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Amadeus Julian Regucera for voice, (bass) flute, (bass) clarinet, accordion for Ensemble L'arsenale 2013
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!!
!!!!!
Push!female!voice/bass!flute!&!flute/!!
Bb!clarinet!&!bass!clarinet/accordion!Amadeus!Julian!Regucera!
2013!
! i"
Push !Female"Voice"
Bass"Flute,"doubling"Flute"
Clarinet,"doubling"Bass"Clarinet"
Accordion"
"
Approximate"duration:"7’"
Written"for"Ensemble"l’arsenal"
!!!
Instrumental!Disposition:::!!
!
!!
!!!
! ii"
Instrumental!Performance!Indications:::!!General:!"
Accidentals"are"held"through"the"measure."
Microtones"are"used"as"inflections"of"standard,"tempered"pitches:"
I Indicates"a"threeCquarterCtone"flat B !Indicates"a"quarterCtone"flat!µ !Indicates"a"quarterCtone"sharp"˜ Indicates"a"threeCquarterCtone"sharp" Note:
"In"instances"where"rhythms"are"tied"together"and"the"last"duration"has"
an"“accent”,"the"crescendo"should"be"very"sharp"and"forcefully"(almost"
violently)"emphasize"the"last"rhythmic"duration."
"
Amplification:::!"
The"ensemble"should"be"amplified"to"bring"out"the"“breathing”"performance"gestures"
that"are"ubiquitous"in"the"ensemble"texture."Microphones"such"as"a"Shure"WHC
30"or"a"DPA"Vocal"Mic"are"ideal"for"the"voice"and"flute"and"hypercardioid"mics"
such"as"the"Earthworks"P30"for"the"clarinet"and"accordion.""
"
Small"box"speakers"(such"as"the"UPJC1P"or"comparable)"within"the"ensemble"to"aid"
with"balance"is"ideal."Otherwise,"a"regular"stereo"disposition"will"suffice."
"
Additionally,"an"electronic"megaphone"is"required"for"the"soprano"in"some"parts"of"the"
piece."Ideally,"it"would"be"a"smaller"model"and"easier"to"move."
!!!
Flute:!
"When"the"flute"is"divided"into"2"staves,"the"top"stave"indicates"mouth"and"
embouchure"articulations."Depending"on"where"the"articulation"falls"in"comparison"to"
the"staffCline"determines"its"relative"“pitch”"or"“height.”"
The"bottom"staff"indicates"pitches"to"be"fingered."Fingered"notes"should"be"struck"as"
forcefully"as"possible"for"maximum"key"click"sound."
"
"
Indicates"a"trill"with"the"pitch"one"halfCstep"above."All"trills"in"Push"are"halfCstep"trills."
"
"
"
TongueCstop"
"
"
Audibly"breathe"into"the"flute"
"
"
Indicates"audible"exhale/inhale"(respectively)"into"flute"with"CLOSED"
MOUTHPIECE,"while"the"throat"makes"an"<h>""sound"" "
""
"
"Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one"
that"is"a"combination"of"pitch"content"and"breath,"respectively."
The"arrow"between"them"indicates"a"gradual"transformation"""
from"one"timbre"to"the"other"
"
"Indicates"“ordinario”"playing""
! iii"
"FlutterCtongue"
"
!air"sound,"with"consonant"indicated;"arrow"indicates"a"smooth"
transition"from"one"consonant"to"the"next."
!"air"sound,"with"mouth"in"the"vowelCshape"indicated;"arrow"
indicates"a"smooth"transition"from"one"to"another."
"
<k>,!<t>,!<f>" fricatives"are"vocalized"into"the"flute"with"OPEN!MOUTHPIECE."These"should"be"very"percussive"and"sharp."It"is"helpful"to"make"a"“smiley"face”"with"the"
mouth"in"order"to"shorten"the"distance"between"the"airCexplosion"and"the"
mouthpiece."
%Flute%Overblow!
%Flute%Multiphonics%The"fingerings"for"multiphonics"are"given"in"the"part"and"come"from"Carin"Levine"&"
Christina"MitropoulosCBott’s"The%Techniques%of%Flute%Playing%Volume%One"published"by"Bärenreiter."Below"is"the"fingering"chart:"
"
!%!!!!!!
Clarinet:!!
Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one"
that"is"a"combination"of"pitch"content"and"breath,"respectively."The"arrow"between"
them"indicates"a"gradual"transformation"from"one"timbre"to"the"other"
"""""""""""
"Indicates"“ordinario”"playing""
!" Indicates"a"rapid,"irregular"glissando,"which"should"end"on"the"
parenthesized"note."Because"this"gesture"happens"so"quickly,"the"
specific"notes"are"irrelevant;"only"the"directionality"and"energy"of"
the"gesture"are"important.
Rhythmic"figures"with"slashes"indicate"accelerandos"or"decelerandos"
as%fast%as%possible."These"can"be"indicated"as"performed"freely"or"as"
measured"tuplets"
""SplitCtone"(son%fendu)"multiphonics"using"regular"fingerings."
The"numbers"correlate"to"the"harmonic"bandwidths"above"
the"fundamental,"(1)"being"the"lowest,"within"the"first"
octave,"and"(3)"being"the"highest,"two"to"three"octaves"(if"
possible)"above"the"fundamental.""
"
"
"
"
"""Slap"tongue"
"
"
"
"
Blow"the"read,"holding"the"instrument"a"short"distance"from"the"mouth."This"
should"create"a"breathy,"percussive"sound"when"performed"with"the"syllable"
<te>!!
!
! iv"
!FlutterCtongue"!"
"
Humming"or"murmuring"while"playing"the"instrument"
"
"
"
"
Bisbigliando"(timbral"trills)"are"played"as"fast"as"possible,""
unless"indicated"otherwise"(rhythmically,"irregularly,"
accelerando/decelerando)!!
Female!Voice:!!
Text:::%If"I"hold"my"breath,"I"can"feel"heaven"
When"I"close"my"eyes,"I"see"God"
When"I"inhale,"it"pushes"through"my"veins"
You"exhale,"breathe"a"kiss"into"my"lungs"
!
A%note%on%the%text:%%Most"of"the"piece"is"performed"in"a"free,""sprechstimmen"Clike"manner."The"emphasis"
is"on"vocal""acting""and"conveying"mood"and"emotion."When"traditional""singing""is"
called"upon,"it"is"important"to"try"to"blend"with"the"other"instruments,"within"the"
texture."Performance"and"mood"indications"are"given"when"they"are"needed."
The"text"is"fragmented"in"many"instances"throughout"the"piece"in"a"sort"of"musical"
aphasia."The"pronunciation"in"these"instances"should"remain"consistent"as"if"the"whole"
word"were"to"be"pronounced.""
Words"may"also"be"fragmented"into"single"vowel"and"consonant"sounds"and"are"
contained"within"brackets"[!]."These"should"be"pronounced"according"to"the"context"given."In"most"instances,"they"subscribe"to"the"sounds"in"the"International"Phonetic"
Alphabet."
"
"
Vowels:"
[I]"–"open"“i”"as"in"sit,%will,%myth"[aI]"–"combination"of"bright"“ah”"(as"in"French:"dame,%table)"and"open"“i”"forming""
the"sound"in"English"of"ivy,%bright,%sigh,%cry% Fricatives:"
[t] –"as"in"tea [k] –"as"in"cup [s] –"as"in"switch [f] –"as"in"fly "
There"are"two"types"of"staff"styles"used"in"Push"for"the"female"voice:"
"
"Regular%staff:"all"nonCordinario"singing"is"performed"at"a"pitch"relative"to"its"position"
on"the"staff."
"
"3Cline"staff:"Only"relative"register"positions"are"given"(for"all"ordinario%and"nonCordinario"singing)"
""
"Noteheads"indicate"“breath"only.”"Upbow"and"downbow"markings"
indicate"inhale"and"exhale,"respectively."This"breathing"should"be"
done"with"the"mouth"open"in"order"to"be"audible"and"at"a"“pitch”"
relative"to"its"position"on"the"staff."
"
"
"
! v"
Breathing"is"articulated"using"one"of"three"different"syllables:"
[hE]!–"the"“e”Csound"in"heaven,"wet![ha]!–"the"“a”"in"father,"water![f]"–"giving"the"breathing"a"stronger"sound"as"the"air"hits"the"teeth"[s]"–"giving"the"breathing"a"stronger"sound"as"it"hits"the"roof"of"the"mouth"
"
"
"
Spoken"in"a"regular"timbre"
"
"
Spoken"in"a"regular"timbre"with"some"breathiness"
"
" "
"""Spoken"in"a"very"breathy,"almost"whispered"way"
"
"
" Sung"at"approximate"pitch"(sprechstimme)"
" Spoken"at"approximate"“pitch”"(“pitch”"here"refers"to"the"place"in"the"vocal"
range"where"the"speaking"is"the"be"performed)"
" Highest"possible"pitch"
"
" Highest"possible"pitch"(halfCnote"duration)""
!"
!!!!!!
!!Accordion:"!!Treble%(Right%Hand)%Registers""
""
"
Treble%Registers"Bass%(Left%Hand)%Registers""
""
"
"
"
"
"
"
"
"
! vi"
"
"
"
The"middle"staff"is"used"to"designate"bellows"movement,"particularly"for"passages"
where"only"the"bellows"air"should"be"audible."
""
The"indication"“with!air”"or"“w.!air”"means"that"the"pitches"played"should"be"as"
diffused"as"possible"with"bellows"air."
"
"
""
Scraping"the"bellows"ribs"with"the"fingernails"(like"a"guiro)""
÷
V
&
&
?
84
84
84
84
84
Female&Voice
Clarinet&&
Bass&Cl.&in&Bb
Accordion
Flute&
Bass&Flute
Jy-Z
‰ y. Jy̆ y !3
breathe a kiss
"
"
"
"
e = 96-92, light, intimate, anticipatory and sensual
Bass Flute
Fseductively, gently ß
‰ y- y- Œ3
in to
"
"
"
"
P! y. ! ‰ Œ3
my
"
"
"
"
p jyâjy .y yfl
‰lung s
œfl œ##
œ œ œ œ# œ œn fl
œ##
œ œ œ œfl
"
"
"
now different, a new character, somewhat sinisterP $ ƒ
sim. (in/exhalations are playedwith a closed mouthpiece)
< t > < t >
ƒ
< t >
consonants/plosives areplayed with open-mouthpiece
ç
< h >
for Ensemble L'arsenale
Pushmusic/text:amadeusjulianregucera
Transposed Score
÷
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&
&
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83
83
83
83
83
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
wqwq
5 "
5
œ##
œ œ œ œ œ# œfl œ%
œ œb œn fl œn%
œb œfl3
5 "
5 "
"
< t > < t > < t >
jy.Z
jy. jy. jy.[I] [I] [I] [I]
œ#%
œ œ œ œ̆œ̆ œb
#œ œfl
œ##
œ œ œ
"
"
"
< t > < t > < t >
& reticent at first but becoming compulsive
y. yfl! jy. jy.
[I] [f] [I] [I]
œfl œ#
œ œ̆ œ̆ œ# œ œb œ̆3
Œ ! œbZ
Œ ! œ
Œ ! œœ
< t >< t > < t > < t >
Bb Clarinet
p
$
°
w. air
2 Push
÷
V
&
&
?
84
84
84
84
84
82
82
82
82
82
Voice
Cl.
Acc.
Fl.
wqwq wqwq wqwq
8 jy. jy. jy. jy.[I] [I] [I] [I]
8œ
%œ œb œ œ œ œ# ! Œ
3
8
˙
8
˙
˙˙
articulations become longer,attitude becomes more emphatic & intent
y. yfl! jy. jy. y. yfl
![I] [f] [I] [I] [I] [f]
"
œ
w
œb œb œ œn jœbZ
jœ œw
œ# œ# œ œb5
5
jœ œ jœ
Jœœ œœ Jœœ
pß ß
cresc.
Fp sub. Fp sub.
jy< y< yfl! jy<
jy<[I] [I] [f] [I] [I]
"
jœbZ
œw
œ# œ œn œb œb jœbZ
œ œ œb œ œb6 5
jœ jœ jœ jœ
Jœœ Jœœ Jœœ Jœœ
p pß ß
Fp sub. Fp sub.
3Push
÷
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&
&
?
82
82
82
82
82
84
84
84
84
84
83
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83
Voice
Cl.
Acc.
Fl.
11
y< yfl! jy-
[I] [f] If
11 "
11 ! . œ œbœ !
11
œ œ ® ‰
œœ œœ ® ‰
p
F
°
1q
1
[aI]
Jœ>1
Jœ ‰q
‰
j-e# >‰ Œ
˙˙˙˙˙b#
"
pp poss.
f
ƒ
°
1 1
‰ ‰ œb #œb œ œn œ œb œfl œb fl
"
œœœœœ œœœœœ
" &
p f
$
J1 J1w
)#y[ha]
&
Jœ>1
œfl œb flœ>1
.œ œ#
‰ ‰ ! œ#Z
œ
Jœœœœœ œœœœœ ! ‰
‰ ! œ Jœ
ß f ß ƒ
F
°
F ß
4 Push
&
V
&
&
&
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
15 ‰ ! œ̆y ‰if
15
œ œb œ œ œ œ# œ# flœ% œ œ œ#
15
œ œ œ œ œ œ œb ® œb œ œ œb
15 ‰ ‰ Jœœ
Jœ .œ ® Jœœ?
f
< k > < k >
p f
° F
œ̆y ! ‰ œ̆y !I hold
œ̆ œ%
œ œ œ# œ# œ œfl œ#œ œ3
! œbZ
œ œ œb œb œb ! œ œ œ3
! œœ J
œœ ! œ
œ
! œœ Jœœ ! œœ
< k >
with voice
p f f
° °F
œ̆y ! œ̆y ! ! œ̆ymy breath [I]
œfl œ#
œ# œ̆ œ#
œ œ œ# œfl
! œ œb ! œb œ œ œbw
!
Jœœ ! œ
œœœ !
Jœœ ! œœ œœ !
< k > < k > < k >
p f
°F F
ç"
"
jœbM1
œM2
...œœœ#
.œ
p f
pp sub.
5Push
&
V
&
&
?
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
19 "
19 Œ œ>
19
˙
19 ˙˙˙
œ œ ‰
F
Í
< k >
Ø
y̆ œ œ y̆ œ- y̆ y̆ .œ-[f] [I] [f] [I] [f] [f] [I]
œ̆ œ# #œ œ œ œ̆ œ# œb œ̆ œ̆ œn # œb œ
3
œZ
œb œbœ œb œb œ
œbœn œn œ
œbq
jœ
5
"
"
ƒ
< k > < k > < k >
ß p
ƒ pp sub. ƒy̆ )#> .1
[f] [ha] I
œ# fl œfl œ
Z
œ# œ œ œ# œ œw
œœ œ œ# œ#
Z
jœ .œM
1
œb œ œ œ œ œ œ
2
œ œ œ
1
3
‰ œœ>
jœœ
‰ jœœb >jœ
jœœbf $
smorz.
< t > < k >
pp sub. f $
ord.
f
ç pp poss.
6 Push
&
V
&
&
?
83
83
83
83
83
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
~~~~~~ Ÿ~~~~~~~~~~~
22 !
22œ>3
œ> œ# > ‰ œ œ œb œb œ œ œ œ3
22
œ ! œbZ
œb œ œ œ œ œb œn œb œ !5
3
Rœ
22 ‰ ...œœœ# æ
‰ ..œœ
#æ
p
fff sub.
p $
p F p
°
irregular, spastic bellows shake
Œ ‰ ! œ# ä[I]
œb fl œ
1
jœ œ
2
œ œ œ œ# œ œ>#
-e>! œM
2
œM !
...œœœæ
œœœ ! ?
..œœæ
œœ !
f sub.
$
ß p f ß
< k >
Ø
f punchy, sharp
y̆ ! ‰ œ# - ![f] I
! œ!1
œ! œ! œ# ! œ# ! œ! ! œ# œ
! œbZ
œb œn œb œ œ œn ! œb œ5
! œ œ œœ# œ# œ ! œ# œ
! œœœb Jœœœ ‰
flz.
F f
P F
w. air
p P
7Push
&
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&
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?
84
84
84
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83
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83
Voice
Cl.
Acc.
Fl.
25 œ˜ - ! ! œä Jœ ‰I hold
25 ! œ# œ# œ œ ! œ# !1
œ# ! œ! œ! œ! œb ! œb ! œn !
œ!2
5
25 ! œb œn œb œ œn œb ! œnM1
œb œ œ œ œ œ œ œ œ œ23 3 5 6
25 ! œ# œ# œ œ ! œ# œ# œ œ œ œb œb œn œ5
! œœœb œœœ ! œœœ
f ƒ f ƒ
flz.
F f p f
p F p F
ßœ- œ# ! Jœ˜
ä œ ! ! œ# ämy breath I
‰ œ!2
œb ! œb ! œ!œ
!œ# ! œn ! œ# !
œ! œ! œn !
1
!5
‰ œbM
12
œn œ# œn œ œ œn œ œb œb œbœ
!5 5
‰ œ œb œb œ œ œ# œn œ# œ œ œn !5
Jœœœ ...œœœ
ƒ f
flz.
f p
pp sub. F $
f ß fœ œ# -y Jœ# ä œ œµ ! ‰3
can feel
‰ ! œ!1
œ! œ! œb ! œb ! œ! œ!2
‰5
‰ ! œ
M1
œb œ œ œ œ œ œ œ2
‰3 6
‰ ! œ œ œ œb œb œ œ ‰5
&
jœœb œ
œ ‰
f ƒ
flz.
p f
F
pp sub. f
8 Push
&
V
&
&
?
83
83
83
83
83
84
84
84
84
84
83
83
83
83
83
Voice
Cl.
Acc.
Fl.
wqwq
Ÿ~~~~ Ÿ~~~~ Ÿ~~~~~
28 .1
hea
28 "
28 "
28 ‰ ‰ Jœœœœbb
"
$
°
.J1 Rœy. ‰
ven
! œ# œb jœ2
fljœ# fl
jœfl3
.œ
Jœœœœ œœœœ ! ‰
‰ ! œœœ## >jœœœ
f
F ß
as fast as poss.
Í
ord.
ƒ Ï f
"
"
œ Jœ œw œq œw œq
"
œœœ ! ‰ Œ°
decel.
F
"
"
œw œ# œ œ œ! œ#! œ! œ#! œ! œ# ! œ# ! œ# !œ# !œ
!5
5
œ œ# œ œ œ œ# œ# œ œ# œ œ œ œ# œn5
5
"
flz.
p
&
9Push
&
V
&
&
?
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
Ÿ~~~~ Ÿ~~~~~~~~~~ Ÿ~~~~~~~
wqwq
32
y- )>#
y- )>#
y- )>#3 3 3
[I] [f] [I] [f] [I] [f]
32 "
32
œ!fl ! . ‰ ‰
32
œ# ! . ‰ ‰
"
ƒ
f
& metronomic, obsessive
y- )>#
y- )>#
y- )>#
y- )>#3 3 3 3
[I] [f] [I] [f] [I] [f] [I] [f]
œ# œ# œn œ# œ2
fl œ# fl œ ! .œfl ®
‰ ‰ œbZ
jœ jœ3
‰ ‰ œ œ œœ ..œœ œœœb3
" &
ord.
ƒ Ï f
$
°
cresc.
y- )>#
y- )>#
y- )># jy-
3 3 3
[I] [f] [I] [f] [I] [f] I
œb1
œ œ œ œ œ œ
3
œ œ œ# œn œn œ œ
1
œ#
œ œb œ5 5
˙
˙˙˙
‰ ‰ ‰ œb 3
$ F $ ƒ
10 Push
&
V
&
&
&
83
83
83
83
83
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~
35 .œb Jœca n
35 "
35 .œ jœq
35 ...œœœjœœœ
.œ Jœ ?
&p
$ °
Fp sub. fpoco rit.
y̆ )# ! ‰ y̆ )# ![f][ha] [f][ha]
! œ! œ! œ! œ# !œ# ! œ! œ
! ! œfl œfl5
! œ#Z
œ œ œ# œ# œ# œ! œ œ
5
! œœ J
œœ ‰
! œœ Jœœ ‰
fff poss.
flz.
p ƒ ç
$ F
w. air
° F
a tempo (e = 96-92)
y̆ )# ! ! y̆@ y@ )# ![f][ha] [f] [ha]
! œ œ œ œ# œ# ! ! œb >3
3
! œ# œ œ œ# œ#2
! ! œ
13
! œœ J
œœ ! œœœbb >
?
! œœ Jœœ ! œœœbb >
flz.
p ƒ Ï
p$ F
° F ƒ
.1
fee
jœq ‰ ‰
jœ
jœ
3
œ
1
!
jœœœjœœœ œœœ ! &
jœœœ jœœœ œœœ !
pp poss.
Ï f
°
molto vib.
11Push
&
V
&
&
?
84
84
84
84
84
82
82
82
82
82
84
84
84
84
84
83
83
83
83
83
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
wqwq wqwq
Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~~
39 J1 ‰ JœbZ
J l hea
39 ! œ J œB œ œn œ œ# œ#
œ œ œ
5
39 ‰Jœ œ œ œ# jœ>œ
e#
39 ˙˙˙˙b#
"
$
°
p ƒ
p ƒ p
œnw
! ‰
Jœ2
˘ jœ# fljœn fl
3
.jœ>æ rœœ
e#
œœœœ
"
f
F
Ï$
flz.
Ï f
ord.
˙
Z
ve
! œ œ œb! œ! œ! œ! œ! œ#! œn! œn! œ! œ! œb! !5
.œ œ !
Jœœœœ œœœœ ! ‰ œ œ# œ œ
"
p poco vib.
° p
flz.
& P &
p $
œ ! )#> ! jœb .yZ
n [ha] [I]
‰ .œ œ œ œb œ œ
‰ ‰ ! œZ
œ
œ œ œ œ œ œb ! ‰
"
& ff sub. $as in the beginning
$ $
F
f
Ø
12 Push
&
V
&
&
?
84
84
84
84
84
83
83
83
83
83
84
84
84
84
84
83
83
83
83
83
Voice
Cl.
Acc.
Fl.
Ÿ~~~~ Ÿ~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~
43 jœb . jœ. œ. yfl! jœ.
[I] [I] [I] [f] [I]
43 ‰ ‰ ‰ œ2
fl œ# fl
43 œ œ œ# œ# œ œb œ œ! ‰ ‰
55
43 ‰œœœœbnbn
œœœœ.
!
"
&
Ï
° F
jœb . jœ. œ. yfl!
[I] [I] [I] [f]
jœfljœfl
jœ# fl ! œZ
œb3
‰ ! . œ#w
œ œb œ œ œ
Z5
Jœœœœbnbn
œœœœ.
! ‰
"
f $
pf ff sub.
cresc.
° F
jœb < œ< yfl! jœ<
jœ-[I] [I] [f] [I] [I]
œb œn œ œ œ# œ œb œbw
! ‰ ‰5
5
‰ jœq jœ j
"
"
ƒ
decel.
°
take Flute
13Push
&
V
&
&
?
83
83
83
83
83
44
44
44
44
44
42
42
42
42
42
44
44
44
44
44
Voice
Cl.
Acc.
Fl.
wqwq
46
œ- yfl! ! œ- ! . yfl
[I] [f] [I] [f]
46 "
46 j Z j jœ
q
46 "
! . œ œæ
f
p °
°tremolo w. knee
"
"
"
Ó ˙
˙æ ˙æ
q = 66-58, subcutaneous, emergent
"
"
˙bZ
œ
Ͼ Ͼ
$
f
"
"
˙ .œæ œfl@w
œ
Z
"
˙æ .œ œ̆ œœ# æ
ffpp sub.
flz.
& fppp sub.
sim.
14 Push
&
V
&
&
?
Voice
Cl.
Acc.
Fl.
wqwq
50 "
50 "
50
œ œ œæ œæ œfl@w
! œb æZ
Ͼ
50 Œ Œ ‰ œb > œœ
Œ3
œœæ œœæ œœ œœ
ffpp sub.
flz. flz.
f &
"
"
œfl@w
! œbZ
œ œæ .œæ œfl@w
œb > œ œœ œ# ‰ Œ Ó
5
œœ œœæ œœæ œœ
ffpp sub. ffpp sub.
flz.
f &
sim.
15Push
&
V
&
&
?
43
43
43
43
43
44
44
44
44
44
Voice
Cl.
Acc.
Fl.
wqwq
52 "
52 "
52 ! œ
Z
œ# œ œn œb œ œ œn œœ
œ# œ œ œ œ! œ! œ! œ! œn! œ! œ! œb! œ! œb!œ#
! œn! œnw
>
52
œ# > œœ œ œ œ# œ œ œ œ Œ ‰ œ œ
œ œn œ œ# œ# œn œ œ ‰6 6
Œ œœæ Œ ‰ œœ#
flz.
f
& f ppp sub.
f &
sim.*all of the cresc. & decresc. in measures 52-54 should bevery severe.
"
"
.œœ# >
œ œœ
e
‰œ# œ œ œ œ# Œ Œ
5
?
œœ ‰ ‰ œ
œ# œœ
œœ
p ffpp sub.
f ppp sub. f ppp sub. f ppp sub.
irregular
stringendo
f
16 Push
&
V
&
?
?
44
44
44
44
44
43
43
43
43
43
Voice
Cl.
Acc.
Fl.
54 "
54 "
54 œ œ> ‰ Œ ‰
œ# æM2
e#œ#
e
54 ‰ œ# œ# œ œb œ œœœb œœœ̆ ‰ . œ œn œn œ# œnœ# œ#
œ œn œ œ# œnœ œ# œ
6 7
œœ ‰ Œ œœœb# œœœœ
n
$ Ï
f° °f f
p
"
"
.œ#Mœ ˙ œæ
jœ>3
œ œ œ œ œ œ œ œe#
3 5
"
"
a tempo (q = 66)
smorz.flz.
ffpp sub. Ï
17Push
&
V
&
?ã?
43
43
43
43
43
44
44
44
44
44
43
43
43
43
43
Voice
Cl.
Acc.
Fl.
56 "
56 "
56 œ œæj
œ>
Œ3
œe
56 Œ Œ .....œœœœœb œœœœœ>®
Œ Œ ...œœœb# œœœ> ®
flz.
F Ï
° ƒ
yfl )#
)%
)#
)%
Œ Œ Œ5
[t] [f] [f] [f] [f]
"
"
"""
ƒ
*breathing [f]-fricative throughthe teeth to create a rough, exaggerated breathing timbre
‰ ! yfl )#
)%
)#
)%
)#
yfl)#
)%
yfl)#
55
[t] [f] [f] [f] [f] [f] [t][f] [f]
[t][f]
"
"
"Π_% _ ._#
"
ç
"ff " "ff "p
f fƒ
18 Push
&
V
&
?ã?
44
44
44
44
44
43
43
43
43
43
Voice
Cl.
Acc.
Fl.
59
yfl )#
)%
)#
)%
Œ Œ5
[t] [f] [f] [f] [f]
59 "
59 "
59 "Π_% _ ._#
"
f ƒ
sim.
Ó yfl )#
yfl )#
)%
)#
)%
yfl[t] [f] [t] [f] [f] [f] [f] [t]
"
"
" &_% _ ._# _% _ ._#
" &
ƒf
yfl )#)%
)#
)%
yfl ‰ ‰ )>#
yfl ‰5 3
[t][f][f][f] [f][t] [ha] [t]
"
"
Œ Œ ‰œœ Œ
3
"Œ œœœ
# jœœœ Œ œœœ3
çƒ
ç
P °
° F
sim.
19Push
&
V
&
&ã&
43
43
43
43
43
44
44
44
44
44
43
43
43
43
43
44
44
44
44
44
Voice
Cl.
Acc.
Fl.
62 ‰ )>#
yfl ‰ ‰ )>#
3 3
[ha] [t] [ha]
62 "
62 Œ Œ ‰œZ
3
62 ‰œœ Œ ‰
œœ
3 3
"jœœœ Œ œœœ
# jœœœ Œ3 3
çƒ
ç
sim.
pp poss.
yfl )#
)%
)#
yfl )#
yfl yfl yfl )#
)%
)#
)%
yfl )#
)%
)#
)%
5 5
[k] [f] [f] [f] [t] [f] [t] [t] [k] [f] [f] [f] [f] [k] [f] [f] [f] [f]
"
œ .œb œ œ ‰
"_% _ ._# Ó
"
ƒ f fƒ ƒ
"ff " "ff "p
p °
yfl)#
yfl )#
)%
yfl)#
yfl )#
)%
)# )% )# )%5 5
[t] [f] [k] [f] [f] [t] [f] [k] [f] [f] [f] [f] [f] [f]
" &
"
"""
f
20 Push
&
&
&
&
&
44
44
44
44
44
43
43
43
43
43
44
44
44
44
44
42
42
42
42
42
Voice
Cl.
Acc.
Fl.
65 )#y> ! ‰ Œ Œ œ
Z
[ha] whe
65 œœœ̂œ
Kµ œœ̂œœœ̂œ
65 "
65 "
"
Ï
Flute w. voice
$ $F
$ œµ .œ ! Œ
n
œœ̂œœœ̂œ ‰ Ó
3
‰œZ
œ .œb3
‰œœ
œœ
..œœ
œœ˘3
‰ œœœ# œœœ
...œœœœœœfl
3
f
F
pp poss. p
° P ° F
y> )#
)%
)#
)%
‰ yfl )#
)%
)#
)%
yflŒ5
[aI][ha][ha][ha][ha] [k] [ha] [ha] [ha] [ha]close
Œ ‰ œflœZ
œb œ œn œ# œ œ œ œ# œ#œœœœ
lKk
œ ‰ Œ ‰ . œ
M1
œ
"
" ?
< k >
fpp sub.
°
f f ƒ
$delicate, unstable
21Push
&
&
&
&
?
42
42
42
42
42
43
43
43
43
43
42
42
42
42
42
Voice
Cl.
Acc.
Fl.
68 Π1
[m]
68 œœœœ
œœœœ
68
˙
2
68 ˙˙˙#n
˙˙n#
f
$
P
°
1 1 1
[aI]
œœœœ
œœœœ ‰ Œ
œ
3
jœ
1
œ œ
2
œ3
...˙˙˙
..˙˙
$
f $
F pp sub. P
$
take Bass Flute
1- 1 y. ![aI] [s]
"
œ
1
œ#œ œb œ œb œ œb œ œ œ œn œn
...œœœ ‰
..œœ ‰
F $ ß
$
° p
‰ . y.Z
y- ‰I see
"
œb%œ œ œ œ œ œ œ œ œb œ œ œ œ œ œ
" ?
"
p
F $
22 Push
&
&
&
?
ã?
43
43
43
43
43
85
85
85
85
85
42
42
42
42
42
43
43
43
43
43
85
85
85
85
85
Voice
Cl.
Acc.
Fl.
72
y> ‰ ‰ . )#God [hE]
72 "
72 "
72 œœœ#n Jœœœ
œœœ3
"œœœœbb jœœœœ œœœœ
3
f
ƒ ° f
take Bass Clarinet
*m. 72-77, all breathing is donewith the [hE] sound
p
)%)#)%
) .) )#
"
"
"""
F p
)%
)#
)%
) j)
"
"
Œ ‰ œœœ#n Jœœœ
3
"Œ ‰ œœœœbb jœœœœ
3
°
F
) )#
)%
)#
)%
"
"
œœœ#n Jœœœ
œœœ3
"œœœœbb jœœœœ œœœœ
3
ƒ ° f
p fbecoming more heightened, anxious
) ) )#)%)#)%
" V
"
"""
P f
23Push
&
V
&
?ã?
85
85
85
85
85
42
42
42
42
42
44
44
44
44
44
83
83
83
83
83
82
82
82
82
82
Voice
Cl.
Acc.
Fl.
77
) ) )#
)%
)#
)%
)#
fl
77 "
77 "
77 Œ ‰ œœœ#n Jœœœ
3
"Œ ‰ œœœœbb jœœœœ
3
°
P ƒY
Z
"
"
"_% _
"
"ff "
SPOKEN:
I-just-have-to-breathe,-just-breathe. -I-just-have-to-breathe,-just-breath.-Oh-God. -I-just-have-to-breathe,-just-breath.-Oh-God.
pp sub.
Y y )#[s]
"
"
"._ _#
"
°
PJ)̆ ‰ ‰
œ# fl œ%
œ# œ# œ œ œn œn#
œ œ# fl
"
"
J_> ‰ ‰"
"ff "
e = 96-92, Tempo 1
ƒ ƒ
Bass Flute
< k >< k >
ƒ
24 Push
&
V
&
?
ã?
82
82
82
82
82
83
83
83
83
83
82
82
82
82
82
83
83
83
83
83
Voice
Cl.
Acc.
Fl.
81 "
81
œ%
œ# œ# œ œ# œn œn#
œ
81 "
81 "_%
""ff "
"
œ# fl œ%
œ# œ# œ œ œn œn#
œ œb fl
"
"._
"
ƒ ƒ
< k >< k >
"
œ%
œ œ œb œb œ œ#
œb
"
"_
"°
"
œb fl œfl œ%
œ œb œ œb œn œ#
œb
"
! œœœ# œœœ
! œœb œ
œ
ƒ
< k >
°
25Push
&
V
&
?
?
84
84
84
84
84
82
82
82
82
82
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
wqwq
85 "
85
œb fl œfl œ%
œ œb œ œb œn œ#
œb
85 "
85
...œœœ
..œœ
ƒ
< k >
"
œfl œ# fl! œ# fl œ
%œ œb œn œ œb œn
#œb œn ®
˙#
˙˙˙
˙˙
ƒ ƒ
< k >
p
p
erratic
Bass Clarinet
"
"
˙
œœœ ! ‰ Œ
œœ
! ‰ Œ°
F
take Flute
"
"
œ æM1
21
> e
...œœœ
b #œœ
œ
..œœ# œœ
f sub.
Ï°
connected with the next measureas if a single breath
26 Push
&
V
&
?ã?
84
84
84
84
84
82
82
82
82
82
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
wqwq
89 Œ ‰ JZ
Z
When
89 "
89
œ# jœæ j
œ>
89 "_% _
"
"ff "
p sub. Í
erratic flz.
F as natural as possible
‰ Z Z ‰ ! Z
I close my
"
jœæ œ>@ œ>@ .j
œr
œ>
"_ Œ
"
°
Í Í Í
flz.
JZ
eyes
"
œ æM1
21
3
> e
...œœœ
b #œœ
œ
..œœ# œœ
f sub.
Ï°
27Push
&
V
&
?
ã?
84
84
84
84
84
83
83
83
83
83
82
82
82
82
82
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
wqwq wqwqŸ~~~~~~~~~
92 "
92 "
92
˙#
92 "_% _
"
"ff "
p sub.
Jq> ‰ ‰I
"
œ# æM
31 2
> e jœ
"_ J_
"°
p sub.f sub.
F extremely emphatic
JZ> ‰
see
"
œ# æM1
21
3
> e
...œœœ
b #œœ
œ
%
..œœ# œœ
f sub.
Ï°
Jw> ‰ ‰ ‰
God
"
œ æM1
21
3
1
> eb œ#
jœœœ
...œœœæ
jœœ ..œœ
æ
ƒ p sub.
p
ƒ
tremolo w. knee
28 Push
&
V
&
?
ã?
Voice
Cl.
Acc.
Fl.
wqwq wqwq Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
96 Œ ‰ jy
q
Breathe.
96 "
96
œj
œj
œM>3
96
˙˙˙æ
˙æ̇
Í ƒ
&
p(repeat, ad lib. – becoming insane)
y y y y y y y y y y y y y y y y y y y
Score. Push. Fly.
"
œ œ
œœœæ Œ
_朜
æ Œ
p sub. P
°
(air only)
y y y y y y y y J1w
1
[aI]
"
.œ@
M2
œfl!3
‰ Œ
" &
J_æ ‰ Œ"
p Ï
F p sub.
flz.
29Push
&
V
&
&
?
83
83
83
83
83
82
82
82
82
82
83
83
83
83
83
82
82
82
82
82
Voice
Cl.
Acc.
Fl.
99 1 J ‰
99 "
99
œ
Z
œ# œ# œ œ œ œ œn œ œ œ# œ .œn œfl
99 Œ ‰ ! .œœ#>
Œ Œ
$ ƒ
w. voice
murmuring
p
$œb Jœ
[aI]
"
œ#Z
œ œ œ œ# œ œ œ œn œ# œ œ
Jœœ J
œœ
œœ !
"
pp sub.
w. voice
p $
°
! œb œ ® œ
[aI] [aI]
"
œ œfl œ .œ œfl
!œœ#> ..œ
œœœ>
"
ffpp sub. ƒ
p p
p $ p Jœ
"
.œ ææZ
e
œœ
œœ !
"
pp sub. P
flz.
w. voice
$
°
30 Push
&
V
&
&
?
82
82
82
82
82
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
wqwq Ÿ~~~~~~~~
103 "
103 "
103
œ ææ e#
103 "
"
$
Œ ‰ ! . œb >[aI]
"
Jœb æ> e jœ# æ> e jœ æ> e#
‰ .œ@ œfl!3
"
"
ƒ p ƒ°
flz.w. voice
pJœ œ Jœ
"
Œœb
"
"
$
Jœw
‰q
Œ
" &
.œb ! jœbjœœ e œ e
"
"
$
ƒ ƒpp sub.
31Push
&
ã
&
&
&
?
83
83
83
83
83
83
44
44
44
44
44
44
87
87
87
87
87
87
Voice
Cl.
Acc.
Fl.
wqwq
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
107
y y y ‰ ! y3
I can feel I
"
107 "
107 .œb œ œ œ œ# œ5
107 Œ . .. .. .œœœbb œ
œœ
" &
as fast as poss.
°
° ƒ
F
Flute
y ! )#
)%
)#
)%
)# )% )# )% )#5see
[s] [s] [s] [s] [s] [s] [s] [s] [s]
J)%
)#
)%
)#
)%
)# )% )# )% )#5
.œ#
jœb >‰ ‰
œeb
"..œ
œ#æ
Ï
pppp sub.
irregular, spastic bellows shake
° ƒ
"ff "
< h >
ƒ p ƒ
"
"
"
"
"˙˙æ
..œœæ
œœ@ Œ
bellows shake (as fast as poss.)
q = 66-58, naturalistic, relaxed, but emphatic; sounding definitive
32 Push
&
ã
&
&
&ã&
87
87
87
87
87
87
43
43
43
43
43
43
87
87
87
87
87
87
43
43
43
43
43
43
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~
110 ‰ Jw Œ Œ JZ> ‰3
If I
‰ JZ J)#
J)3
110 ‰ œ# œ œ œ# œ# œ# œn œn œ œ# jœ3
6
110 "
110 """
like a confessional, vulnerable, honest(dynamics are up to the performer).Vocalist is in "unison" with flute.p
< h >
$F
"ff "
ƒ
w ‰ Œ ‰ w
hold my
Z w )#
œ œ œ# œ# œ œn œ œb œ œ œ œb œb œ œb œb jœb3
7
6
"
"""
P sub. f ß
< h >
Z̆ Jq ‰ Œ jw-
brea th I
Jw
3> q )#
)%
)#
)%
J)# ‰
jœ œ œb æ eb œ
"
"""
ƒ p
< h >
ƒ
33Push
&
ã
&
&
&ã&
43
43
43
43
43
43
44
44
44
44
44
44
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
113 ‰w
q> q ‰ Œ3
can fee l
Z Jw q )#
)% )# )% )#3
5
113 œb æ e œb æ eb œb æ eb œ3
113 "
113 """
< h >
p f $ Ï
Z> .q Œ Óhea ven
‰ . q æ wæ æ Zæœ .œB œn
œb æ eb
"
"""
flz.
$ f
"
‰ ! )% )# )% )# Ó5
œI æ eI Ó
"
"""
< h >
$ Ï
34 Push
&
ã
&
&
&ã&
85
85
85
85
85
85
44
44
44
44
44
44
Voice
Cl.
Acc.
Fl.
116 ‰ w Œ Œ JZ ‰ w3
when I close
.q>
JZ J)>̆ ̆ ̆
3
116
˙b æ eb œ œb œb œn œb œn ‰ œb œA œ œ6
116 "
116 """
< k > < si >< u >
< h >
Íp F $ ff sub. p sub. Ï
ΠΠjw
my
)#
)%
)#
)% ‰ y̆
)# )% )# )%5
œb œb œ œ œ œ ! œb œ œb ® ‰ œb œb œb œ
"
"""
< h > < s >
Ï$ $
< t >
35Push
&
ã
&
&
&ã&
44
44
44
44
44
44
84
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~
118 .Z Jq Œ ‰w
‰3
eye s I
q 2 > ̆
118
œb œb œn œb œ œ œ œ œ œ œ# œ œb œb œ œ œ œ œb œn œb œn œn œb œn œb œ œb œn œn œb œ
118 "
118 """
< si > < sh >
$ F Í ƒ
Z Œ Ósee
‰ )># Œ Ó
œ Œ Ó
"
"""
ç
36 Push
&
ã
&
&
&ã&
84
84
84
84
84
84
83
83
83
83
83
83
84
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
120w>
q ! ŒGo d
J3>
q ! Œ
120œ œ œb œ œb œ œ œb œ ! Œ
63
120
œb%Z
œb œn œ œ ® ® œ#
œ œ œn œ œb%
œb œn œ
120 "_% J_ _#
3"
Ï &
e = 96-92, Tempo 1
ƒ
"ff " "ff "°
F $ $ F
breathing...
"
"
"
œ® ® œ
#œb œ œn œ ‰
"‰ _%
"
"ff "
$ F
"
"
"
œ%
œ œ ® !œ#
œœb % œb œ œ œ œ
6
" ?
J_ _# ‰3 "
"ff "°
$ F $
37Push
&
&
&
?
&
84
84
84
84
84
83
83
83
83
83
82
82
82
82
82
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
123 "
123 "
123 ! œ# œ œ#%
œb œ ® œ%
œ œ œn œ œ œ#
œb œb ®6
123 Œ œ œb œ œn œb œ œ œb œb ®6
"°
extremely diffuse
P
$ F $ F $ F
"
"
œ%
œb œb œ#
œ œ œn%
œb œ œ#
œ œ œ
%œb œn œ#
6 6
‰ œ œb œb œ œ œb œ œb œn œ6
"f
$ F $ F
‰ ! )#3
[s]
"
œ® ® œ
#œb œ œn œ
œ® ® œ œb œb œn œb
&
"P
$ $
$
38 Push
&
ã
&
&
&ã&
84
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
'
126
w> J)#
Z. w> )#
33
when [s] I in [s]
"126
œb fl
œb#
œ œn œ œ# œ œn fl œ##
œ œ œ œb fl
126
œM1
3
œMæÿ
21
3
126 Œ œœœœb""
ppp poss.
F f
flz.
< k > < k > < k >
< h >sim.
ƒ ƒ ƒp sub. p sub.
F $ F pp sub.
Z> )#
‰Z> J)
#33
hale [s] in [s]
"
œb#
œ œ œ œb œb œn fl œn%œ œb œfl œn
#œb œ œb
3
œ1M
œ# œn œb œb œn !œ! œb !
œb !œA !
œn ! œ# ! œn ! œb ! œb ! œ! œ! œb !
œb !œb !5
55
5
....œœœœ Jœœœœ
""
F f F f
roughflz.
F
p &
< k > < k >
ƒ ƒp sub. p sub.
F pp sub.
F pp sub.
< h >
‰ ‰ JZ. ‰
in
)%
)#
)%
)# )% )# ̆
q Z
33
œ œ œ œ œ œ œ œ œb œ œb œn œ# œ œn œ# œ5
"
"‰ Jy y̆ ! ‰
"
"ff "
"guiro" (scrape buttons w. fingernails)
°ff poss.
p ƒ pp sub. F< k >
P
39Push
&
ã
&
&
&ã&
85
85
85
85
85
85
84
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
129 ‰ ‰ JZ. ! w
>hale push
J q ! ̆ q Z̆
129 œ œ œ# œ# œ œ œ œ œ œb œ œb œn œ# œ œn œ œ œ
56
129 "
129 ....œœœœ## # œœœœ !Œ ‰ ! _%
"
"ff "F°
$ ƒ pp sub. ƒ< k >
f sub.
"
)# )% )# )% )# )% )#
J ̆ )#3 3
œ œ œ œ œ œ œ œ œb œ œ œb œ œb œ œ œb œ œb œ
Œ jœ# œ œ œ œ
"_ J_
"°
w. voice
° P °murmuring
< si > < u >
ƒ p
< h > sim. (in/exhalations are playedwith a closed mouthpiece)
40 Push
&
ã
&
&
&ã&
84
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
131 Π! w>
Z !push es
J)% J )# ̆ Jq
131 œ œb œ œb œ œ œb œ œb œ œb œ œb œn œ# œ œn œ#6
131 ‰ ‰ ! œb jœ
131 "‰ ! y y y̆ ‰
"
ƒ< k >
p ƒ pp sub.
w. voice
°
°ff poss.
"guiro"
f!
Z- ‰ Œthrough
Zfl ->)# J ̆ )#
œ œœ œb œ œ œb œ œb œ œ œb œn œb œ
œ œ œ ! ‰ ! œb
! œœœœ## # œœœœœœœœ
œœœœ
""
< si > < u >
f ß ƒ p fp
°°P
F°
p
41Push
&
ã
&
&
&ã&
85
85
85
85
85
85
44
44
44
44
44
44
Voice
Cl.
Acc.
Fl.
~~~~~~~~~~~~~~~~~~~~~~~
133 Œ ‰ ! . Z.
my
.3 . ̆
133
œ œ ® œ# œ œ œ œ ® œ œ œ œ œb œ œb
133
œ œ .œ@ œ!fl œb œ œb œn œb .œ@ œ!fl5
133 "_% _
"
< k >
pp sub.ff sub.
$ ƒ pp sub. ƒP
flz.w. voice
flz.
"ff "
Œ ‰ ‰w>
3
veins
)#
)%
)#
)% )# J fl ->3
3
3
œ œ œ œ œ œ œ œœb œ œb œ œ œb œ œb
œb œn œb œn œ œ œ œ œb œ œb œ ‰
"J_ ‰ ! y y y̆
3"
p sub. ƒ ç< si >
< u >
°pp sub.
°ff poss.°
"guiro"
f
take Clarinet
"
)# ! ‰ Œ ‰
œ œb ! ‰ Œ ‰
"
‰ ! œœœœ#b œœœœ Jœœœœ
""
f°
42 Push
&
&
&
&ã&
44
44
44
44
44
Voice
Cl.
Acc.
Fl.
136 !Z
!
[I]
136 "
136 "
136 "_% _ _ _ _
"
"ff " °
q = 66-58
(It)
ppp poss. faint, distant ! .1 J1[t]
"
"
"Ó Œ _% _# _% _# _%
5
"
$
43Push
&
&
&
&ã&
Voice
Cl.
Acc.
Fl.
138 y> y> )# y> y> y. y.y> y. y. y. y.
y> y> ! ! y̆ ! ! yfl ! yfl !6 6 6 3
pu shes [s] pu shes through my push through my through my pu shes through my my
138 "
138 "
138 "_# ‰ . Œ Ó
"
"ff "
ff sub. fierce, intense cresc.
44 Push
&
&
&
&ã&
42
42
42
42
42
Voice
Cl.
Acc.
Fl.
139 y> y> y. y. y> y> y. y. )# y. y. )# y. y. ! ! )# ‰ ! y̆ !6 6 3 3
pu shesthroughmy pu shes through my[s]
through my[s]
through my[s]
my
139 "
139 Ó Œ ‰ . œ
q%
139 "Ó Œ ‰ . _%
"
Ï
(no pitch – air-sound only)
"ff "
"ff "
Bb Clarinet
Π1Z
vei
"
œ œ œ#
œ%
œ#
œ%
5
"_ _ _# _% _# _%
5
"
&
p "f "
p "f "
45Push
&
&
&
&ã&
44
44
44
44
44
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
141 1 1
141 "
141
! œ#
œ%
œ#
! ! ! œ%
œ#
œ%
5 5
141 "! _# _% _# ! ! ! _% _# _%
5 5
"
p "f " p
p "f " p
1 1 1 1 ‰!
ns
Ó Œ ‰ ‰!
œ#
œ%
œ#
œ%
œ œ œ#
œ œ œ#
œ> ‰ .!
3 3
"_# _% _# _% _ _ _# _ _ _# _> ‰ .!
3 3
"
"ff " $ "f " $ "ff "
poco rall.
"ff " $ "f " $ "ff "
46 Push
&
&
&
&
&
84
84
84
84
84
82
82
82
82
82
83
83
83
83
83
Voice
Cl.
Acc.
Fl.
143 y>Z
y. y. )# y> y. y. y. )#
)%
)#
)%
)# y>w
y. y.pu shes through pu shes through my pu shes through
143 "
143
Ffl œ#
œ œ œ œb œ! œ#
%œ œ œ Ffl
143 "
"
< te > < te >
f p sub. ßf
e = 96-92, Tempo 1
F ffierce, intense, obsessive
.y )#
! y. y.my through my
"
œ#
œ œ œ œb œ Ffl
"
"
< te >
p sub. f
ff sub.
47Push
&
&
&
&
&
83
83
83
83
83
84
84
84
84
84
83
83
83
83
83
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~
145 ! yfl! y. yfl
‰my through my
145 "
145
œ##
œ# œ Ffl œ#
œ Ffl ‰3
145 " ?
" ?
< te > < te >
fp sub. Í
1Z
1
vei
œ# fl œ%
œ# œ# œ œ# œn œn#
œ œ# fl
œ%
œ# œ# œ
œM1
jœM@ j
œM@2
..œœ>
Jœœæ
..œœ>jœœæ
f $
irregular, spasticbellows shake
flz.
$ F
< k >< k >
f f
sim.< h >
& 1 1 1̆
ns
œ# œn œn#
œ œ# fl œ%
œ# œ# œ œ# œ œn#
œ œb fl
jœM1
jœM@2
œM
..œœæ ‰ &
..œœæ ‰
flz.
pp sub. F sub. &
°
< k >< k >
f f
48 Push
&
&
&
&ã?
83
83
83
83
83
82
82
82
82
82
83
83
83
83
83
82
82
82
82
82
Voice
Cl.
Acc.
Fl.
148
yfl
Z
)#
)%
)#
yfl)#
y. y. ! y̆you you ex hale ex
148 "
148 ! Ffl œb#
œb œ œ œ# œ œb Ffl
148 "
J_# _% _ _#
3 3"
ffpp sub. ƒ
< te > < te >
f p sub. f
° "ff " °
® yfly. y.
w
! . )#you ex hale
"
® œ#
œb œ ‰
"_ _% J_
3 "
ç
p f
"ff " $
.1Z
breathe
œ%
œ œ œb œb œ œ# œb œb ˘
œn ˘
œM1 j
œM2æ
..œœn >
..œœb >
& poco vib.
f
p
flz.
< t > < t >
< h >
f f
49Push
&
&
&
&ã?
82
82
82
82
82
84
84
84
84
84
82
82
82
82
82
Voice
Cl.
Acc.
Fl.
151 J1 J1
151 œ%
œ œb œ œb œ œ# œb
151 jœM3
æ jœM2
151 œœ
œœ
molto vib.f $
$
F p sub.
< h >
f
‰ ! Z> !
Z. w> !
breathe a kiss
"
œZ
œ œ œ œ œb Ffl œ œn Ffl Fflœ# œ
"
J_# _% _ _# _%3 3"
° "ff " $ "ff " "ff "$
$ß ß ß
p! w
> ‰ ‰ Z> !in to
Œ ‰ œfl œ œ# œ3
œ œ# F# flœ# œ œ œ# œ# œ œ#
w
œn Fflœn œ
"_ J_# _%
3 "
ß ßcresc.
< k >
ffp sub.
50 Push
&
&
&
&ã?
82
82
82
82
82
84
84
84
84
84
83
83
83
83
83
165
165
165
165
165
Voice
Cl.
Acc.
Fl.
154 !Z. w
> !a kiss
154
œ# œn œ# œfl œfl œ œ# œn3 3
154
œ œ Ffl Fflœ# œ
154 "_ _# _%
3
"
$ "ff "
ß ß
< k > < k >
ß ßcresc.
ppoco accel. poss.
! w> ‰ Z> ! Z> !in to my
œ œ# œ œ# fl œ œn œ# œ# œ# œ œb œ œ œ œb œfl œ œ œb3 5 6 3
œ œ# Fflœ# œ œ œ# œ# œ œ# œn Ffl
œn œ
"_ J_# _%
3
"
$ "ff "
ß ßf
< k > < k >
ß ß f
F ßw> ! ‰ ! Z
.breathe a
! œ#Z
œ œ!œ#
! œ#!œn
!œ
!œ!
œ#!
œ!˘w
!5
3
! œ œœ# œ
œb œb œn œ œœ# ˘
!3
5
! œœœ# J
œœœ
œœœ>
!
! œœ
#Jœœ
œœ>
!
flz.
p f
p f
° ƒ
F growing in dynamic and emotional rangeuntil the end
e = 112-104, as fast as poss.
51Push
&
&
&
&
?
165
165
165
165
165
84
84
84
84
84
167
167
167
167
167
165
165
165
165
165
Voice
Cl.
Acc.
Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~
157w> ! ‰ RZ̆
kiss a
157 ! RœZ
œw> œ
!
157 JœZ
Jœ-w
RœZ
157 Jœœœb Jœœœ Rœœœ
"
& f &
$ f $
&
f sub.
w> ! ‰ ‰ Z
- !
kiss in
! œ# œ œ œ. !œ# œ œ
œ œ ‰3
5
! œ œ œ œb œ ! œb œb œn œ œb‰
3 3
‰ ! œœœbb ...œœœœœœ˘
‰
"
ß
f p f
f fp
° f
Rw̆ ‰ ! Z-
! Rw̆
to in to
! œ œb œb œ œ œ# œn œ# ! œ œ œn !5
3 3
! Jœw
œq
! œb œ œb !3
" ?
"
f ßp
F $ ß
52 Push
&
&
&
?
?
165
165
165
165
165
83
83
83
83
83
167
167
167
167
167
Voice
Cl.
Acc.
Fl.
160 ‰ ‰ RZ.
a
160 "
160 "
160 ! œœœœœbb .....œœœœœ œœœœœfl! &
! œœ ..œœ œœfl!° Ï
relentless, somewhere between ecstatic and pained
w> ! Z ! Z
. !kiss in to
! œ# œ œ ! œ œb œb ! œ œb3 5
! œb œb œb ! œb œb ! œbœn œ
3
3
"
"
f
f
p
p
Z̆ ! ‰ ! Z.
breathe a
! œ#Z
œ œ!œ#
! œ#!œn
!œ
!œ!
œ#!
œ!˘w
!5
3
! œ œœ# œ
œb œb œn œ œœ# ˘
!3
5
! œœœ# J
œœœ
œœœ>
!
! œœ
#Jœœ
œœ>
!
flz.
p f
p f
° ƒ
fff sub.
53Push
&
&
&
&
?
167
167
167
167
167
165
165
165
165
165
84
84
84
84
84
Voice
Cl.
Acc.
Fl.
163w̆ ! ‰ ‰ Z
>
kiss in
163 ! œ# œ œ œ œ œ# œ# œ œ œ# œ# œn œœ̆
!3
56
163 ! œb œb œb œb œ œb œb œb œb œn œb œn œb œb >!
35
6
163 ‰ ! Rœœœbb ...œœœ
œœœ>
!
‰ ! Rœ .œ œ> !° f
f
f p
p
f
f
Rw̆ ! ‰ ® Z̆
to my
®œbw> œb œ œ œ# œn œ# œ œ
œ#Z
®5 5
® œ> œb œ œb œn œb œb œ œb œ œ ®5 6
! ...jœœœ#b >
œœœ ®
! ..jœ
œ# >œœ ®
ƒ p
$f
f °
Œ !wâ
‰lungs
œ>w œb œb œ œ œ# œn œ# œ œ œn œb œb œ
q
! ‰5 6
3
œb >w œ œn œ œ# œ œ œn œ œ# œn œ# œ œ
q
! ‰5 6
3
œœœœbnbnœœœœ
œœœœ˘
! ‰
‰ jœœb œœ œœfl! ‰
° Î
$
&
F
Amadeus Julian Regucera:::April - May 2013 - Paris, France
ƒ
Ï
54 Push
