82
PRINCIPLES IN AESTHETIC DENTISTRY Dr. Maria Susan Benzy 1

Principles in Esthetis Dentistry

  • Upload
    maria

  • View
    668

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Principles in Esthetis Dentistry

PRINCIPLES IN AESTHETIC DENTISTRY

Dr. Maria Susan Benzy

1

Page 2: Principles in Esthetis Dentistry

CONTENTS

• Introduction• History• Aesthetics• Basic Elements

- COLOR: Hue, Chroma and Value Shade selection Understanding and communicating Color

- LIGHT & SHADOW- SHAPE AND FORM- ILLUSION

2

Page 3: Principles in Esthetis Dentistry

CONTENTS

• Smile Design• Facial Composition• Tooth composition

- Dental midline - Incisal lengths - Tooth dimensions - Zenith points - Axial inclinations - Interdental contact area (ICA) and point (ICP)

- Incisal embrasure - Sex, personality and age

- Symmetry and balance3

Page 4: Principles in Esthetis Dentistry

CONTENTS

• Soft tissue components - Gingival health

- Gingival levels and harmony - Interdental embrasure - Smile line

• Conclusion • References

4

Page 5: Principles in Esthetis Dentistry

INTRODUCTION

Thy teeth are as a flock of sheep which go up from the washing, whereof every one beareth twins, and there is not one barren among them.-Songs of Solomon 4:2

( 9th century BC)

5

Page 6: Principles in Esthetis Dentistry

HISTORY

6

Page 7: Principles in Esthetis Dentistry

History contd..

Pierrie Fauchard (1678-1761)

7

Page 8: Principles in Esthetis Dentistry

AESTHETIC

... you may look at a bed or any other object from straight in front or slantwise or at any angle. Is there then any difference in the bed itself, or does it merely look different? It only looks different. Well, that is the point. Does painting aim at reproducing any actual object as it is, or the appearance of it as it looks? In other words, is it a representation of the truth or of a semblance? Of a semblance [i.e. of the sensed object world]. The art of representation, then, is a long way from reality; and apparently the reason why there is nothing it cannot reproduce is that it grasps only a small part of any object, and that only an image.

(Republic, Book X, 598)

8

Page 9: Principles in Esthetis Dentistry

AESTHETIC

9

"Is the art and science of dentistry applied to create or enhance the beauty of an individual within functional and physiological limits.” Where as…………

Cosmetic dentistry is the application of the principles of esthetics and certain illusionary principles , performed to signify or enhance beauty of an individual within functional and physiological limits .

Page 10: Principles in Esthetis Dentistry

BASIC ELEMENTS

• COLOR• LIGHT & SHADOW• SHAPE AND FORM• ILLUSION

10

Page 11: Principles in Esthetis Dentistry

COLOR

11

Page 12: Principles in Esthetis Dentistry

12

COLOR

Page 13: Principles in Esthetis Dentistry

COLOR

13

Page 14: Principles in Esthetis Dentistry

COLOR

Factors affecting color appearance of an object:1. Light source2. Observer3. Object

14

Page 15: Principles in Esthetis Dentistry

COLOR

1. Light source– The most common light sources in dental offices

are incandescent and fluorescent, neither of which are pure white light.

15

Page 16: Principles in Esthetis Dentistry

COLOR• Ordinary incandescent light bulb emits relatively

higher concentrations of yellow light waves

• Fluorescent light give off relatively high concentrations of blue waves.

16

Page 17: Principles in Esthetis Dentistry

COLOR• Artists have traditionally chosen studios illuminated

by northern daylight, which can be close to full spectrum white light and often is used as the "normal" standard for judging light from other sources

17

Page 18: Principles in Esthetis Dentistry

COLOR

HUECHROMA

VALUE

18

Page 19: Principles in Esthetis Dentistry

HUEROY G BIV

19

Page 20: Principles in Esthetis Dentistry

Color (HUE) RELATIONSHIP

20

Page 21: Principles in Esthetis Dentistry

Color (HUE) RELATIONSHIP

21

Page 22: Principles in Esthetis Dentistry

Color (HUE) RELATIONSHIP

22

Page 23: Principles in Esthetis Dentistry

CHROMA

23

Page 24: Principles in Esthetis Dentistry

VALUE

24

Page 25: Principles in Esthetis Dentistry

25

Page 26: Principles in Esthetis Dentistry

26

Page 27: Principles in Esthetis Dentistry

SHADE SELECTION

1. Shade comparisons should be made at the beginning of a patient's visit.

2. The teeth to be matched should be clean. If necessary, stains should be removed by prophylaxis.

3. Brightly colored clothing should be draped and lipstick removed.

27

Page 28: Principles in Esthetis Dentistry

SHADE SELECTION

4. Shade comparison should be made under different lighting conditions. The patient should be viewed at eye level so that the most color-sensitive part of the retina will be used.

5. Normally the patient is taken to a window, and the color is confirmed in natural daylight after initial selection under incandescent and fluorescent lighting.

28

Page 29: Principles in Esthetis Dentistry

SHADE SELECTION

6. Shade comparisons should be made quickly, with the color samples placed under the lip directly next to the tooth being matched. This will ensure that the background of the tooth and the shade sample are the same, which is essential for accurate matching.

29

Page 30: Principles in Esthetis Dentistry

SHADE SELECTION

7. The dentist should be aware of eye fatigue, particularly if very bright fiber optic illumination has been used. The eyes should be rested by focusing on a gray-blue surface immediately before a comparison, because this balances all the color sensors of the retina and re-sensitizes the eye to the yellow color of the tooth.

30

Page 31: Principles in Esthetis Dentistry

31

Page 32: Principles in Esthetis Dentistry

UNDERSTANDING & COMMUNICATING COLOR

• Modified shade guides

• Custom shade guides

• Color sketches

• Photographs for communication

32

Page 33: Principles in Esthetis Dentistry

UNDERSTANDING & COMMUNICATING COLOR

1. Determine the value level (squint)

2. Determine the chroma.

3. Determine the correct hue.

4. Analyze any difference that may remain between the tooth and the tab, and move in the appropriate direction to determine if a more exact match exists.

33

Page 34: Principles in Esthetis Dentistry

LIGHT & SHADOW

34

Page 35: Principles in Esthetis Dentistry

35

Page 36: Principles in Esthetis Dentistry

36

Page 37: Principles in Esthetis Dentistry

Fluorescence

It is the absorption of light by a material and thespontaneous emission of light in a longer wavelength.

37

Page 38: Principles in Esthetis Dentistry

Opalescence:

Opalescence can be described as a phenomenon where a material appears to be one color when you observe light reflected from it and looks another color when you see light transmitted through it.

38

Page 39: Principles in Esthetis Dentistry

Translucency:

This is another dimension beyond hue, chroma, and value that is significant when mimicking nature.

Translucency can be defined as the gradient between transparent and opaque.

Generally, increasing the translucency of a crown lowers its value.

39

Page 40: Principles in Esthetis Dentistry

SHAPE AND FORM

Knowledge of the anatomy

Feminine smile- Rounded and open incisal and facial embrasures- Softened facial line angle

Masculine smile- Incisal embrasure more close and prominent

Resemblances to the contralateral tooth- Developmental grooves, prominence and other characteristic

forms

Surface texture- Stippling, concavity, convexity

40

Page 41: Principles in Esthetis Dentistry

ILLUSION

41

Page 42: Principles in Esthetis Dentistry

ILLUSION

The basic optical principles applied in dentistry include the following:

• Vertical lines accentuate length• Horizontal lines accentuate width• Contrast heightens visibility• Light reflection increases visibility• Light deflection decreases visibility• Shadows create depth• Light creates prominence

42

Page 43: Principles in Esthetis Dentistry

ILLUSION

Prominent areas of contour are highlighted with direct illumination

Areas of depression are shadowed.

Size of tooth can be altered

43

Page 44: Principles in Esthetis Dentistry

ILLUSION

44

Page 45: Principles in Esthetis Dentistry

45

Page 46: Principles in Esthetis Dentistry

46

Page 47: Principles in Esthetis Dentistry

ILLUSION

47

Page 48: Principles in Esthetis Dentistry

ILLUSION

48

Page 49: Principles in Esthetis Dentistry

…when planning treatment for esthetics cases, smile design cannot be isolated from a comprehensive approach to patient care… Peter Dawson

49

Page 50: Principles in Esthetis Dentistry

A smile design should include the evaluation and analysis of

- Facial composition

- Dental composition

50

Page 51: Principles in Esthetis Dentistry

Facial composition

Two facial features play a major role :• The interpupillary line • Lips

51

Page 52: Principles in Esthetis Dentistry

Facial composition

52

Page 53: Principles in Esthetis Dentistry

Facial compositionThe horizontal and vertical dimensions for an ideal face:

Horizontal:

• The width of the face should be the width of five "eyes".

• The distance between the eyebrow and chin should be equal to the width of the face

Vertical:

• The facial height is divided into three equal parts from the fore head to the eyebrow line, from the eyebrow line to the base of the nose and from the base of the nose to the base of the chin.

• The lower part of the face from the base of the nose to the chin is divided into two parts, the upper lip forms one-third of it and the lower lip and the chin two-thirds of it

53

Page 54: Principles in Esthetis Dentistry

Facial composition

Basic shape of the face when viewed from the frontal aspect:

SquareTaperingSquare taperingOvoid

The lateral profile :

StraightConvexConcave

54

Page 55: Principles in Esthetis Dentistry

DENTAL COMPOSITION

Tooth components 

a) Dental midline 

b) Incisal lengths 

c) Tooth dimensions 

d) Zenith points 

e) Axial inclinations 

f) Interdental contact area (ICA) and point (ICP) 

g) Incisal embrasure 

h) Sex, personality and age 

i) Symmetry and balance

Soft tissue components 

a) Gingival health 

b) Gingival levels and harmony 

c) Interdental embrasure 

d) Smile line

55

Page 56: Principles in Esthetis Dentistry

DENTAL MIDLINE

The vertical contact interface between two maxillary centrals

It should be perpendicular to the incisal plane and parallel to the midline of the face. Esthetically acceptable

Maximum allowed discrepancy = 2 mm and > 2mm discrepancy

(the dental midline is perpendicular to the interpupillary line.)

56

Page 57: Principles in Esthetis Dentistry

DENTAL MIDLINE

The philtrum of the lipThe center of the philtrum is the center of the cupids bow

and it should match the papilla between the centrals.If these two structures match and the midline is incorrect,

then the problem is usually incisal inclination. If the papilla and philturm do not match, then the problem

is a true midline deviation.

57

Page 58: Principles in Esthetis Dentistry

Midline should be

• Parallel to the long axis of the face: the line angle that forms the contact between the centrals should be parallel to the long axis of the face;

• Perpendicular to the incisal plane: the line angle that forms the contact between the centrals should be perpendicular to the incisal plane and

• Over the papilla: the midline should drop straight down from the papilla.

58

Page 59: Principles in Esthetis Dentistry

Incisal lengths (incisal edge positions)

It serves as a reference point to decide the proper tooth proportion and gingival levels

Parameters used to help establish:• degree of tooth display• Phonetics• patient input

59

Page 60: Principles in Esthetis Dentistry

Incisal lengths (incisal edge positions)

Phonetics• M sound: After pronunciation, the lips return to their normal

rest position, allowing evaluation of the amount of the tooth display in rest position

• E sound: The maxillary incisal edge position should be positioned halfway between the upper and lower lip during the "E" sound.

60

Page 61: Principles in Esthetis Dentistry

Incisal lengths (incisal edge positions)

Phonetics• F and V sounds: Produced by the interaction of the maxillary

incisal edge with the inner edge of the lower lips' vermilion border. Thus, fricative sounds help to determine the labiolingual position and length of the maxillary teeth.

• S sound: During pronunciation, the mandibular central incisors are positioned 1 mm behind and 1 mm below the maxillary incisal edge.

61

Page 62: Principles in Esthetis Dentistry

Tooth dimensions

The width to length ratio of the centrals = approx. 4:5 (0.8-1.0) or

Width should be75-80% of their lengthGuidelines for establishing correct proportions

• Golden proportion (Lombardi),• Recurring esthetic dental proportions (Ward),• M proportions (Methot) and• Chu's esthetic gauges.

62

Page 63: Principles in Esthetis Dentistry

Tooth dimensions

• Golden proportion (Lombardi): The width of each anterior tooth is 60% of the width of the adjacent tooth (mathematical ratio being 1.6:1:0.6)

• Recurring esthetic dental proportion (Ward): The successive width proportion should remain constant as we move posteriorly form midline.

• M proportions (Methot): compares the tooth width with the facial width using a software.

63

Page 64: Principles in Esthetis Dentistry

Tooth dimensions

• Chu's esthetic gauges: A series of gauges are available to make intraoral analysis easier. The gauges allow for

– fast, simple analysis and diagnosis of tooth width problems, tooth length problems and gingival length discrepancies;

– color coding predefines desired tooth proportions, quicker and easier to read than any other instrument;

– used as a reference guide between clinician and lab technician, hence reduces the incidences of miscommunications errors.

64

Page 65: Principles in Esthetis Dentistry

• Maxillary central incisor: Approx. length of the central = 10-11 mm and the width ( 75-

80%)

• Maxillary lateral incisor: They provide individuality, are never symmetrical and

influence gender characterization.

65

Page 66: Principles in Esthetis Dentistry

• Maxillary canine:

Support the frontal muscles - the size and characteristic of the buccal corridor is determined by the size, shape and position of the canine and

Canine depicts the personality characterization (masculine: vigorous and aggressive; feminine: delicate and soft).

66

Page 67: Principles in Esthetis Dentistry

Central incisor is wider than the lateral by 2-3 mm and canine by 1-1.5 mm;

Canine is wider than the lateral by 1-1.5 mm and

Canine and central are longer than lateral by 1-1.5 mm.

Maxillary bicuspids: they play a very important role for arch design. They should fill the buccal corridor.

67

Page 68: Principles in Esthetis Dentistry

Buccal corridorDark space (negative space) visible during smile formation

between the corners of the mouth and the buccal surfaces of the maxillary teeth.

Its appearance is influenced by • width of the smile and maxillary arch,• tone of the facial muscles,• positioning of the labial surface of the upper premolars,• prominence of the canines• any discrepancy between the value of the premolars and the

six anterior teeth.

68

Page 69: Principles in Esthetis Dentistry

Zenith points

Establishing proper location of zenith points is a critical in alteration of mesiodistal dimensions of tooth

• Closure of diastema

• To provide the illusion of bodily movement and reduce exaggerated triangular form and

• Correction of tooth angulations.

69

Page 70: Principles in Esthetis Dentistry

Tooth inclinations

The guide for labiolingual inclination is as follows:• Maxillary central incisor - positioned vertically or slightly

labial• Maxillary lateral incisor - cervical is tucked in, incisal edge

inclined slightly labially• Maxillary canine - cervical area positioned labially, cusp

tip lingually angulated

70

Page 71: Principles in Esthetis Dentistry

Interdental contact area and point

Interproximal contact area (ICA):

• It is defined as the broad zone in which two adjacent teeth touch.

• It follows the 50:40:30 rule in reference to the maxillary central incisor

• The increasing ICA helps to create the illusion of longer teeth by wider and also extend apically to eliminate black triangles.

71

Page 72: Principles in Esthetis Dentistry

Interdental contact area and point

Interproximal contact point (ICP):

• It is the most incisal aspect of the ICA.

• As a general rule, the ICP moves apically, the further posterior one moves from the midline

72

Page 73: Principles in Esthetis Dentistry

Incisal embrasures• Should display a natural, progressive increase in size or depth

from the central to the canine. Failure :- teeth appear too uniform - make the contact areas too long and impart to the dentition a

box like appearance.

73

Page 74: Principles in Esthetis Dentistry

Sex, age and personality Age - maxillary central incisor

Youthful teeth: unworn incisal edge, defined incisal embrasure, low chroma and high value

Aged teeth: shorter; so less smile display, minimal incisal embrasure, high chroma and low value

Sex - maxillary incisors

Female form: round smooth, soft delicate Male form: cuboidal , hard vigorous

Personality - maxillary canine

Aggressive, hostile angry: pointed long "fangy" cusp form Passive, soft: blunt, rounded, short cusp form

74

Page 75: Principles in Esthetis Dentistry

Soft tissue

Gingival healthHealthy gingiva is usually• pale pink in color, stippled, firm and it should exhibit a matte

surface;• located facially - 3 mm above the alveolar crestal bone• located interdentally - 5 mm above the intercrestal bone

papilla should be pointed and should fill the gingival embrasure right up to the contact area.

75

Page 76: Principles in Esthetis Dentistry

Interdental embrasure (cervical embrasure)

• If the most apical point of the restoration is 5 mm or less from the crest of the bone, then black triangles can be avoided

• Encourage the formation of a healthy, pointed papilla instead of the blunted tissue form

76

Page 77: Principles in Esthetis Dentistry

Smile line

• An imaginary line along the incisal edges of the maxillary anterior teeth which should mimic the curvature of the superior border of the lower lip while smiling

• The centrals should appear slightly longer or, at least, not any shorter than the canines along the incisal plane.

77

Page 78: Principles in Esthetis Dentistry

• Lip line refers to the position of the inferior border of the upper lip during smile formation and thereby determines the display of tooth or gingiva.

• The gingival margin and the lip line should be congruent or there can be a 1-2 mm display of the gingival tissue..

78

Page 79: Principles in Esthetis Dentistry

Conclusion It is vivid from the above discussion that the smile we

create should be esthetically appealing and functionally sound too. It is our duty to carefully diagnose, analyze and deliver the best to our patients, taking into account all of the discussed factors.

The aesthetic treatment done by us has to be as conservative as possible unlike the past. Our aim has to be less reduction of tooth structure and greater esthetics and durability. This simply means that cosmetic dentistry has to be a multispecialty branch, wherein all treatments like orthodontics, periodontics, surgical procedures have to be performed whenever deemed necessary.

79

Page 80: Principles in Esthetis Dentistry

References• Aschheim KW, Dale BG. Esthetic Dentistry - A clinical approach to techniques and

materials. 2 nd ed. Missouri: Mosby Publications. 2001. • Bukhary SM, Gill DS, Tredwin CJ, Moles DR. The influence of varying maxillary

lateral incisor dimensions on perceived esthetic smile. Br Dent J 2007;203:687-93.• Rufenacht CR. Principles of Esthetic Integration. Chicago, US : Quintessence

Publishing Co.; 2000. • Andrew Joiner : Tooth colour ; a review of literature. Journal of Dentistry 2004;

32:3-12.• S.M. Burkinshaw. Colour in relation to dentistry. Fundamentals of colour science.

British Dental Journal 2004; 196; 33-41.• Ahmad I : Anterior dental aesthetics : Gingival perspective. British Dental Journal

2005; 199: 195-202.• Sonqvi F, Weisgold AS, Rose LF: Biologic width and its relation to periodontal

biotypes. J. Esthet Dent. 1998; 10: 157-163.

80

Page 81: Principles in Esthetis Dentistry

References• Davis NC. Smile Design. Dent Clin N Am 2007;51:299-318.• Phillips –science of dental materials----11th edition.• Clinical aspects of dental materials –Marcia Gladwin• Textbook of Operative Dentisty-2nd edition-Vimal Sikri

81

Page 82: Principles in Esthetis Dentistry

82