6
Dessus - Education & Technology Summer School - Strasbourg 2009 Questions How to facilitate learning/teaching through language (knowledge building, feedback, etc.) Computer is good at storing-recalling-matching. More difficult to assess higher-lever language uses, understanding Which Natural Language Processing techniques to provide just-in-time feedback as freely as possible? 31 I.2 Comm Dessus - Education & Technology Summer School - Strasbourg 2009 How to Get More with ICT? Three main levels of analysis [Dessus et al. ’00] multiple-choice exams (term by term matching); free-text assessment based on shallow features (e.g., readability, frequency count) free-text assessment based on course content 32 I.2 Comm Dessus - Education & Technology Summer School - Strasbourg 2009 Latent Semantic Analysis: Intuitive Presentation [Lemaire & Denhière ’05] 33 “The pilot parks the plane” Dessus - Education & Technology Summer School - Strasbourg 2009 1. MCQs [Dessus ’00] Les principes de la causalité naturelle sont… A. Des principes causaux qui existent réellement dans la nature. (0,37) B. Des principes que tous les scientifiques utilisent. (0,32) C. Des principes des scientifiques modernes. (0,27) D. Des principes qui ont fait leur preuve mais qu’on n’utilise plus beaucoup. (0,37) E. Des principes inexacts qu’on a naturellement tendance à appliquer. (0,47) LSA-based comparisons predict answers. Overal grade: 12/27 (random 5,4/27) I.2 Comm Dessus - Education & Technology Summer School - Strasbourg 2009 2. Note Taking [Mandin et al. ’05] 35 !"#$%& ( ) *+%,- ./$-& 0,#& .& +1$%23 .$ !""#$%&’ &4 .& 5/&20,+& .& 0%"2& .& -14&2 Note-taking with feedback: Turtle vision weak cohesion of notes, higher similarity with source text Note-taking without feedback: Eagle vision higher cohesion of notes, lower similarity Bachelor students in educational sciences (N=44). Knowledge Pretest + Course reading + Knowledge Posttest Factors: Feedback from pretest + Note-taking I.2 Comm Dessus - Education & Technology Summer School - Strasbourg 2009 3. Essay Writing [Lemaire & Dessus ’01] 36 Summary Pane: Written essay from a course Overall Grade How well each topic is covered Possible followed outline Feedback Pane: 21 real-settings essays processed:teacher vs. Apex 1 grades r = .59 I.2 Comm

Questions How to Get More with ICT? - Accueilwebcom.upmf-grenoble.fr/sciedu/pdessus/talk/unistra09-2.pdfQuestions How to facilitate learning/teaching through language ... MCQs [Dessus

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QuestionsHow to facilitate learning/teaching through language (knowledge building, feedback, etc.)

Computer is good at storing-recalling-matching. More difficult to assess higher-lever language uses, understanding

Which Natural Language Processing techniques to provide just-in-time feedback as freely as possible?

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How to Get More with ICT?

Three main levels of analysis [Dessus et al. ’00]

multiple-choice exams (term by term matching);

free-text assessment based on shallow features (e.g., readability, frequency count)

free-text assessment based on course content

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Latent Semantic Analysis: Intuitive Presentation

[Lemaire & Denhière ’05]

33

“The pilot parks the plane”

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1. MCQs [Dessus ’00]

Les principes de la causalité naturelle sont…

A. Des principes causaux qui existent réellement dans la nature. (0,37)

B. Des principes que tous les scientifiques utilisent. (0,32)

C. Des principes des scientifiques modernes. (0,27)

D. Des principes qui ont fait leur preuve mais qu’on n’utilise plus beaucoup. (0,37)

E. Des principes inexacts qu’on a naturellement tendance à appliquer. (0,47)

LSA-based comparisons predict answers. Overal grade: 12/27 (random 5,4/27)

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2. Note Taking [Mandin et al. ’05]

35

!"#$"%&'()"*+,-.%

//%

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!"#$%&'&(%)*&+)*,((-&+.)0"$1% '23"&%4"%4,556"&%&,5'% -")$"(77("&%8% 7"&%&),-"&%9$1%:$"&'(,559(-"&%;%)<,(1%

=$7'(37"&% "'% 7"&% 5,'"&% :$(% &,5'% 95972&6"&% 9#")% >?@+% @*(5% 4A,3'(=(&"-% 7"&% )97)$7&% -697(&6&% 9#")% )"%

3-,.-9=="B% 5,$&% $'(7(&,5&% $5% "&39)"% =$7'(4(="5&(,55"7% :$"% 5,$&% "&'(=,5&% 9))"3'9C7"B% )A"&'D;D4(-"%

&$**(&9=="5'% -"3-6&"5'9'(*% 4"&% ),559(&&95)"&% &6=95'(:$"&%4"&% 6'$4(95'&+%E,$&%5A9#,5&% )"-'"&% 39&% '"&'6%

4(**6-"5'&%),-3$&%3,$-%),5&"-#"-%7"%37$&%,3'(=97B%=9(&%5,$&%"5%9#,5&%),5&'-$('%$5%"5%-"&3")'95'%9$%=("$1%

7"&% :$97('6&% 3-"&)-('"&% 495&% 79% 7(''6-9'$-"+% F7% "&'% 4,5)% #,7$=(5"$1% G0"&&$&HHI% 39-% 7A(5'6.-9'(,5% 4"%

7A"5&"=C7"%4"&%9-'()7"&%39-$&%495&%7"%J,$-597%/&)0,(*&)"5%/KKKB%"'%$5%=(5(=$=%&36)(97(&6%GL$-C2@7HMI%

39-% 79%),5)9'659'(,5%4"&%9-'()7"&%;% 7A(5'6.-97('6%4$%),$-&%4,5'%"&'%"1'-9('% 7"% '"1'"% 7$%39-% 7"&%6'$4(95'&+%>9%

=9'-()"%),5&'-$('"%&$-%)"%),-3$&%9%6'6%-64$('"%;%MHH%4(="5&(,5&N+%O-,(&%#97"$-&%&,5'%9(5&(%46.9.6"&%8%%

!! 12$(*$3&)*&) 3,4-"&(3&)*&+)(,%&+)5) 79% ),<6-"5)"% '"1'$"77"B% '"77"%:$A"77"% "&'%="&$-6"B% 3"-="'%4A,C&"-#"-

7A"5)<9P5"="5'% 4"&% (46"&% '-95&)-('"&B% 3<-9&"% 93-Q&% 3<-9&"B% 39-% 7"&% 6'$4(95'&+% R77"% ),--"&3,54% ;% 79

=,2"55"% 4"&% (54()"&% 4"% 3-,1(=('6% &6=95'(:$"% )97)$76&% 39-% >?@% "5'-"% )<9:$"% 3<-9&"% ),5&6)$'(#"

S3<-9&"%/%"'%NB%3<-9&"%N%"'%MB+++T%4"&%<$('%39."&%4"%5,'"&+%U"''"%=6'<,4"%4"%)97)$7%-"3-"54%)"77"%#97(46"

39-%V,7'WB%L(5'&)<%"'%>9549$"-%GV,7'W@7KXI%"'%39-%#95%0(JY%"'%L(5'&)<%S/KXMT%G>9549$"-0$=9(&KZI+%%

!! 12$(*$3&) *&) +$'$1$%6*&) *&) 3,(%&(6) 7#"%$&1)5) 79% &(=(7('$4"% 4"% ),5'"5$% 39-'("7% 3"-="'% 4"% #6-(*("-% &(% 7"&

6'$4(95'&%&"%*,)97(&"5'B%7,-&%4"%7"$-%3-(&"%4"%5,'"&B%"**")'(#"="5'%49#95'9."%&$-%7"&%3,(5'&%),--"&3,5495'

;%7"$-&%79)$5"&+%R77"%"&'%933-6<"546"%39-%79%=,2"55"%4"&%(54()"&%4"%3-,1(=('6%&6=95'(:$"%(&&$&%4"%79

),=39-9(&,5%4"&%5,'"&%;%)<9:$"%&")'(,5%4$%),$-&%5,5%9):$(&"+%>"&%&")'(,5&%4$%),$-&%&,5'%),5&(46-6"&

),=="% 5,5% 9):$(&"&% 4Q&% 7,-&% :$"% 7"&% -63,5&"&% (5('(97"&% 9$1% :$"&'(,5&% ),--"&3,5495'"&% 3,&6"&

),--"&3,54"5'%;%$5%8&&*9#3:%4"%#97"$-%=9$#9(&%,$%'-Q&%=9$#9(&B%)A"&'D;D4(-"%:$954%7"%5,=C-"%4"%)9&"&

),--")'"="5'%),)<6"&%"&'%(5*6-("$-%;%79%=,('(6%4$%5,=C-"%4"%C,55"&%-63,5&"&%9''"54$"&+%%

Note-taking with feedback: Turtle visionweak cohesion of notes, higher similarity with source text

Note-taking without feedback: Eagle visionhigher cohesion of notes, lower similarity

Bachelor students in educational sciences (N=44). Knowledge Pretest + Course reading + Knowledge PosttestFactors: Feedback from pretest + Note-taking

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3. Essay Writing [Lemaire & Dessus ’01]

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Summary Pane:Written essay from a course

Overall Grade

How well each topic is covered

Possible followed outline

Feedback Pane:

21 real-settings essays processed:teacher vs. Apex 1 grades r = .59

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4. Summary Writing2 intertwined cognitive processes in summarizing:

selection of the most important ideas of the source text (ST)macrorule application on some sentences of ST to compose the summary (Sum) [Kintsch & van Dijk ’78]

copy: a Sum sentence is very close to a ST onedeletion: a ST sentence is very far to all Sum onesgeneralization: a Sum sentence is close to several ST sentencesconstruction: a Sum sentence is not very close to all ST one, but pretty close to some of themSee the Demo @ http://webu2.upmf-grenoble.fr/sciedu/smandin/demos/resumwebdemo.swf

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4. Summary Writing. Effect on student’s activity

38

0

7,5

15,0

22,5

30,0

Sum 1 Sum 5 Sum 10

Frequency of Copies

0

12,5

25,0

37,5

50,0

Sum 1 Sum 5 Sum 10

Frequency of Generalizations

Resum’Web Control

p < .05p < .05

Frequency of “off-the-subject” and constructions were equalSummary grades by teachers were equal

p < .05

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5. Adding SRL Functionalities 1/2 [Dessus & Lemaire ’02]

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5. Adding SRL functionalities 2/2 [Mandin et al. ’07]

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I.3 Human-Computer Interaction

Fourth Pillar

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Human-Computer Interaction [after Spector 08]

Psy

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Com

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Des

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Focus on HCI“Googleization” of interfaces and feedback: “Be brief and they shall learn” [Di Eugenio & Fossati ’08]

Not only simple interface, but ones that embed psychological/instructional models (see 1st & 2nd pillars)

Personalize the interaction (agents, feedback) or the content (graphs, word clouds)

Warning: Author of none of the following examples

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Personalizing Feedback [Wiemer-Hastings & Graesser ’00]

Cohesion-centered feedback from an agent (Cow-boy)

44

location. The student can then dismiss the window or ask for further explan-

ation about that topic.

The personality of the kibitzers is exhibited only by the type of feedback

that they make and the picture on this window. Ideally, this association

between character and text aspect would be augmented by other agent attrib-

utes. The inclusion of a distinctive voice for each agent and perhaps some ani-

mation could make the agents much more distinguishable. These feature will

be implemented in a future version of the system.

Another type of interaction that is supported is the “push” (Graves, 1983).

For certain types of problems, students can rewrite parts of their composi-

tions “off-line’’. Figure 3 shows feedback from Marvin which presents the

student with a portion of her original text and asks her to modify it. She can

then edit the original text, make one or more completely new versions, or

maintain the original. Then she can have the new text spliced back in to the

full composition.

In summary, the student’s interaction with the tool is fairly simple. The stu-

dent enters the composition and asks for advice. The active critics offer their

feedback, giving further explanation when necessary. The complexity of the

system lies behind the scenes, as is described in the next sections.

SELECT-A-KIBITZER 157

Fig. 2. Advice from the cowboy.

Advice from Cowboy

Thank you, bye I don’t understand

I couldn’t quite understand the connection between the first sentence and the second sentence. Could make it a bit clearer? Or maybe make a new paragraph.

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Graphs & Word Clouds

Stored content easy to compute and grasp with vector-based representation

Graphs can represent semantic distances between pieces of content, persons etc.

betweenness, centrality, cohesion, density [Wild ’08]

Word clouds (e.g., Wordle.net) allow immediate perception of language-based corpora

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Research Trends in ED-MEDIA Conf. [Wild et al. ip]

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!"#$%&'"()*+,-.,"/%)&0'*1&)'")10,).&#(,)*+,-.,"/%)2*)10,)1,+3&)'")10,&,)4'/1'2"#+',&)/#")5+26

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"21'*'#<$,64'**,+,"/,) 10+,&02$4) 2*) :>>?) @#&) .1'$'&,4:) ;0'&) 10+,&02$4) ,-.#$&) #") #<&2$.1,) '"6

/+,#&,)<%)A:B).&,&)2+)#)+,$#1'7,)'"/+,#&,)<%)CD:E)F)2*)10,)3,#")*+,-.,"/%)'")C>>>:)G&'"()10'&)

10+,&02$48)?B)1,+3&)&,,3)12)0#7,)#)4'3'"'&0,4)+2$,)@0,+,#&)HA),952&,)#"),"*2+/,4)+2$,:))

!)@2+4) /$2.4) I.&'"()@2+4$,:",1J) 12) 7'&.#$'&,),#/0)2*) 10,) *2.+)(+2.5&) I4'3'"'&0,4) +2$,8) ,"6

*2+/,4)+2$,8)",@8)4'&#55,#+,4J)'&)4,5'/1,4)<,$2@8)+,*$,/1'"()10,)#/1.#$)*+,-.,"/%)'")10,)$,16

1,+)&'K,:))

)

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)

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)

)!"#$%($%N'3'"'&0,4)O2$,)I'")C>>MJ:%

)!"#$%)$%P"*2+,4)O2$,)I'")C>>MJ:%

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Q.#$'1#1'7,$%8)10+2.(0)10,)/2&'",)4'&1#"/,&)2*)10,)1,+3)7,/12+&)'")10,)$#1,"16&,3#"1'/)&5#/,8)

#)(+#50)&1+./1.+,)/#")<,),&1#<$'&0,4)10#1)R)&'3'$#+)12)#)&2/'#$)",1@2+S)R)/2"",/1&)1,+3&)#&)

10,)"24,&) '")10'&)(+#50)@'10),#/0)210,+)10+2.(0) $'"S&8) 10.&)+,*$,/1'"()10,'+)&,3#"1'/)/$2&,6

",&&:)G&'"()4'7'&'7,)/$.&1,+'"()I5+,/'&,$%T)10,)4'#"#)4'7'&'7,)#"#$%&'&)/$.&1,+'"()#$(2+'103J8)10'&)

",1@2+S) /#") <,) 5#+1'1'2",4) 0',+#+/0'/#$$%) '"12) /2352","1&:)U0,") $22S'"() #1) 10,) 4,"4+26

(+#33,&)4,5'/1,4)<,$2@8)#).&,*.$) $,7,$)2*) #"#$%&'&) *2+) '"&5,/1'"()#) +,#&2"#<$,)".3<,+)2*)

/2352","1&)2")10,)&#3,)$,7,$)/#")<,)&,1)#1)#)0,'(01)2*):?:)V2+)10,)(+#50)2*)10,)4'/1'2"#+%)'")

%,#+) C>>>8) 10'&) ,**,/1'7,$%) +,&.$1&) '") 1,") /2352","1&8) @0,+,#&) C>>M) $'&1&) ?B) /$.&1,+&:)

)

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Relations between Persons [Wild ’08]

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Red nodes: reviewersGreen nodes: editorsOther nodes: contributorsLinks: interactions

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Knowledge from Papers [Landauer et al. ‘04]

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Learner Positioning from Interviews [Berlanga et al. ’09]

Generation of expert and student concept maps with Leximancer

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ExpertLearner

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Representing Topic Flow in Essays

[O’Rouke & Calvo ’09]

50

4. Analysis of the 2-Dimensional Visualisation

A well structured and developed essay answer should have a clear and logical flow of topics throughout its paragraphs. To support feedback on this aspect of essay writing, we use the 2-dimensional representation to provide insight into an essay’s topic flow. In a paragraph ‘map’, such as those in Figure 1, an essay’s paragraphs are plotted on a circular grid with the diameter of the grid equal to the maximum possible distance between any two paragraphs (i.e. no topic overlap). The paragraphs are represented using a node-link diagram with text labels and arrows used to indicate the sequence of paragraph.

Consider, for example, how the clear sequence of topics in the five paragraph essay paradigm [16] would appear in a paragraph map. In this paradigm, the content of the ‘introduction’ and ‘conclusion’ paragraphs is expected to be similar, so these paragraphs should appear close in a map. The ‘body’ paragraphs address different subtopics and should ideally be linked through transitions, so they should be sequentially positioned in the map. Thus, the map of an ideal five paragraph essay would have a circular layout of sequential paragraphs, indicating a natural change in topic over the essay, with the introduction and conclusion paragraphs starting and finishing on similar points. In contrast, we would expect a poorly structured essay to have many rough shifts in topic, with paragraphs positioned almost randomly around the map.

Figure 1 illustrates the paragraph maps of two short essays. The essay on the left was given a low grade while the essay on the right was given a high grade. The topic flow of the high grade essays clearly resembles that of the prototypical five paragraph essay described above, while topic flow of the low grade essay appears disorganised. The low grade essay shows possible signs of disconnectedness through rough topic shifts as well as repetition through paragraphs of near identical topic mixtures.

Figure 1. The paragraph maps of an essay with a low grade (left) and an essay with a high grade (right).

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Social Proxies[Erickson & Kellogg ’04]

51

On-Line Lecture

Erickson and Kellogg 7 Social Navigation Chapter

their views of a social proxy. This is important because it is what supports mutual awareness and

accountability: I know that if I see something in the social proxy, that all other viewers can see it as

well.

• Third Person Perspective. Social proxies are represented from a third-person point of view. When

I look at a social proxy, I see myself represented in it in the same way that other participants are

represented. This opens an important avenue for learning. As I act within system, I can see how my

actions are reflected in my personal representation, and thus I can begin to make inferences about the

activities of others.

This is rather abstract, so let’s take a look at an example. Figure 1.1 shows

a social proxy from the Babble system (discussed in section 1.4), that we

refer to as “the Cookie.” The purpose of the Cookie is to reflect the real

time presence and activities of participants in a multi-channel chat-like

system. The large circle represents the ‘current’ conversation (i.e. the one

being viewed by the user). The small colored dots (called “marbles”)

represent people who are logged onto the Babble system, including the user

from whose viewpoint we are seeing things. Marbles that appear inside the

circle depict participants who are looking at the current conversation;

marbles outside the periphery represent people who are logged on to the

chat system but in a different chat. Finally, when participants are

active—meaning they either ‘speak’ (i.e. type), or ‘listen’ (i.e. click or

scroll)—their marbles move to the inner part of the circle, and then, when

activity ceases, drift back out to the edge over the course of about twenty

minutes.

Thus, the Cookie shown in Figure 1.1 shows that ‘something is happening.’ The tight cluster of five

marbles around the center core of the circles shows that those participants are engaged (they are either

typing, or clicking and scrolling as one often does when participating in the chat). Two other users,

depicted by marbles at six and seven o’clock, are also viewing the same conversation, but have not been

active. Possibly they are away from their computers, or possibly they are working on other things and

ignoring the conversation. The eighth marble (at four o’clock) depicts a user who is logged onto the

system but viewing a different conversation; that user may or may not be active—all we can tell is that

he or she is connected to the system. Thus, the Cookie shows people are either here or ‘around’, and if

here, how recently they have done something; it also shows when people arrive or depart, in that new

marbles appear or disappear (if logging on or off) or move into or out of the bounds of the circle.

We will discuss the Babble Cookie and how people make use of the cues it provides in the next section.

However, before we do that, we will present some other examples of social proxies to provide a glimpse

of the power and generality of this technique.

1.3.3 The Lecture Proxy

A common situation in the face to face world is that one person will speak to an audience which, by and

large, remains quiet. Class room lectures, professional talks, and business presentations are all examples

of this. Suppose that we have an online analog of this situation. Perhaps the talk or lecture is being

delivered via audio as part of a large conference call; we can imagine that members of the distributed

Figure 1.1. The Babble

‘Cookie’

Chat Discussion

Color Circles: PeopleWhite Circle: Conversation FlowBlack-line Circle: Chat Room

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Research QuestionsThe design of cognitive tools wrt. HCI:

Interface not too cognitively demanding

Underlying metaphor?

Representing intentions/beliefs/desires, which are crucial in collaborative learning and teaching?

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II. Research Projects

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Rationale1. Embed teaching and learning models into ILEs

2. Integrate them in a communication way or technique, which can help teaching/learning

3. Design the interface and fix HCI concerns, according to

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II. Pro

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Activity Integration [Dascalu ’09]

55

Chatting

Reading Summar-izing

Prov

ide pr

ior k

nowledg

e

Iden

tify un

know

n to

pics

and

retu

rn

appr

opria

te re

adin

g su

gges

tions

Generate chat sum

maries autom

atically

Present information & sum

mary

Obtain summary/synthesis

Integrate in the current lecture

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jects

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Three mainactivity loops [Dessus et al. 09]

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Understanding/Knowledge Building

Chat

Write Utterances

Chat LoopChatChat

Manuels Read Texts

Reading Loop

TextbooksPortfolio

Write Texts

Writing Loop

Portfolio

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Future ConcernsCombine cognitive-based and narrative-based points

Multiple-source syntheses

Embed individual comprehension-focused processing to predict student’s own understanding of course and utterances

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Questions for Discussion

All these activities are already existing in current classroom settings

Is ICT the good way to assist teacher activity? Why not to use pencil/paper-based ones?

What kind of improvements, experiments or new cognitive tools to devise, accounting for the 4 pillars

psychology of learning & Instructional Design

communication theory

HCI?

II. Pro

jects

Thanks for your attention [email protected]

Get the refs: http://www.citeulike.org/user/pdessus/tag/ictresearch

Get these Slides: http://webu2.upmf-grenoble.fr/sciedu/pdessus/

© veryveryfun.com

Additional Material

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Analysing Content with LSA [Landauer ‘02; Lemaire & Denhière ‘05]LSA determines the statistical context in which each word occurs; semantically compares words; serves as semantic memory

two words are similar if they occur in same paragraphs

two paragraphs are similar if they contain common words

two words are similar if they occur in similar paragraphs

two paragraphs are similar if they contain similar words

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Latent Semantic Analysis 2/2 [Lemaire & Denhière ’05]Given a corpus processed beforehand

split in paragraphs

words are projected in a n-dimension space so that

• words can be compared to each other by computing the cosine of their corresponding vectors

• paragraphs can be compared to each other by computing the cosine of the sum vector of the words they are composed of

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Polyphony : Feedback tool for Chat [Trausan-Matu & Rebedea 09]

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Chat with explicit links (blue) and implicit (red). Red bars = contribution’s importance

Automatic detection of themes and discussion threads (token analysis)

Visualization of chat threads and feedback

II. Pro

jects