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2014 for voice, (bass) flute, (bass) clarinet, violin, viola, cello, double bass
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Push(2)
(female) voice, (bass) flute, (bass) clarinet violin, viola, cello, double bass
Amadeus Julian Regucera
2013/2014
! i"
Push (2) !(Female)"Voice"
Bass"Flute,"doubling"Flute"
Clarinet,"doubling"Bass"Clarinet"
Violin"
Viola"
Cello"
Double"Bass"
"
Approximate"duration:"9’"
Written"for"Eco"Ensemble"
Text"by"the"Composer"
"
!!!
Instrumental!Disposition:::!!
!! ! ! ! ! ! ! Contrbass! ! ! Cello!!! ! ! ! ! ! ! ! ! Voice!! ! ! ! ! Violin! ! Flute!! Clarinet! ! Viola!!!! ! ! ! ! ! ! ! !!!!!!!!Conductor!
!!
!! ! ! !!!!!!!AUDIENCE!
!!
!!!
! ii"
Instrumental!Performance!Indications:::!!General:!"
Accidentals"are"held"through"the"measure."
Microtones"are"used"as"inflections"of"equalHtempered"pitches:"
I Indicates"a"threeHquarterHtone"flat B !Indicates"a"quarterHtone"flat!µ !Indicates"a"quarterHtone"sharp"˜ Indicates"a"threeHquarterHtone"sharp" Note:
"""""""""""""""""""""""""""" "" """"""""""" ""“Flared”"crescendos"and"decrescendos"should"be"performed"as"“dynamic"accents,”"
or"suddenly"becoming"stronger"or"weaker,"dynamically."
"
Amplification:!"
The"ensemble"should"be"slightly"amplified"for"reinforcement"purposes,"in"order"to"
bring"out"the"“breathing”"performance"gestures"that"are"ubiquitous"in"the"
ensemble"texture."Microphones"such"as"a"Shure"WHH30"or"a"DPA"Vocal"Mic"
are"ideal"for"the"voice"and"flute"and"hypercardioid"mics"such"as"the"
Earthworks"P30"for"the"clarinet"and"strings.""
"
Small"box"speakers"(such"as"the"UPJH1P"or"comparable)"within"the"ensemble"to"aid"
with"balance"are"ideal."Otherwise,"any"stereo"disposition"will"suffice."
"
(Female)!Voice:!!
Text:&
"
a"Boom"tells"me"you’re"near,"
the"nerves"smolder"beneath"my"skin"and"an"aching"throb"pulses"behind"my"ribcage."
close."Then"closer."we"make"
"
contact"
"
only"warmth"between"our"mouths,"we"taste""
Anticipation"
"
[If"I"hold"my"breath,"I"can"feel"heaven."When"I"close""
my"eyes,"I"see"God.]"
"
and"I"inhale:::a"
<push>"
through"my"vein::"
"
then"you"exhale:""
breathe"a"kiss"into"my"lungs."
!
A¬e&on&the&text:&&
Most"of"the"piece"is"performed"in"a"free,"sprechstimmeHlike"manner."The"emphasis"
is"on"vocal""acting""and"conveying"mood"and"emotion."When"traditional""singing""is"
called"upon,"it"is"important"to"try"to"blend"with"the"other"instruments,"within"the"
texture."Performance"and"mood"indications"are"given"when"they"are"needed."
The"text"is"fragmented"in"many"instances"throughout"the"piece"in"a"sort"of"musical"
aphasia."The"pronunciation"in"these"instances"should"remain"consistent"as"if"the"
whole"word"were"to"be"pronounced.""
Words"may"also"be"fragmented"into"single"vowel"and"consonant"sounds"and"are"
contained"within"brackets"[!]."These"should"be"pronounced"according"to"the"context"given."In"most"instances,"they"subscribe"to"the"sounds"in"the"International"Phonetic"
Alphabet."
"
Vowels:"
[I]"–"open"“i”"as"in"sit,&will,&myth"
[aI]"–"combination"of"bright"“ah”"(as"in"French:"dame,&table)"and"open"“i”"forming""
the"sound"in"English"of"ivy,&bright,&sigh,&cry&
Fricatives:"
[t] –"as"in"tea [k] –"as"in"cup [s] –"as"in"switch [f] –"as"in"fly "
Other:"
[m]"–"closed"mouth"singing"(humming)"
"
"
Vocal&Staves:&
!There"are"two"types"of"staves"styles"used"in"Push"for"the"female"voice:"
"
"Regular&staff:"all"nonHordinario"singing"is"performed"at"a"pitch"relative"to"its"position"
on"the"staff."
"
"3Aline&staff:"Only"relative"register"positions"are"given"(for"all"ordinario&and"nonA
ordinario"singing).""
"
"
The"example"above"illustrates"a"transition"from"one"staff"to"another."The"character"
of"the"performance"between"“song”"and"“speech”"should"be"seamless."
"
"
Performed/sung"at"notated"pitch"or"at"approximate"pitch"
"
"
Performed/sung"at"notated"pitch"or"at"approximate"pitch"with"a"mixture"of"
“breathy”"timbre/noise"
"
"
Sung"at"approximate"pitch"(sprechstimme)"
"
""
Highest"possible"pitch"
"
" "
Highest"possible"pitch"(halfHnote"duration)"
"
"
Performed"in"a"“speaking”"timbre"at"approximate"“pitch”"(“pitch”"here"refers"to"the"
place"in"the"vocal"range"where"the"speaking"is"the"be"performed)"
"
"
Performed"in"a"“speaking”"timbre"with"some"breathiness"
"
"" "
Performed"in"a"very"breathy,"almost"whispered"way"
"
!Noteheads"indicate"“breath"only.”"Upbow"and"downbow"markings"indicate"inhale"
and"exhale,"respectively."This"breathing"should"be"done"with"the"mouth"open"in"
order"to"be"audible"and"at"a"“pitch”"relative"to"its"position"on"the"staff."
"
Breathing"is"articulated"using"one"of"three"different"syllables:"
[hE]!–"the"“e”Hsound"in"heaven,"wet![ha]!–"the"“a”"in"father,"water![f]"–"giving"the"breathing"a"stronger"sound"as"the"air"hits"the"teeth"[s]"–"giving"the"breathing"a"stronger"sound"as"it"hits"the"roof"of"the"mouth"
"
"
a"dramatic"“vocalized”"inhalation"with"some"“pitch”""
"
Vibrato:&
The"vocal"part"is"to"be"sung"WITHOUT"VIBRATO"unless"designated.""
“osc.”"indicates"“oscillation”"
"
n.v."–"no"vibrato"small/fast!osc."–"tight,"rapid"vibrato"medium!osc."–"normal,"bel"cantoHstyle"vibrato"
wide/fast!osc."–"exaggerated,"“warble”Htype"vibrato" "
" "
"
! iii"
(Bass)!Flute:!!
"
Indicates"a"trill"with"the"pitch"one"halfHstep"above."All"trills"in"Push&(2)"are"halfHstep"
trills."
"
"
TongueHstop"
"
Tongue"pizzicato"
"
""&""" """
FlutterHtongue"
"
"
Indicates"“breathy”"timbre,"almost"no"discernible"pitch"content;"“toneless”"
"
"
Indicates"a"mixture"of"“breathy”"timbre"and"pitch"
"
"
Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one"that"is"a"
combination"of"pitch"content"and"breath,"respectively."The"arrow"between"them"
indicates"a"gradual"transformation"""from"one"timbre"to"the"other."
"
""
Indicates"“ordinario”"playing""
"
!air"sound,"with"consonant"indicated;"arrow"indicates"a"smooth"
transition"from"one"consonant"to"the"next."
!"air"sound,"with"mouth"in"the"vowelHshape"indicated;"arrow"
indicates"a"smooth"transition"from"one"to"another."
"
"
Indicates"audible"inhale"(“upHbow”)"and"exhale"(“downHbow”)"into"flute"with"
CLOSED"MOUTHPIECE"(indicated"by"the"black"square);"accompanied"by"breath"
articulations"[hE]"(as"in"head,"heavy,"hell)"or"the"fricative"[s]!(as"in"switch)""
!
!!!!!!!!!!!or!!!!!!!! !!<k>,!<t>,!<f>" fricatives"are"vocalized"into"the"flute"with"OPEN!MOUTHPIECE!(indicated!by!the!white!square)."These"should"be"very"percussive"and"sharp."It"is"helpful"to"make"a"“smiley"face”"with"the"mouth"in"order"to"shorten"the"distance"
between"the"airHexplosion"and"the"mouthpiece."
&
Flute&Overblow:&
Flute"overblowing"is"notated"two"(2)"ways"in"the"part:""
"
! !!Larger"noteheads"indicate"the"fingered"pitch,"while"smaller"noteheads"indicate"the"
overblown"partials."As"the"dynamic"level"increases,"the"overblown"spectrum"
becomes"richer"&"noisier."
!
"
Encircled"numbers"correlate"to"the"harmonic"“regions”"above"the"fingered"pitch"
(fundamental)."
&
Fingered&Multiphonics:&
The"fingerings"for"multiphonics"are"given"in"the"part"and"come"from"Carin"Levine"&"
Christina"MitropoulosHBott’s"The&Techniques&of&Flute&Playing&Volume&One"published"
by"Bärenreiter."Below"is"the"fingering"chart:"
"
"
"
!!!!!!&
&
Decoupling:&
"
"
When"the"flute"is"divided"into"2"staves,"the"top"stave"indicates"mouth"and"
embouchure"articulations."Depending"on"where"the"articulation"falls"in"comparison"
to"the"staffHline"determines"its"relative"“pitch”"or"“height.”"
The"bottom"staff"indicates"pitches"to"be"fingered."Fingered"notes"should"be"struck"
as"forcefully"as"possible"for"maximum"key"click"sound."
!Clarinet:!
"
Indicates"“breathy”"timbre,"almost"no"discernible"pitch"content;"“toneless”"
"
"
Indicates"a"mixture"of"“breathy”"timbre"and"pitch"
"
"
Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one"that"is"a"
combination"of"pitch"content"and"breath,"respectively."The"arrow"between"them"
indicates"a"gradual"transformation"""from"one"timbre"to"the"other."
"
""
Indicates"“ordinario”"playing""
!
!Slap"tongue"
"
"
Indicates"a"glissando"played"as&fast&as&possible""(parenthesized"note"should"serve"as"
a"goal"only"and"is"not"to"be"reHarticulated)"
"
"
"
"
"
"
Indicates"a"rapid,"irregular"glissando,"which"should"end"on"the"parenthesized"note."
Because"this"gesture"happens"so"quickly,"the"specific"notes"are"irrelevant;"only"the""
directionality"and"energy"of"the"gesture"are"important.
"
Rhythmic"figures"with"slashes"indicate"accelerandos"or"decelerandos"as&fast&as&&
possible."These"can"be"indicated"as"performed"freely"or"as"measured"tuplets"
"
"
"
"
÷
ã
&
85
85
85
44
44
44
Voice
(B)Fl.
134‰ yä Œ Œ Jy_- ‰ y3
when I close
.q>
JZ J_>$
3
˙b æ eb œ œb œb œn œb œn ‰ œb œA œ œ6
< k >< si >< u >
< hE >
Íp F # ff sub. p sub. Ï
F ßy_ " ‰ Œ Jy.
my
_$
_%
_$
_% ‰ y
_$ _% _$ _%5
œb œb œ œ œ œ " œb œ œb ® ‰ œb œb œb œ
< hE > < s >
Ï# #
< k >
F
÷
ã
&
44
44
44
84
84
84
Voice
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~
136 .y_ j_ y. ‰ . ‰ _- ‰3
eye s I
q 2 >
œb œb œn œb œ œ œ œ œ œ œ# œ œb œb œ œ œ œ œb œn œb œn œn œb œn œb œ œb œn œn œb œ
< si > < sh >
# F Í ƒ
y_â ‰ Œ Ósee
‰ )>$ Œ Ó
œ Œ Ó
ç
ß
46 Push (2)
! iv"
"
" "
SplitHtone"(son&fendu)"multiphonics"using"regular"
fingerings."The"numbers"correlate"to"the"harmonic"
regions"above"the"fundamental,"(1)"being"the"lowest,"
within"the"first"octave,"and"(3)"being"the"highest,"two"to"
three"octaves"(if"possible)"above"the"fundamental.""
"
"
"
Blow"the"read,"holding"the"instrument"a"short"distance"from"the"mouth.""
This"should"create"a"breathy,"percussive"sound"when"performed"with"the"syllable"
<te>."The"fingering"is"irrelevant"(be"careful"not"to"“play”"the"note)."!
!!FlutterHtongue"
!Humming"or"murmuring"while"playing"the"instrument,"creating"a"“growling”"timbre"
"
"
"
"
"
"
Bisbigliando"(timbral"trills)"are"played"as"fast"as"possible,""
unless"indicated"otherwise"(rhythmically,"irregularly,"
accelerando/decelerando)"
!
!“measured”"or"“writtenHout”"vibrato"
"
"
Strings:!Note:&heavy&lead&mutes&(also&known&as&“practice”&or&“hotel”&
mutes)&are&required&for&this&piece.&
"
ord.&–&ordinario&
s.p.&–&sul&ponticello&
a.s.p.&–&alto&sul&ponticello"(“almost”"ON"the"bridge,"rich"in"harmonics/noise)"
s.t.&–&sul&tasto&
a.s.t.&–&alto&sul&tasto"(on"the"fingerboard,"as"close"as"possible"to"the"left"hand)"
"
""
Bow"positions"within"“<">”"brackets"indicate"a"sudden"(“subito”)"move"from"one"
bow"position"to"another."
"
"
The"dottedHarrow"between"bow"positions"indicates"a"gradual"movement"from"one"
position"to"another"
"
batt.&–&battuto"(strike"the"strings"with"the"bow)"
cl&ric.&–&col&legno&ricochet&(throw"the"wood"of"the"bow"across"the"strings)"
cl&tratto&–&col&legno&tratto"(bow"with"the"wood)"
cl&batt.&–&col&legno&battuto"(strike"with"the"wood"of"the"bow"in"a"straight,"downward"
motion)"
crine"–"“hair”"(crine&or"arco"cancels"any"col&legno"bowing)"
"
"
Indicates"that"the"strings"are"to"be"fully"dampened"with"the"left"hand;"there"is"to"be"
NO"pitch"–"only"noise."It"can"be"used"in"conjunction"with"battuto,&pizzicato,&col&
legno&battuto,&col&legno&ric."
"
Gestures"performed"while"the"strings"are"dampened"are"articulated"on"the"staff"as"
the"open"strings"(Violin:"GHDHAHE,"Viola/Cello:"CHGHDHA,"Bass:"EHAHDHG)"
"
"
Indicates"a"sound"devoid"of"pitch"(ex."“noise”);"this"can"relate"to"extreme"bow"
pressure,"dampened/muted"strings,"knocking"on"the"body"of"the"instrument"
"
Indicates"a"“breathy”"or"“toneless”"timbre;"this"can"relate"to"col&legno&tratto,&
rubbing"dampened/muted"strings,"bowing"dampened"strings,"bowing"the"bridge"or"
tailpiece,"or&extremely"light"bow"pressure"
"
"
"
"
""
Highest"possible"pitch"
"
" "
Highest"possible"pitch"(halfHnote"duration)"
!
!Bartók"(snap)"pizzicato"
"
"
Pizzicato"strum"(always"dampened)"
"
"""&""" "
Explosive"gesture;"similar"to"glissando"or"a"“crazy,”"exaggerated"vibrato"
"
Bow&Pressure:&
"
"""
The"above"indicates"a"transition"from"normal"playing"bow"pressure"to"extremely"
strong"pressure"(snoring,"perforated,"or"scratch"timbre"where"there"is"no"
discernible"pitch)"to"extremely"light"(flautando)"pressure."
"
"
"
The"above"indicates"a"transition"from"a"medium""bow"pressure"(mixture"of"pitch"and"
noise)"to"extremely"strong"pressure"(no"discernible"pitch)"
"
Glissando&
"
Indicates"a"normal"glissando;"if"indicated,"pitches"are"not"to"be"reHarticulated"and"
simply"serve"to"aid"orientation"and"finger"position"
"
Indicates"a"glissando"with"vibrato"
"
Vibrato:&
The"vocal"part"is"to"be"sung"WITHOUT"VIBRATO"unless"designated.""
“osc.”"indicates"“oscillation”"
"
n.v."–"no"vibrato"small/fast!osc."–"tight,"rapid"vibrato"medium!osc."–"normal"vibrato"
wide/fast!osc."–"exaggerated,"“warble”Htype"vibrato""
"
Misc:"
""
In"measure"154,"the"contrabass"has"this:"
"
"
This"indicates"“circular"bowing,”"that"is,"bowing"in"a"counterHclockwise"direction"
from"the"ordinario"position"to"alto&sul&ponticello"position."The"jagged"line"indicates"
an"irregular"“glissando”"that"remains"in"a"relatively"tight"ambitus."
!!!!!!!!"
÷
V
&
&
B
?
?
163
163
163
163
163
163
163
84
84
84
84
84
84
84
82
82
82
82
82
82
82
Female&Voice
Clarinet&&
Bass&Cl.&in&Bb
Violin
Viola
Cello
Contrabass
Flute&
Bass&Flute
!
!
!
" JT#>
" jyy
" jyy
" jœ
e = 96-92, sensual, punctuated by violence
Bass Flute
Cl. & B. Cl. tuned down 1/4-tone (B)
#
a.s.p.
a.s.p.
#
a.s.p.
#
ƒ ppp sub.
e = 96-92, sensual, punctuated by violence
III.
" _- _- _â " ‰ " . _.on ly
warmthbe
!
!
T
yy" ‰ Œ
yy " ‰ Œ
œ# " ‰ Œ
p
Ï
Ï
Ï
n.v.
secco
secco
secco
._â _. _- ‰ ‰ " . _.3
tween ourmouths
we
!
!
T
!
!
!
wide/fast osc.
poco rit.
poco rit.
j_â ‰ ‰ ® y_. y_. y_.taste an ti ci
!
!
T
!
!
!
small/fast osc.
for Eco Ensemble
Push (2) music/text:amadeus.julian.regucera
à T.K.
÷
V
&
&
B
?
?
82
82
82
82
82
82
82
167
167
167
167
167
167
167
84
84
84
84
84
84
84
167
167
167
167
167
167
167
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
5y-_ " .y-_ ®3
pa tion
yfl
_#$> _ _ _ _# ®
!
yyyyflI "P
‰
yyyyflI "P
‰
!
!
< t >< hE >
consonants/plosives areplayed with open-mouthpiece"ff "
ƒ
a tempo ( e = 96-92 )
a tempo ( e = 96-92 )
ƒ
pizz.
pizz.
yn fl _#$
> _ _ _ yfl
!
yyyyflI " " yfl
‰ " yfl
!
!
< hE >< t >
sim. (in/exhalations are playedwith a closed mouthpiece)
< t >
poco accel.
poco accel.
‰ ‰ ‰ R_$[hE]
_#$> _ _ _ _ _# yfl _
%> _ _b yn fl _n
$> _b
3
!
‰ " yy> ‰ "
‰ ‰ " yfl"
!
!
< t > < t >
ç
strike thebody/wood
arco
fŒ ‰ ‰!
Œ ‰ ‰!
Œ ‰ ‰!
..__P j__
!
..__P j__
!
..__P j__
!
._j j_j!
a tempo ( e = 96-92 )
a tempo ( e = 96-92 )
arco
bow the sideof the bridge
"ff "p
"ff "p
"ff "p
"ff "p
ord.
2 Push (2)
÷
V
&
&
B
?
?
167
167
167
167
167
167
167
83
83
83
83
83
83
83
167
167
167
167
167
167
167
165
165
165
165
165
165
165
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
9Œ ‰ r_%
[hE]
_#%> _ _ _ _# _ yn fl _#
$_ _ _ yfl
!
y
> . .
P
. . e. ‰ ‰ ryyflIP
J
‰ " yyyy
PI
>‰ r__
P
‰ " y>‰ r__
P
Œ ‰ r_j
< t >< t >
"ff "
f
pizz.
ƒ
batt.
bow the sideof the bridge
"ff "p
ƒ
strike thebody/wood
ƒ
pizz.
ƒ
arco
"ff "p
arco
"ff "p
j_ _ _$
_%
_$
_%
_$
_%
_$
5
!
!
‰ " __>P__> __> __> __> __>
j__ __ __> __> __> __> __> __> __>5
j__ __ __> __> __> __> __> __>
j_j _j _>j _>j _>j _>j _>j _>j
arco
&
"ff "
"ff "sub.
"ff "sub.
"ff "sub.
R_ " ‰ " r_. "[I]
_#%> _ _ _ _ _# yfl _
$> _ _b yn fl _n
$> _b
3
!
‰ " yfl‰ "
y>
. .P
. . e. ‰ " yy> "J
y>
. .P
. . e. ‰ ‰ "J
‰ " yyyy
PI
>‰ "
< t > < t >
"ff " ç
f
f ƒ
pizz.
III.
I.
ƒ
batt.
batt.
arco
pizz.
ƒ
p
ƒ
3Push (2)
÷
V
&
&
B
?
?
165
165
165
165
165
165
165
82
82
82
82
82
82
82
165
165
165
165
165
165
165
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~
12
_. " _. " _.[I] [I] [I]
_#%> _ _ _ y
yb ˘ _b $> _
!
‰ " yfl"
‰ " yfl "
‰ " . . . e.Jy>
y> . .P . . e. ‰ "J
< t >< t >
pizz.
batt.III.
pizz.
ç
" _. " _. _$
[I] [I][f]
yfl_#$> _ _ _ yfl
!
>
. P
. " ‰Ry
‰ " yfl
!
Jy> ‰
< t >< t >
ß
pizz.
batt.
strike thebody/wood
ç
" r_.% " _. _
$"
[I] [I] [f]
_$> _ yfl
y _$> _ _b y3
‰ " " œb _
‰ yyyyflI ‰P
‰ ‰ yyyyfl
PI
" yy ‰ œ eB
!
< t > < t > < t >
III.
pizz.
ƒ
&
ß
ppp poss.
pizz.
ƒ
arco
jy.%_ j
y._jy._
jy._
[I] [I] [I] [I]
_%> _ _b _ _ _ _# yn˘ " _b $> _ yfl
_$> _ _
3
3
_
!
‰ " œq
e œ
˙
!
N
< t >< t >
accel.
accel.
arco
4 Push (2)
÷
V
&
&
B
B
?
163
163
163
163
163
163
163
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq wqwq wqwq
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~
16
y._ yfl" j
y._jy._ y._ yfl
"[I] [f] [I] [I] [I] [f]
yfl " ‰ " _$> _ _ y#fl "
3
œ_ œb _ œb _ œ_œn _
jœb _ j
œ_ œ_ œ# _ œ# _ œ_ œb _Jœ Jœ
œ> " ‰ ‰ œ# > "
y " œq
y "
Jœ> Jœ> e
!
pß ß
cresc.
< t >
Fp sub. Fp sub.
FF
N
erratic/irreg. gliss.
< t >
ç
ƒ sim.
arcoa.s.p.
jy<_ y<_ yfl
" jy<_
jy<_
[I] [I] [f] [I] [I]
" _b $> _ yfl " ‰ yfl "
jœb _ œ_ œ# _
œ_
œn_ jœb _
œ_œ_
œb _ œb_Jœ Jœb
‰ œ> " ‰ œ# >"
Jœq
y " Jœq
y "
J eJœ> J Jœ# > e#
!
p pß ß
< t > < t >
Fp sub. Fp sub.
F F
N N
ç
y<_ yfl" r
y-_[I] [f] If
® _$> _b _ _ _ _#
3
" ® œ_œb_ œ_
!
" " ryy> &
r "q
ryy>?
" " rœq
p
F
f
f
a.s.p.
a.s.p.
( e = 112-104 )
( e = 112-104 )
ç fff poss.
a.s.p.arco
5Push (2)
÷
V
&
&
&
?
?
84
84
84
84
84
84
84
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
19 1 1
[aI]
Jœœœœœœ##>
Jœ ‰ ‰
j-e# >‰ Œ
eœ
q
œ
tt##q
tt
Œ ‰ ebœ
q
3
&
œ# " ‰ Œ
pp poss.
ƒ
Ï
Ï
harmonic pressureord.
ord.
ord.
&
e = 96-92, Tempo 1
e = 96-92, Tempo 1 poco rit.
poco rit.
1 1
‰ ‰ _b$
_b _ _n _ _b _ yb fl3
!
œ œ
tt tt
œ œ
!
p f
#
#
#
< t >
< a.s.p. > ord.
< a.s.p. > ord.
< a.s.p. > ord.
e = c 80, poco accel
e = c 80, poco accelmedium osc.
J1 J1 _$y[ha]
&
Jœœ> ® yb
˘ œœ> .œ _$
‰ ‰ " œ# _ œ_
Jœ œ
q
" ‰
Jtt tt
q
" " _ _B
Jœ œ
q
" " œq
B
!
ß f ß
F
F ß
< t >
"ff "
cl tratto
p
N
small/fast osc.
a.s.p.
6 Push (2)
&
V
&
&
B
B
?
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
22‰ " œ ‰
if
_ _b _ _ _ _# y# flœ%_ œ_ œ_ œ#_
œ_ œ_ œ_ œ_ œ_ œ_ œb _ ® fb f f fb
‰ ‰ ..œœq
yy
_ _b _ _ _ _b _b ® _ _n _b _b _5
Jœ œ " ..œœ#q
yy
‰ ‰ .œ
q
y
f
< k > < k >
p f
cresc. possibile
ç
F p F
N
F F
N
F
a.s.p.
N
F
e = 96-92, Tempo 1
e = 96-92, Tempo 1
a.s.p.
(with voice)
œ " ‰ œ "I hold
y œ%_ œ_ œ_ œ# _
œ# _ œ_ yfl _$
_ _3
" fb f f fb fb fb " f f f3
" œœq
..œœ yy " œœq
" _ _ _b _b _ _n " _# _
" œœ#q
..œœ yy " œœq
" œ
q
.œ y " œ
q
< k >
p f
çç ç
p "f "
N N
f
N N
f
N N
f
cresc.
œ# ˘ " œ " " œmy breath [I]
yfl _$
_# y œ%
œ œ œ# yfl
" f fb " fb f f fb "
..œœ yy " œœq
œœ yy "
" _ _ " _ _ _b _b _ "3
&
..œœ yy " œœ#q
œœ yy "
.œ y " œ
q
œ y "
< k > < k > < k >
p f
ç
ç ç ç
p "ff "
N
f f
N
f f
N
f f
ƒ
7Push (2)
&
V
&
&
&
B
?
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
25!
!
jœbM1
œM2
.œ# e
.œ e
..Tœ##
jœœ œœ
p f
Íp f
ord. a.s.p.
#
#
a.s.t.
a.s.t.
#
ord.
arco
Œ! Œ
Œ! œ>
!
œ! œ
q
œ! œ
q
Tœ! Tœ
q
œœ!
œœ
F
Í
< k >
&
ord.
medium osc.
y œ œ y œ- y y .œ-[f] [I] [f] [I] [f] [f] [I]
y _# $_ _ _ y _$ _b y y _n $ _b _
3
œ_ œb_ œb_ œ_ œb_ œb_ œ_ œ#_ œn_ œn _ œ__b j
_5
œ " " œ#fl " œ œ "
œ#˘ " " œ " œ#˘ œ#˘ " B
r yyy>
yyy>
" ‰ Œ &
yy> " ‰ Œ
< k > < k > < k >
ß p
ƒ pp sub. ƒ
ff sub.
"ff "
a.s.p.
fff sub.
pizz.
pizz.
a.s.p.
ƒ
ƒ F
F
8 Push (2)
&
V
&
&
B
&
?
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
28y _$> .1
[f] [ha] I
y# fl yfl œ_
Z
œb_ œ_œ_
œ#_ œ_œw
œœ œ_
Z
œ#_ œ#_
j_ .œœb
3
‰ .œ
q
‰ eyb >jœ &
‰ y# > Jœ
‰ jyb > j jœb
smorz.
< t > < k >
pp sub. f #
f
ç pp poss.
s.t.n.v.
ƒ
ƒ
ƒ
#
#
#
N
N
N
ord.
ord.
ord. s.p.
s.p.
s.p.
poco rit.
poco rit.arco
arco
. .1 R1
œœœœ
# > œœœœ> œœœ
œ### >
‰ œ œ œb œb œ œ œ œ3
œ " œb _ œb _ œ_ œ_ œ_œ_ œb _ œn _ œb _ œ_ "5
3
Rœ
.œ Jœq
‰ e#.œnq
‰ ..œœ#q
æ
‰ .œ
q
p
fff sub.
p #
p F p
f
medium osc. n.v.
P #
{e = c 84}
{e = c 84} accel.
accel.
Œ ‰ " œ# ä[I]
yb flœœ
jœœ
œœœ
œœœ
œœœ
œœœ
œœœ
###
œœœ
#_>$
-e>"
œM2
œM"
Jœ# > 1 " Œ
.œ œq
" B
..œœæ œœq
@ " ?
.œ œ
q
"
f sub. #
ßp f ß
< k >
f
cl ric.
ff sub.
&
&
&
9Push (2)
&
V
&
&
B
?
?
83
83
83
83
83
83
83
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~
31y " ‰ œ# - "
[f] I
" œœæ
œœæ
œœ
朜##
朜##æ
œœ
æ" œ
œ# œœ
" œb _ œb _ œn _ œb _ œ_ œ_ œn _ " œb _ œ_5
" _ _# _ _ _ _# ® " y y#5
" _ _# _ _ _b _ ® " y# y5
" e#Rœnq
.œ œ " y# y
" _ ._ _ ‰
F
cl trattocrinea.s.p.
Fp
p
p
cl trattocrinea.s.p.
p
ß
ß
f ß
p
cl tratto
a.s.p.
e = 96-92, Tempo 1
e = 96-92, Tempo 1
cresc.
"f "
"f "
"f "
œ˜ - " " œä Jœ ‰I hold
" œœ## œ
œ## œœ œ
œ " œœ#
朜#æ
œœ
朜œ
næ
œœ
朜bb
朜œœœbb
b
æ® ®
5
" œb _ œn _ œb _œ_ œn _ œb _" fn fb f f f f f f f ® ®3 3 5 6
" _# _# _ _ _ "e. .œ y
3
" _b _b _n _ _ _b " œ œb œn œ œ yb yb ® ®3 3
5
" œ
q
œ œ " Jœ y " .
" _ _ _ " œ> " ‰
ƒ
ß
cl tratto Na.s.p.crine
p
p
F
F
#
# ƒ
p # ƒ
cl tratto
p ƒ
ƒ
#
a.s.p.crine
f #
p ƒ
a.s.p.crine
"f "
"f "
"f "
N
N
œ- œ# " Jœ˜ä œ " " œ# ä
my breath I
‰ œœ
朜bb
朜œbb
朜
朜œæ
œœœ
### æ
œœn
朜#
朜æ
œœ œ
œnn "5
‰ fb fn f# fn f f fn f fb fb fb " .5 5
‰ œ œ# œ œ# œ# œ œ œ# y y y# y y "6
5
‰ œ# œ œ œb œ œ œ yn yn y y# " .5
5
‰ y¨
y¨
" ‰ ‰R
‰ y¨
y¨
" ‰ ‰R
ƒ
f
Nord.a.s.p.
ƒ#
ƒ
#
ord.a.s.p.
ƒ#
ç
ç
ƒ ç
#
N
10 Push (2)
&
V
&
&
B
?
?
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
34œ œ# - Jœ# ä œ œµ " ‰3
can feel
‰ "œœœœœ
# >
朜æ
œœæ
œœbbæ
œœb
朜
æ® ‰
5
‰ " f> fb f f f f f ® ® ‰3 6
‰ " œq
œb œ œ œ œ y y ® ‰3 6
‰ " œ#q
œ œ œ œ œ y y ® ‰3 6
&
‰ " œ
q
œ y ‰5
‰ " œ#q
œ y ‰5
ƒ
pp sub. f
Ï
Ï
N
N
Ï
N
Ï
N
small/fast osc.
#
#ƒ
1_ J1
hea
!
!
‰ ‰ œ
q
eb 3
‰ ‰ œ
q
eb3
!
!
#
a.s.t.
a.s.t.
N
N
J J œy. "ven
!
.œ
œ Jœ
œ Jœ
!
!
as fast as poss.
&
&
#
f
11Push (2)
&
V
&
&
&
?
?
84
84
84
84
84
84
84
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~
~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~
37!
" _$ _b jœ2
fljœ# fl
jœfl3
.œ
Jœq
œ " ‰
Jœq
œ " ‰
‰ " yy#> yy œœ
‰ " y˜> y œ
ord.
ƒ Ï f
ƒ
ƒ
ord.
ord.
ord.
ord.
ƒ
ƒ
a.s.p.
a.s.p.
!
!
œ Jœ œw œq œw œq
Œ œ
q
e#
!
œœq
" ‰ Œ &
œq
" ‰ Œ
decel.
F
N
N
s.p.
!
!
œw œ# œ œ œ_ œ#_ œ_ œ#_ œ_ _# _# _# _# _
5
5
œ. œ# . œ. œ. œ œ œ œb œ œ# " .5
‰ ® œ# œ# œ œ# œ œ. œ. œ# . œn .5
5
‰ ‰ jœ#
‰ ‰ Jœ
p
#
#
F
s.p.
s.p.
s.p.III.
F
p
12 Push (2)
&
V
&
&
&
&
?
..
..
..
....
..
..
..
..
..
..
..
....
..
..
..
..
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
40
y- _>$
y- _>$ ‰
3 3
I [f] I [f]
!
_ " . ‰ ‰
!
œ# " . ‰ ‰ B
œ " . ‰ ‰
œ " . ‰ ‰
&
ƒ
ƒ
f
#
‰ ‰ y- _>$3
I [f]
!
!
!
!
!
!
y- _>$ ‰ ‰ _>$
3 3
I [f] [f]
Œ ® _$ _b _
!
!
!
!
!
ƒ
13Push (2)
&
V
&
&
B
&
?
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
43
y- _>$
y- _>$
y- _>$
y- _>$3 3 3 3
I [f] I [f] I [f] I [f]
_ _# _n _# œ2
> œ> œ " .œ> ®
!
‰ ‰ œ#q
e# œ3
‰ ‰ œq
e œ3
!
!
Ï f
cresc.
a.s.t.
a.s.t.
poco accel.
poco accel.
y- _>$
y- _>$
y- _>$ jy-
3 3 3
I [f] I [f] I [f] I
œb1
œ œ œ œ œ œ
3
œ œ œ# œn œn œ œ
1
_$
_ _b _5 5
!
˙
˙
!
!
# F # ƒ
{e = c 108-104}
{e = c 108-104}
14 Push (2)
&
V
&
&
B
&
?
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~
Ÿ~~~~~~
45 .œb JœUca n
Œ ‰ ‰U
Œ ‰ ‰U
.œ jœq
U
.œ Jœq
U
Œ ‰ ‰U ?
Œ ‰ ‰U
Fp sub. f
f
a.s.t.
f
a.s.t.
< a.s.p. >
< a.s.p. >
subito a tempo ( e = 96-92 )
subito a tempo ( e = 96-92 )
y _$ " ‰ y _$ "[f] [ha] [f] [ha]
" œæ œæ œæ œ# æœ# æ œæ œ
æ " >fl >fl5
" œ# _ œ_ œ_ œ# _ œ# _ œn _ œ_ " œ_ œ
_5
" œœb ..œœ œœ" yy
¨yy¨
" œ œ œ œ# œ# œ œ " y¨
y¨5
" Tœb ..Tœ Tœ ‰
" œœ..œœ œœ
‰
fff poss.
p ƒ ç
ßF
F
F
F
a.s.p.
a.s.p.
ß
ord. s.p.
ord.
&
&
p ƒ
&
& f sub.
y _$ " " y@ y@ _$ "[f] [ha] [f] [ha]
" œ œ œ œ# œ# " "œœœœœbb
bbb >3
" f# f f f# f# " " f
3
" œ œ œ œ œ# "" œ eb
3
" œœb > œœ œœ " " œ# e&
" Tœb > Tœ Tœ " " y>
" œœ œœ œœ" " y>
flz.
p ƒ Ï
p
ord. s.p.
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ƒ
ord.
ord.
ord.
ord.
ƒ
&
&
&
p ƒ
&
15Push (2)
&
V
&
&
&
?
?
84
84
84
84
84
84
84
82
82
82
82
82
82
82
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ wqwq wqwq
Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~ Ÿ~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
48 .1
fee
jœœ
b ‰ ‰
jf
jf f "
.œ
.œ
œ e œq
"
œ eb œq
"
pp poss.
Ï f
&
&
a.s.p.
a.s.p.
N
N
wide/fast osc.
J1 ‰ Jœb_ J _l hea
" œ J œB œ œn œ œ# _$
_ _ _
5
œ œ œ œ# jœ>œe#
œ œ " ‰
Jœ œ œ "
!
!
#
p ƒ
p ƒ p
ƒ
ƒ
< a.s.p. >
< a.s.p. >
n.v.
œn_ " ‰
Jœ2
> jœ# >jœn >
3
.jœ>æ rœœ
e#
J1>
e# "
J1>
e " B
! B
!
f
Ï #
flz.
Ï f
ord.
cl ric.
cl ric.
ç
ç
16 Push (2)
&
V
&
&
B
B
?
84
84
84
84
84
84
84
83
83
83
83
83
83
83
84
84
84
84
84
84
84
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.Ÿ~~~~~~~~ Ÿ~~ Ÿ~~
Ÿ~~~~~~~
51‰ .œ_
ve
" œæœ
æ œbæœ
æ œæœ
æœ
æœ#
æ œnæœn
æ œæœ
æ œbæ "5
.œ œ "
!
Œ ‰ _ _# _ _ _n5
Œ ‰ _ _ _ _# _ _6
!
p
& P &
p #
cl tratto
cl tratto
p
p
small/fast osc.
œ_ " _$> " ‰n [ha]
‰ .œ œ œ œb œ œ
‰ ‰ " œ_ œ_
!
_ _ _ _ _ _ _b ® ‰ &
_ _# _n _# _n _# _n _ ® ‰5
?
!
& ff sub.
# #
F
f
&
&
‰ ‰ œb . _>$
" ‰[I] [f]
‰ ‰ ‰ œ2
> œ# >
œ_ œ_ œ# _ œ# _ œ_ œb _ œ_ œ_ " ‰ ‰
55
‰œµ
q
œ "
‰ œb
q
œ "
Œ ‰ Jœ> e
!
&
Ï
ord.arco
f
ord.arco
f
ƒ
arcoord.
fff poss.
17Push (2)
&
V
&
&
&
?
?
83
83
83
83
83
83
83
84
84
84
84
84
84
84
83
83
83
83
83
83
83
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~ Ÿ~~~~~~Ÿ~~~~~~~
~~~~~~~~~~~~~~~~~~~~~
54‰ ‰ œb ._ _>
$"
[I] [f]
jœ>jœ> jœ# > " œ
Z
_ œb _3
‰ " . œ#w
œ œb œ_ œ_ œ
Z
_5
Jϵ
q
œ œ " ‰5
Jœb
q
œ œ " ‰5
Jœ# Jœ Jœ#q
‰3
!
f #
pf ff sub.
ƒ
ƒ
N
decel.
decel.
‰ œb <%_ _>
$" ‰ ‰
[I] [f]
œb _ œn _ œ_ œ_ œ# œ œb œbw
" ‰ ‰5
5
‰ j_q j_ j _
!
!
‰ .œbq
!
ƒ
°
take Flute
gliss. + irreg vib.
put on practice mute
put on practice mute
œ-%_ _>
$" ‰ " . _>$
[I] [f] [ha]
÷
! &
j Z
_ j j_q
!
! B
JœBq
!
p °
#
Sffz
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~
18 Push (2)
÷
&
&
&
B
?
?
43
43
43
43
43
43
43
44
44
44
44
44
44
44
42
42
42
42
42
42
42
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~
57
y_ ‰ y_- ‰ y_. " ‰ . _. _-3
3
boom tells me you'renear
!
!
˙# œ œ œ
!
!
yyyy IP
>‰ Œ Œ
e=q = 60, subcutaneous, emergent
w. practice mute
put on practice mute
e=q = 60, subcutaneous, emergent
(sempre portamento)# F
IV.
*pitches should not be re-articulatedand are written as guides for the glissando contour. Change bow asneeded.
F #
pizz.
ƒ
(w. the vocalist)
Œ ‰ _. .y_- y ythe nerve (s)
!
!
œ œ œ# œ œ# œn œ œn œ œ œ œ œ e#3
Œ ‰ œ œ œbœ œ œ œb œb .œb
6
!
Œ Œ yy>
P____æ ____
æ
accel.
(sempre portamento)
III.w. practice mute
*pitches should not be re-articulatedand are written as guides for the glissando contour. Change bow asneeded.
p
p
p
F
P
accel.
"f "rub hand laterallyalong string to createnoisy sound
jy y_- y_ _. "3
mol der
!
!
œ œ# œ œ# œ# œ3 3
˙
!
____æ y
> ‰ " y> "3
small/fast osc.
F p
p
p
pizz.
ƒ
19Push (2)
÷
&
&
&
B
?
?
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
60Œ ‰ _. .y_- y. ‰ œ-
be nea th [m]
!
!
œ .œ œ œ œ œ œ œb œ œ œb œ œ œ# œ5 7
œ œ œ œb œ œn œ œ# œ œ œ# œ# œ#5 6
! B
!
medium osc.
(as if sung)
p
œ jœ- œ y. yflŒ " y< y< "3
[aI] [s][k] andan
!
!
œ œ œb " œ eb
œ# œ œ " œ eb
Œ Œ œ eb Jœ3
Œ ‰ . y>P
Œ Œ
#
N
III.
N
pp sub.
IV.
pp sub.
NIV.
ƒ
ƒ
w. practice mute
(q = 84-76) poco rall.
(q = 84-76) poco rall.
Í
Í
çf fœ- jy- ‰ .
yâŒ3
a ching throb
!
!
y# y .œ œ . yn5
Ry œ# œ# . y#5
Ry# œ Jœ . y5
3
____æ ‰ . y>
Œ
ffpp sub.
N
ƒ
N
ƒ
ffpp sub. ƒ
N
ffpp sub.
raspy, roughç
"f " ƒ
pizz.
20 Push (2)
÷
&
&
&
B
B
?
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq
Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~
63y> y ‰ Œ ‰ œ_ _
pul ses pul
!
Œ Œ _ _ _ _ _n _ _ _b _ _b _# _n œn >_
Œ ‰ ® œ œ œ œ œ œ œ œ œ œ œ œb œ œ œb œ œb œ œ œb en10 10
Œ œ e œ# e# œ e œ eb3
&
‰ . œ eb .œ œ œ œ œb œb œ œ5
5
3
yy> I yy> I‰ Œ ‰ yyyy I>
____æ
F#
a.s.t.II.
P P P
a tempo ( q = 60 )
a tempo ( q = 60 )
#
#
# # p
Ï "f "
#
œ_ y. y.œ_> _ Œ ‰ _<
3
ses be hind my
!
œ_‰ œ# >
œ_ œ_
œb œœ>
œn œ eb œ Œ3
œnæ œ@œb >
! œ! œ@ œ@ œ@ œ#@ œ@ œ@ Œ6
B
œ œ#œ> œ# œ œ œ œ œ Œ
5
?
....____æ
irregular
# fpp sub.
f
f
f
#
#
# #
poco accel.
poco accel.
F
F p f
21Push (2)
÷
&
&
&
B
?
?
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
65y _< ‰ y- Œ Órib cage
!
œ_ œ> ‰ Œ Œœ#_ e_
. .. .11
j > ..
11®3
. .. .J11 rK
j > ..
11 ®3
!
y.P
" y. " Œ Ó
# Ï
Ï f Ï
I.II.
III.IV.
I.II.
F Ï
Ï f Ï
I.II.
III.IV. I.
II.
F Ï
çp
çp
(q = 84-76)
(q = 84-76)
f ç
Œ Œ œ y. y.3
pul ses be
!
Œ _ œæw j
œ>3
œe#
3 5
yy . .. .
. .. .11
3
11
3
yyj> ..yyj yyj yy
j yyj yyj "3
Œ Œyb "3
smorz.flz.
P sub.
P sub.
f Ï
Ï
behind the bridge
ƒ ÏF
ÏF
a.s.p.
subito a tempo ( q = 60 )
subito a tempo ( q = 60 )
arco
ƒ
III.IV.
III.IV.
small/fast osc.
small/fast osc.
#
p F
22 Push (2)
÷
&
&
&
B
?
?
43
43
43
43
43
43
43
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
67œ- y. œ- y> ‰ y> ‰
,33
3
hind be hind my my
Œ Œ Œ,
œ œæj
œ>
Œ ,3
œe
11>
11,
11>
11yy
,
Œ œœœ# . .. .. .œœœ
yyy
,
Œ œ#q
. .œ y
,
flz.
F Ï
I.II.
II.III.
III.IV.
II.III.
I.II.
II.III.
III.IV.
ƒ
ƒ
F
F Î
Î
Ï
ord.N
Ï
small/fast osc.
ord.N
wide/fast osc.
wide/fast osc.
&
P fpoco stringendo
poco stringendo
yfl _$
_%
_$
_%
Œ Œ Œ5
[t][f] [f] [f] [f]
!
!
!
!
!
!
ƒ
*breathing [f]-fricative throughthe teeth to create a rough, exaggerated breathing timbre
remove mute
remove mute
remove mute
a tempo ( q = 60 )
a tempo ( q = 60 )
‰ " yfl _$
_%
_$
_%
_$
yfl_$
_%
yfl_$
55
[t][f] [f] [f] [f] [f]
[t][f] [f]
[t][f]
!
!
!
!
!
!
çf fƒ
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
23Push (2)
÷
&
&
&
B
?
?
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
70
yfl _$
_%
_$
_%
Œ Œ5
[t][f] [f] [f] [f]
!
!
!
!
!
!
f ƒ
Ó yfl _$
yfl _$
_%
_$
_%
yfl[t]
[f][t]
[f] [f] [f] [f][t]
!
!
!
!
!
!
ƒf
yfl _$
_%
_$
_%
yfl ‰ ‰ _>$
yfl ‰5 3
[t][f] [f] [f] [f]
[t] [ha] [t]
!
!
!
!
!
!
çƒ
ç
24 Push (2)
÷
&
&
&
B
?
?
43
43
43
43
43
43
43
44
44
44
44
44
44
44
85
85
85
85
85
85
85
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~
73‰ _>
$yfl ‰ ‰ _>
$3 3
[ha] [t] [ha]
Œ Œ ‰œœœœœœ
b>
e
3
Œ Œ ‰œ_
3
Œ Œ ‰ J
11‰
3
Œ Œ ‰J
11‰
3
!
!
çƒ
ç
pp poss.
I.II.
Ï
Ï
I.II.
Ï
!
œœœ
œœ ‰ . Ó
œ_
_
.œb_
œ_
œ_ ‰
Œ Œ ‰
11 ‰ .
Œ Œ ‰
11 ‰ .
yy#> yy yy yy yy ‰ .
yyµ> yy yy yy yy ‰ .
°
II.III.
I.II.
p Ï
II.III.
I.II.
p Ï
ƒ
ƒ
ƒ
ƒ
F
p
a.s.p.
a.s.p.
wide/fast osc.
wide/fast osc.
poco stringendo
poco stringendo
#
#
!
!
!
Œ ‰ yy> yy#11 "
Œ ‰ yy> yy#11 "
..yy#> yy yy yy "
yyµ> ..yy yy yy "
ƒ
ƒ
ƒ
ƒ
II.III.
ƒ p Ï
II.III.
ƒ p Ï
I.II.
I.II.
#
#
( q = c. 84-76)
( q = c. 84-76)
~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~
25Push (2)
÷
&
&
&
B
?
?
44
44
44
44
44
44
44
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
76
yfl _$
_%
_$
yfl _$
yfl yfl yfl _$
_%
_$
_%
yfl _$
_%
_$
_%
5 5
[k][f] [f] [f]
[t][f]
[t] [t] [k][f] [f] [f] [f]
[k][f] [f] [f] [f]
!
!
!
!
!
!
ƒ f ƒsubito a tempo ( q = 60 )
subito a tempo ( q = 60 )
f f ƒ
yfl_$
yfl _$
_%
yfl_$
yfl _$
_%
_$ _% _$ _%5 5
[k][f]
[k][f] [f]
[k][f]
[k][f] [f] [f] [f] [f] [f]
!
!
!
!
!
!
p sub.
26 Push (2)
÷
&
&
&
B
?
?
44
44
44
44
44
44
44
43
43
43
43
43
43
43
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
78
yfl_$
yfl _$
_%
yfl_$
yfl _$
_%
_$ _% _$ _%5 5
[t][f]
[k][f] [f]
[t][f]
[k][f] [f] [f] [f] [f] [f]
!
!
Œ Œ ‰ yy> yy#
Œ Œ ‰ yy> yy#
yy#> ..yy yy yyfl‰ .
yyµ> ..yy yy yyfl ‰ .
ƒ
II.III.
ƒ pII.III.
ƒ p
ƒ p ƒ
ƒ p ƒ
Flute
f_$y> ‰ . Œ Œ œ_
[ha]clo
œœœœ
Kµ œœœœœœ
!
11 ‰ . Œ Œ Œ
11 ‰ . Œ Œ Œ
!
!
Ï
# F
w. voice
#
Ï
Ï
I.II.
I.II.
_ œµ_ .œ_ " Œse
œœœœœœ ‰ Œ Œ
3
‰œ_
œ_
_.œb
_3
‰œ
q
.œ3
‰ Tœ#q
Tœ Tœ ..Tœ3
‰ yy>j hhj
3
‰ yy#> hh3
f
F
pp poss. p
#
#
ƒ
ƒ
ord. a.s.p.
behind the bridge
~~~~~~~~~
27Push (2)
÷
&
&
&
B
?
?
44
44
44
44
44
44
44
42
42
42
42
42
42
42
43
43
43
43
43
43
43
42
42
42
42
42
42
42
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
81
y> _$
_%
_$
_%
‰ yfl _$
_%
_$
_%
yfl y‰ .5
then
[ha] [ha] [ha][ha][k]
[ha] ha] [ha] [ha]
clo ser
&
Œ ‰ yflœ_ œb _ œ_ œn _ œ# _ œ_ œ_ œ
_ œ# _œ#
œœœœ
lKk
œ_ ‰ Œ ‰ . œ
M1
œ
œ
q
‰ Œ Ó
Tœ
q
‰ Œ Ó
yyj
q
‰ Œ Œ Tœb
yyq
‰ Œ Œ T#
< k >
fpp sub.
°
f f ƒ
#
a.s.t.
III.a.s.t.
#
Œ œ
[m]
œœœœ
œœœœ
œ
2
Ͼ
˙
q
˙
q
T
q
T T
f
#
flz.
a.s.t.
a.s.t.small/fast osc.
f
poco rit.
poco rit.
œ œ œ
[e]
œœœœ
œœœœ ‰ Œ V
œ
3
æ jœ
1
œ œ
2
œ3
.˙
.˙
..T
T T ‰ Œ
#
f #
F pp sub. P
take Bass Flute
#
#
#
#
q = c 48, poco accel
q = c 48, poco accel
28 Push (2)
&
V
&
&
B
?
?
42
42
42
42
42
42
42
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
84 œ- œby. "
[k]
÷
!
œ
1
_ _ _b _ _b œ_
œb _ œ_
œ_ œ_ œn œn
œ
q
œ ‰
œ
q
œ ‰
Tœ
q
Tœ ‰
!
F # ß
#
P
P
P
‰ . y._ y-_ ‰we make
!
œb œ œ œ œ_
œ_
œ_
œ_
œ_ œb _ _ _ _ _ _ _
!
!
!
!
p
F #
a tempo ( q = 60 )
a tempo ( q = 60 )
< hE >Bass Flute
.y>_ y_ ‰ . _$con tact [hE]
_%
eb j_ _$
_
3
!
__
P__ __ __â
3
__
P__ __ __â
3
_ _ _ _â3
_ _ _ _â3
f
take Bass Clarinet
*m. 86-91, all breathing is done with the [hE] sound
p
"fff "
"fff "
"fff "
"fff "
bow tailpiece
bow tailpiece
(toneless)
p sub.
p sub.
p sub.
p sub.
"ff "sub.
"ff "sub.
"ff "sub.
"ff "sub.
(toneless)ord.
ord.
"ff " p "ff "
29Push (2)
÷
V
&
&
B
?
?
43
43
43
43
43
43
43
85
85
85
85
85
85
85
42
42
42
42
42
42
42
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
87
_%
_$
_%
_ ._ _$
!
!
‰ __> __ ..__"
‰ __> __ ..__"
!
!
F p
"ff "p
"ff "p
_%
_$
_%
_ j_
!
!
‰ j__> __j__
‰ j__> __j__
!
!
F
"ff "p
"ff "p
_ _$
_%
_$
_%
!
!
__‰ . __>
__‰ . __>
Œ __
P
>
Œ_j>
p fbecoming more heightened, anxious
bow the side of the bridge
"ff "p
"ff "p
(toneless)ord.
"ff "p
"ff "p
30 Push (2)
÷
V
&
&
B
?
?
43
43
43
43
43
43
43
85
85
85
85
85
85
85
42
42
42
42
42
42
42
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
90
_ __$ _% _$ _%
!
!
__ __‰ . __>
__ __‰ . __>
__ __ ‰ . __>
_j _j ‰ . _j>
P f
"ff "p
"ff "p
"ff "p
"ff "p
_ __$ _% _$ _% _$>
!
!
__ __‰ . ‰
__ __‰ . ‰
__ __ ‰ . ‰
_j _j ‰ . ‰
P ƒ
31Push (2)
÷
V
&
&
B
?
?
42
42
42
42
42
42
42
44
44
44
44
44
44
44
165
165
165
165
165
165
165
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
92
y y y y y y y y_ y_ y_ y_ y_7 5
I justhave
tobreathe
justbreathe
I just have to breathe
!
!
^>
^>
! B
j>
"ff "p
"ff "p
"ff "p
F
y_ y_ y_ y_ y_ y_ y_ y_ y_ _ _ _ _ _>$5
justbreathe
Oh God, I justhave tobreathe
just breathe Oh God, [s]
!
!
^ __Œ
^ __Œ
Ó Œ Tœbq
$
j j
s.t.
paccel.
accel.
32 Push (2)
÷
V
&
&
B
B
?
165
165
165
165
165
165
165
82
82
82
82
82
82
82
165
165
165
165
165
165
165
163
163
163
163
163
163
163
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
94
J_ ‰ "
y# fl _%> _# _# _ _ _n _n
$> _
!
> P
. . . . ee. ‰ "Jyy
" _ _# _# _ _ _n _ _
JTœ ‰ "
jyyyy>‰ "
e = 96-92, Tempo 1
ƒ
Bass Flute
< k >
ƒ
f
ƒ
slap strings against fingerboard w. LH
secco
cl tratto
"ff "
I.II.
f
e = 96-92, Tempo 1batt.
!
_%> _# _# _ _# _n _n
$_>
!
!
_ _# _# _ _# _n _n _>
!
!
"ff "
"ff "sub.
!
y# fl _%> _# _# _ _ _n _n _
!
!
" _ _# _# _ _ _n _ _
!
!
ƒ
< k >
33Push (2)
÷
V
&
&
B
B
?
163
163
163
163
163
163
163
82
82
82
82
82
82
82
163
163
163
163
163
163
163
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
97!
_%> _ _ _b _b _
!
!
_ _ _ _b _b _
!
!
"ff "
!
y# fl _$> _# _#
%> _ _ _n
!
!
" _ _# _# _ _ _n
!
!
ƒ
< k >
!
_$> _ _ _b _b _
!
!
_ _# _# _ _# _n
!
!
34 Push (2)
÷
V
&
&
B
B
?
83
83
83
83
83
83
83
82
82
82
82
82
82
82
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
100!
y# fl _%> _# _# _ _ _n _n
$> _ "
!
!
" _ _# _# _ _# _ _n _ _b ®
!
!
ƒ
< k >
accel. poco a poco
accel. poco a poco
!
_%> _ _ _b _b _ "
!
!
_ _ _ _b _b _ _ _b
! ?
!
"ff "
!
_b$> yfl _
%> _ _b _ _b _n _
$> _b
!
". yfl‰ ‰
‰ _ _ _b _ _# _ _ _b
" œœµq
œœ
" œBq
œ
ƒ
< k >
arcoa.s.t.
arco
ƒ
ord.
35Push (2)
÷
V
&
&
B
?
?
84
84
84
84
84
84
84
82
82
82
82
82
82
82
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq
103!
yb fl _$> _
%> _ _b _ _b _n _
$> _b
!
!
‰ _ _ _b _ _b _ _ _b
..œœ
.œ
ƒ
< k >
!
yfl _#>$
" _#>$
_%> _ _b _n _ _b _n
$> _b _n ®
˙#
!
‰ " _ _ _b _ _ _b _n _b _ ®
˙˙
˙
ƒ ƒ
< k >
p
erratic
Bass Clarinet
P
P
a.s.p.
( e = 112-104 )
( e = 112-104 )
Rall.
Rall.
!
!
˙
!
!
jœœq
‰ Œ
jœq
‰ Œ
F
take Flute
ord.
36 Push (2)
÷
V
&
&
B
?
?
82
82
82
82
82
82
82
84
84
84
84
84
84
84
82
82
82
82
82
82
82
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq
106!
œœœœœœ
b >
œ æM1
21
> e
yy>@j yy>
æjyy>@j yy>
@j5
yy>jæyy>j@ yy>
j@ yy>j@ yy>
j@
3
3
..œœ#q
yy
.œ#q
y
f sub.
small/fast osc. wide/fast osc.
small/fast osc. wide/fast osc.
ord.
ord.
behind the bridge/on the winding
behind the bridge/on the winding
Î
Î
a tempo ( e = 96-92 )
a tempo ( e = 96-92 )
Î
Î
N
N
approx. contour for overblowing
ƒ
arco
arco
Œ ‰ Jœ>I
!
œ# jœæ j
œ>
!
!
!
!
p sub. Í
erratic flz.
take Flute
ƒœ " œ_> œ_. ‰ " y_
in hale a
! &
jœæ œ>@ œ>@ .j
œr
œ>
!
!
!
!
Í Í Í
flz.
37Push (2)
÷
&
&
&
B
?
?
82
82
82
82
82
82
82
84
84
84
84
84
84
84
83
83
83
83
83
83
83
82
82
82
82
82
82
82
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq
109 Jœä œ "push
!
œ æM1
21
3
> e
yy>@j yy>
j@yy>@j yy>
@j yy@j
5
jyyæj yy>jæ
yy>j@
3
..œœ#q
yy
.œ#q
y
f sub.
small/fast osc. wide/fast osc.
ord.
Î
small/fast osc. wide/fast osc.
ord.
Î
behind the bridge/on the winding
behind the bridge/on the winding
Î
Î
N
N
Œ ‰ ® _$ _% _$[hE]
!
˙#
!
!
!
!
p sub.
F jy- " ‰through
!
œ# æM
31 2
> e‰
11 ‰5
11
11‰
3 3
!
!
f sub.
a.s.p.
a.s.p.I.II.
I.II.
f
wide/fast osc.
wide/fast osc.
Ï
Ï Ï
ƒ
~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~
38 Push (2)
÷
&
&
&
B
?
?
82
82
82
82
82
82
82
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq wqwq
112
Jy-_ ‰my
!
œ# æM1
21
3
> e
5
!
..œœ#q
yy
.œ#q
y
f sub.
small/fast osc. wide/fast osc.
ord.
Î
small/fast osc. wide/fast osc.
ord.
Î
ƒ F
N
N
small/fast osc.
Jy> ‰ Œveins
!
œ æM1
21
3
1
> eb œ#
" . ‰
3 3
yyb 11 yy " . ‰
5
jœœ jœœ œœ
jœ j œ
ƒ p sub.
Ï F
F ƒ F Ï F
&
&
n.v.
n.v. accel. vib.
wide/fast osc.
Œ ‰ jy_-breathe
!
œj
œj
œM>3
Œ ‰ Jyy#>
Œ ‰ Jyy#>
œœjœœb yy "
œ jœ œ "
Í ƒ
p
f
wide/slow osc. n.v.
f
II.III.
ƒ
II.III.
ƒ
a.s.p.
~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~
39Push (2)
÷
ã
&
&
&
B
?
?
83
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~
115
y- y- y- y. y. y. y. y. y. y. y. y. y. y. y. y.. y. y. y.push fly breathe
pushfly
fly fly fly fly flyflyflyflyfly
flyflyflyflyfly
!
!
œ œ
jyy ‰ Œ
Jyy# ‰ Œ
Œ ‰ œœbq
3
œq
œ
p sub. P
p
ord.
medium osc.N
Nord.
P
P
y. y. y. y. y. y. y. y. J1- 1
flyflyflyflyflyfly
flyfly[aI]
‰ _% _ _$3
‰ œ œb œb œ œb œb œ œ œn œb jœ en5
5
.œ@
M2
œfl!3
‰ Œ
..yyq
11 ‰ Œ
..yy#q
11 ‰ Œ
..œœ yy ‰ Œ
.œq
y ‰ Œ
p Ï
F p sub.
flz.
Î
Î
Î
a.s.p.
Î
a.s.p.
< hE >
ƒ #
"ff "
secco
secco
secco
secco
Flute
1 J ‰
_ " ‰ Œ
jœb ‰ Œ
f_ f# _f# _f_ f_ f_ f
_ fn _f_ f_ f# _f_ .fn _ ffl
_
Œœœbn -
!
!
!
# ƒ
#
Ï
a.s.t.
p
40 Push (2)
÷
&
&
&
B
?
?
83
83
83
83
83
83
83
82
82
82
82
82
82
82
83
83
83
83
83
83
83
82
82
82
82
82
82
82
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
118 œb Jœ
!
f# _ f_ f_ f_ f# _ f_ f_ f_
fn _f# _
f_ f_
œ
œœnq
"
!
!
!
pp sub.
p # " œb œ ® œ
[aI] [aI]
!
f_ ffl_ f_ .f_ ffl
_
" œœbn > ..œ
œœœbn -
!
!
!
ffpp sub. ƒ
p # p
ß p
ric.arcoa.s.t.
Jœ
!
.f ææ_e
œ
œœnq
"
!
!
!
pp sub. P
flz.
#
41Push (2)
÷
&
&
&
B
?
?
82
82
82
82
82
82
82
84
84
84
84
84
84
84
86
86
86
86
86
86
86
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
wqwq
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~
121!
!
œ ææ_ e#
!
!
œ e#
!
#
&
a.s.p.
N
Œ ‰ " . œb[aI]
!
Jœb æ> e jœ# æ> e jœ æ> e#
‰ .f f3
‰ œœ
bq
Jœœ J
œœq
3
jyâ jyâ jy# âjœ .œ y
3
Jy# äJyä jyâ
jœ .œ y
3
‰œb
q
jœ jœq
3
ƒ p ƒ°
p
ƒ F Ï
ƒ F Ï
a.s.p.
f
a.s.t.
f
a.s.t. a.s.p. a.s.t.
.œ œ Jœ
!
Œ ‰ ‰œb
!
!
!
!
#
42 Push (2)
÷
ã
&
&
&
B
?
?
84
84
84
84
84
84
84
84
83
83
83
83
83
83
83
83
44
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~ wqwq
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
124 Jœ _ " Œ
!
!
.œb" jœb
jœ e e
¨
¨
¨
¨
yyb " ‰ ‰ yy "
.jy>y" ‰ jy>
.jyb>y" ‰ jy>
.Jy>yb " ‰ Jy>
#
ƒ ƒpp sub.
ƒ
ord.
ord.
ord.
f f ƒ
f ƒ f ƒ
ord.
f ƒ f ƒ
ƒ
y_ y_ y_ y_ " " y_3
I can see I
!
!
.œb œ œ œ œ# œ5
.œq
Jœ e
!
!
!
as fast as poss.
°
F
IV.s.t. a.s.p.n.v. wide/fast osc.
Ï P
f ƒy> " _
$_%
_$
_%
_$ _% _$ _% _$5
see [s] [s] [s] [s] [s] [s] [s] [s]
J_%
_$
_%
_$
_%
_$ _% _$ _% _$5
.œ#
jœb >‰ ‰
œeb
!
!
!
!
°
"ff "
< hE >
ƒ p ƒ
Ï
ƒ
43Push (2)
÷
ã
&
&
&
B
?
?
44
44
44
44
44
44
44
44
87
87
87
87
87
87
87
87
43
43
43
43
43
43
43
43
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~
127ÓU Ó
ÓU Ó
ÓU Ó
ÓU Ó
^PU
^
^PU
^
^U
^
jUj
q = 66-58, emphatic, haunted
"fff "
"fff "
"fff "
"fff "
bow the side of the bridge
bow tailpiece
p sub.
p sub.
p sub.
p sub.
q = 66-58, emphatic, haunted
‰ Jyä Œ Œ Jy_- ‰3
If I
‰ JZ J_$
J_3
‰ œ# œ œ œ# œ# œ# œn œn œ œ# jœ3
6
!
j__ Œ Ó
j__ Œ Ó
j_
Œ Ó
j_j Œ Ó
< hE >
#F
"ff "
ƒ
p espressivo
44 Push (2)
÷
ã
&
43
43
43
87
87
87
43
43
43
Voice
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
129 yä y_ " Œ ‰ y-hold my
Z w _$
œ œ œ# œ# œ œn œ œb œ œ œ œb œb œ œb œb jœb3
7
6
P sub. f ß
< hE >
ß py_ J_. ‰ Œ jy-
brea th I
Jw
3> q _$
_%
_$
_%
J_$ ‰
jœ œ œb æ eb œ
ƒ p
< hE >
ƒ
f p
÷
ã
&
43
43
43
44
44
44
Voice
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
131‰ y. y_> y_ ‰ Œ
3
can feel
Z Jw q _$
_% _$ _% _$3
5
œb æ e œb æ eb œb æ eb œ3
< hE >
p f # Ï
F
Jyä_ _- ‰ Ó
hea ven
‰ . q æ wæ æ Zæ
œ .œB œnœb æ eb
flz.
# f
ß pÓ Ó!
‰ " _% _$ _% _$ Ó!5
œI æ eI Ó!
< hE >
# Ï
45Push (2)
÷
ã
&
85
85
85
44
44
44
Voice
(B)Fl.
134‰ yä Œ Œ Jy_- ‰ y3
when I close
.q>
JZ J_>$
3
˙b æ eb œ œb œb œn œb œn ‰ œb œA œ œ6
< k >< si >< u >
< hE >
Íp F # ff sub. p sub. Ï
F ßy_ " ‰ Œ Jy.
my
_$
_%
_$
_% ‰ y
_$ _% _$ _%5
œb œb œ œ œ œ " œb œ œb ® ‰ œb œb œb œ
< hE > < s >
Ï# #
< k >
F
÷
ã
&
44
44
44
84
84
84
Voice
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~
136 .y_ j_ y. ‰ . ‰ _- ‰3
eye s I
q 2 >
œb œb œn œb œ œ œ œ œ œ œ# œ œb œb œ œ œ œ œb œn œb œn œn œb œn œb œ œb œn œn œb œ
< si > < sh >
# F Í ƒ
y_â ‰ Œ Ósee
‰ _>$ Œ Ó
œ Œ Ó
ç
ß
46 Push (2)
÷
ã
&
&
&
B
?
?
84
84
84
84
84
84
84
84
83
83
83
83
83
83
83
83
84
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
138
Jy J_ ‰ ‰God
J3>
q " Œ
œ œ œb œ œb œ œ œb œ " Œ6
3
_b _b _n _ _ ® ® _ _ _ _n _ _b _b _n _
‰ " . T#q
T T T# T Tb T ‰6
‰ " . T
q
T Tb T T Tb ‰5
Tb Tb T Tn Tbq
‰ ‰ T Tb T Tn T5 5
JT# Tq
" . ‰ JT
Ï &
e = 96-92, Tempo 1
breathing...
pizz.
&p p
F
F
F
F F
F
s.p.
s.p.
s.p.1/2 (harmonic) pressure
1/2 (harmonic) pressure
1/2 (harmonic) pressure
1/2 (harmonic) pressure
ƒ p
e = 96-92, Tempo 1
!
!
!
_® ® _ _b _ _n _ ‰
" . T#q
T T T# T Tb T ‰6
" . T
q
Tb Tb Tn T T ‰5
Tq
" . ‰ ‰
T#q
" . ‰ ‰
p&
F
F
!
!
!
_ _ _ ® "_ _
_b _b _ _ _ _6
‰ "T#q
T Tn " .
T# T T " " T
q
Tb Tb " .5
‰ ‰ T T# T T ®q
5
!
& &p
# F
F
F
47Push (2)
÷
&
&
&
B
?
?
84
84
84
84
84
84
84
83
83
83
83
83
83
83
82
82
82
82
82
82
82
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
141!
!
" _ _ _# _b _ ® _ _ _ _n _ _ _ _b _b ®6
" Tbq
T T " . Œ
" Tbq
T T " . Œ
‰ T T# T# Tnq
® T T# T Tn Tb Tq
‰5
6
Œ " . T Tb T T# T T# Tq
®6
5
F
F
& &p p p&
F F
F
!
!
_ _b _b _ _ _ _n _b _ _ _ _ _ _b _n _#6 6
" .Tq
T Tb .Tb Tq
Tn T Tb " .6 6
" . Tq
T Tb .Tb Tq
Tn T Tb " .6 6
&
T Tb T T#q
" T T T Tq
" T T T# T Tn6 6 5
‰ ‰ T T# T Tn
F F
& &p p
F F
F F F
F
‰ " _$3
[s]
!
_® ® œ_ œb_ œ_ œn_ œ
_
‰ T Tb Tb T Tb5
‰ T# T T T T#5
Tb Tbq
" ‰
T Tq
" ‰
#
&
&
&
48 Push (2)
÷
&
&
&
&
?
?
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
144
y> J_$
y._ y> _$
33
and [s] l in [s]
yb fl
_b$
_ _n _ _# _ yn fl _#$
_ _%
_ yb fl
œM1
3
œMæÿ2 1
3
T " ‰œ
q
T# " ‰ œ
q
eb
!
!
F f
flz.
< k > < k > < k >
< hE >sim.
ƒ ƒ ƒp sub. p sub.
F # F pp sub.
F
F
a.s.t.
a.s.t.
f
y>_ _$
‰ y> J_$3 3
hale [s] in [s]
_b$
_ _ _ _b _b yn fl _n%
_ _b yfl _n$
_b _ _b3
œ1
f# fn fb fb fn @ fæ fb æ fb æ fA æ fn æ f# æ fn æ fb æ fb æ f@ fæ fb æ fb æ fb æ5 5 5 5
.œJœ
q
.œ Jœq
œ œ œb œb œ œ œ œn œ# œ œn œ œb œ œ œ œ œn œ# œ5 5 5 5
!
F f F frough
flz.
F
< k > < k >
ƒ ƒp sub. p sub.
F pp sub.
p
p
a.s.p.
# # #f fà la corde
ßf
49Push (2)
÷
ã
&
&
&
&
?
?
85
85
85
85
85
85
85
85
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
146‰ ‰ Jy>_ y_ "
in
_%
_$
_%
_$ _% _$
q Z
33
œ œ œ œ œ œ œ œ œb œ œb œn œ# œ œn œ# œ5
!
‰ j__
P__
" ‰
‰ j__
P__
" ‰
‰ j__
P__
" ‰
‰ j_j _j " ‰
"ff "
p ƒ pp sub. F< k >
bow the side of the bridge
"fff "
"fff "
"fff "
"fff "
< hE >
f‰ ‰ Jy>_ _ y_
hale
J q " q Z
œ œ œ# œ# œ œ œ œ œ œb œ œb œn œ# œ œn œ œ œ
56
!
.œ
q
e
Rœ
r__P
.œ#
q
Rœ
r__P
Œ ‰ " __
P
Œ ‰ " _j
# ƒ pp sub. ƒ< k >
F "fff "
a.s.t.
"fff "
a.s.t.
"fff "
"fff "
F
bow the side of the bridge
50 Push (2)
÷
ã
&
&
&
&
?
?
85
85
85
85
85
85
85
85
84
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~
148!
_$ _% _$ _% _$ _% _$
J _$3 3
œ œ œ œ œ œ œ œ œb œ œ œb œ œb œ œ œb œ œb œ
Œ jœ# _ œ_ œ_ œ_ œ_
__ __j__
__ __j__
__ __j__
_j _j j_j
° P °
< si >< u >
ƒ p
< hE > sim. (in/exhalations are playedwith a closed mouthpiece)
p sub.
p sub.
p sub.
p sub.
Œ " y. y>_ "a push
J_% J _$ Jq
œ œb œ œb œ œ œb œ œb œ œb œ œb œn œ# œ œn œ#6
‰ ‰ " œb _ jœ_
‰ " __
P__ __
j__
‰ " __
P__ __
j__
‰ " __
P__ __
j__
‰ " _j _j _j j_j
ƒ< k >
p ƒ pp sub.
°
f
bow the side of the bridge
p
p
p
p "ff "sub.
"ff "sub.
"ff "sub.
"ff "sub.
51Push (2)
÷
ã
&
&
&
&
?
?
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
150" y_ ‰ Œ
through
Z
->_$ J _$
œ œœ œb œ œ œb œ œb œ œ œb œn œb œ
œ_ œ_ œ_ " ‰ " œb
" œ
q
e œ œ œ
" œ#
q
œ œ œ
" Tœ#
q
Tœ Tœ Tœ
!
< si >< u >
f ß ƒ p fp
°°P
F
a.s.t.
a.s.t.
F
F
pŒ ‰ " . y_.
my
.3 .
œ œ ® œ# œ œ œ œ ® œ œ œ œ œb œ œb
f f .fæ fæ fb f fb fn fb .fæ fæ5
__P
__
__P
__
__P
__
_j _j
< k >
pp sub. ff sub.
# ƒ pp sub. ƒP
"fff "
"fff "
"fff "
"fff "
bow the side of the bridge
52 Push (2)
÷
ã
&
&
&
&
?
?
85
85
85
85
85
85
85
85
45
45
45
45
45
45
45
45
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
152Œ ‰ ‰ y>
3
veins
_$
_%
_$
_% _$ J ->3
3
3
œ œ œ œ œ œ œ œœb œ œb œ œ œb œ œb
fb _ fn _ fb _ fn _ f_ f_ _ _ _b _ _b _ ‰
j__ ‰ " __ __ __>3
j__ ‰ " __ __ __>3
j__ ‰ " __ __ __>3
j_j ‰ " _j _j _j>3
p sub. ƒ ç
< si >
< u >
°pp sub.
take Clarinet
#
#
#
#
f
"ff "sub.
"ff "sub.
"ff "sub.
"ff "sub.
! &
_$ " ‰ Œ ‰
œ œb " ‰ Œ ‰
!
‰ " œb
q
œJœ
‰ " œ
q
e# œ Jœ
‰ " yq
y jy
!
behind the bridge
ord.
ord.
53Push (2)
&
&
&
&
&
?
?
45
45
45
45
45
45
45
42
42
42
42
42
42
42
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
154 ! !
[I]
!
!
..hh hh
y ‰ . Œ Ó .
y ‰ . Œ Ó .
h# .
q = 66-58
ppp poss. faint, distant
ƒ
a.s.p.
f
ƒ
(ord — a.s.p.)
wide/slow osc. small/fast osc.
ƒ
f
q = 66-58
! .1 y. Ó[f]
!
!
hÓ ..hh
! B
!
.
wide/fast osc.
molto rit.
molto rit.
q = 44
q = 44
ŒU Œ ÷
ŒU Œ
ŒU Œ
yyU
‰ Œ
yy>U
yy yy
yy>U
yy yy
U
small/fast osc.
behind the bridge/on the winding
behind the bridge/on the winding
ƒ
ƒ p
p
54 Push (2)
÷
&
&
&
B
?
?
44
44
44
44
44
44
44
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
157 y> y> _$ y> y> y. y.y> y. y. y. y.
y> y> " " y " " y " _$> "6 6 6
3
pu shes[s]
pu shes through my push through my through my pu shes through my[s]
!
!
‰ . Œ3
yy‰ . Œ j
3 3
yy ‰ . Œ Œ Œ J 3
‰ Œ Ó
ff sub. cresc.
IV.cl tratto
"ff " pIV.cl tratto
(irreg. trill)
p p"ff "
III.cl trattomedium osc.
trill half-step above
p
a tempo ( q = 66-58 )
a tempo ( q = 66-58 )
ƒ
ƒ
~~~~~~~~~~
55Push (2)
÷
&
&
&
B
?
?
42
42
42
42
42
42
42
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
158y> y> y. y. y> y> y. y. _$ y. y. _$ y. y. " " _$ ‰ " y "
6 6 3 3
pu shes through my pu shes through my[s]
through my[s]
through my[s]
my
Ó Œ ‰ . _
%>
Ó Œ ‰ . _%>
Ó ‰ j 3
‰ ‰ . ‰5
&
J " Ó3
‰ ‰ . Œ3
Ï
"ff "
Bb Clarinet
"ff "
wide/fast osc.wide/medium osc.
IV.cl trattosmall/fast osc.
p "ff " p
IV.
p p "ff ""ff "
"ff " p "ff " p
III.trill half-step above
(irreg. trill)
"ff " p
"ff "
<s>
toneless: breathing into instrument
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
56 Push (2)
÷
&
&
&
&
?
?
42
42
42
42
42
42
42
44
44
44
44
44
44
44
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~
159Œ " _
$_%
_$
_%
5
[s]
_ _ _$
_%
_$
_%
5
_ _ _$
_%
_$
_%
5
. R
5
"
!
!
p "f "
p "f "
"ff " p
crinea.s.p.
I.
&
p "f "
*m. 157-159, all breathing is donewith the [s] sound
" _$
_%
_$ " " " _
%_$
_%
5 5
" _$
_%
_$ " " " _
%_$
_%
5 5
" _$
_%
_$
" " " _%
_$
_%
5 5
. " " ‰ "5
1 1
!
!
p "f " p
p "f " p
"ff "
# &
n.v.
cantabile
p "f " p
poco rall.
_$
_%
_$
_%
_ _ _$
_ _ _$
_ "! ‰3 3
_$
_%
_$
_%
_ _ _$
_ _ _$
_ "!
‰3 3
_$
_%
_$
_%
_ _ _$
_ _ _$
_ ‰ .!
3 3
Ó Œ Œ!
.1 1 ! 1!
Ó Œ Œ! &
Ó Œ Œ!
"ff " # "f " # "ff "
"ff " # "f " # "ff "
F pp sub.
medium osc. small/fast osc.
"ff " # "f " # "ff "
57Push (2)
÷
&
&
&
&
&
?
84
84
84
84
84
84
84
82
82
82
82
82
82
82
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
162 y>_ y._ y._ _$ y>_ y._ y._ y._ _$
_%
_$
_%
_$ y> y. y.pu shes through
[s]pu shes through my
[s]pu shes through
!
_fl _ _ _ _ _b _" _# _ _ _ _fl
J $ " . ‰
J1
‰ ‰ " B
J1> e " Œ ?
!
< te > < te >
f ß
e = 96-92, Tempo 1
F ffierce, intense, obsessive
&
I.cl ric.
ƒ #
pp sub. "f "
III.cl ric. cl tratto
ƒ # "f "
IV.cl tratto
p
e = 96-92, Tempo 1
.y _$
" y. y.my
[s]through my
!
_ _ _ _ _b _ _fl
‰ > 3
ä
®3
" >
‰ " >
< te >
f
ff sub.
pp sub.
III.wide/fast osc.
"f "
"f " p "ff " #
IV.cl tratto
"ff "
"f "
cl tratto
trill half-step above
~~~~~~~~ ~~~~~~ ~~~~~~ ~~~~~ ~~~~~~
58 Push (2)
÷
&
&
&
B
?
?
83
83
83
83
83
83
83
84
84
84
84
84
84
84
83
83
83
83
83
83
83
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~ Ÿ~~~~~~~~~
164
" yfl " y. yfl_$
‰,
my through my
Œ ‰,
_# _# _ _fl _ _ _fl ‰ ,3
" ‰ ‰,
Œ ‰ ,
® > ® ‰,
® ® ‰,
< te > < te >
fp sub. Í
small/fast osc.
p
"f " pp
p "F " p
.y_- y_ Jy_- y_ y_ ® y_ y_ y_.
veins s mol de ring be neath
y# fl _%
_# _# _ _# _n _n$
_ y# fl
_%
_# _# _
œM1 j
œMj
œM@2
J1 1
J1
" _ _# _# _ _# _n _n _ " _ _# _# _
..yy#âjœœ
..yy#âjœœ
# F
< k >< k >
f f
sim.< hE >
"f " "f "
cl tratto
f F f
wide/medium osc.I.
cantabile
ord.
ƒ
Ï
crinea.s.p.
ord.
poco allargando
poco allargando
f" y_- .y_â ® .y_- y_<
my skin be neath
_# _n _n$
_ y# fl _%
_# _# _ _# _ _n$
_ yb fl
jœM1 j
œM
2
œM
1J1
‰
_# _n _n _ " _ _# _# _ _# _ _n _ "
œœjœœ
q
‰ &
œœjœœ
q
‰
pp sub. F sub. &
< k >< k >
f f
"f " "f "
F~~~~ ~~~~~
59Push (2)
÷
&
&
&
B
&
?
83
83
83
83
83
83
83
82
82
82
82
82
82
82
83
83
83
83
83
83
83
82
82
82
82
82
82
82
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
167
yfl_ _
$_%
_$
yfl_ _
$y. y. ‰
my [ha] skin [ha] an ache
!
" Gfl _b _b _ _ _# _ _b Gfl
" > $
" .
‰ ‰ ‰ 3
" > $
!
ffpp sub. ƒ
< te > < te >
f p sub. f
cl ric.
cl tratto
f # "f "
cl trattoIII.
III.
cl ric.I.
cl tratto(irreg. trill)
f # "f "
p
a tempo ( e = 96-92 )
a tempo ( e = 96-92 )
® y> y. y> y> y. ® _$
a chingthrob
pushes [ha]
!
® _ _b _ ‰
!
"
j "
!
ç
p "f "
#
#
J1_- 1_
-J1_-3
be hind my
_%
_ _ _b _b _ _$
_b yb fl
yn fl
œM1 j
œM2
.y e
_ _ _ _b _b _ _ _b ‰
..yy˜# â
.y# â
&
p
< t > < t >
< hE >
f
a.s.p.crine
"f " "f "
"f "
ƒ
crinea.s.p.
crinea.s.p.
Ï
medium osc.
poco allargando
poco allargando
60 Push (2)
÷
&
&
&
B
&
?
82
82
82
82
82
82
82
84
84
84
84
84
84
84
82
82
82
82
82
82
82
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
170 .1_- 1_
-
rib cage
_%
_ _b _ _b _ _$
_b
jœM3 j
œM2
.y y
_ _ _b _ _b _ _ _b
..œœ œœq
B
.œ œq
f #
F p sub.
< hE >
"f "
"f "
"f "
wide/fast osc.
‰ " y_. " " . _. y> "3
then youbreathe
!
_ _ _ _ _ _b _fl"
_ _n _ _b _b _fl_# _n
3 5
" ‰ yq
eb j 3
" . J jy#q
Œ ‰ jy#q
e
!
#
II.cl trattosmall/fast osc.
# "ff "
IV.wide/fast osc.
"ff "
cl tratto
# ff
< te > < te >
a tempo ( e = 96-92 )
a tempo ( e = 96-92 )
p
‰ y> ‰ ‰ y_> "3
a kiss
Œ ‰ yfl _ _# _3
_ _# _# _ _fl" œ# _ œ_ œ_ œ
_ œ_ œ_ œ# _ œ_ _flœn _ œ_
3 3
j j jy#q
‰ " q
3
y# y
q
‰ "
q
3
&
j jy# jyq
‰ "
q
3
!
< k >
ffp sub.
"ff "
small/fast osc.
"ff "
"ff "
f f
< te > < te >
ord.crine
crineord.
crineord.
f
~~~~ ~~~~~~ ~~~~~~~~
~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ ~~~~~
61Push (2)
÷
&
&
&
&
B
?
82
82
82
82
82
82
82
84
84
84
84
84
84
84
83
83
83
83
83
83
83
165
165
165
165
165
165
165
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
173" . _.
œ>_ œ_a kiss
_# _n _# _ _ yfl œ_ œ# _ œn _3 3
œ_ œ_ œ# _ œ_ œ_
_flœ# _ œ_
3
" .
" . B
jœb en
!
< k >
F
F
F ffpp sub.
ƒ
ƒ
f
f
a.s.p.
accel. poss.
accel. poss.
‰ ‰ y. y- " œ_- "in to my
œ_ œ# _ œ_ œ# œ# œ œn œ# œ# œ# ybfl œ œ œb yfl œ œ œb3 5 3 3
œ_ œb _ œ_ œ# _ œ# _ œ_ œ_ œ# _ _fl œn œ# œn _flœn œ
Œ " œ# e œ œ œ œ3
Œ Jœ e Jœ œ œ œ#3 &
œ jœ œ œb œ?
!
< k >
ƒ
ƒ
Ï
Ï
s.p.
s.p.
# ƒ
ƒP
ƒ
< k >
< te >
f
f
œ> " ‰ " . œ._breathe a
" œ# œ œ!œ#
! œ#!œn
!œ
!œ!
œ#!
œ!˘
"5
3
" œ œœ# œ
œb œb œn œ œœ# ˘
"3
5
" œ# > œ# y "
" œ# > œ# y "
" œ> œ# y# "
" œ
q
Jœ y "
flz.
p f
p f
e = 112-104, as fast as poss.
f & ƒ
ord. a.s.p. ord.
f & ƒ
ord. a.s.p. ord.
III.ord. a.s.p. ord.
f & ƒ
ƒ
ord. a.s.p.
II.
e = 112-104, as fast as poss.
ƒ
N
N
N
N
62 Push (2)
÷
&
&
&
&
?
?
165
165
165
165
165
165
165
84
84
84
84
84
84
84
167
167
167
167
167
167
167
165
165
165
165
165
165
165
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~
176 y> " ‰ Ry_.
kiss a
" Rœ_ œ_ œ_ "
Jœ_ Jœ Rœ_
Jœq
eb Jœ Rœq
Jœq
eb Jœ Rœq
JTœ
q
JTœ RTœ
q
&
!
& f &
# f #
s.p.
s.p.
s.p.
p
p
p
y> " ‰ ‰ œ_- _ "kiss in
" œ#_ œ_ œ_ œ._ " _# _ _
_ _ ‰3
5
"œ_
œ_ œ_
œb_ œ_ " _b _b _n _ _b
‰3 3
" œ# œ œ œ " ‰
3 5
‰ Jœq
.œ y ‰
‰ Jœbq
.œ y ‰
!
f p f
f fp
f # # ƒ
f
a.s.p.
a.s.p.
f
a.s.p.
ç f
N
N
Ry. ‰ " œ_ä _ " Ry.
to in to
" œ> œb œb œ œ œ# œn œ# " œ œ œn "5
3 3
" Jœ> _ " œb œ œb "
3
" Jœ> eb œ " . Ryb ä "
‰ . œ# œ œ " Ryä "3
B
! ?
!
f ß
F # ß
f # ff sub.
ff sub.
s.p.
#
p
ƒ
63Push (2)
÷
&
&
&
B
?
?
165
165
165
165
165
165
165
83
83
83
83
83
83
83
167
167
167
167
167
167
167
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
179‰ ‰ ® y_.
a
!
!
!
œµ> œ .œq
œ" &
œœ# > œœ ..œœq
œœ "
œ# > œ .œq
œ "
f Ï
ord.
f Ï
ord.
f Ï
ord.small/fast osc.
Ry> " y_
- _ " Ry.
kiss in to
" œ# œ œ " œ œb œb œ œb3 5
" œb_
œb_ œb_ " œb œb œb
œn œ3 3
" Ry#>" .y> œ œb
5
‰ " y> œb œb œ3
!
!
f
f
p
p
ord.
ƒ p
f p sub.
œ> " ‰ " . y_.breathe a
" œ# œ œæœ#
ææ œ#æœn
æœ
æœæ
œ#æ
Ͼ "
53
" œ œœ# œ
œb œb œn œ œœ# ˘
"3
5
" œ# > œ# y "
" œ# > œ# y "
" œ> œ# y# "
" œ
q
Jœ y "
flz.
p f
p f
f & ƒ
ord. a.s.p. ord.
f & ƒ
ord. a.s.p. ord.II.
III.ord. a.s.p. ord.
f & ƒ
ƒ
ord. a.s.p.
N
N
N
N
fff sub.
64 Push (2)
÷
&
&
&
&
?
?
167
167
167
167
167
167
167
83
83
83
83
83
83
83
165
165
165
165
165
165
165
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~
182 œ> " ‰ ‰ y-
kiss in
" œ#_
œ_
œ_
œ_
œ_
œ#_
œ#_ œ_ œ œ# œ# œn œ
œ"
3 5 6
" œb_
œb_
œb_
œb_
œ_
œb_ œb_ œb_ œb œn œb œn œb œb
"3 5 6
‰ " Rœ
q
e .œ œ "
‰ " Rœb
q
.œ œ " B
‰ " Rœq
.œ œ "
!
f
f p
p
f
f
a.s.p.
f
f
a.s.p.
wide/fast osc.
f
!
!
!
!
‰ " yy ..yy yy &
‰ " œœ e# ..œœ œœ
‰ " œb .œ œ
Î
Î
wide/fast osc.
#
#
# ƒ
65Push (2)
÷
&
&
&
&
?
?
165
165
165
165
165
165
165
84
84
84
84
84
84
84
Voice
(B)Cl.
Vln.
Vla.
Vlc.
Cb.
(B)Fl.
184
Rœ> " ‰ ® y-to my
®_b > _b _ _ _# _n _# _ _
_# ®5 5
® _> _b _ _b _n _b _b _ _b _ _ ®5 6
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Amadeus Julian Regucera April-May 2013 - Paris, Francerev. Sept-Dec 2013 - Oakland, CA, USA
66 Push (2)