"Protest Puppetry: An Update on the Aesthetics and Production of Effigy-Making" by Lisa Ito-Tapang

7/29/2019 "Protest Puppetry: An Update on the Aesthetics and Production of Effigy-Making" by Lisa Ito-Tapang

1/18

RTA]L_] R\R]FL @L_]FL]HO_ @JM

AC LCCHIX.N@EHJI

M@_ Ir`mu`tl _tumljts Tlsl`rof Oaggaquhun' 43Ghs` Hta


2/18

Hjtramuothaj Adklothvls Cr`nlware N`kar pratlst pupplts' 422


3/18

Hjtramuothaj

Mhsshmljt Rupplts;]fl Lcchiy hj

Rfhghpphjl T`mho`gRaghthos &422


4/18

Adklothvls

Nltfamagaiy

Oagg`thaj'lx`nhj`thaj ac`v`hg`dglvhsu`g m`t``jm tlxts `ctlr

422=

Pu`ght`thvlnltfams' suof`s CIMs' EHHs tacaggaw

\pm`tl tfl lxhsthji m`t`d`sl amaounljtlm hn`ils

Carw`rm adslrv`thajs ac of`jiaoourrlm whtfhj tfhs plrham

\pm`tl lxhsthji `sslssnljt' sof


5/18

Cr`nlware

Lcchihls `ssunl `pr`otho`g cujothaj `s` prap`i`jmhstho `rtcarn `jm ` syndaghocujothaj `s `jhjtlir`g p`rt ac tflpraolss' hoajair`pfy

`jm rhtu`g ac tflpaghtho`g struiigl actfl j`thaj`gmlnaor`tho navlnljthj tfl Rfhghpphjls*

Rramuolm hj tfl oajtlxt ac Rfpratlst `jm rlvaguthaj`ry `r

_hnugt`jlausgy rlcglots `jm fsf`pl paghtho`g mhsoaursl

Nlmh`tls dltwllj hjsthtuthajvhshdgl `jm vlrd`g


6/18

Cr`nlware

Rrlshmljts > nast oannajplrsaj`ghty rlprlsljtlm hjpratlst lcchihls cran 083= taprlsljt

Jat kust plrsaj htslgc dut tflstruoturl' systln flsfllndamhls

@ nl`js car plapgl ta vhsu`ghzlourrljt hssuls

]r`jshthaj`g plrham dRrlshmljth`g `mnhjhstorlmhdhghty orhshs

Ljm ac lxpajljth ggy`mnhjhstr`thaj ujmlr

_t`rt ac hjorl`shjigy tljuaus tlrn ujmlr R

Hoajho pg`jl Oajtlxtu`g pg`


7/18

Fhstarho`g avlrvhlw

_hnpgl iht`thaj`g prapì`jmùslm `s l`rgy `s 083=

Mhs`ppl`rlm murhjitfl plrham ac N`rth`g

G`w hj tfl 0892s

Tlsurcòlm murhjirlshst`jol ì`hjst tfl

mhot`tarsfhp hj tfl0862s

mlntfl


8/18

Rròtho`g `jm _yndagho Cujotha

+Tlg`thajsfhps dltwllj `jm òrass suof cujothajs o`j dl hjtlrprltlm `s mh`glotho

`jm hjtlroajjlotlm' r`tflr tf`j mhsorltl `jm slirli`tlm cran lòf atflr*

@splot Rròtho`g cujothaj _yndagho cujothaj

]flnls `jm

Hnìlry

Ghtlr`g mlnajstr`thaj' mlphothaj ac hssuls`jm saoh`g pradglns

_hijhchlm g`rilr struotur`gRfhghpphjl saohlty

N`tlrh`gs Ofl`plr' rl`mhgy `v`hg`dgl `gtlrj`thvls Rapug`r `jm mlnaor`tho o

Carn Oajorltl hnìl ac ` plrsaj`ghty ar ljthty _yndag car paghohls' hmlag

Oajolptu`ghz`thaj _ystln`tho oajsljsus.duhgmhji praolss \jhty ac carn `jm oajtljt

Oagglothvl

pramuothaj

C`stlr pramuothaj thnl' sploh`ghz`thaj armlgli`thaj ac t`ses' oajsaghm`thaj òthvhty

car nlndlrs

Carn`thaj ac ` oajsohausjlnpf`shzlm oagglothvl `jm

g`dar praolss

Mhstrhduthaj `jm

rlolpthaj

Nlmh` `ttròthaj dlcarl' murhji `jm `ctlr`j lvljt

Oaujtlr.pashthaj`g ta st`tlprapì`jm`

Durjhji ar

hnnag`thaj

Oajvljhljt' hjlxpljshvl w`y ac mhspashji`j lcchiy

_hijhchlm struiigl ta avlrprlv`hghji struotur`g hjlqu


9/18

N`kar pratlst pupplts cran 422< ta 420

422=.4228; O`pturhji Rrls* @rraya)s g`st tlrn hj

4202.4204; Ofrajhoghji Mhshggushajnljt ujmlr Rr


10/18

Avlrvhlw

Shsu`g cao`g pahjtollvljt cran RAS ac n

Oagglothvlgy pramuolmvhsu`g `rthsts' vagujtll

\sl ac ofl`plr`gtlrloyog`dgl n`tlrh`gs'

G`ril.so`gl ylt nadpart`dgl `jm nlof`j

_lvlj yl`rs; &422


11/18

Ghst ac _AJ@ Lcchihls Oannhsshajlm dy D@X@J' 422


12/18

422=.4228; O`pturhji Rrls* @rraya)s g`st tlrn hj lcc

Narl lcchihls praghclr`tlm shjol 422< `s pudgmhsoajtljt whtf `mnhjhstr`thaj irlw Ghcl.shzl pramuothajs pramuolm `s tfl oljtr`g hn

n`sshvl nugth.slotar`g nadhghz`thajs

_n`gglr lcchihls `gsa pramuolm dy ari`jhz`tha`rthstho`ggy.ljmawlm nlndlrs

Tliug`r oht`thajs ac mhcclrljt lcchihls dy n`ss n`ss ari`jhz`thajs


13/18

422=.4228; O`pturhji Rrls* @rraya)s g`st tlrn hj lcc


14/18

4202.4204; Ofrajhoghji Mhshggusshajnljt \jmlr Rrls

Car tfl chrstthnl' `j lcchiyw`s jat durjlmta of`ggljiltfl ourrljt`mnhjhstr`thaj


15/18

Oajogushajs

Lcchihls f`vl lvagvlm `s ` carn ac papug`r pratlst `rt hj tfl Rcran 083= up ta tfl prlsljt' uthghzlm dy prairlsshvl plapgls jat kust ljtlrt`hj' dut `gsa ta `rausl' nadhghzl `jm o`pturl tfl tfl papugòl*

Rraolss `jm lglnljts ac tfl lcchiy `s pratlst `rt `rl hjtlrtwhjw`ys ` paghtho`g navlnljt orl`tls' mlchjls `jm pursuls paghtho

Rrairlsshaj ac hnìlry hj tfl o`sl ac lcchihls o`rho`turhji carnIgarh` Nò`pì`g.@rraya' cran 4220 ta 4228 oajvlylm tfl mhsiust `t tfl v`rhaus c`hgurls ac tfl `mnhjhstr`thaj*

Rratls

paghtho`g m


16/18

Oajogushajs

Rramuothaj ac lcchihls `jm tflhr rhtu`gs ac pratlsystln`tho`ggy pòeìlm `s p`ramy `jm pudghsplotògl

Lcchihls `s pratlst `rt carns hs lnpf`shzlm mur`jju`g _AJ@ pratlsts flgm hj oajkujothaj whtf

acchoh`g _AJ@ olrlnajhls dy tfl iavlrjnljt Rraghclr`thaj ac mhiht`g tlofjagaiy `jm saoh`g n

lxp`jmlm tfl rlolpthaj' `rofhvhji `jm mhstrhdlcchiy hnìls

_u

`jm s


17/18

Oajogushajs

@rthsts `jm iraups mlvlgaplm `rthstho' paghtho`g tflary `jm pròth

@rthsts òolpt tfl praolss ac mlstruothaj `s hjtlir`g ta oanpglthj ]fl òt ac &jat( durjhji o`j dl ` uslcug vhsu`ghz`thaj ac paghtho`g ]fl 8 lx`npgls `rl dut ` cròthaj ac tfl hjorl`shji jundlr ac l

422


18/18

]F@J

RTA]L_] R\]FL @L_]FL]HO_ @JM

AC LCCHIX.N@EHJ

M@_ Ir`mu`tl _tumljts Tlsl`rof Oaggaquhun' 43Ghs` Hta

Documents

"Protest Puppetry: An Update on the Aesthetics and Production of Effigy-Making" by Lisa Ito-Tapang