PROgRAm OF EVENTS · Ms. Paige realized her dream of organizing an annual seminar based on a multi-disciplined approach to learning and began the Piano Wellness Seminar. It became

THE FIFTEENTH ANNUALKEYBOARD WELLNESS SEMINAR

AT THE UNIVERSITY OF NORTH TEXAS

PROgRAm OF EVENTS

SHEILA PAIgE, EXECUTIVE DIRECTOR

JULY 25-AUgUST 1, 2014

™

The FiFTeenTh AnnuAl

KeyboArd Wellness seminAr PAge 3

elcome to the 15th Annual Keyboard Wellness Seminar founded and presented by pianist and renowned pedagogue Sheila Paige. Ms. Paige has over 35 years

of experience in the Taubman Approach and an extensive background in Alexander Technique. In 1995, Sheila Paige began presenting workshops on the Taubman Approach; over the years demand for her workshops and private lessons grew. In 2000, Ms. Paige realized her dream of organizing an annual seminar based on a multi-disciplined approach to learning and began the Piano Wellness Seminar. It became the Keyboard Wellness Seminar in 2009 with the addition of organ, and now computer use is also included.

What sets this seminar apart and makes it unique from other conferences and festivals is the inclusion of many supportive and synergistic disciplines. Better use of the body helps all pianists to play with more ease, gain a better technique, and achieve the goal for which all musicians strive: a technique so comfortable that it leaves the performer free to think only about the music. Sessions given by Ms. Paige on the Taubman Approach and her other innovative strategies are complemented with Alexander Technique sessions given by Phyllis Richmond, MSTAT. But because the body is connected to the mind and the emotions, or, if you will, the spirit, these areas are also explored. Developmental Fitness, presented by Vicki Conway, is a performance enhancement and stress reduction program based upon the principle of neural plasticity. Our early childhood experiences, along with thirteen developmental skills, establish the neural wiring patterns upon which we base all

W


KeyboArd Wellness seminArPAge 4

future learning. However, these patterns can be modified and improved upon throughout life. Using integrative movements and simple manipulatives, this program makes the entire body the instrument of learning. If you know how your brain, body, and emotions are interrelated, you can rapidly improve your rate of learning while reducing stress and anxiety. Participants have access to a week of biofeedback training, presented by Robert Bonham. The training uses HeartMath technology to demonstrate the intimate connection between feelings and the physical heart and brain. FreezeFrame then teaches techniques to stay in the zone and reduce performance anxiety. We also have sessions on Meditation, Reflexology, Nutrition, Reiki, iPad for pianists, T’ai Chi, Peaceful Warrior Workout, Tune-up Tips to Optimize Your Day, and Memorization. Disciplines in other years have included Bodymapping, Egoscue Method, Massage Therapy, and Pilates. Of course, there are also master classes, private lessons with an experienced faculty, concerts, and the energy, camaraderie, and support that one expects to experience at piano festivals. Sheila Paige and the Keyboard Wellness Seminar faculty are dedicated to helping today’s pianists “create a wellness legacy for the future.” Join us for a week of playing, learning, performing, inspiration, and excitement!



CONTENTS

Meet the Director 6

Schedule 11

Concert Programs 21

Biographies

Faculty 30

Presenters 39

Exhibitors 45



SHEILA PAIGEEXECUTIVE DIRECTOR

Sheila Paige, Executive Director and founder of the Piano Wellness Seminar, now known as the Keyboard Wellness Seminar, has over 35 years experience in the work of Dorothy Taubman and an extensive background in Alexander Technique. She has also been a faculty member of the Dorothy Taubman Institute and is currently a faculty member of the Dorothy Taubman Seminar.

Ms. Paige’s reputation as a teacher attracts pianists nationally and she commutes to Dallas, Austin, Knoxville, Nashville, Memphis, Pittsburgh, Cleveland, Raleigh, Charlotte, Clearwater and Phoenix to teach on a regular basis. She has taught at Immaculata University and Chestnut Hill College in the Philadelphia area and is currently on the faculty at Cleveland State University. Her students include many university faculty members and performers who have appeared with numerous orchestras including the Vienna Philharmonic and the Pittsburgh Symphony.

Ms. Paige has gained international recognition as a presenter of lectures and master classes including those at the Taubman Symposium at the Selangor Institute of Music in Kuala Lumpur, Malaysia. Recent lecture locations include Dallas, Charlotte, Albuquerque, Phoenix, Cherry Hill, NJ, the University of Memphis, Southern Methodist University, Dallas Baptist University, Duquesne University, Oberlin College, North Carolina School of the Arts, Clearwater Christian College, the University of Texas at Tyler, and Vanderbilt University. Ms. Paige has also been a featured presenter at the following conventions: Oklahoma Music Teachers in June 2005, the Music Teachers Association of California in July 2005, the Texas Music Teachers Association June 2006 and 2009, and the California Association of Professional Music Teachers in February 2007. She has also presented at the Piano Celebration, Metro State College (Denver), the University of North Texas, Meredith College, Cleveland State University, Dallas Music Teachers Association, Pittsburgh Music Teachers Association, Cary-Apex Music Teachers (NC), Raleigh Piano Teachers, Main Line Music Teachers Association (PA), and Jacobs Music (Steinway dealership, Cherry Hill, NJ). In June 2009 she was a featured presenter at the University of Oklahoma Pedagogy Seminar for Piano Teachers. In July of 2010 Ms. Paige was a presenter at the



National American Guild of Organists convention in Washington, D.C. Ms. Paige was also a featured presenter at the South Carolina Music Teachers Association state convention in November 2010 and was the featured clinician at the Kansas State Music Teachers Association convention in June 2013.

An active performer, Ms. Paige has appeared in recital and with orchestras both locally and nationally. Her accompanying credits include an appearance at Avery Fisher Hall in Lincoln Center, and her solo performances have been broadcast on national public radio.



ADMINISTATIVE STAFF

TINA RUSSO Tina Russo, a master of many traits, is the music administrative assistant at Highland Park Presbyterian Church in Dallas, Texas. Tina has a commercial art degree and enjoys many hobbies including photography and scrapbooking.

Born and raised in Cleveland, Ohio, she moved to the Dallas area fifteen years ago. Currently she resides in Plano with her husband, Michael and two dogs.

HEIDI WILLIAMS Heidi Williams is an active teacher, performer, and adjudicator in the Cleveland, Ohio area. She received a Bachelor of Music in Piano Performance, with a concentration in Piano Pedagogy, from Meredith College in Raleigh, North Carolina. While at Meredith, Ms. Williams was a three time winner of the Mer-edith College Concerto Competition, which gave her the opportunity to perform with the Raleigh Symphony Orchestra on three separate occasions. She moved to Cleveland to study with Paul Schenly and Anita Pontremoli at the Cleveland Institute of Music, where she received her Master of Music degree in Piano Per-formance in 1997. She has performed in masterclasses for Claude Frank, Paul Schenly, Rebecca Penneys, Robert Weirich, and Sheila Paige. She was awarded First Prize in the Greensboro Music Academy Piano Competition in 1998, and she continues to perform throughout the Cleveland area.

Ms. Williams is also an adjudicator for the National Guild of Piano Teachers, the National Federation of Music Clubs, and the Music Teachers Na-tional Association, judging students across Ohio. She has won several awards for her teaching, including certification by the Piano Guild and entry into the Piano Guild Hall of Fame. She is also a board member of the Northeast Ohio chapter of the Music Teachers National Association and was a co-chairperson for planning the Ohio MTA State Conference in Cleveland in 2010. In the fall of 2008, she accepted an invitation to teach at Oberlin College in the Conservatory of Music as Visiting Professor of Class Piano. Ms. Williams is a Nationally Certified Teacher of Music through the Music Teachers National Association. She currently studies piano with Sheila Paige and is now in her fourth year as an administrative assistant for the Keyboard Wellness Seminar. She is also very active in the Korean martial art of Tae Kwon Do and was awarded her third degree black belt in February 2012.



SETH THOMAS Seth Thomas has been playing the piano since the age of 7. Throughout high school he studied with Thea Hoekman and Carolyn Steinberg. Mr. Thomas competed in festivals hosted by the National Federation of Music Clubs and the Texas Federation of Music Clubs, receiving the highest ratings and winning the “All-State Musician” award three times. Mr. Thomas holds an Associate of Arts degree in music (summa cum laude) from Collin College in Plano, Texas, where he studied with Dr. Brian Allison. In his time at Collin College, he won several honors and awards, including “Outstanding Freshman Piano Major”, “Outstand-ing Sophomore Piano Major”, “Outstanding Sophomore Theory Student”, and “Outstanding Music Literature Student”. He also holds a Bachelor of Music degree in piano performance (magna cum laude) from the University of Texas at Tyler where he studied with Vicki Conway. During his time at UT Tyler he was the recipient of numerous music and academic scholarships. Currently, he is a gradu-ate student pursuing a Master of Music degree in piano performance at Cleveland State University under the instruction of Dr. Angelin Chang. Mr. Thomas has also studied with Sheila Paige and has played in master-classes presented by Ms. Paige at the Keyboard Wellness Seminar at the University of North Texas in Den-ton, TX. Mr. Thomas is a frequent performer both as a soloist and collaborator. He has presented recitals in Texas, Michigan, and Ohio. He is an active accompa-nist in both the high school and college arenas. He frequently performed with the UT Tyler Wind Ensemble while attending UT Tyler. He was a rehearsal pianist and chamber keyboardist in the Tyler Civic Theater production of Bye Bye Birdie and a rehearsal pianist for the UT Tyler production of Finian’s Rainbow. He has also appeared on stage in musical productions of Carousel and Finian’s Rainbow. Mr. Thomas is the Director of Music at Fellowship Missionary Baptist Church in Cleveland, Ohio.

Mr. Thomas is an active private piano instructor. He helps piano students of all ages recover from and avoid fatigue and injury at the piano through efficient movement.

SCHEDULE OF EVENTS

Friday, July 25

1:00-5:00 pm Registration

5:00-7:00 pm Dinner on your own or in Bruce Hall (if dorm resident)

7:00 pm Orientation

8:00 pm Opening Concert, Michael Gurt



Saturday, July 26

9:00 am Introduction to Keyboard Wellness: Sheila Paige

9:10 am Alexander Technique: Phyllis Richmond

10:15 am Balance at the Keyboard: Sheila Paige

11:15 am Breakout Session with faculty members Participants will work with faculty members on ideas from the previous lecture. 12:30 pm Lunch in the Orchestra Hall

1:00 pm Showcase: Theory in Minutes Ann Lowry from Music Bag Press

FREE TIME UNTIL 3:00PM FOR PRACTICE, LESSONS, REST, ETC. 3:00 pm Developmental Fitness-Kinesthetic Awareness for Balance, Fluency, Organization, and Memory: Vicki Conway Learn simple activities to reduce performance anxiety and enhance body awareness, memory, mid-line, and focusing skills for you and your students.

4:30 pm Master Class: Sheila Paige

5:30-7:00 pm Dinner on your own or Bruce Hall (if dorm resident)

7:00-7:45 am Q & A session for first time seminar participants: Sarah Lepp First year participants are often a little overwhelmed and might have questions that don’t get answered in basic orientation on Friday. Please feel free to come to this session for extra help!

8:00 pm Faculty Recital, Jane Abbott-Kirk and Mary Tidwell, duo piano



Sunday, July 27

8:00 am Alexander Technique: Proper Posture and Seating: Phyllis Richmond

9:00 am How Motion Affects Sound: Sheila Paige

10:15 am Breakout Session with faculty members

11:30 am HeartMath and FreezeFrame: Robert Bonham Do our thoughts and feelings affect our performance? Of course they do. The intimate connection between feelings and the physical heart and brain can be demonstrated in the biofeedback program of HeartMath. FreezeFrame teaches techniques to help you stay in the zone. Dr. Bonham will work with 2 or more volunteers and we’ll see their progress later in the week. The volunteers will get to practice with emWave biofeedback de- vices throughout the seminar. 12:30 pm Lunch in the Orchestra Hall

1:00 pm The Teacher’s Piano, Study Guide: Stephen Claunch

FREE TIME UNTIL 3:00PM FOR PRACTICE, LESSONS, REST, ETC. 3:00-4:00 pm iPad for Pianists: Rebecca Lew Are you tired of turning your own pages? Would you like to learn how to store and annotate scores as PDFs? Learn how to use the iPad as a tool for teaching, learning and performing. Some of the apps that will be discussed in this session are GoodReader, forScore, and Genius Scan. Also, learn how to use a wireless page turner when reading digital scores.

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Sunday, July 27(continued)

4:00-5:00 pm Keyboard Wellness at the Organ: Bradley Welch Room 253 (Please note there are 2 sessions overlapping at this time)

Dr. Welch will address a series of questions and problems that organists face every day. He will also show how using different motions can change the sound at the organ.

4:00-5:00 pm Reflexology: Tom Greenfield

5:00 pm Meditation: Carolyn Savko


7:00 pm Support Group: Robert Bonham, moderator

8:00 pm Faculty Recital, Yeeha Chiu with guest violinist Dan Stevens, Harvey Bellin

Birthday Celebration for Sheila Paige

Monday, July 28

8:00 am Tune Up Tips to Start Your Morning and Enhance Your Day: Robert Bonham

9:00 am Forearm Rotation: Sheila Paige

10:30 am Breakout Session with faculty members 11:30 am Faculty Technique Clinic (closed session) 12:30 pm Lunch in the Orchestra Hall

1:00 pm Reiki: Janie Keys

FREE TIME UNTIL 3:00PM FOR PRACTICE, LESSONS, REST, ETC. 3:00 pm Grouping: Sheila Paige

4:00 pm Master Class: Sheila Paige 5:00 pm Meditation: Carolyn Savko


8:00 pm Participant Recital





Tuesday, July 29


9:00 am In and Out Forearm Movements: Sheila Paige


11:30 am Technique Clinic: Sheila Paige

12:30 pm Lunch in the Orchestra Hall

1:00 pm Showcase: Stress Control, featuring Nature’s Sunshine herbs and vitamins: Tom Greenfield

FREE TIME UNTIL 3:00PM FOR PRACTICE, LESSONS, REST, ETC. 3:00 pm Leaps: Sheila Paige

4:00 pm Issues of the Thumb: Sheila Paige 5:00 pm Meditation: Carolyn Savko


8:00 pm Participant Recital

Wednesday, July 30


9:00 am Up and Down & Lateral Forearm Movements: Sheila Paige


11:30 am Faculty Technique Clinic (closed session)


1:00 pm Tips for setting up your studio for web lessons: Sheila Paige

FREE TIME UNTIL 3:00PM FOR PRACTICE, LESSONS, REST, ETC. 3:00 pm Interdependence of Hands: Sheila Paige

4:00 pm Joint Alexander Technique and Keyboard Wellness Clinic: Phyllis Richmond and Sheila Paige 5:00 pm Meditation: Carolyn Savko


8:00 pm FREE NIGHT (group dinner TBA)





Thursday, July 31

8:00 am T’ai Chi: Phyllis Richmond

9:00 am Forearm Shaping: Sheila Paige


11:30 am Technique Clinic: Sheila Paige


FREE TIME UNTIL 3:00PM FOR PRACTICE, LESSONS, REST, ETC. 3:00-3:30 pm Emancipation from Notation: Sheila Paige

3:30-4:15 pm Special session on Arpeggios: Sheila Paige

4:30-5:00 pm Keyboard Wellness at the Computer: Sheila Paige 5:00 pm Meditation: Carolyn Savko


8:00 pm Lecture/Recital of Brazilian Music: Cristina Capparelli Gerling

Friday, August 1

8:00 am T’ai Chi: Phyllis Richmond

9:00 am Octaves and Staccatos: Sheila Paige


11:30 am Faculty Technique Clinic (closed session)


FREE TIME UNTIL 3:00PM FOR PRACTICE, LESSONS, REST, ETC. 3:00 pm Heart Math and FreezeFrame Follow Up: Robert Bonham Volunteers for the week will be evaluated again to see what their progress has been during the week.

4:00 pm Master Class: Sheila Paige


8:00 pm Closing Concert: Angelin Chang After concert reception and going home party

Saturday, August 2—Return Home!Breakfast available for dorm residents



FRIDAY EVENINgMichael Gurt, Guest Artist

Michael Gurt is the Paula Garvey Manship Dis-tinguished Professor of Piano at Louisiana State Univer-sity. He won First Prize in the Gina Bachauer Interna-tional Piano Competition in 1982, and was a prize winner in international competitions in Pretoria, South Africa, and Sydney, Australia. He has performed as soloist with the Chicago Symphony, the Philadelphia Orchestra, the Utah Symphony, the Baltimore Symphony, the Memphis Symphony, the Capetown Symphony, the China National Symphony Orchestra, and the Natal Philharmonic Orchestra in Durban, South Africa. He has made solo appearances in Alice Tully Hall and Weill Recital Hall (Carnegie Hall) in New York, Ambassador Auditorium in Los Angeles, Orchestra Hall in Detroit, City Hall in Hong Kong, the Victorian Arts Center in Melbourne, Australia, Baxter Hall in Capetown, South Africa, Auditorium Tasso Correa in Porto Alegre, Brazil, and the Attaturk Cultural Center in Istanbul, Turkey. Gurt has collaborated with the Takács String Quartet and the Cassatt String Quartet, and has performed at the Australian Festival of Chamber Music in Townsville, Queensland. He has served on the juries of both the Gina Bachauer International Piano Competition and the New Orleans International Piano Competition, and he has recorded on the Naxos, Centaur, and Redwood labels. He serves as Piano Mentor at the Hot Springs Music Festival, and was the chair of the piano department at the Sewanee Summer Music Festival from 1987 through 2007. He has served as Piano Chair of the Louisiana Music Teachers Association and has taught at two summer music seminars held at Tunghai Uni-versity in Taichung, Taiwan. Professor Gurt holds degrees from the University of Michigan and the Juilliard School.





OPENINg CONCERTMichael Gurt, Pianist

Sonata in F-sharp Minor, Op. 25, No. 5 Muzio Clementi Allegro con espressione (1752-1832) Largo e patetico Presto

Piano Pieces, Op. 119 Johannes Brahms Intermezzo in B Minor (1833-1897) Intermezzo in E Minor Intermezzo in C Major Rhapsody in E-flat Major

Waltz in A Minor, Op. 34, No. 2 Frédéric ChopinEtude in A Minor, Op. 25, No. 11 (1810-1849)

INTERMISSION

Ciclo Brasileiro Heitor Villa-Lobos Impressões Seresteiras (1887-1959) Festa no Sertão

Sonata No. 2 in B-flat Minor Sergei Rachmaninoff Allegro agitato (1873-1943) Lento Allegro molto

Friday, July 25, 2014 8:00 pm

HALLMARK OF KEYBOARD PERFORMANCE AND PEDAGOGY STUDIES AT BAYLOR UNIVERSITY FOR NEARLY A CENTURY.

PROGRAMS OF STUDY

Bachelor of Music: piano performance, piano pedagogy, organ performance, church music, theory/composition, music history.

Bachelor of Music Education: all-level public school teaching certificate, piano or organ concentration.

Bachelor of Arts in Music: piano or organ performance.

Master of Music: piano performance, piano pedagogy, collaborative piano, organ performance, church music.

Advanced Performers Certificate: piano or organ.

FACULTY

Brian Marks, director of keyboard studies

Jane Abbott-Kirk, piano

Bradley Bennight, harpsichord

Bradley Bolen, piano

Isabelle Demers, organ

Cameron Hofmann, collaborative piano

Kae Hosoda-Ayer, collaborative piano

Terry Lynn Hudson, piano

Krassimira Jordan, artist-in-residence

Lesley Sisterhen McAllister, piano pedagogyPaul Sánchez, piano

Keyboard Studies DivisionSchool of MusicBaylor UniversityOne Bear Place #97408Waco, TX 76798-7408254-710-1417www.baylor.eduE-mail: [email protected]

FACULTY RECITALJane Abbott-Kirk and Mary Tidwell, pianists

BRAHMS AND FRIENDSA Celebration of Romantic Forms

Opening Remarks by Wayne Gay

Hungarian Dances (1869) Book I Johannes Brahms Allegro molto (1833-1897) Allegro con assai Allegretto Poco sostenuto Allegro

Mazurka in B-flat Minor, Op. 24, No. 4 Frédéric Chopin (1810-1849)Sonata in F Minor, Op. 5 Johannes Brahms I. Allegro Maestoso

Jane Abbott-Kirk, pianist

Ballade in F Major, Op. 38 Frédéric ChopinMary Tidwell, pianist

Waltzes, Op. 39 Johannes Brahms # 15 in A Major # 14 in A Minor # 2 in E Major # 3 in G sharp Minor # 11 in B Minor # 1 in B Major

Variations on a Theme by Haydn, Op. 56 b Johannes Brahms(Chorale St. Antoni)

Mary Tidwell and Jane Abbott-Kirk, duo pianists

Saturday, July 26, 2014 8:00 pm



FACULTY RECITALYeeha Chiu and guest violinist Dan Stevens;

Harvey Bellin

Sonata in F Major, Op. 24, No. 5 (Spring) Ludwig van Beethoven Allegro (1770-1827) Adagio molto espressivo Scherzo--Allegro molto Rondo--Allegro ma non troppo Dan Stevens, Violin and Yeeha Chiu, Piano

Moments Musicaux, Op. 16, No. 2 in E-flat Minor Sergei Rachmaninoff (1873-1943)

Étude Tableau Op. 39, No. 6 in A Minor Sergei Rachmaninoff

Étude Tableau Op. 39, No. 9 in D Major Sergei RachmaninoffHarvey Bellin, pianist

Concert Reception and Birthday Celebration for Sheila Paige

Sunday, July 27, 2014 8:00 pm



Special thanks to

Harvey Bellin &

Mozhgan Shahidi

for their extraordinary support of the

The Fifteenth Annual Keyboard Wellness

Reiki

•  Stress Relief •  Relaxa.on •  Sense of Well-‐Being

Janie Keys For Private Sessions Cell: 512-‐658-‐4551 [email protected]

FRIDAY EVENINgAngelin Chang

Internationally acclaimed pianist Angelin Chang is the first American female and the first pianist of Asian heritage to be awarded the GRAMMY® for Best Instru-mental Soloist with orchestra. She is recognized for her sense of poetry and technical brilliance. Concertizing in Europe, Asia, Africa, North and South America, Miss Chang’s concert tours have led her to such venues as the Kennedy Center (Washington, D.C.), Kimmel Center (Philadelphia), Lincoln Center (New York), Severance Hall (Cleveland), St. Martin-in-the-Fields (London), Zelazowa Wola (Warsaw), Shanghai Grand Theatre (China), Sala Luis Ángel Arango (Bogotá), Schnittke Philharmonic Hall (Russia) and the South African Broadcasting Corporation. She is the first American awarded First Prizes in both piano and chamber music during the same year from the Conservatoire National Supérieur de Musique de Paris, France. As the first Artist-in-Residence at the Kennedy Center in Wash-ington, D.C., Angelin Chang participated in the development and launching of the Arts for Everyone initiative. She has performed at the U.S. Department of State, for the United Nations Women’s Organization in Nepal, and for World AIDS Day in New York for the United Nations before the Secretary-General. An active chamber musician, she performs regularly with the legendary violist Joseph de Pasquale, the de Pasquale String Quartet, and with members of the Philadel-phia Orchestra and Cleveland Orchestra. Angelin Chang earned the Doctor of Musical Arts from Peabody Institute – Johns Hopkins University, Premier Prix - Piano and Premier Prix - Musique de Chambre from the Paris Conservatoire, Master of Music and Distinguished Performer Certificate from Indiana University, Bachelor of Arts (French) and Bachelor of Music from Ball State University, and highest honors upon graduation from the Interlochen Arts Academy. Her piano teachers have included Michel Béroff, Marie-Françoise Bucquet, Yoheved Kaplinsky, Yvonne Loriod-Messiaen, Robert McDonald, Menahem Pressler, Pierre Réach, Pia Sebastiani, György Se-bök, Louis-Claude Thirion and Dorothy Taubman. She also holds a Juris Doctor from the Cleveland-Marshall College of Law. Dr. Angelin Chang is Professor of Piano and Coordinator of Keyboard





Studies at Cleveland State University, where she is also Professor of Law at the Cleveland-Marshall College of Law. She serves on the faculty of the Great Lakes Sports and Entertainment Law Academy, a joint program of Case Western Uni-versity School of Law and Cleveland-Marshall College of Law at Cleveland State University. Previously, Dr. Chang taught on the piano faculty at Rutgers - The State University of New Jersey. Through her work with the Taubman Approach and Keyboard Wellness Seminars at the University of North Texas and Temple University in Philadelphia, Dr. Chang helps pianists develop virtuosity while liberating them from fatigue, pain and injury. Angelin Chang is Vice President, Board of Governors of The Recording Academy Chicago Chapter (National Academy of Recording Arts and Sciences) and serves as Chair of the Education Committee and the Classical Task Force. She is Past President of the Ohio Music Teachers Association Northeast District and has served on the Board of Trustees for the Great Lakes Theater. Dr. Chang is the Co-Chair of the Research Committee on Asian and Pacific Studies of the International Political Science Association (IPSA/RC18). Recordings include a solo piano album, Angelin (Sabintu Records), Soar-ing Spirit (Albany Records) with Angelin Chang on piano and Joseph de Pasquale on viola, and Cleveland Chamber Symphony (TNC) with Angelin Chang as piano soloist and John McLaughlin Williams as conductor in Olivier Messiaen’s Oiseaux Exotiques and Dmitri Shostakovich’s Piano Concerto No. 1. Angelin Chang is Yamaha Corporation of America’s first Academic-Performing Artist. Her use of the Disklavier® hybrid piano in presentation and performance is available upon request.

CONCERT PROgRAmAngelin Chang, Pianist

Variations Sérieuses, Op. 54 Felix Mendelssohn (1809-1847)

Barcarolle, Op. 60 Frédéric Chopin (1810-1849)

Alborado del gracioso Maurice Ravel (1875-1937)

INTERMISSION

Piano Concerto No. 1 Franz Liszt I. Allegro maestoso (1811-1886) II. Quasi Adagio III. Allegretto vivace. Allegro animato IV. Allegro marziale animato

Seth Thomas, orchestra accompaniment

Friday, August 1, 2014 8:00 pm



Developmental Fitness Where learning and performing get physical!

www.developmentalfitness.org 903-297-1003 [email protected]

Coordination Balance

Sensory-Motor Integration

Reduce stress & anxiety

Enhance learning and performing

FACULTY

JANE ABBOTT-KIRK Jane Abbott-Kirk, professor of piano at Baylor University, is in demand as soloist, collaborator, adjudicator, and clinician. In 1989 she received the Out-standing Tenured Teacher Award from Baylor University. In 2004 she was named the Collegiate Teacher of the Year by the Texas Music Teachers Association. Her former students hold prestigious positions at universities, conservatories, and pri-vate teaching venues in this country and abroad.

Abbott-Kirk is well known to music teachers’ associations in the South and Midwest through her presentations, workshops, and adjudications, including MTNA state competitions in Texas, Colorado, Utah, Arizona, Mississippi, and Wyoming’s seven state Smoky Range Piano competition. Her special expertise is in helping pianists build healthy technique that serves both virtuosity and in-terpretive sophistication. This teaching approach also helps pianists prevent and recover from performance injuries. A student of Sidney Foster and Menahem Pressler, Professor Kirk re-ceived a B.M., M.M., and Performer’s Certificate from Indiana University. More recently, she has worked with Sheila Paige, director of the Keyboard Wellness Seminar. She also serves on the faculty of the Keyboard Wellness Seminar at the University of North Texas. Her performances include the premier of the Bernard Heiden Triple Concerto, concerto performances with the San Antonio and Hous-ton Symphony orchestras, and numerous university orchestras.

Jane Abbott-Kirk is a recording artist for the Musical Heritage Society and Raven Records.





BRIAN ALLISON Brian Allison received his undergraduate training at California State Uni-versity, Sacramento. While a student there he won the Modesto (CA) Symphony Orchestra Young Artists competition, performing the Liszt first piano concerto with the symphony on its regular series. He completed a Masters of Music in piano performance with highest distinction at Indiana University, studying under Jorge Bolet and Enrica Cavallo-Gulli. His Doctor of Musical Arts in piano performance with a harpsichord minor was completed at the University of North Texas. Brian began his studies with Sheila Paige at the Taubman Institute in 1999. Head of the piano department at Collin College in Plano, Dr. Allison performs regularly as pianist with the Dallas Wind Symphony, is a frequent adjudicator in the DFW area, and maintains a private studio in his home.

HARVEY BELLIN Harvey J. Bellin studied piano with David Sokoloff in Philadelphia where he won the Children’s Concert Auditions at the age of 12. He then performed the first movement of Saint-Saens’ G Minor Concerto with the Philadelphia Orches-tra. Dr. Bellin ended his formal piano studies and entered medical school. He continued to perform, however, playing in dance bands and at clubs and cocktail parties. He took up formal studies again with George Sementovsky and later with Yoheved Kaplinsky and Sheila Paige. He has played in masterclasses at the Doro-thy Taubman Institute in Amherst, MA, and then Williamstown, MA, as well as the Piano Wellness Seminar in North Carolina. Dr. Bellin played for the Univer-sity of Pennsylvania Male Glee Club and traveled with them internationally. He has also accompanied for the Orpheus Club in Philadelphia. Dr. Bellin served as Chairman of the Pathology Department at an academic affiliated community hospital in Philadelphia for many years. He now works in private laboratories as medical director.

ROBERT BONHAM Robert Bonham spent most of his youth in India where he studied music at the international Woodstock School in the foothills of the Himalayan Moun-tains. Studying with Jon Nelson and Angelica Morales von Sauer, music degrees were earned from Phillips University and Kansas University. He has studied the Taubman approach with Sheila Paige since 1990. His Ph.D. in Comparative Arts is from Ohio University.

He recently retired from teaching in the Fine Arts Division of Maryville College in Maryville, Tennessee, where he received the Outstanding Teacher Award in 1993. In recent years he has led trips to India, Nepal, Tibet and Bali for students and friends of Maryville College and independent groups. He also pres-ents workshops for piano teachers focusing on avoiding injury, pain, or restriction and optimizing fluent and efficient motion. Performances include solo recitals, chamber music, collaboration with singers, strings, brass, and concertos. He has been a presenter at the Parkinson’s Disease Summits in Cincinnati (2012) and in Santa Fe (February, 2013) sharing information from the HeartMath Institute that explains how health can be improved through biofeedback training in stress reduction. For more information, visit www.robertbonham.info

ANGELIN CHANG Internationally acclaimed pianist Angelin Chang is the first American female and the first pianist of Asian heritage to be awarded the GRAMMY® for Best Instrumental Soloist with orchestra. She is recognized for her sense of po-etry and technical brilliance. Concertizing in Europe, Asia, Africa, North and South America, Miss Chang’s concert tours have led her to such venues as the Kennedy Center (Washington, D.C.), Kimmel Center (Philadelphia), Lincoln Center (New York), Severance Hall (Cleveland), St. Martin-in-the-Fields (Lon-don), Zelazowa Wola (Warsaw), Shanghai Grand Theatre (China), Sala Luis Án-gel Arango (Bogotá), Schnittke Philharmonic Hall (Russia) and the South African Broadcasting Corporation. She is the first American awarded First Prizes in both piano and chamber music during the same year from the Conservatoire National Supérieur de Musique de Paris, France. As the first Artist-in-Residence at the Kennedy Center in Washington, D.C., Angelin Chang participated in the devel-opment and launching of the Arts for Everyone initiative. She has performed at the U.S. Department of State, for the United Nations Women’s Organization in Nepal, and for World AIDS Day in New York for the United Nations before the Secretary-General. An active chamber musician, she performs regularly with the



legendary violist Joseph de Pasquale, the de Pasquale String Quartet, and with members of the Philadelphia Orchestra and Cleveland Orchestra. Angelin Chang earned the Doctor of Musical Arts from Peabody Institute – Johns Hopkins University, Premier Prix - Piano and Premier Prix - Musique de Chambre from the Paris Conservatoire, Master of Music and Distinguished Performer Certificate from Indiana University, Bachelor of Arts (French) and Bachelor of Music from Ball State University, and highest honors upon graduation from the Interlochen Arts Academy. Her piano teachers have included Michel Béroff, Marie-Françoise Bucquet, Yoheved Kaplinsky, Yvonne Loriod-Messiaen, Robert McDonald, Menahem Pressler, Pierre Réach, Pia Sebastiani, György Se-bök, Louis-Claude Thirion and Dorothy Taubman. She also holds a Juris Doctor from the Cleveland-Marshall College of Law. Dr. Angelin Chang is Professor of Piano and Coordinator of Keyboard Studies at Cleveland State University, where she is also Professor of Law at the Cleveland-Marshall College of Law. She serves on the faculty of the Great Lakes Sports and Entertainment Law Academy, a joint program of Case Western Uni-versity School of Law and Cleveland-Marshall College of Law at Cleveland State University. Previously, Dr. Chang taught on the piano faculty at Rutgers - The State University of New Jersey. Through her work with the Taubman Approach and Keyboard Wellness Seminars at the University of North Texas and Temple University in Philadelphia, Dr. Chang helps pianists develop virtuosity while liberating them from fatigue, pain and injury. Angelin Chang is Vice President, Board of Governors of The Recording Academy Chicago Chapter (National Academy of Recording Arts and Sciences) and serves as Chair of the Education Committee and the Classical Task Force. She is Past President of the Ohio Music Teachers Association Northeast District and has served on the Board of Trustees for the Great Lakes Theater. Dr. Chang is the Co-Chair of the Research Committee on Asian and Pacific Studies of the International Political Science Association (IPSA/RC18). Recordings include a solo piano album, Angelin (Sabintu Records), Soar-ing Spirit (Albany Records) with Angelin Chang on piano and Joseph de Pasquale on viola, and Cleveland Chamber Symphony (TNC) with Angelin Chang as piano soloist and John McLaughlin Williams as conductor in Olivier Messiaen’s Oiseaux



Exotiques and Dmitri Shostakovich’s Piano Concerto No. 1. Angelin Chang is Yamaha Corporation of America’s first Academic-Performing Artist. Her use of the Disklavier® hybrid piano in presentation and performance is available upon request.

YEEHA CHIU A Steinway Artist, Yeeha Chiu, Hong Kong-born pianist, studied with Ilona Kabos, Bela Siki, Beveridge Webster, Nadia Reisenberg and Sheila Paige. A graduate of the Royal College of Music in London and the Juilliard School of Music, she has taught at Juilliard and Duquesne University.

Miss Chiu performed with the London Philharmonic Orchestra at the historic inauguration of the first Concert Hall in Hong Kong. Subsequently she was concerto soloist with the Taipei Municipal Symphony Orchestra, the Hong Kong Philharmonic, and also the Vienna Symphony under Christoph Eschenbach. She has appeared in solo and chamber music recitals in Asia, Australia, Europe and the United States, including a series of concerts in Taiwan sponsored by the United States Information Service.

A versatile chamber musician, she has collaborated with members from the Pittsburgh Symphony Orchestra, the Alexander String Quartet based in San Francisco, the Renaissance City Winds, at the Organ Historical Convention, Art Songs with Daphne Alderson, Lilly Abreu, and Eva Ostrakovna. She has also performed the entire cycle of trios for Piano, Violin and Cello by Beethoven and Brahms.

Yeeha Chiu is in demand as teacher and coach. She is also on the faculty at the annual Keyboard Wellness Seminar in Texas directed by Sheila Paige.

The Japan Times states “Her sincere and genuine musicianship made this a truly memorable evening.”



VICKI CONWAY Vicki Conway has been on the faculty of the University of Texas at Tyler since 1984. She graduated summa cum laude from Stephen F. Austin State Uni-versity with a double major in piano and organ performance, receiving the Len-vill Martin Outstanding Music Graduate Award. She earned a Master of Music degree in piano performance from Baylor University and completed additional graduate study with Jane Magrath at The University of Oklahoma. Ms. Conway has served as organist in many churches, and is currently organist at Greggton United Methodist Church and Elmira Chapel Cumberland Presbyterian Church in Longview. She is an active performer, presenting duo piano recitals with Mary Tidwell and collaborative performances with musicians throughout the East Texas region. She studies piano with Sheila Paige and became a faculty member of the Keyboard Wellness Seminar in 2009.

Ms. Conway initiated a Developmental Fitness program in 1998, and has conducted numerous workshops and clinics showing the relationships between gross motor skills, cognitive processing, memory, and performing skills. She has completed training through Foster Educational Group and the Educational Kine-siology Foundation (Brain Gym®), including a recent VisionCircles course taught by Carla Hanniford, author of Smart Moves: Why Learning is Not All in Your Head. Presentations have included numerous public and private schools and mu-sic teachers’ associations, Coppell Conservatory, Cleveland Chapter/Ohio Music Teachers Association, the 2000 Texas Music Educators Association Convention, the 2005, 2007, and 2009 Texas Music Teachers Association Conventions, and 2002-2013 Keyboard Wellness Seminars

STEPHEN MONTOYA(on sabbatical this summer)

Stephen Montoya is a native New Mexican who obtained his Master’s Degree in Piano Performance from the University of New Mexico. He has studied piano with George Robert and Rita Angel, and organ with Dr. Alexander Sch-reiner and Dr. Linda Raney. Mr. Montoya has concertized throughout the south-west and on the east coast both as a recitalist and a collaborative artist and has lectured at the University of New Mexico and to various chapters of the MTNA. Mr. Montoya studies piano with Sheila Paige, founder and executive director of The Piano Wellness Seminar, where he is also a member of the faculty, and main-tains a busy schedule teaching and performing.



LYNN RICE-SEE(on sabbatical this summer)

Since her 1982 Carnegie Recital Hall debut, Lynn Rice-See has appeared as recitalist, concerto soloist, and chamber musician in the United States and in Europe. She has appeared three times with the Janácek Philharmonic Orchestra in Ostrava, Czech Republic. In the United States she has appeared as soloist with the Gulf Coast Symphony, the Huntsville Symphony, the Johnson City Symphony, and the Kingsport Symphony.

She holds the Bachelor of Music degree from Peabody Conservatory, the Master of Music from The Juilliard School, and the Doctor of Musical Arts from the University of Southern California. She has been a member of the faculties of the Adamant Music School in Vermont and the Keyboard Wellness Seminar in Texas. After sixteen years on the music faculty of East Tennessee State University, she moved as professor of piano to Middle Tennessee State University from which she retired in 2014. She presently lives in New York City.

She has recorded on the Americus and Heartdance labels as well as for RefinersFire.org. Her publications include a book, The Piano Teaching of Walter Hautzig, as well as articles in American Music Teacher, Clavier, and Piano Guild Notes.

MARY TIDWELL Mary Tidwell has been Instructor of Music Theory, Ear-Training, and Music Appreciation at Trinity Valley Community College since the fall of 2011. In the fall of 2012, she became Coordinator of the Music Department. She served as Professor and Chair of the Music Department and Fine Arts Division at Lon Mor-ris College in Jacksonville, Texas, from 1993-2011. Prior to that time, she taught at Indiana-Purdue University in Fort Wayne, Indiana, and at Baylor University in Waco, Texas. Ms. Tidwell is honored to be included in multiple editions of Who’s Who Among America’s Teachers, Who’s Who in American Education, and Who’s Who of American Women. She was nominated as Piper Professor of 2007 by the faculty of Lon Morris College.

Ms. Tidwell has performed throughout Texas, including performanc-es on the campus of Lon Morris College; Greggton United Methodist Church, Longview; Stephen F. Austin State University; East Texas Baptist University; Dal-las Music Teachers’ Association at Steinway Hall, Dallas; Baylor University; and Mary Hardin Baylor University, to name a few. Additionally, she has performed as soloist in the Ravel Concerto with the Baylor Symphony Orchestra and as part



of a duo’s performance of the Poulenc Concerto for Two Pianos with the Midland-Odessa Symphony Orchestra. In 2002, she and Jane Abbott-Kirk (Baylor University) performed a lecture-recital at the Texas Music Teachers’ Association Convention in Corpus Christi, Texas.

Ms. Tidwell has been named to the faculty of the Baylor Summer Keyboard Institute and the Sheila Paige Keyboard Wellness Seminar at Gardner-Webb Universi-ty in North Carolina, Louisiana State University, the University of Texas at Arlington, and the University of North Texas.

Ms. Tidwell obtained both the Bachelor of Music Degree in Piano Perfor-mance (magna cum laude) and Master of Music Degree in Piano Performance and Lit-erature from Baylor University. Her teachers have included Ruth Burr, Michael Ard, Roger Keyes, Jane Abbott-Kirk, and Sheila Paige.

BRADLEY WELCH Hailed as “a world-class virtuoso” and “an expert at defining darks, lights, shadows and colors,” Bradley Hunter Welch is increasingly in demand as a recital-ist, concerto soloist, and collaborative artist. A native of Knoxville, TN, Brad-ley holds the Doctor of Musical Arts, Master of Musical Arts, Master of Mu-sic degrees, and the Artist Diploma from Yale University where he studied with Thomas Murray and Martin Jean. He also holds the Bachelor of Music degree magna cum laude from Baylor University where he studied with Joyce Jones. Dr. Welch has also continued his study of organ and piano technique with Sheila Paige.

Dr. Welch is the 2003 First Place winner of the Dallas International Organ Competition and was also awarded the Audience Prize for the second time, having previously won it in 2000. In 2005, he was a featured artist at three regional conven-tions of The American Guild of Organists, and he made his European debut in France performing in the Chartres Festival. He has appeared as soloist with the Grand Rapids Symphony Orchestra, the Fort Worth Symphony Orchestra, and the Dallas Sympho-ny Orchestra. With the DSO, he gave the world premier of Stephen Paulus’ Grand Concerto for Organ and Orchestra, the piece written for Bradley as the winner of the Dallas International Organ Competition. Additionally, he has taught at Southern Methodist University and Baylor University. He is Director of Music & Arts/Organist at Highland Park United Methodist Church in Dallas, TX. In addition to these duties, he performs approximately 20 concerts annually under the exclusive artistic manage-ment of Phillip Truckenbrod Concert Artists, Hartford, CT.



His premier recording is the first solo organ recording of the Cliburn Organ at Broadway Baptist Church, and his recording on the magnificent Fisk organ at the Meyerson Symphony Center in Dallas is currently in production. Bradley is married to Kara Kirkendoll Welch, a flutist in the Dallas Symphony Orchestra and Adjunct Assistant Professor of Flute at Southern Methodist Uni-versity. They have a son—Ethan Hunter Welch.



PRESENTERS

ROBERT BONHAMheArThmATh And FreezeFrAme

Do our thoughts and feelings affect our performance? Of course they do, and often in ways that compromise our clarity and focus. Can we do anything about these disruptive challenges? Yes. The intimate connection between feel-ings, thoughts, and the physical heart and the brain can be easily demonstrated with HeartMath, a biofeedback program. A recent doctoral dissertation amply proved that consistent practice with an emWave heart monitor can be effective in reducing performance anxiety. FreezeFrame teaches techniques to help you stay in an optimal zone. This is good for all pianists, anytime, on and off stage.

Tune-uP TiPs To sTArT your morning

And enhAnce your dAy

These tips will range from the four-minute Peaceful Warrior Workout and advanced breathing techniques to meridian adjustments and meditative prac-tices that will energize your morning and can be utilized throughout the day to optimize your experiences. “Fear is excitement in the absence of oxygen.”

suPPorT grouP

A session for keyboard players to share thoughts, feelings, and problems related to playing including physical injuries, emotional adjustments, how to change one’s technique, etc. Emphasis is placed on coping strategies and learning what to expect.



STEVE CLAUNCHThe TeAcher’s PiAno, sTudy guide

In 1972 at the age of 11, Steve Claunch worked at S&M Music in Abilene until 1978. In 1978, Mr. Claunch joined Claunch Piano Service where he serviced all of West Texas including fourteen Universities, five Symphony Orchestras, and over two hundred schools. He provided technical service while touring for the London Piano Duo and Leonid Kuzman. Mr. Claunch joined Steinway Hall, Dal-las in 2001 and is now their master technician and Vice President of Steinway Hall Dallas-Fort Worth-Houston.

VICKI CONWAYdeveloPmental FiTness session

PerFormAnce AnxieTy: cAuses, symPToms, And sTrATegies

Explore the advanced stages of fight-or-flight response that are counter-productive to the performing process. Learn how weak developmental skills and dominance profiles can leave us vulnerable to the negative effects of performance anxiety. Learn simple activities for yourself and your studio that reduce stress and anxiety while enhancing body awareness, balance, memory, mid-line, and focusing skills.

develoPmental FiTness-KinesTheTic AWAreness For bAlAnce, Fluency, orgAnizATion, And memory

Developmental Fitness is a performance enhancement, sensory-motor integration, and stress reduction program based upon the principle of neural plasticity. Our early childhood experiences, along with thirteen developmental skills and dominance profiles, establish the neural wiring patterns upon which we base all future learning. However, we continue to elaborate and modify our neural connections and patterns throughout our lives. The Developmental Fitness program makes the whole body the instrument of learning. It uses integrative movements, with and without manipulatives, to stimulate our kinesthetic sense and enhance the neural network communication system between the brain, the senses, and the muscles of the body. The role of emotions is also addressed as our emotions monitor all our thoughts and actions, releasing neurotransmittersaffecting both the mind and the body.





TOM GREENFIELDsTress conTrol

nATure’s sunshine/reFlexology

Tom Greenfield has two degrees from TCU, a B.A. in English and a Bachelor of Music in theory and violin. He has played professionally with both the San Antonio and Fort Worth symphonies. One of the reasons that he stopped playing many years ago was pain. It gradually increased from a sometime annoy-ing ache in the left shoulder and neck to a full time, painful muscle contraction that resulted in the left shoulder being elevated almost two inches above the other. The cessation of professional playing stopped a lot of the pain but not all of it. Next came low back and sciatic nerve pain that was occasionally devastating. Mr. Greenfield was driven to find alternative solutions to surgery and was pleased to learn of the tremendous benefits of massage, reflexology, yoga breath-work, particular exercise routines like Somatics, nutrition, and herbs and vitamins. The self-application of all these disciplines gave Mr. Greenfield a virtually pain-free existence that he enjoys sharing with his clients. He uses this knowledge to help his violin students avoid the same mistakes that he made.

JANIE KEYSreiKi

Janie Keys received training in all 3 levels of Reiki in 1998, and has since used it in her daily life for self healing and to help friends and family. Reiki is a Japanese word that can be translated as universal life force energy. It is a source of stress reduction and relaxation which can improve health and restore a sense of well-being. In the session, we will cover the development of the practice of Reiki in the US, the nature of the healing energy and how it is transmitted, and how the effects of Reiki are experienced by both recipient and practitioner.

Ms. Keys has two degrees from the University of Texas at Austin - a Bachelor of Arts in French and a Master of Music in Piano Pedagogy.

REBECCA LEWiPAd For PiAnisTs

Rebecca’s playing has been largely influenced by the work of Dorothy Taubman through her studies with Sheila Paige and Angelin Chang, among others. She received her B.M. at the University of Northern Colorado where she received a full tuition piano scholarship. Ten years later she was invited to pursue an M.M. in Piano Performance at Cleveland State University, which she completed in a year with honors. Her musical career has been enriched by an M.A. in Intercul-tural Studies, and through her experiences traveling throughout North and South America, Asia, Africa, Europe, and the Middle East. Rebecca currently lives and teaches in Austin, TX. Her other interests include spending time with her hus-band and son, swimming, biking, and eating. And whenever possible, she loves to return to her natural habitat, the mountains!

PHYLLIS RICHMONDT’Ai chi

The AlexAnder Technique

Phyllis Richmond, MA, M.STAT, M.AmSAT, Certified teacher of the Alexander Technique, teaches in Evanston, IL, and also in North Texas in the College of Music at the University of North Texas in Denton and she offers pri-vate lessons in Dallas and Arlington. In the summer, she teaches short intensive workshops at UNT and at Tarrant County College. Ms. Richmond has taught the Alexander Technique for many universities, including University of North Texas, Southern Methodist University, University of Texas at Arlington, Rice, Baylor, Vanderbilt, Oklahoma, Louisiana, Texas Woman’s University. She has taught for the Keyboard Wellness Seminar for several years, as well as for the American Harp Society, National Association of Teachers of Singing, Texas Cello Academy, and other programs. Ms. Richmond teaches abroad, most recently in Italy and in Taiwan. She is a member of both the American Society for the Alexander Tech-nique (AmSAT) and the British Society of Teachers of the Alexander Technique (STAT). She is the Editor of AmSAT Journal, the journal of the American Society for the Alexander Technique. In 2012, she received AmSAT’s Distinguished Ser-vice Award, the Society’s highest award.



CAROLYN SAVKOmediTATion

Carolyn Savko teaches class piano at the University of Texas at Arlington and maintains a large piano studio in her home. She has enjoyed the benefits of being a meditator for over 30 years.



EXHIBITORS

The Alexander TechniqueContact: Phyllis RichmondThe Alexander TechniqueChicago IL and Dallas TX

Ph. 214-769-4502 [email protected]

www.alexandertechniquechicago.comThe Alexander Technique teaches how to reduce tension and effort and improve

posture, coordination, and breathing by how you use your mind and body, al-lowing increased freedom and ease in practice and

performance. Private lessons offered.

Baylor UniversityKeyboard Studies Division

School of MusicPh. 254-710-1417

E-mail: [email protected]

Developmental FitnessContact: Vicki Conway

1406 EvergreenLongview TX 756Ph. 903-297-1003

[email protected]

Developmental Fitness activities are designed to stimulate specific neural path-ways to enhance sensory-motor integration and whole-brain

processing. The exhibit table will have a sign-up sheet for individual consultations, DVDs, Activity Books, Flashcards, and

Integration Warm Up Cards.



Inner Harmony Health Center Contact: Robert Bonham

Ph. 865-983-6999 [email protected]

www.InnerHarmonyHealthCenter.comInner Harmony Health Center offers essential oil blends and

frequencies on CD to assist in gaining better health.

MusicBag PressContact: Ann Lawry

PO Box 866953Plano, TX 75086-6953

Ph. 972-596-8443 Fax [email protected]

MusicBag Press offers an accredited theory method for musicians of all ages and levels. We feature the Just the Facts series along with flashcards and a variety of

activity books.

Music Link Foundation Contact: Joanne Haroutounian

1043 N. McKinley RoadArlington, VA 22205

Ph. [email protected] www.musiclinkfoundation.org

The MusicLink Foundation provides ongoing music lessons to promising stu-dents in need. The foundation has reached over 2,000 students in 40 states, with

our volunteer teachers providing over 200,000 hours of instruction, equivalent to over $3.5 million. We seek new volunteer

teachers, coordinators, and supporters to the program. Join us!



STRESS CONTROLNature’s Sunshine

Herbs and Vitamins

ReflexologyContact: Tom Greenfield

Ph. [email protected]

ReikiContact: Janie KeysPh. 512-527-0248Cell 512-658-4551

[email protected]



Special thanks to

Brenda Bruce for your support of the

Fifteenth Annual

Keyboard Wellness Seminar

NOTES



Documents

PROgRAm OF EVENTS · Ms. Paige realized her dream of organizing an annual seminar based on a multi-disciplined approach to learning and began the Piano Wellness Seminar. It became