Project 5 MiniAmp p78-82

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  • 8/12/2019 Project 5 MiniAmp p78-82

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    (a)

    MINlAMP

    Deflnltlon: A portable, low-power audio amp capable

    ot driving a loudspeaker o moderate volume levels.

    Figure 5-29

    (a) I already have a couple of smalI practice amps,

    so I built this one in a plastic enclosure for mini-

    mum weight. It sounds pretty good, although

    you 'II Ket better hass response with a wood cabinet.

    (b) A closeup of the loaded circuit board.

    (b)

    Background:

    Large amplifiers are not needed or ali occasions:mini-

    amps will suffice or practicing and many recordingap-

    plications. They are usually physically smaliand battery

    powered or portability.

    Level of Difficulty: Beginner o intermediate

    ConstructionTips

    Becausehis circuit hand1es ore power han other book

    projects,certainprecautions houldbe folIowed.

    Shield the wires going from the input jacks to both

    controls, and from the controls to pad A and B. Keep

    output leads physically separated rom the input wires

    and the area of the board where he input wires termi-

    nate.

    For best results,build the miniamp nto its own case

    and give it its own power supply. I recommendusinga

    battery holder capableof holding eight C cells; for

    smallestsize, useeight AA cells. Either of thesecom-

    binationsproduces12 V.

    The lA706 usesanonstandardpackage. he it tle dot

    on the top of most ICs that normally indicatespin l is

    Features

    . Single IC design,no output transformer required

    . Switch-seIectabIe peaker or headphoneoutputs

    . Operates lam + 2V DC battery pack or car bat.

    tery

    . ReasonabIerequencyresponse nd distortion

    characteristics

    . Suitable or recordingwark:

    -SmalI size alIows for unusual miking schemes

    (seeUsing he Miniamp in the Studio)

    -Simplicity of repair and maintenance

    -Low output power minimizes Ieakagebetween

    instruments,simplifiesbaffling requirements

    -May be overdriven o simuIate arge amp sound

    without Iargeamp power evels

    -Dual, individualIy mixable inputs for jarnming

    with anotherplayer

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    Figure 5-30

    Top view o the ,tL4706. A dot on the bottom o

    the C indicatespin 14.

    A smalI speakerbaffIe makesan excellent enclosure

    for the miniamp and batteries.Stuff with acoustical ad-

    ding for besthass esponse, ut keep he areaaround he

    IC heat sink elearofpadding.

    If you expect to play at the loudest possiblevolume

    level of which this amp s capable or extendedpeods

    of time, glue a beat sink to the top of ICI with a ther-

    mally conductive silicone glue (available at hardware

    stores).Figure 5-34 shows he heat sink attached o the

    IC.

    1

    2

    3

    4

    5

    6

    7

    Figure 5-34

    Heat sink mounted on top o[ the IJA 706.

    on the bottom of the jlA706 and ndicatespin 14. The

    top of the IC bas a metal strip that aids n dissipating

    beat rom the IC. (See igure 5-30).

    The volume of the miniamp is highly dependenton

    the speakert drives.Paradoxically, igh-cost/high-quali-

    ty car radio speakers ill usually produce ar lessvolume

    than the inexpensivespeakers ou find in table radios

    and the like. Efficient musical nstrument speakers8"

    to 15 ) typically provide the loudest sound pressure

    levels.

    Figure 5-31

    Artwork for the foil side of the circuit board,

    shown1 to 1.

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    Using he Miniamp, Genera nstructions

    . Che k a11 onnections horoughly before applying

    power. Plug one or twa instruments nto the inputs, se-

    lect speakeror headphoneoutput, then adjust volume

    controls o suit.

    . If you beaTexcessive oise or squealing,or if ICl

    getsextremelyhot immediatelyartel tum-on, shut down

    power and determine he sourceof the difficulty. Other-

    wise,play away.

    . You may power twa setsof headphones ithout

    problems; however, hese should be of the samemake

    and model.

    Using he Miniamp n the Studio

    . There should be no hum (except for stray hum

    picked up through the instrument being amplified),

    since he amp s battery powered.

    . The smalI size allows maRYunusual mic place-

    ments o alter the ton al quality of the miniamp'ssound.

    Hereale some . .

    - Boost bossby miking close o speaker.Cut boss y

    movingmic further away.

    -Create phase changesby placing amp on floor;

    hang mic about 20 cm (8 ) above he floor, pointing

    at the floor, about 8-40 cm (4-16 ) from the amp.

    Moving the height of the mic in relation to the floor

    changeshe soundby creatingphase hifts.

    -Point amp at wall; also point mic at wall to pick up

    the retlectedamp sound.

    -Reduce treble by plac ng a piece of thin cardboard

    between he speaker nd mic.

    -Boost midrange, and create resonances, y placing

    amp and mic inside a large cardboardbox willi the

    mic pointing away from a direct ine willi the speaker.

    Change ize of box, cut holes n box, or changemic/

    amp positioning o vary the effect.

    Figure 5-32

    Component layout lor the miniamp.

    ~

    C11

    A4.

    .R1

    @~

    e

    @)

    ~

    C6

    C2( )

    C3 c==)

    -' -RS-

    C 1 c:::>

    .A5

    '~n'

    R3-

    .P1.

    R2

    s

    GBADCH+

    83

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    In Case f DifficuIty

    . Distortion: Back orf on input controls. Check

    rower supply voltage while playing through amp; if it

    drops much below 9V or gO, he batteriesneed o be re-

    placed.

    . Low volume: Usemore efficient speaker.

    . Oscillations, excessivenoise: Check lead layout

    and shielding, eferring o ConstructionTips section.

    . ICl overheats r bums out: Increase eat sinking.

    . Resonances,uzzes:Checkenclosure or tightness.

    Make SUTell joints are glued together well and are pre-

    ferably caulked.

    Modifications

    . ReducingClI to 250jlF trades orf hass esponse

    for longer battery life. This hasa negigible ffect on the

    sound, since most smalI speakerswill not respondeffi-

    ciently to low hass requencies nyway.

    . For more power, you may use 10 C celIs con-

    nected n series o create a + 15V supply. In this case,

    a heat sink for ICI will be mandatory.

    . Lowering the values of R2 and R3 (typically to

    lOn) trades off more headphonevolume for slightly

    more noise. RaisingR2 and R3 (typically to 56 or B2n)

    tradesoff lessvolume or lessnoise.

    Specifications taken with 12V battery pack)

    Quiescent urrent consumption: ypically 15mA

    Typical maximum current consumptionwhile playing:

    175mA@800mWout

    Frequency esponse:2dB, 100Hz-10kHz

    Maximum nput before clipping @ 1kHz: 250 mV pk-pk

    Maximum power nto SS 2@kHz: approximately W

    Figure 5-33

    Miniamp schematic

    R4

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    How it Works

    The biggest radeoff in a miniamp is battery life vs. output power; mOle

    power means decreased attery life. The chosenoutput power, approxi-

    mately l W, seems ike the best compromise between output level and

    power consumption.

    ICI is an audio power op amp, and is similar to a regular op amp ex-

    cept that it has been optimized to provide arge amountsof output cur-

    rent. Signals ouple n flam the iwo inputs via R6/R7 and C4/CS.CI adds

    stability and discourages adio frequency interference. RS, located be-

    tweeDpin 8 of ICI and ground, sets he overalloperating evel of the amp.

    The variousother capacitorsassociated ith the op amp provide requency

    shapingand/oTbypassing o improve stabilityand power supply rejection.

    The output couples nto the speakerhrough ClI; C6 s, again,designed

    to promote stability (power ampsdo not like feeding nductive oadssuch

    as speakers).Switch SI allows you to chooseheadphones r speaker, ut

    not both. R2 and R3 cut down on the signalgoing o the phones n order

    to attenuate he noise coming out of the amp a ittle bit, and o bring the

    output level down to something easonableor OUT ars.Use 8- to 16-Q

    headphonesor best results, although most any type will wark satisfacto-

    rily.

    Project No. S PARTSLIST

    Resistors alI are 1/4W, 10% olerance,exceptasnoted)

    Rl-R3 33n

    R4 4?n

    R5 270n

    R6, R7 100k

    R8 470k

    R9 1M audio or linear taper pot-controls channelllevel

    RIO 1M audio or linear taper pot-controls channe121evel

    Capacitors rated at ~2V or moce or + 12V supply exceptasnoted)

    CI

    C2

    C3

    C4

    C7

    C8

    CI

    CI

    20pF, ceramicdisc

    390pF (polystyrenepreferred,disc acceptable)

    O.OlJjF mylar preferred,disc acceptable)

    O.22JjF,mylar or ceramic

    l OOJjFelectrolytic or tantalum

    1OOJjF, lectrolytic or tantalum, 6V or more

    220JjF,electrolytic

    1OOOJjF, lectroytic

    Semiconductors

    FairchildJJ.A706

    r TBA641B audio amplifier

    MechanicalParts

    J1,J2

    J3,J4

    SI

    Misc.

    Opencircuit 1/4 mono phone ack

    Opencircuit 1/4 stereophone ack

    SPDT oggleswitch-selectsspeaker/headphones

    Case,knobs, 14-pin IC socket, circuit board, 12V bat

    tery pack, solder,wiTe, oudspeaker, tc.

    85

    -C6

    ,C9

    o

    l