Promo-project

Technical Rider

"SOUND"

Contents:

SpeakersMixers

MicrophonesSound processing

Splitters, Di-boxMIDI controllers

Drum set, PercussionAmplification of musical instruments

OtherQuality Certificates

3142229353739414549

Cherkasy, str. Academician Korolyov d.11tel.: (0472) 65-13-33

e-mail: [email protected]

All offered equipment is certified

2 Promo-project.com.ua SOUND 2013

Park Audio Vector 2 (active)

Sound amplifier complex VECTOR 2 - is an active three-way sound system, which has a number of specific advantages over systems from separate components.

The total capacity of the components of the complex loudspeaker VECTOR 2:

- Nominal 3800 W AES (4 x 700W + 2 x 500 W);

- Music 7600 W (4 x 1400 W + 2 x 1000 W).

Rated power amplifiers built 4000 W RMS (4 x 800W + 2 x 400 W).

Scoring of open spaces or audience to 1000 seats.

2 Sat: 1 * 2 “1 * 12” + CD horn4 Sub: 1 * 18 “45Hz-20kHz, 5 kW (7.5 kW), 130 db

Speakers

Amount - 3

Speakers


Linear array Parline-8 (B&C Speakers)

Line Array Element PE532EConfiguration:2 х Dual 8”, 3-way, tri-amp line-arrayHigh-frequency: Dual 1” exit, 1,7” diaphragm,

neodymium magnet compression driverLow frequency: Dual, 8” woofer, 2” voice coil,

ceramic magnet assemblyFrequency Response (±3 dB) 66 Hz - 18 kHzFrequency Range (-10 dB) 60 Hz - 20 kHzMaximum Output, Continuous / Peak(dB SPL at 1 m)HF: 129 dB SPL / 135 dB SPLMF: 124 dB SPL / 130 dB SPLMF: 124 dB SPL / 130 dB SPLNominal Coverage H: 120°

Subwoofer TX5122Configuration: 2 х 1Dual, 12” woofer with a 4”

voice coil, ceramic magnet assemblyFrequency Range (-10 dB),40 Hz - 110 HzContinuous Power Capacity (AES) LF: 2000 WMaximum Output; Continuous / Peak:20LF: 131 dB SPL / 137 dB

Subwoofer SW128Configuration: 2 х18” wooferFrequency Range (-10 dB),30 Hz - 150 HzContinuous Power Capacity (AES) LF: 2000 WMaximum Output; Continuous / Peak:20LF: 134.5 dB SPL / 140.5 dB

Speakers

Amount - 3


Active Speaker System JBL PRX525

PRX525 - a portable 2x15-inch 2-way active sys-tem for sound reinforcement of music and speech.

- Two woofers JBL Differential Drive ® - 1.5 “compression driver with a polymer dia-

phragm - Digital Class-D amplifier of Crown ® - Section DSP, crossover, dynamic limiting, com-

ponent optimization, selectable system EQ - Profes-sional XLR line and .25 “mic / instrument inputs with loop through.

- Logo illuminated for clear power status - Socket for mounting on a stand with two angles - Plywood construction with DuraFlex ™ coating - Polypropylene caps increase reliability - Rugged steel grill with curved edges provides

protection without sacrificing performance

15 “, 40Hz-20kHz, 650 W (1300 W peak), 135 db

Speakers

Amount - 4

Speakers


Active Speaker System JBL PRX515

PRX515 - 2-way 15-inch - the most recogniz-able form of portable PA-speakers, the perfect balance between size and performance. PRX515 - exception. It is smaller and lighter, without com-promising performance.

- Woofer JBL Differential Drive ® - 1.5 “compression driver with a polymer dia-

phragm - Digital Class-D amplifier of Crown ® - Section DSP, crossover, dynamic limiting,

component optimization, selectable system EQ - Professional XLR line and .25 “mic / instrument inputs with loop through.

- Logo illuminated for clear power status - Socket for mounting on a stand with two an-

gles - Plywood construction with DuraFlex ™ coat-

ing - Polypropylene caps increase reliability - Rugged steel grill with curved edges provides

protection without sacrificing performance

15 “, 45Hz-20kHz, 500 W (1000 W peak), 135 db

Speakers

Amount - 2


Speakers Speakers

Active Speaker System JBL PRX518S

PRX518S - High-performance compact subwoofer.

- Woofer JBL VGC ™ (Vented Gap Cooled)

- Digital Class-D amplifier of Crown ® - Section DSP, crossover, dynamic lim-

iting, component optimization, selectable polarity reverse

- Professional XLR line and .25 “mic / instrument inputs

- Stereo input and Loop-Thru - Logo illuminated for clear power status - Socket rack on top of the configuration subwoof-er / satellite

- Plywood construction with DuraFlex ™ coating

- Rugged steel grill with curved edges provides protection without sacrificing performance

Subwoofer 18 “, 500 W (1000 W), 129 db

Amount - 4


Speakers

Active Speaker System JBL PRX612M

12”, 2-way stage monitor or front of house self-powered speaker system;

1 000-watt (2 x 500-watt) Crown Class D amplifier; DSP-featured input section with selectable EQ

50Hz-19.5kHz full-range frequency response;

51Hz-19.5kHz monitor frequency response; 1 x 12” differential drive woofer;

1 x 1.5” annular, polymer-diaphragm compression driver;

Max SPL: 134dB (full range), 133dB (monitor)

Amount - 8


Speakers

Active Speaker System JBL EON15

2 - way active system, 1x15 “300W Bass + 1x1” 100W HF, 129dB maks.SPL, 3 inputs, JBL EON15-G2/230 2-Way Active Speaker System. 39-18000 Hz, 300 W LF + 100 W HF, 129db Max Spl, 3 inputs, 2-band EQ, the body is black.

Amount - 2

Speakers


Monitor linePark Audio Beta 6215M

15”, 70Hz-20kHz, 350 W (700 W peak), 122 db

Amount - 4*2

Speakers


150 W, 20Hz-20kHz, 3 mic in/line in, stereo in, aux, FX, stand

Amount - 2

Portable presentation system Fender Passport 150

SpeakersSpeakers


Portable presentation system Fender Passport 250

250 W, 20Hz-20kHz, 4 mic in/line in, 2 stereo in, aux, footswitch, FX, stand

Amount - 1

Speakers


SpeakersSpeakers

Portable presentation system SoundKing Portable PA system


Speakers

Portable presentation systemWestern Lectern Amplifier (tribune)


Mixers Mixers

Mixing Console Allen & Heath GL2400-32

32 channel, LR main mix, multi-mode M output, 4 group sends, 6 aux sends, 7*4 matrix, recording capable, responsive 4 band & 2 sweep EQ

Amount - 1


Mixers

Mixing Console Allen & Heath GL2800-848

48 channel framesLR and M mix buses8 Audio groups with pan and routing to LR and M10 Auxes including a dedicated stereo send2 multifunction stereo channels each with mic and stereo line inputs2 dual stereos provide an extra 4 summed or independent stereo returnsProper dual functionality for FOH/Monitor mixingRecording capable with channel direct outputsMatrix external inputs with level trims and common input capabilityStereo channel mic inputs can cross patch into matrix for ambience feedResponsive 4 band, 2 sweep EQ100Hz channel high pass filtersIndividual phantom power and polarity switchingRecessed pre/post-EQ aux switching per channelInternal jumper plugs for aux, direct out and other optionsAssignable talkback to all outputs1kHz oscillator / pink noise generator with external output2-track monitoring and replay to LRElectronically balanced XLR outputs with +26dBu drive capabilityPreamp 74dB range with +34dBu input capability for mic or lineSys-Link V2 console linking option4-pin lamp socketsAmount - 1


Mixers Mixers

Mixing Console Allen & Heath ZED14

Specifications Allen & Heath ZED 14:6 mono,4 stereo (+3 ext. Stereo - ST, 2TRK, USB or parallel to the main LR stereo)3-band parametric EQ with the median for single-product lines,2-band EQ on the stereo rulers,4 AUX,USB send / return,Insert and switchable low-pass filter6 mono, 4 stereo, 4 aux, USB audio connection

Amount - 1шт.


Mixers

Mixing Console Allen & Heath Xone:4D

Mixer:• 4 multi-input stereo channels: RIAA preamps for turntables on 3 inputs, (channel 4 is

Line/Line)• Soundcard output routing switches for each channel (1-2, 3-4, 5-6 & 7-8)• 3-band total kill EQ: 6dB to off• 2 FX sends: pre/post selection (internal on FX2)• 2 stereo returns• Headphone monitor with mix/cue control: 3.5mm and ¼” sockets• 2 analogue VCF filters low-pass, band-pass, high-pass (can be combined for more filter

types), resonance frequency, and filter ‘on’ switch• Filter assignable LFO with depth control and brand-new editable fader step-filter func-

tion.• Completely re-designed and functionally improved BPM detection circuit.• Mic input: On XLR connector; gain control and 2-band EQ control available: routable

straight to soundcard.• Power supply: High performance internal switch-mode supply• RIAA: for THREE turntables (four via internal jumper link)• Dual Rail VCA Cross Fader

Amount - 1шт.


MixersMixers

Mixing Console Yamaha MG24/14 FX

24 input channels 16 mic / line inputs 4 stereo pairs (two of them can be used as mono microphone inputs) slide faders Pre-fade listen 16 high-quality low-noise preamplifiers separate phantom power for microphone inputs 1-8, 9-16 Two effects processors SPX-class, 2 x 16 programs Inputs Insert I / O for connecting an equalizer, compressor, etc. 3-band parametric equalizer c in the middle of each channel 5 stereo bus (stereo 1/4 groups) 6 AUX (4 pre) controls the input sensitivity with overload indicator low-pass filter Outputs: Balanced XLR Stereo Out, CR Out, Rec Out, mono subwoofer output with a high-pass filter, headphone LED signal strength indicators24 channel, 6 aux, two FX-processor

Amount - 1


Mixers

Mixing Console Yamaha MG12/4 FX

6 mono, 4 stereo, 1 aux, FX aka 1 aux

Amount - 1


MixersMixers

Mixing Console Soundcraft Compact4

Mixing Console Soundcraft E-Spirit 6

2 mono, 2 stereo

6 mono, 2 stereo, 2 aux,

Amount - 1

Amount - 2


Mixers

Mixing Console Pioneer DJM400

2 Channels4 Line Inputs2 Turntable Inputs2 Switchable Phono/Line Inputs2 Fader Start connections3 Band EQ per channel (-infinity dB to +6dB)2 Mic Inputs (1/4”)Mic EQ3-Position Adjustable Cross Fader CurveHeadphone Monitor auditioningReinforced headphone jacksTwo RCA Master Output

Amount - 1


Microphones

Radio-Microphones Sennheiser EW 135 G2

Radio-Microphones Sennheiser EW 145 G3

Handheld transmitter with MD 835 dynamic car-dioid capsule and rack-mountable receiver;

Autoscan on all receivers for simple and secure frequency selection

1440 frequencies within a 36MHz switching band-width for greater tuning flexibility

Smaller bodypack transmitters and receivers(30% smaller than current EW)

Pilot tone squelch(defeatable for backwards com-patibility with original EW systems)

Audio signal metering on transmitter LCD displayXLR jacks on all rack-mountable units(including

100 series)

42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception

Enhanced frequency bank system with up to 12 compatible frequencies

Pilot tone squelch for eliminating RF in-terference when transmitter is turned off

Automatic frequency scan feature search-es for available frequencies

Enhanced AF frequency rangeWireless synchronization of transmitters

via infrared interfaceIntegrated Equalizer and Soundcheck

mode

Amount - 4

Amount - 3


Microphones

Radio-Microphones FreePort FP35

Radio-Microphones Shure SM58

UHF-range

UHF-range, the headset

Amount - 4

Amount - 2


Microphones

Radio-Microphones Shure PG30

Corded microphone Sennheiser E845

UHF-range, the headset

Dynamic Moving Coil; 40 – 16 000 Hz; Su-percardioid; impedance 350 ohms; Sensitivity: 1.8 mV/Pa =/- 55 dB (odB=1V/Pa) =/-75 dB (odB=1V/µbar)

Amount - 2

Amount - 1


Microphones

Corded microphone Sennheiser E906

Corded microphone Shure Beta 52A

Supercardioid dynamic mic;Switchable presence filters (3 levels); Fre-

quencyresponse 40Hz-18kHz; Sensitivity - 2.2 mV /

Pa; Nominal Impedance - 350 ohm

Dynamic (moving coil); Supercardioid, rota-tionally symmetrical about microphone axis;

Rated impedance is 150 ohms (45 ohms actual); 174 dB at 1000 Hz; -64 dBV/Pa* (0.6 mV)*1 Pa = 94 dB SPL

Amount - 1

Amount - 1


Microphones

Corded microphone Shure Beta 58A

Corded microphone Shure SM58


Dynamic Moving Coil; 50 – 16 000 Hz; Supercardioid; impedance 150 ohms; 180°

Dynamic Moving Coil; Unidirectional cardioid rotationally symmetrical about microphone axis; microphone 50 – 15 000 Hz; 1Pa =94 dB SPL

Dynamic; Unidirectional car-dioid rotationally symmetrical about microphone axis; micro-phone 40 – 15 000 Hz; 1Pa =94 dB SPL; 180°

Amount - 1

Amount - 6

Amount - 8


Microphones


Corded microphone Shure Beta 91

Corded microphone Shure Beta 98/S

Unidirectional condenser electrets-bias microphone, cardioid, 20 Hz-20 kHZ, 150 ohms; –45 dBV/Pascal (5.6 mV) –65 dBV/mbar; 1Pa =94 dB SPL

Frequency Response: 20 to 20,000 HzPolar Pattern: Half-cardioid (cardioid in

hemisphere above mounting surface), uni-form with frequency, symmetrical around axis.

Signal-to-Noise Ratio 59 dB re 94 dB SPLOutput Impedance 150 ohms (actual)Phantom Power: 48 Vdc +/- 4 Vdc (IEC-

268-15/DIN 45 596), positive pins 2 and 3.

Polar Pattern: SupercardiodFrequency Response: 20-20,000 HzDynamic Range (Typical): 125dB (max SPL minus

A-weighted noise)Signal-to-Noise Ratio: 59dB @ 94dB SPLMaximum Input Sound Level: 160dB - 2.5k ohm

load OR 156dB - 1.0k ohm loadPower Requirements: Phantom 48 Vdc +/- 4 VdcOutput Impedance: 150 ohmsOutput Connectors: 3-pin XLR on RPM 626

Amount - 3

Amount - 1

Amount - 2


Microphones

Corded microphone AKG Per-ception 400

AUDIX Fusion 7 for Drums

True condenser pressure-gradient microphone, 20 Hz-20 kHZ, 200 ohms

1 x F14 dynamic mic for kick drum

3 x F10 dynamic instrument mics for snare and rack toms

1 x F12 dynamic instrument mic for floor tom

2 x F15 condenser mics for overheads

Amount - 1

Amount - 7


Sound processing

Voice processingLexicon MX-200

2 Audio balanced or unbalanced Inputs; Input Level: +4dBu Nominal, +20dBu Maxi-mum; 20 Hz - 20kHz, ref. 1kHz +/- 1dB; A/D Converters: 24-bit, 48kHz; Dynamic Range: >107dB A-weighted ; Audio Processor: 24-bit; Software: WinXP/Mac OSX VST GUI Inter-face; Crosstalk: >80dB

Voice processingLexicon PCM91

Dual Reverb; 15 Algoritms:5 Stereo & 10 Dual Reverb 450 Preset Programs; Greater than 110dB of Dynamic Range; Dual Lexichip Architecture; PCMCIA Card Slot

Amount - 1

Amount - 1


Sound processing

Voice processingYamaha SPX2000

Compressor/Limiter DBX 160A

Analog In: AD converter 24-bit linear, 128 times=44.1 & 48 kHz, 64 times=88.2 &96 kHzAnalog Out: Da converter 24-bit linearDigital In/Out USB, Midi

INPUT:Impedance: 40k; Maximum Level: +24dBu, Balanced or Unabalanced (Absolute);CMRR: >45dB (any Frequency); Noise: <-90dBu, Unweighted (20Hz - 20kHz);Frequency Response: 20Hz -20kHz, +0, -0.5dB; +0, -3dB 0.5Hz and 90kHz; THD:

<0.2%, Typical, any amount of compression up to 40dB @ 1kHzOUTPUT:Impedance: 20 ohm; +24dBmCOMPRESSION:Threshold Range: -40dBu to +20dBu; Threshold Characteristic: OverEasy® or hard knee;

Compression Ratio: Variable 1:1 to :1 thru to -1:1; >60dB maximum compression; Attack Time:

Program dependent; typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB; Release Time:Program Dependent; Typically 8ms for 1dB, 80ms for 10dB, 400ms for 50dB; 125dB/sec

rateSYSTEM PERFORMANCE:Dynamic Range: >113dB; Gain Adjustment Range:Variable from -20dB to +20dB; Stereo Coupling:True RMS Power summing

Amount - 1

Amount - 2


Sound processing

Compressor/Limiter/Gate DBX 166 XL

Compressor/Gate DBX 266 XL

V1 VCA for extra-wide threshold range; program-adaptive expander/gates; stereo or du-al-mode operation; balanced I/O with 1/4” TRS and XLR jacks; sidechain insert; true RMS power summing for solid stereo image; hard knee or overeasy compression algorithms; peakStop limiter; artifact-free performance

20Hz-20kHz, +0, -0.5dB; 40k½ Balanced/UnbalancedMax Level: +22dBu;Exp/Gate: Program Dependent ThresholdCompressor: -40 to +20dBExpander/Gate: -60 to + 10 dBRatio: Compressor: 1:1 to °:1Expander/Gate 1:1 to 4:1SIDE CHAIN INSERT: Input Impedance: >10k½ Output Impedance: ²2k½Max Level: +21dBu Distortion + Noise: <0.2% any amount ofcompression at 1kHzIntermodulation Distortion: <0.2% SMPTENoise: <-93dBu unweighted Dynamic Range:>114dB, unweighted Impedance: Balanced+4dBu: Balanced: 200½ Unbalanced: 100½-10dBV: Balanced: 1.5k½ Unbalanced: 750½Max Level: +21dBu into 600½

Amount - 4

Amount - 4


Sound processing

Equalizer DBX 231

Equalizer DBX 215

Two 15-band, 2/3-octave Constant Q frequency bands; switchable boost/cut ranges of ±6 or ±12 dB; 12dB per octave, 3dB down @ 50Hz low-cut filter; front panel bypass switch; ±12 dB input gain range; 4-segment LED ladders for monitoring output levels; XLR and TRS Inpts and Outputs; Internal Toroidal Transformer; frequency Repsonse of <10Hz to >50kHx; dynamical range of greater than 108 db

Two 31-band, 1/3-octave Constant Q frequency bands;Switchable boost/cut ranges of ±6 or ±12 dB; 12dB per octave 40Hz low-cut filter;±12 dB input gain range;Frequency Repsonse of <10Hz to >50kHx; Dynamic range of greater than 108dB

Amount - 1

Amount - 1


Sound processing

Equalizer DBX 1231

Graphic Equalizer/Limiter with Type III™ DBX 2231

Switchable boost/cut ranges of ±6 or ±15 dB; electronically balanced/unbalanced inputs; servo balanced/unbalanced outputs; RF filtered inputs and outputs; XLR, Barrier Strip, & 1/4” TRS connectors; -12dB/+12dB input gain range; 18dB/octave 40Hz Bessel low-cut filter; power-off hardwire relay bypass with 2-second power-up delay

Filter Type: Graphic;Inputs: 2 x XLR, 2 x 1/4” TRS phone, barrier strip;Output: 2 x XLR, 2 x 1/4” TRS phone, barrier strip;Maximum Input Level: +21dBmFrequency Bands: 31 x 2, 20Hz to 20kHz ISO spacing;Bandwidth: 1/3 octave Range (Boost/Cut): +/-6dB or +/-15dB selectable;Maximum Output Level: +21dBm; Frequency Response: 10Hz to 50kHz;

Amount - 3

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Sound processing

Processor DBX DriveRack PA

Stereo Feedback Elimination with 12 feedback notch filters; dual 28-band Graphic EQ; classic DBX® Compressor; 120A Sub-harmonic Synthesizer; 2x3, 2x4, 2x5, 2x6 Crossover Configurations; stereo Multi-band Parametric EQ; Stereo Output Limiters; Alignment Delay; Pink Noise Generator; Auto-EQ with 28-band RTA; JBL® Speaker and Crown Power Amp Tunings with Setup Wizard; 25 User Programs/25 Factory Programs; 2 Channel XLR Input and 6 Channel XLR Output; front panel RTA-M XLR input with phantom power; 24-Bit ADC/24-Bit DAC, >110 dB Dynamic Range; full graphics LCD display

Splitters, Di-box

Amount - 1


Splitters, Di-box

Direct-Box Samson S-Direct plus

Direct-Box Samson S-Direct

Stereo direct box1/4” linked inputs/outputs48 volt phantom power or 9 volt op-

eration with auto battery shut offSwitch-able ground liftGold plated XLR balanced outputsSolid extruded aluminum chassis with

large rubber feet

Perfect for stage and studioSwitchable input level handles instru-

ment and speaker levels48 Volt phantom power or 9 volt op-

eration with auto battery shut offSwitchable ground lift1/4” link output

Amount - 2

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Splitters, Di-box

Direct-Box Active BSS AR-13330Hz to 20kHz; < -105dBu, unweight-

ed, 22Hz to 22kHz; Less than 0.005% at 1kHz, 0dBu output;

Inputs: 1/4” mono jack connector (Tip hot, sleeve ground) or 3-pin XLR con-nector (pin 2 hot), unbalanced; Paral-lel link output 1/4” jack connector for feeding to other equipment, direct or via Buffer Amplifier; attenuator at 0dB: at 20dB: at 40dB; 1 Mohm 47 kOhm 47 kOhm;

Output: 3-pin XLR connector, trans-former balanced output. Will drive lines from 600 Ohm upwards. Maximum out-put level before clip greater than +9dBu with battery or phantom supply

Amount - 7


MIDI controllers

Midi Controller Korg PADcon-trol KPC1

16 velocity-sensitive Trigger pads with LED illumination

X-Y pad, assignable pedal jack, MIDI In/Out, USB (type B)

MIDI Keyboard CME UF6

61 keys hammer action weighted keyboard with after-touch

-Pitch bend and modulation wheels

-8 assignable control knobs, preset functions including Cut-off/Resonance/Attack/Release/PAN/Reverb/Chorus/Tempo

-9 assignable control faders, preset functions including volume for 1-16 channels and master volume, and drawbar for organ sounds.

-LED data display, control button including program, transpose, octave, channel,keyboard split and 6 sequencer remote buttons, including REC, PLAY, STOP,FASTREWIND, REWIND AND RETURN TO START,etc.

-Breath controller port -1 MIDI out port-Sustain pedal and volume pedal jacks -USB MIDI port, Power can be supplied via USB-2 High quality 24bit/192kHz line input -2 High quality 24bit/192kHz line output-1 Mic in with professional preamp -1 IEEE1394 firewire interface-1 S/PDIF digital I/O -2 high quality headphone outputs -1 MIDI OUT port-1 MIDI IN port-1 MIDI THRU port

Amount - 1

Amount - 1


MIDI controllers

Миди-Клавиатура CME UF8

88 keys hammer action weighted keyboard with aftertouch-Pitch bend and modulation wheels-8 assignable control knobs, preset functions including Cutoff/Resonance/Attack/Re-

lease/PAN/Reverb/Chorus/Tempo-9 assignable control faders, preset functions including volume for 1-16 channels and

master volume, and drawbar for organ sounds.-LED data display, control button including program, transpose, octave,

channel,keyboard split and 6 sequencer remote buttons, including REC, PLAY, STOP,FASTREWIND, REWIND AND RETURN TO START,etc.

-Breath controller port-1 MIDI out port-Sustain pedal and volume pedal jacks-USB MIDI port, Power can be supplied via USB-2 High quality 24bit/192kHz line input-2 High quality 24bit/192kHz line output-1 Mic in with professional preamp-1 IEEE1394 firewire interface-1 S/PDIF digital I/O-2 high quality headphone outputs-1 MIDI OUT port-1 MIDI IN port-1 MIDI THRU port-1 headphone volume control

Drum set, Percussion

Amount - 1


Drum set, Percussion

Drum setYamaha Stage Custom

Drum setYamaha DTXplorer

Electronic module DTXPL (8 inputs, compatible with 2-D and 3-band pads, tone generator AWM2, 21 voices, 32-note polyphony, 32 preset 10 user drum kits, 2 demo songs, memory for 20 songs, a metronome) , a set of pads DTLK9 (TP65 8.5 “rubber toms x 5, KP65 kick, PCY65 cymbal pad x 2) pedal FP6110, HH65 hi hat pedal, rack mounting pads RS40

Iron Sabian, Remo plastic

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Amount - 1


Drum set, Percussion Amplification of musical instruments

Digital Percussion Yamaha DD-65

Digital Percussion Roland HandSonic 10

64 kits, 10 inch & 10 section PAD, 5 ambience Effects & 20 multi effects, midi connection, RCA jack in/out

8 pads, 50 presets + 3 custom, 100 songs, 254 Drum Voices, aux, Midi in/out, line out, 19W power consumtion

Amount - 1

Amount - 2


Amplification of musical instruments

Guitar Combo AmplifierLINE6 Spider III

Bass Combo AmplifierLINE6 LowDown® LD175

75 W, 12” Celestion Custom, line in, 250 artist-created presets, 7 Smart Con-trol FX

175 W, 15 “+ HF driver with horn, 5 Essential Bass Effects, XLR Direct Out

Amount - 2

Amount - 1


Amplification of musical instruments Amplification of musical instruments

Bass Amplifier Ampeg B2RE

Ampeg SVT 410HL

450 W*4 ohm/250 W*8 ohm; 9-Band Graphic EQ; Balanced Line Out; Effects Loop; power Amp In & Preamp Out

500 W; 125 db; 48 Hz-18 kHz; 4 ohm; 4*10 “ LF drivers;

3” Voice Coil; Horn HF Driver;4 kHz Crossover Frequensy

Amount - 1

Amount - 1



Guitar cabinet Marshall 1960 Lead

Guitar Amplifier Marshall JCM 2000 DSL-100

300 W; 4*12”; 4 or 16 ohm mono/8 ohm stereo;

100 W*; four ECC83 preamp tubes; four EL34 power amp tubes; classic gain & ultra gain channels; deep switch adds a resonant bass boost; tone shift scoops the mids; reverb controls for each channel; two footswitch jacks for changing chan-nels & switching reverb in/out

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Guitar Amplifier Marshall JCM 2000 TSL-100

100 W*; Clean, Crunch, and Lead channels each with separate Volume and Gain con-trols; A totally independent EQ network provides separate bass, middle, and treble for each channel; Accutronics spring reverb for Clean and Crunch/Lead channels; The Deep Switch -- unique to Marshall -- uses resonance to produce a tight low end rumble in direct propor-tion to the size of the speaker cabinet. The Clean and Crunch/Lead sections each have their own Deep Switch; Mid Boost button is featured on the Clean channel; Tone Shift is featured on the Lead and Crunch channels. This feature reconfigures the middle frequencies to pro-duce a more mid-scooped sound that is effective for beefing up sound at low volumes; Both channels have a choice of two push button modes; Individual FX Loop Mix controls for Clean and Crunch/Lead; Loop A is the master loop for the entire amp if only one FX loop is used, or is dedicated to the Clean Channel if Loop B is also used; You can configure the loops to act as footswitchable Master Volume stages (ala the SL-X).

Individual Presence conrols for Clean and Crunch/Lead; Power Amp Mute feature for silent recording via the built-in Speaker Emulation DI circuit; Virtual Power Reduction (VPR) mode that effectively emulates a 25 watt power amp. Great for recording or for smaller venues; Svetlana EL34 power tubes are used; Marshall foot controller PEDL-10021 is included with TSL amps and offers switching between Clean, Crunch and Lead channels, plus reverb and FX loop selection.

Amount - 1


Other

Sound Module Roland SC-55 (GM)

1117 Preset sounds256 User sounds42 Drum sound sets (including 3 sound effects sets)2 User drum sound sets128 Preset Patches (with Effect)16 User Patches

64 User effectsReverb (8 types)Chorus (8 types)Delay (10 types)2 band EqualizerInsertion Effect (64 types).

Specifications:

Audio Output:(Rear panel) Output 1 - RCA/Phono L/R(Rear panel) Output 2 - RCA/Phono L/R(Front panel) HeadphonesAudio Input:(Rear panel) Input 1 - RCA/Phono L/R(Rear panel) Input Volume controllerMIDI:(Rear panel) In A, In B, Out/Thru(Front panel) In BComputer Interface:(Rear panel) Mac/PC1/PC2/Midi (switchable) Amount - 1


Other

MD-Deck Sony MDS-JE480

CD-Deck Pioneer CDJ200

MD Player SONY MDS-JE480 Hybrid Pulse DAC function ATRAC DSP Type S MDLP (mode MiniDisc Long Play) Selection of units 1 optical input

Plays MP3’s from audio disks - CD text and MP3 data display;

Master Tempo (+/- 16%);3 built in jog wheel controlled effects;

Jet-Zip-Wah;Auto Beat Loop, also know as emer-

gency loop - hot looping and loop cutting capability

Equipped with a Head Phone Jack w/volume control for private listening;

Master Tempo (+ or - 16%)

Amount - 1

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Other

Personal monitor Shure PSM 200

Multicore SoundKing

RF Carrier Frequency Range – 218-865 MHz;

Operating Range - 100 m;Audio Frequency - 30 Hz-12 kHz;Modulation – FM +/- 35 kHz Devia-

tion;Signal-to-Noise Ratio – 80dB

30 meters, 24 channel, four back

Amount - 2

Amount - 1


Acoustic pillar SoundKingAcoustic pillar SoundKing Hercules Microphone stands SoundKing microphone stands Hercules Guitar rack Key bar SoundKing One-tier Key bar SoundKing Two-tier Key bar Proel Two-tier Key bar Hercules Two-tier Stands for Guitars amplifier Set audio switching Set the power switch Set the sound engineer Tent, tables, chairs

84154511112

Other


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Promo-project