Arranged byKIRBY SHAW

Heavy rock (q = ca. 116 - 120)

© 1973 (Renewed) WARNER-TAMERLANE PUBLISHING COMPANYThis Arrangement © 2013 WARNER-TAMERLANE PUBLISHING COMPANY

All Rights Reserved. Printed in USA.Sole Selling Agent for This Arrangement: Alfred Music Publishing Co., Inc.

To purchase a full-length performance recording of this piece, go to alfred.com/downloads

Words and Music byTOM JOHNSTON

for S.S.A. voices and pianowith optional SoundTrax CD and SoundPax*

LONG TRAIN RUNNIN’

PIANO

3

5

7

Gm

mf

F Gm F

Gm F Gm F

Gm F/G Gm F/G

Gm F/G Gm F/G

* Also available for S.A.T.B. (39907) and S.A.B. (39908). SoundTrax CD available (39910). SoundPax available (39911) - includes score and set of parts for Tenor Saxophone, 2 Trumpets, Trombone, Guitar 1, Guitar 2 (Synthesizer), Bass, Tambourine, and Drumset.

39909

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Down

SOP. I

SOP II.

with intense energy throughoutmf

a round- the cor ner,- half a mile from here,

Down

ALTO mf

a round- the cor ner,- half a mile from here,

Gm F/G Gm F/G

see them old trains run nin’- and you watch them dis ap- pear.- With out-

see them old trains run nin’- and you watch them dis ap- pear.- With out-

Gm F/G Gm F/G

love, where would you be

love, where would you be

C‹7 B¨ C‹7

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20 21

now, with out-

now, with out-

Gm F/G Gm F/G

love?

love?

E¨ Gm/D D Gm F/G

I thought I saw Miss Lu cy-

I thought I saw Miss Lu cy-

Gm F/G Gm F/G

sim.39909

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24

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com in’- down the track. She lost her home and fam ’ly,- and she

com in’- down the track. She lost her home and fam ’ly,- and she

Gm F/G Gm F/G

won’t be com in’- back. With out- love,

won’t be com in’- back. With out- love,

Gm F/G Cm7 B¨

where would you be now,

where would you be now,

Cm7 Gm F/G

39909

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with out- love?

with out- love?

Gm F/G E¨ Gm/D D

The

The

Gm F/G Gm F/G

Il li- nois- Cen tral- and the South ern- Cen tral- Freight, got ta-

Il li- nois- Cen tral- and the South ern- Cen tral- Freight, got ta-

Gm F Gm F

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39

keep on push in’,- ma ma,- ’cause you know they’re run nin’- late. With out-

keep on push in’,- ma ma,- ’cause you know they’re run nin’- late. With out-

Gm F/G Gm

love, where would you be

love, where would you be

Cm7 B¨ Cm7

now, with out-

now, with out-

Gm F/G Gm F/G

39909

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love?

love?

E¨ Gm/D D

Gm F/G Gm F/G

With

mp cresc.

out- love, where would you be right

With

mp cresc.

out- love, where would you be right

Gm F/G Gm F/G

mp

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now?

f

Doot doo doot doot doo doo doot doo

now?

f

Doot doo doot doot doo doo

Gm F/G Gm F/G

This

mp cresc.

old world needs love some way, some

This

mp cresc.

old world needs love some way, some

Cm7 B¨ Cm7

mp

how.

f

Doot doo doot doot doo doo doot doo With out-

how.

f

Doot doo doot doot doo doo With out-

Gm F/G Gm F/G

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55

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love?

love?

E¨ Gm/D D

Gm F/G Gm F/G

Pis

mf

tons- keep on churn in’- and the wheels go ’round and ’round.

Pis

mf

tons- keep on churn in’- and the wheels go ’round and ’round.

Gm F Gm F

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61

63

Steel rails are cold and hard for the miles that they go down. With out-

Steel rails are cold and hard for the miles that they go down. With out-

G‹ F G‹

love, where would you be

love, where would you be

Cm7 B¨ Cm7

now, with out-

now, with out-

Gm F/G Gm F/G

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love?

love?

E¨ Gm/D D Gm F/G

Gm μ D7(#9) D7[äÆ]

f

μ

mf

Gm C/G

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73

75

77

With

mf

out- love, where would you be? Where would you be right now?

With

mf

out- love, where would you be? Where would you be right now?Gm C/G

Gm C/G

gradual cresc. to end

Where

gradual cresc. to end

would you be? Where would you be right now?

Where

gradual cresc. to end

would you be? Where would you be right now?

Gm G/C

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81

83

Yes,

Yes,Gm C/G

with out- love, where would you be? Where would you be right now?

with out- love, where would you be? Where would you be right now?

Gm C/G

Yes,

Yes,Gm C/G

39909

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with out- love, where would you be? Where would you be right now?

with out- love, where would you be? Where would you be right now?

Gm μ

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dop dop bah dop bop dop bop bop bah dop bop dop bop bah bah doo bop!

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Gm F Gm F Gm μ Gm

Dm7 Gm μ

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