – 10:30 aMt instruMentaL Master cLasses – Part 1In these four-part master classes, discuss and practice styles, techniques and exercises to improve your individual and sectional playing. Choose one based on your instrument:

saxoPhones & WooDWinDs Master cLassgeof bradfieldFor saxophonists and other woodwind instrumentalists.

truMPets & troMbones Master cLassVictor garciaFor trumpeters, trombonists, and other brass instrumentalists.

rhythM section Master cLassWillie PickensFor guitarists, pianists, bassists, drummers, and rhythm section instrumentalists.

Voice Master cLassbobbi WilsynFor vocalists and chorus instructors.

10:45 – 11:45 aMu coLLectiVe creatiVity tomeka reidHow does the concept of collectively creating music lead to creating organizations? Reid explores the history of artists’ music collectives across the United States and Europe and how these movements to establish cultural identity impacted creative improvised music.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu can’t knoW it aLL (but the More you LoVe

it, the More you Learn it) slide hampton

Trombonist, composer and arranger Slide Hampton discusses the importance of perpetually learning about music, regardless of how accomplished one thinks they are. Sharing examples from a combination of giants of jazz and personal experience, he will show that, no matter where you are, you’re always at the beginning of what you can learn and fortunately, we can pick up where those who came before us left off!

2:15 – 3:45 PMu exPLoring the Jazz-as-DeMocracy

MetaPhor – Part 1 Dr. Wesley WatkinsThe Jazz & Democracy Project® (J&D) utilizes jazz as a metaphor to cultivate a profound understanding of American democratic ideals. J&D brings American democracy to life, enriches the study and teaching of U.S. history, government, civics and culture, and inspires youth to become active, positive contributors to their communities. J&D founder, “Dr. Wes”, will share insights on the power of metaphor, integrating the arts at craft level, and how teaching students about the jazz process/aesthetic, can teach them about American democratic ideals.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 2

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisation Pharez Whitted

4:00 – 5:00 PMl JaM session With sPeciaL guest artist

sLiDe haMPton

9:00 – 10:30 aMt instruMentaL Master cLasses – Part 3

saxoPhones & WooDWinDs Master cLassgeof bradfield

truMPets & troMbones Master cLassVictor garcia

rhythM section Master cLassWillie PickensVoice Master cLassbobbi Wilsyn

10:45 – 11:45 aMu froM concePt to creation: the Process

of Putting a recorDing together regina carterRegina will play examples that inspired repertoire choices for her previous album releases, followed by a Q and A.

11:45 – 1:00 PM Lunch (on your own)

1:00 – 2:00 PMu four DecaDes of PubLic schooL Music

eDucation in chicago Willie Pickens and bethany PickensBoth music greats in their own rights, father Willie and daughter Bethany will discuss their insights on music and education over the decades

2:15 – 3:45 PMu is it Wrong notes or MisPronunciation? Jose DiazJazz phrasing and improvisation is based on language development. This session will discuss techniques used to develop the language of jazz.

2:15 – 3:45 PMt Jazz iMProVisation WorkshoPs – Part 4

beginning Jazz iMProVisationgreg Ward

interMeDiate Jazz iMProVisationJarrard harris

aDVanceD Jazz iMProVisationPharez Whitted

4:00-5:00PMt the Practice of transcriPtion anD the

art of iMProVisation session with special guest artist regina carterParticipants will transcribe a solo with Ms. Carter and use some of the transcribed solo to create their own improvisations.

In addition to discounts at educational workshops, membership includes discounts at select jazz clubs, record stores and magazines throughout Chicago, a subscription to the monthly JazzGram newsletter and discounts at our Jazz Club Tour and annual Gala.

REMEMBER, EARLY BIRD RATES ExpIRE JUnE 1!

Page 8: R ICT V VICToR ES I Go in collaboration with GoInESjazzinchicago.org/wp-jazzinchicago/wp-content/uploads/2016/03/... · in collaboration with ... Barry Harris, Thad Jones, Mel Lewis

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35 CPDU’s available for Chicago Public School Teachers

Held at: Columbia College Music Center 1014 S. Michigan Avenue Chicago, IL

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Location Columbia College Music Center 1014 South Michigan Avenue Chicago, Illinois 60605

cost Jic MeMbers early registration (ends June 1): $190

regular registration (begins June 2): $250

non-MeMbers* early registration (ends June 1): $225

regular registration (June 2): $285

*Non-member registration fees include a 1-year membership to the Jazz Institute of Chicago at the Educator Level.

#SAJC16

registration/ check-in Check-in begins at 9:30 AM on Monday, July 18 and at 8:30 AM on Tuesday, July 19 – Friday, July 22, 2016

enJoy Lunch on us! On Wednesday, July 20, 2016, enjoy a complimentary lunch at Buddy Guy’s featuring a live lunchtime jazz performance by the After School Matters Jazz Big Band!

MeMber benefits In addition to future discounts for educational workshops, your membership to the Jazz Institute of Chicago includes special discounts on magazines, at select jazz clubs throughout Chicago and to our Jazz Club Tour and annual Gala, and a subscription to the monthly Jazz Institute of Chicago member newsletter, the JazzGram.

About the CAmp

Now in its 8th year, Straight Ahead Jazz Camp offers five days of innovative, hands-on sessions led by professional jazz musicians and expert clinicians who will educate, challenge, and inspire. Created for adults and students ages 18 and up, the camp provides, educators, music lovers and musicians of all levels, with an opportunity to grow learn and connect. This year features regina carter, stefon harris, Dee alexander, slide hampton and Victor goines; five special guests who will jam with participants and share their insights and knowledge through lectures and workshops.

Additionally, the week-long camp includes sessions with renowned musicians and music educators Dr. Wes, Jose Diaz, tomeka reid, Dr. rosita sands, Willie Pickens, geof bradfield, greg Ward, Victor garcia, Pharez Whitted, bobbi Wilsyn and others!

35 CPDU’s are available for Chicago Public School teachers

Monday: Victor goines Saxophonist and clarinetist Victor Goines is widely recognized as one of the most engaging and versatile performers, composers, collaborators and educators in music today. Deeply committed to the field of jazz education, Mr. Goines is the Northwestern University Artistic Director for the Jazz Studies program, Education Consultant for Jazz at Lincoln Center and has conducted master classes, clinics, workshops and lectures nationwide.

tuesday: sLiDe haMPton Described by critics as a master composer, arranger and uniquely gifted trombone player, Slide Hampton’s career is among the most distinguished in jazz, performing with and composing and arranging for Art Blakey, Dizzy Gillespie, Barry Harris, Thad Jones, Mel Lewis and Max Roach, and touring with his octet in the 60s, which included stellar horn players Booker Little, Freddie Hubbard, and George Coleman. Mr. Hampton was named an NEA Jazz Master in 2005.

Wednesday: Dee aLexanDer Vocalist Dee Alexander’s talent spans every music genre, from Gospel to R&B, from Blues to Neo-Soul. Yet her true heart and soul are experienced in their purest form when she performs jazz. Equally adept in mainstream swing and outer-fringe experimentation, big-band jazz, and small-group fare, Alexander stands as a jazz vocalist for all occasions who has received critical acclaim for performances at festivals across the United States and around the world.

thursday: regina carter For Regina Carter, the violin isn’t merely an improvisational vehicle. It’s a passport to unexpected realms, a Rosetta stone that unlocks the door to a myriad of cultures and worlds. Violin virtuoso Regina Carter is considered the foremost jazz violinist of her generation. Winner of a coveted 2006 MacArthur Foundation “Genius” Fellowship for “showing exceptional merit and promise for continued and enhanced creative work.” Ms. Carter is also a Resident Artistic Director at SF JAZZ.

friday: stefon harris Jazz vibraphonist Stefon Harris is one of the most important young artists currently at the forefront of new music. Much in demand as a star sideman, Harris has played with many jazz luminaries including Kenny Barron, Steve Turre, Kurt Elling, David Sanchez and Christian Scott, in addition to releasing several of his own critically well-regarded albums. He tours the world with is band Blackout and teaches at New York University.

About StrAight AheAd JAzz CAmp’S SpeCiAl gueSt ArtiStS

The Jazz Institute of Chicago acknowledges the following for support of this camp: Dan Epstein, Crown Family Philanthropies, Illinois Arts Council Agency, a state agency, The Oppenheimer Family Foundation, The Polk Bros. Founda-tion, The Beidler Family Foundation, a CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, The Gaylord and Dorothy Donnelley Foundation and The MacArthur Fund for Arts and Culture at Prince

for educators, musicians and jazz enthusiasts of all levels

Plan to immerse yourself in five days of innovative, hands-on sessions led by world renowned jazz musicians and clinicians who will educate, challenge and inspire you!

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Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

Monday: VICToR GoInES

Tuesday: SLIDE HAMpTon

Wednesday: DEE ALExAnDER

Thursday: REGInA CARTER

friday: STEfon HARRIS

With Special Guest Artists: