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The Philadelphia Orchestra

Season 2018-2019Friday, January 4, at 7:00Saturday, January 5, at 7:00Sunday, January 6, at 2:00

Starring

BUGS BUNNY 

Conducted by

GEORGE DAUGHERTY 

Created and Produced by GEORGE DAUGHERTY & DAVID KA LIK WONG

 

Also StarringELMER FUDD   DAFFY DUCK   PORKY PIG   WILE E. COYOTE   ROAD RUNNER

TWEETY   SYLVESTER   PEPE LE PEW   PENELOPE PUSSYCAT   GRANNYGIOVANNI JONES . . . and special guest starring appearance by TOM AND JERRY

 

Music byCARL W. STALLING   MILT FRANKLYN   SCOTT BRADLEY

Based on the Works of Wagner, Rossini, von Suppé, J. Strauss II, Smetana, Liszt, Mendelssohn, and Donizetti

 

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Animation Direction byCHUCK JONES   FRIZ FRELENG   ROBERT CLAMPETT TEX AVERY

ROBERT McKIMSON   ABE LEVITOW   WILLIAM HANNA   JOSEPH BARBERA 

Voice Characterizations byMEL BLANC   ARTHUR Q. BRYAN as Elmer Fudd

JUNE FORAY   HANS CONRIED  and  NICOLAI SHUTOROV as Giovanni Jones 

“Rabid Rider” and “Coyote Falls”Directed by MATTHEW O’CALLAGHAN, Music by CHRISTOPHER LENNERTZ

 

Produced in Association withIF/X PRODUCTIONS SAN FRANCISCO

 

Official Websitewww.BugsBunnyAtTheSymphony.net

 

Original Soundtrack Recording on WATERTOWER MUSICwww.watertower-music.com

Follow Bugs Bunny at the Symphony on Facebook, Instagram, and Twitter.#BugsBunnyAtTheSymphony

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ProgramACT I

  THE DANCE OF THE COMEDIANS

from The Bartered Brideby Bedřich Smetana

THE WARNER BROS. FANFAREMusic by Max Steiner

“MERRILY WE ROLL ALONG”(“The Merrie Melodies Theme”)

Music by Charles Tobias, Murray Mencher, and Eddie CantorArranged and Orchestrated by Carl W. Stalling

  

“BATON BUNNY”Music by Milt Franklyn

Based on the Overture to Morning, Noon, and Night in Vienna by Franz von SuppéStory by Michael MalteseAnimation Direction by

CHUCK JONES and ABE LEVITOW  

“SHOW BIZ BUGS”Music by Milt Franklyn

“Tea for Two,” music by Vincent Youmans, lyrics by Irving Caesar “Jeepers Creepers” by Harry Warren and Johnny Mercer

“Those Endearing Young Charms,” Irish Folk Melody, words by Thomas MooreStory by Warren FosterAnimation Direction by

FRIZ FRELENG  

Program continued on next page

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“RHAPSODY RABBIT”Music by Carl W. Stalling

Based on Hungarian Rhapsody No. 2by Franz Liszt 

Piano Solo by Jakob GimpelStory by Tedd Pierce and Michael Maltese

Animation Direction byFRIZ FRELENG

  

“JOHANN MOUSE” (Scenes)Music by Scott Bradley, after Johann Strauss II

Piano Solos by Jakob GimpelNarrated by Hans Conried

Story and Animation Direction byWILLIAM HANNA and JOSEPH BARBERA

and“TOM AND JERRY IN THE HOLLYWOOD BOWL”

Music by Johann Strauss II (Overture to Die Fledermaus)

Music Originally Arranged by Scott BradleyStory and Animation Direction by

WILLIAM HANNA and JOSEPH BARBERA

“BACK ALLEY OPROAR” (Scene)Music by Carl W. Stalling

“Largo al factotum” by Gioachino Rossini from The Barber of SevilleStory by Michael Maltese and Tedd Pierce

Animation Direction by FRIZ FRELENG

  

“ZOOM AND BORED”Music by Carl W. Stalling and Milt FranklynBased on “The Dance of the Comedians”

from The Bartered Bride by Bedřich SmetanaStory by Michael MalteseAnimation Direction by

CHUCK JONES

 

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PEPE LE PEW, LE CHANTEUR ROMANTIQUE “FOR SCENT-IMENTAL REASONS” (Scenes)

Music by Carl W. StallingStory by Michael Maltese

Animation Direction by CHUCK JONES“A SCENT OF THE MATTERHORN” (Scene)

Music by Milt Franklyn “Tiptoe through the Tulips,” music by Joe Burke, lyrics by Al Dubin

Story and Animation Direction by CHUCK JONES“SCENT-IMENTAL ROMEO” (Scenes)

Music by Carl W. Stalling “Baby Face,” music by Harry Akst, lyrics by Benny Davis

Story and Animation Direction by CHUCK JONES

“THE RABBIT OF SEVILLE”Music by Carl W. Stalling

Based on the Overture to The Barber of Seville by Gioachino RossiniStory by Michael MalteseAnimation Direction by

CHUCK JONES 

Intermission 

ACT II 

“RABID RIDER”Music by Christopher Lennertz

Executive Producer: Sam RegisterStory by Tom SheppardAnimation Direction by

MATTHEW O’CALLAGHANand

“COYOTE FALLS”Music by Christopher Lennertz

Executive Producer: Sam RegisterStory by Tom SheppardAnimation Direction by

MATTHEW O’CALLAGHAN

 Program continued on next page

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“LONG-HAIRED HARE”Music by Carl W. Stalling

after Wagner, von Suppé, Donizetti, and RossiniStory by Michael MalteseAnimation Direction by

CHUCK JONES

 “ROBIN HOOD DAFFY” (Scenes)

Music by Milt FranklynStory by Michael MalteseAnimation Direction by

CHUCK JONES

“WHAT’S OPERA, DOC?”Music by Milt Franklyn

Based on music from The Flying Dutchman, Die Walküre, Siegfried, Götterdämmerung, Rienzi, and Tannhäuser by Richard Wagner

Story by Michael MalteseAnimation Direction by

CHUCK JONES 

MERRIE MELODIES “THAT’S ALL FOLKS”Music Arranged and Orchestrated by Carl W. Stalling

Voice Characterization by Noel Blanc 

 Program Subject to Change without Notice

 LOONEY TUNES and all related characters and elements

© & TM Warner Bros. Entertainment Inc.TOM AND JERRY and all related characters and elements

© & TM Turner Entertainment Co. WB SHIELD: TM & © WBEI. (s19)

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The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage. The Orchestra is inspiring the future and transforming its rich tradition of achievement, sustaining the highest level of artistic quality, but also challenging—and exceeding—that level, by creating powerful musical experiences for audiences at home and around the world.Music Director Yannick Nézet-Séguin’s connection to the Orchestra’s musicians has been praised by both concertgoers and critics since his inaugural season in 2012. Under his leadership the Orchestra returned to recording, with four celebrated CDs on the prestigious Deutsche Grammophon label, continuing its history of recording success. The Orchestra also reaches thousands of listeners on the radio with weekly broadcasts on WRTI-FM and SiriusXM.

Philadelphia is home and the Orchestra continues to discover new and inventive ways to nurture its relationship with its loyal patrons at its home in the Kimmel Center, and also with those who enjoy the Orchestra’s area performances at the Mann Center, Penn’s Landing, and other cultural, civic, and learning venues. The Orchestra maintains a strong commitment to collaborations with cultural and community organizations on a regional and national level, all of which create greater access and engagement with classical music as an art form.The Philadelphia Orchestra serves as a catalyst for cultural activity across Philadelphia’s many communities, building an offstage presence as strong as its onstage one. With Nézet-Séguin, a dedicated body of musicians, and one of the nation’s richest arts ecosystems, the Orchestra has launched its HEAR initiative, a portfolio of integrated initiatives that promotes Health, champions music Education, eliminates barriers to Accessing the

orchestra, and maximizes impact through Research. The Orchestra’s award-winning Collaborative Learning programs engage over 50,000 students, families, and community members through programs such as PlayINs, side-by-sides, PopUP concerts, free Neighborhood Concerts, School Concerts, and residency work in Philadelphia and abroad. Through concerts, tours, residencies, presentations, and recordings, the Orchestra is a global cultural ambassador for Philadelphia and for the US. Having been the first American orchestra to perform in the People’s Republic of China, in 1973 at the request of President Nixon, the ensemble today boasts five-year partnerships with Beijing’s National Centre for the Performing Arts and the Shanghai Media Group. In 2018 the Orchestra traveled to Europe and Israel. The Orchestra annually performs at Carnegie Hall while also enjoying summer residencies in Saratoga Springs and Vail. For more information on The Philadelphia Orchestra, please visit www.philorch.org.

The Philadelphia Orchestra

Jessica Griffin

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Bugs BunnyBugs Bunny is one of the most recognized cartoon characters in the world, whose signature phrase, “What’s Up, Doc?,” has long since entered the English language.

Bugs’s first “reel” appearance in front of his soon-to-be-adoring public was in A Wild Hare directed by Tex Avery. Since then, Bugs’s zany antics in hundreds of cartoon favorites have made him a legend throughout the world.

This cool, collected, carrot-chomping rabbit is the unequivocal superstar of the Looney Tunes family. With never a “hare” out of place he always manages to outsmart his adversaries, whoever they may be. He’s a real American icon who has graced the TV and cinema screens the world over.

Bugs Bunny’s cartoons have twice been nominated for Academy Awards, and his Knighty Knight Bugs won a coveted Oscar. Bugs has starred in four films in addition to his hundreds of animated shorts and 21 prime-time television specials.

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ConductorGeorge Daugherty has conducted over 150 orchestras worldwide and earned a Primetime Emmy Award, five Emmy nominations, and numerous other awards. He made his debuts with the New York Philharmonic in 2015 (and returns in 2019) and with the Boston Pops in 2016, and he has conducted dozens of performances with the Los Angeles Philharmonic at the Hollywood Bowl and the National Symphony at Wolf Trap. He made his Philadelphia Orchestra debut in 2000 and has also appeared with the Cleveland and Minnesota orchestras; the Detroit, Pittsburgh, and Seattle symphonies; and the Hong Kong Philharmonic. He has been a frequent guest conductor at the Sydney Opera House and with the San Francisco Symphony, the Sydney Symphony (with which he has recorded), and the Royal Philharmonic Concert Orchestra in London and on tour, including to the US and Canada, with Julie Andrews and Christopher Plummer.

Mr. Daugherty has also conducted the symphony orchestras of Dallas, Houston, Baltimore, Montreal, Milwaukee, Vancouver, Toronto, Atlanta, Fort Worth, Indianapolis, and Cincinnati; the Rochester Philharmonic; and the Hollywood Bowl and National Arts Centre orchestras, among many others. International credits include the Danish National, West Australia, Melbourne, and Adelaide symphonies; the Malaysian and New Japan philharmonics; Ireland’s RTE Concert and the Russian National orchestras; the Auckland Philharmonia; and opera houses of Rome, Florence, Milan, Turin, and Reggio Emilia. He has conducted for American Ballet Theatre, the Bavarian Staatsoper Ballet, La Scala Ballet, and at the Teatro Regio di Torino, and he was music director of Ballet Chicago, Chicago City Ballet, Louisville Ballet, Ballet San Jose, and Les Ballets Trockadero de Monte Carlo (with which he debuted at the Kennedy Center Opera House).

Mr. Daugherty received a Primetime Emmy as executive producer/director/writer of ABC’s production of Prokofiev’s Peter and the Wolf, also receiving an Emmy nomination for Outstanding Music Direction. He was executive producer/writer of the Emmy-winning PBS series Sagwa, the Chinese Siamese Cat and received an Emmy nomination for his ABC music education series Rhythm & Jam. Mr. Daugherty (with David Wong) created Bugs Bunny on Broadway in 1990, followed by Bugs Bunny at the Symphony (2010) and Bugs Bunny at the Symphony II (2013).

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Executive ProducerBugs Bunny at the Symphony Executive Producer David Ka Lik Wong was awarded with a coveted Emmy Award for his work as producer on Peter and the Wolf in 1996; he was also nominated for an Emmy for his work as producer of Rhythm & Jam, the ABC children’s music education series.

Mr. Wong teamed with George Daugherty as principal producer for the Peter and the Wolf project, the animation and live-action production starring Kirstie Alley, Lloyd Bridges, Sleepless in Seattle’s Ross Malinger, and the new animated characters of legendary animation director Chuck Jones. Mr. Wong was also the senior producer for the Warner Bros. documentary film The Magical World of Chuck Jones, directed by George Daugherty and featuring interviews with Steven Spielberg, Whoopi Goldberg, George Lucas, and Ron Howard, among many others.

Mr. Wong has been producer for the Warner Bros. touring concert production Bugs Bunny on Broadway since 1991, and producer and co-creator for Bugs Bunny at the Symphony (I & II) since 2010, as they have toured the world, and he co-produced both original audio CD albums for Warner Bros. Records. He has also produced innovative symphony orchestra concerts for some of the world’s leading orchestras, including the New York Philharmonic at Lincoln Center, the Boston Pops, the National Symphony, the Hong Kong Philharmonic, The Philadelphia Orchestra, the Royal Philharmonic, the Sydney Opera House, the Los Angeles Philharmonic at the Hollywood Bowl, the Wales Millennium Centre, and many others. He produced critically acclaimed Christmas concerts for both the San Francisco Symphony and Canada’s National Arts Centre/National Arts Centre Orchestra. He is also executive producer and co-creator of the touring concert Rodgers & Hammerstein on Stage and Screen.

Mr. Wong teamed with Mr. Daugherty, Amy Tan, and Sesame Workshop to produce and create the Emmy Award-winning PBS children’s television series Sagwa, the Chinese Siamese Cat. Mr. Wong was born in Hong Kong and moved to San Francisco with his family at the age of 12. He still calls San Francisco home.

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Production CreditsPRODUCTION, CREATIVE, and TOURING STAFF

Creator/Music Director/Conductor/ProducerGeorge Daugherty

Creator/Producer/Technical Director/Tour DirectorDavid Ka Lik Wong

Production Touring Musicians (Rotating)Jo Pusateri, Principal Percussion and Slide Guitar

Kelly Hale, Principal PianistLeo Marchildon, Co-Principal Pianist/Slide Guitar

Keisuke Nakagoshi, Co-Principal PianistBrenda Vahur, Co-Principal Pianist

Robert Schietroma, Principal Percussion Emeritus

Co-ProducerAmy Minter

Art Director, CGI Producer, and Graphics/Animation DesignerMelinda Lawton

EditorsGeorge DaughertyDavid Ka Lik Wong

Scott DraperMark BeutelPeter Koff

Special thanks to Keep Me Posted, Burbank

Special Effects and CGI/Animation EditorShawn Carlson

Sound Design, Sound Effects, and Re-MasteringRobb WennerJohn Larabee

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Audio Mixer and Tour Sound SupervisorMarty BiermanRobb Wenner

New CGI Animation ElementsLawton Design

New Animation ElementsWarner Bros. Animation

Audio CD ProducersGeorge DaughertyDavid Ka Lik Wong

Steve Linder

Sound Effects EditorsRobb WennerJohn Larabee

Music SupervisorsDavid Ka Lik WongCaryn Rasmussen

Click MastersMako SujishiRobb WennerJohn Larabee

Kristopher Carter

Music Transcription and RestorationRon Goldstein

Caryn RasmussenLeo Marchildon

Robert SchietromaCameron PatrickRobert Guillory

Charles Fernandezand special thanks to

USC/Warner Bros. Music Archives

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Music CopyistsCaryn RasmussenRobert SchietromaMichael Hernandez

John NorineJeff TurnerValle Music

Judy Green Music

Webmaster and Website DesignerLorelei McCollough

Video and Audio Production Coordinated and Executed byIF/X Productions San Francisco

Exclusive Worldwide RepresentationBRETT GREEN

IF/X WISHES TO EXTEND ITS SPECIAL THANKS TO: Warner Bros.; Warner Bros. Consumer Products; Warner Bros. Animation; WaterTower Music; the Sydney Symphony, the Sydney

Opera House, and the Sydney Opera House Recording Studios and Facilities; the Power Station Recording Studios, New York; U.S.C. Film School/Scoring for Motion Pictures and Television; U.S.C. Film/Music Archives; U.C.L.A. Film Archives; the Chuck Jones Center for Creativity; Chuck Jones Enterprises; Linda Jones Productions; Post Effects Chicago; Screen Magazine; and very special

personal thanks to Isabelle Zakin, Bruce Triplett, Foote Kirkpatrick, Ruth L. Ratny, Mike Fayette, Rick Gehr, Melinda Lawton, and Charlene Daugherty.

George Daugherty dedicates this concert to the memory of his mother, Charlene Elizabeth Daugherty.

BUGS BUNNY AT THE SYMPHONY II had its world premiere on July 5, 2013, at the Hollywood Bowl, with the Los Angeles Philharmonic.

BUGS BUNNY AT THE SYMPHONY had its world premieres on May 7, 2010, at the Sydney Opera House with the Sydney Symphony and July 16, 2010, at the Hollywood Bowl with the

Los Angeles Philharmonic.

BUGS BUNNY ON BROADWAY had its world premiere on June 16, 1990, at the San Diego Civic Theatre; its Broadway premiere at the Gershwin Theatre, New York City, on October 2, 1990; and its

international premiere on May 15, 1996, at the Sydney Opera House, Sydney, Australia.

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Tickets & Patron ServicesWe want you to enjoy each and every concert experience you share with us. We would love to hear about your experience at the Orchestra and it would be our pleasure to answer any questions you may have. Please don’t hesitate to contact us via phone at 215.893.1999, in person in the lobby, or at patronserverices@philorch.org.Subscriber Services: 215.893.1955, M-F, 9 AM-5 PM

Patron Services: 215.893.1999, Daily, 9 AM-8 PM

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PreConcert Conversations: PreConcert Conversations are held prior to most Philadelphia Orchestra subscription concerts, beginning one hour before the performance. Conversations are free to ticket-holders, feature discussions of the season’s music and music-makers, and are sponsored by Scott and Cynthia Schumacker and supported in part by the Hirschberg Goodfriend Fund, established by Juliet J. Goodfriend.Lost and Found: Please call 215.670.2321.Late Seating: Late seating breaks usually occur after the first piece on the program or at intermission in order to minimize disturbances to other audience members who have already begun listening to the music. If you arrive after the concert begins, you will be seated only when appropriate breaks in the program allow.Accessible Seating: Accessible seating is available for every performance. Please call Patron Services at 215.893.1999 or visit philorch.org for more information.Assistive Listening: With the deposit of a current ID, hearing enhancement devices are available at no cost from the House Management Office in Commonwealth Plaza. Hearing devices are available on a first-come, first-served basis.Large-Print Programs: Large-print programs for every subscription concert are available in the House Management Office in Commonwealth Plaza. Please ask an usher for assistance.Fire Notice: The exit indicated by a red light nearest your seat is the shortest route to the street. In the event of fire or other emergency, please do not run. Walk to that exit.

No Smoking: All public space in the Kimmel Center is smoke-free.Cameras and Recorders: The taking of photographs or the recording of Philadelphia Orchestra concerts is strictly prohibited. By attending this Philadelphia Orchestra concert you consent to be photographed, filmed, and/or otherwise recorded. Your entry constitutes your consent to such and to any use, in any and all media throughout the universe in perpetuity, of your appearance, voice, and name for any purpose whatsoever in connection with The Philadelphia Orchestra.Phones and Paging Devices: All electronic devices—including cellular telephones, pagers, and wristwatch alarms—should be turned off while in the concert hall. The exception would be our LiveNote® performances. Please visit philorch.org/livenote for more information.Ticket Philadelphia Staff

Linda Forlini, Vice PresidentBrandon Yaconis, Director, Client

RelationsDan Ahearn, Jr., Box Office

ManagerJayson Bucy, Program and Web

ManagerJoel Guerrero, Service and

Training ManagerMeg Hackney, Patron Services

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ManagerMichelle Carter Messa, Assistant

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Kathleen Moran, Philadelphia Orchestra Priority Services Coordinator