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Preview Carus Verlag spring 2013
Citation preview
PreviewMusic · Books
Spring 2013
Giacomo PucciniComplete Edition
2 Preview Spring 2013
The major emphasis at Carus continues to be the publicationof works for choirs and vocal ensembles. Two important300th anniversaries are already casting their shadows on thehorizon: Carl Philipp Emanuel Bach was born on 8 March1714 in Weimar and Gottfried August Homilius was born inRosenthal on 2 February of the same year. Both composersshaped music decisively after 1750 and occupied key posi-tions in Protestant church music for decades: C. P. E. Bach,Bach’s second eldest son, was Music Director of the mainchurches in Hamburg from 1767 until 1788, and Homiliuswas the Dresden Kreuzkantor from 1755 to 1785. In thecoming year we will offer vocal scores and performance mate-rial for the new Complete Edition of the works of C. P. E.Bach.
The number of vocal works by the father, Johann SebastianBach, is continually being expanded. In the coming monthswe will be publishing several new editions of his cantatas, in-cluding such moving works as Ich ruf zu dir, Herr Jesu ChristBWV 177. Also, in an effort to reflect the most current stateof musicological research we are replacing an older edition ofActus Tragicus (BWV 106) with a newer one.
In order to enable smaller choirs to perform Dvořák’s Mass inD major in a colorfully orchestrated version, Joachim Linckel-mann has made an arrangement for soli, choir and wind quin-tet. Linckelmann has already arranged a chamber version ofthe Brahms Requiem for Carus which has proven to be successful.
Last but not least, we are continuing to expand our musico-logical complete editions. The Stuttgart Schütz Edition will seethe publication of the Cantiones sacrae this year, while theReger Edition follows with a volume of chorale preludes fororgan. Finally, with the start of the first ever edition of thecomplete works of Giacomo Puccini we will be fulfilling along cherished wish on the part musicians and scholars for reliable editions of the works of one of the most frequentlyperformed Italian masters, a composer whose music is situ-ated between the late romantic and modern eras.
Dr. Johannes Graulich Dr. Uwe WolfManaging Director Head of Editorial offices
Music and books in Spring 2013
Bach vocal 3Anniversaries 2014
C. P. E. Bach 6Gottfried August Homilius 8
Choral music 10Music for solo voice 18Instrumental music 20Complete Editions 23Books 27
Metadata for the Preview can be found at:www.carus-verlag.com/metadaten_96.html
Dr. Uwe Wolf, Dr. Johannes Graulich
Bach vocal 3
Johann Sebastian BachGottes Zeit ist die allerbeste Zeit, Actus tragicus,funeral music (version in F) BWV 106 (G/E) SATB, 2 recorders, 2 Vga, Bc / 23 mined. Peter Thalheimer
Actus tragicus is one of Johann Sebastian Bach’smost well-known and cherished works and to thisday it has enjoyed an undiminished popularity – “a work of genius, at which even only great mastersseldom succeed” (Alfred Dürr). This new editionpresents a practical, critical edition which combinesthe latest findings of Bach research with the currentstate of performance practice.
Carus 31.106, full score, 44 p. 16.00 €ISMN M-007-14013-7
Carus 31.106/03, vocal score, 28 p., 6.00 €ISMN M-007-14014-4
Carus 31.106/19, complete orchestral partsISMN M-007-14015-1
March 2013
Johann Sebastian BachAm Abend aber desselbigen SabbatsCantata for Quasimodogeniti BWV 42 (G/E)Soli SATB, Coro SATB, 2 Ob, Fg, 2 Vl, Va, Bc / 28 mined. Felix Loy
Instead of an opening chorus Cantata BWV 42 be-gins with a magnificent Sinfonia in the style of theBrandenburg Concertos. It is possible that Bach tookthis movement from a concerto which he had com-posed earlier. The first aria, for alto with obbligatooboe and bassoon, could be derived from themiddle movement of this concerto. The heroic bassaria, a statement of the certainty of faith, forms aweighty counterpart to the opening movement.
Carus 31.042, full score, 48 p., 13.50 €ISMN M-007-13461-7
Carus 31.042/03, vocal score, 28 p., 8.00 €ISMN M-007-14016-8
Carus 31.042/19, complete orchestral parts ISMN M-007-14017-5
March 2013
Johann Sebastian
BACHGottes Zeit ist die allerbeste Zeit
BWV 106(Revidierte Neuausgabe)
Carus 31.106
Stuttgarter Bach-AusgabenUrtext
Johann Sebastian
BACHAm Abend aber desselbigen Sabbats
BWV 42
Carus 31.042
Stuttgarter Bach-AusgabenUrtext
4 Bach vocal
Johann Sebastian
BACHAuf Christi Himmelfahrt allein
BWV 128
Carus 31.128
Stuttgarter Bach-AusgabenUrtext
Johann Sebastian
BACHIch ruf zu dir, Herr Jesu Christ
BWV 177
Carus 31.177
Stuttgarter Bach-AusgabenUrtext
Johann Sebastian BachAuf Christi Himmelfahrt alleinCantata for Ascension BWV 128 (G/E)Soli ATB, Coro SATB, Ob I, Ob II/Obda, Obca, Tr,2 Cor, 2 Vl, Va, Bc / 22 mined. Julia Ronge
After breaking off the annual cantata cycle at theend of March 1725 Bach set a series of cantata textsby the Leipzig poet Christiana Mariana von Ziegler,who maintained one of the first literary-musical salons. The large scale chorale chorus ties this workto the chorale cantatas. The central bass aria “Auf,auf, mit hellem Schall” with solo trumpet is note-worthy since in place of a middle section in the aria,here Bach employs an accompagnato recitative.
Carus 31.128, full score, 40 p., 13.00 €ISMN M-007-14018-2
Carus 31.128/03, vocal score, 6.50 €ISMN M-007-14020-5
Carus 31.128/19, complete orchestral partsISMN M-007-14019-9June 2013
Johann Sebastian BachIch ruf zu dir, Herr Jesu ChristCantata for the fourth Sunday after TrinityBWV 177 (G/E) / Soli SAT, Coro SATB, 2 Ob, Obca,Fg obl, Vl solo, 2 Vl, Bc / 28 mined. Tobias Rimek
The Cantata BWV 177 of 1732 is a setting of thefirst fives strophes of Johann Agricola’s chorale “Ichruf zu dir, Herr Jesu Christ.” The outer movementsare based on this hymn and the cantata itself can be assigned to the so-called annual cycle of Bachschorale cantatas.
Carus 31.177, full score, 50 p., 18.50 €ISMN M-007-14011-3
Carus 31.177/03, vocal score, 7.50 €ISMN M-007-14025-0
Carus 31.177/19, complete orchestral parts ISMN M-007-14026-7
June 2013
Bach vocal 5
Johann Sebastian
BACHFreue dich, erlöste Schar
BWV 30
Carus 31.030
Stuttgarter Bach-AusgabenUrtext
Johann Sebastian
BACHDrei Choräle zur Trauung
BWV 250 –252
Carus 31.250
Stuttgarter Bach-AusgabenUrtext
Johann Sebastian BachFreue dich, erlöste Schar, Cantata for the Feast ofJohn the Baptist BWV 30 (G/E)Soli SATB, Coro SATB, 2 Fl, 2 Ob, Obda, Vl solo, 2 Vl, Va, Bc / 40 mined. Julia Doht
The cantata Freue dich, erlöste Schar BWV 30 isone of Bach’s last church cantatas. Originally com-posed as a parody of the cantata Angenehmes Wie-derau BWV 30a for the Feast of St. John’s Day in1738, it still enjoys a great popularity today. Its ex-traordinary length (12 movements) made it possiblefor Bach to employ four vocal soloists who, togetherwith instrumental soloists, choir and orchestra con-tribute to the generally festive character of thiswork.
Carus 31.030, full score, 92 p., 29.80 €ISMN M-007-14077-9
Carus 31.030/03, vocal score, 9.90 €ISMN M-007-14021-2
Carus 31.030/19, complete orchestral partsISMN M-007-14022-9July 2013
Johann Sebastian BachDrei Choräle zur Trauung (three wedding chorales)BWV 250–252 (G/E) / Coro SATB, 2 Cor, colla parteinstruments (Ob, Obda, 2 Vl, Va), Bced. Uwe Wolf
Among Johann Sebastian Bach’s largely unknown vocal works is a compilation of wedding choraleswhich have survived in an autograph set of partsfrom the 1730s. These are four-part chorale settingsof well-known hymns for treble voices accompaniedby two horns, colla-parte strings and continuo. Thechorales can still be performed today at weddingswithout any great difficulty.
Before the Wedding: Was Gott tut, das ist wohlgetanAfter the Wedding: Sei Lob und Ehr dem höchsten GutAfter the Blessing: Nun danket alle Gott
Carus 31.250, collection, 8 p., 7.50 €ISMN M-007-14027-4
April 2013
6 Anniversary 2014
Carl Philipp Emanuel Bach (1714–1788)
C.P.E. Bach’s Oratorios and Cantatas now available at Carus
In 2013, in anticipation of his 300th anniversary, vocal scoresand performance material for four important vocal works byCarl Phillip Emanuel Bach are in preparation. These are basedon the Complete Edition of the works of Carl Philipp EmanuelBach which is being published by the Packard Humanities In-stitute in Los Altos, California, in cooperation with the Bach-Archiv Leipzig and the Sächsische Akademie der Wissenschaf-ten. Leading Carl Philipp Emanuel Bach scholars from Europeand the USA are engaged in this undertaking.
It is the aim of the Packard Humanities Institute to make theworks of this important Bach son well known again and itsupports this goal through a very favorable retail price for these high quality scores. They can be ordered directly fromthe Packard Humanities Institute (www.cpebach.org), or in the case of the works described here they may also be ordered from Carus-Verlag.
Already available at Carus (selection):
Instrumental music� Concerto per il Cembalo in D major Wq 18, Carus 33.301� Concerto doppio per Cembalo e Pianoforte in E flat major
Wq 47, Carus 33.047� Sinfonia in E minor Wq 177, Carus 33.177
Choral music� Heilig Wq 217, Carus 33.217� Sanctus in E flat major Wq 219, Carus 33.502� Magnificat Wq 215, Carus 33.215� Four Motets Wq 208, Carus 33.208� Two Psalmen settings Wq 205 + 206, Carus 33.205
Music for solo voice� Gellerts Geistliche Oden und Lieder, Carus 33.218
Carl Philipp Emanuel Bach was an ex-tremely prolific composer who enjoyedan outstanding reputation during his life-time with the result that his music be-came known far and wide. The earlyworks were influenced by the BerlinSchool. In his later works, however, thiscomposer devel-oped a thoroughly indi-vidual style, independent of contempor-ary fashions, which is to be found espe-cially in the sacred vocal works writtenduring his years as Director of Music inHamburg (1768–1788).
1714 * 2014Carl Philipp Emanuel Bach
300th Anniversary
Anniversary 2014 7
Dank-Hymne der FreundschaftDanket dem Herrn Wq deest (G)
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp,2 Vl, Va, Bc / 50 min (recorded by Frieder Bernius on CD, Carus 83.212)Carl Philipp Emanuel Bach: The Complete Works,Vol. V.1 (Works for Special Occasions I),ed. Ulrich Leisinger
C. P. E. Bach’s Dank-Hymne is a large scale cantataby the 72-year-old composer written in Hamburg atthe beginning of 1785 on the occasion of the birth-day of an unknown personality. The cantata consistsof two self-contained parts, the first of which is ahymn of praise to the Almighty God and to crea-tion. Only in the considerably shorter second sectionis the birthday mentioned, albeit indirectly, and inthe final chorus a praise of creation is again intoned,ending with the words “Schön ist Gottes Welt”(God’s world is beautiful). The Dank-Hymne isamong Bach’s most modern vocal works and clearlypoints towards Joseph Haydn’s great oratorios.
Carus 33.504, full score (clothbound, in completeedition format)
Carus 33.504/03, vocal score ISMN M-007-14030-4
Carus 33.504/19, complete orchestral partsISMN M-007-14031-1
April 2013
Klopstocks Morgengesang am SchöpfungsfesteWq 239 (G)
Soli SS, Coro SSTB, 2 Fl, 2 Vl, 2 Va, Vc, Vn, BcCarl Philipp Emanuel Bach: The Complete Works,Vol. VI.4 (Arias and Chamber Cantatas; it containsother works in addition to the Morgengesang), ed. Bertil van Boer
The Morgengesang am Schöpfungsfeste Wq 239arose through a personal contact between the poet(F. G. Klopstock) and the composer. As in hardly anyother work, the poem breathes the spirit of the closeof the 18th century. Here, wholly in the sense of theEnlightenment a natural phenomenon, the sunrise,is used as a parable for the resurrection, which isthus made tangible. The spectacle of nature is thestarting point for Bach’s composition, an eight-part,through-composed cantata for two sopranos, choir,flutes, strings and basso continuo. This “feast ofcreation” is intended as a commemoration of Sunday, the 7th day of creation.
Carus 33.239, full score (clothbound, in completeedition format)
Carus 33.239/03, vocal score ISMN M-007-14028-1
Carus 33.239/19, complete orchestral partsISMN M-007-14029-8
June 2013
Vocal scores in preparation (avail. mid-year 2013)� Die Israeliten in der Wüste, Carus 33.238/03� Passions-Musik nach dem Evangelisten
Matthäus für 1769, Carus 33.503/03
The full scores of the Carl-Phillip-Emanuel-Bach-complete edition are already available.
8 Anniversary 2014
Gottfried August Homilius (1714–1785)
Selected worksin cooperation with the Bach-Archiv Leipzig Editiorial direction: Uwe Wolf
Homilius left an extensive oeuvre. Many motets, cantatasand oratorios, as well as organ chorale preludes both withand without an obbligato melody instrument have beenpreserved. In their day the compositions of Homilius werevery popular and were extraordinarily well circulated. TheSelected Works have been published by Carus since 2006,edited by Uwe Wolf.
Already available at Carus:
Series 1: Oratorios and Passions� Passion cantata „Ein Lämmlein geht“, Carus 37.104� St. John Passion, Carus 37.103� Christmas oratorio „Die Freude der Hirten“,
Carus 37.105� St. Mark Passion, Carus 37.110
Series 2: Cantatas� Cantata from the 1st Sunday of Advent to New Year,
Carus 37.114
Series 3: Sacred music without orchestra� Motets, Carus 4.100� Latin music for vespers, Carus 37.102
Series 4: Organ music� All choral preludes for organ and melody-instrument(s),
Carus 37.106
Series 5: Addition� Homilius. Studien zu Leben und Werk, Carus 24.080
All motets and cantatas are available in separate editions forperformance. Performance material for all works is availablefor sale.
In preparation for the 2nd half of the year 2013� Erwachet, ihr Christen, Carus 37.219� Preise, Jerusalm, den Herrn,
Carus 37.221� Gottfried August Homilius: Themati-
sches Verzeichnis der Werke (HoWV),ed. Uwe Wolf, Carus 24.082
1714 * 2014 Gottfried August Homilius
300th Anniversary
Anniversary 2014 9
12 chorale arrangements for organ and melody instrumented. Ellen Exner
Homilius left behind an unusually large repertoire ofchorale arrangements for organ and melody instru-ment which were probably written during his tenureas organist at the Dresden Frauenkirche (1742–1755). An edition of all of his most well-known contributions to this genre was published byCarus in 2008 within the framework of the editionof his selected works (37.106). The present editionnow offers a selection of chorale arrangements onhymns which are still sung to the same melodiestoday.
Selected chorale preludes on Carus-CD 83.236
Carus 37.321, collection, melody parts inserted,29.80 €
ISMN M-007-14034-2
April 2013
Fahre hin, du Lust der WeltCantata HoWV II.172 (G)Solo S, 2 Vl, Bc / 13 mined. Uwe Wolf
The cantata written for the consecration of a church,Fahre hin, du Lust der Welt, surely does not fit within the creative output of this Dresden Kreuz-kantor. Whereas normally he was not sparing in hisopulently scored, large choral movements, in spiteof the festive occasion for the work, this chamber-music-like cantata of all three movements is a gem.However, Homilius composed it during the timewhen, as organist of the Dresden Frauenkirche hewas not responsible for polyphonic music. Possiblythis lively solo cantata was written on commissionfor a church in the suburbs of Dresden.
Recorded on CD Carus 83.236
Carus 37.220, full score ISMN M-007-14032-8
Carus 37.220/19, complete orchestral partsISMN M-007-14033-5
April 2013
Gottfried August
HOMILIUSFahre hin, du Lust der Welt
Kantate zum Kirchweihfest
Carus 37.220
Homilius · Ausgewählte WerkeUrtext
Gottfried August
HOMILIUS12 Choralbearbeitungen
für Orgel und Melodieinstrument
Carus 37.321
Homilius · Ausgewählte WerkeUrtext
10 Choral music
Carus 40.653/50
Antonín DvorákMesse in D op. 86Bläserfassungarr. Joachim Linckelmann
Carus 40.653/50, full score, 72 p., 37.50 €ISMN M-007-14035-9
April 2013
performance material (already available):Carus 40.653/03, vocal score, 52 p.,10.50 €
Carus 40.653/05, choral score, 32 p.,�7.80 €
Antonín Dvorřák (1841–1904) Mass in D major op. 86 (L)Arranged for winds by J. Linckelmann Soli/Coro SATB, Fl, Ob, Clt, Cor, Fg / 43 min
Antonín Dvořák’s Mass in D major, originally written only forsoli, choir and organ, first became popular through the laterorchestration by the composer. This new arrangement forwind quintet (flute, oboe, clarinet, horn and bassoon) now offers another version which can also be performed by smallerchoirs. The vocal and choral scores for the original orchestralversion can be used in performances of this arrangement.
Performance material already available at Carus:
� Version for orchestra:Carus 40.653, full score, 35.00 €ISMN M-007-07579-8
� Version for organ:Carus 40.651, full score, 15.00 €ISMN M-007-07575-0
Choral music
Choral music 11
Christoph Graupner (1683–1760) Gott will mich auch probierenMotet GWV 1121/14 (G)Coro SATB, 2 Ob, 2 Vl, Va, Bc / 8 minFirst edition, ed. Guido Erdmann
The sacred composition Gott will mich auch probie-ren was written during the early years of his tenureas Music Director at the Court of the Landgraves. Init he attempted to make the genre of the motet use-ful for church music in Darmstadt through innova-tive design and varied structure. The present choralemotet is a notably charming and catchy piece ofchoral music (easy to mid-level difficulty) which isexcellently suited for use in today’s worship services.
Carus 10.353, full score, 22.50 €ISMN M-007-13939-1
Carus 10.353/05, choral score, �3.20 €
Carus 10.353/19, complete orchestral parts, 77.00 €ISMN M-007-13993-3
Dieterich Buxtehude (1637–1707) All solch dein Güt wir preisenCantata BuxWV 3 (G)Coro SSATB, 2 Vl, 2 Va, Vne, Bc / 4 mined. Thomas Schlage
Liturgically, the present cantata is meant to be performed at the turn of the year. For his setting ofthe text Buxtehude chose a two-part form with aconcluding “Amen.” This plea for a propitious newyear is given a special musical interpretation.
Carus 36.200, full score, ca. 12 p., 8.50 €ISMN M-007-14036-6
Carus 36.200/05, choral score, 4 p., �1.60 €
Carus 36.200/19, complete orchestral partsISMN M-007-14037-3
May 2013
Dieterich
BUXTEHUDEAll solch dein Güt wir preisen
BuxWV 3
Stuttgarter Buxtehude-Ausgaben
Carus 36.200
Christoph GraupnerGott will mich auch probieren
Carus 10.353
12 Choral music
Johann Michael Haydn (1737–1806)
Johann Michael Haydn’s over thirty settings of theMass are masterworks of the genre and were mostpopular during his lifetime. Within the context of theComplete Urtext edition of his works Carus presentstwo further masses.
Missa Sancti Cyrilli et Methodii MH 13 (L)Soli SATB, Coro SATB, 4 Tr, Timp, 2 Vl, Bc / 55 mined. Armin Kircher
The Missa Sancti Cyrilli et Methodii, an early work,is still bound to the baroque tradition of south Ger-man speaking regions, but at the same time it showsa subjective inspiration that distinguishes it from many settings of the Mass by his contemporaries.
Carus 54.013, full score, 120 p., 44.00 €ISMN M-007-09755-4
Carus 54.013/03, vocal scoreISMN M-007-14073-1
Carus 54.013/19, complete orchestral parts ISMN M-007-14040-3June 2013
Missa Sancti Amandi, Lambacher Messe MH 229 (L)Coro SATB, 2 Ob, 4 Tr, Timp, 2 Vl, Bc / 35 mined. Armin Kircher
With the Missa Sancti Amandi from 1776 Haydncomposed a solemn mass “in pieno,” that is, a masswith a scoring for choir and orchestra, without theuse of vocal soloists. Although this work is very dense, it is characterized by a wonderful chamber-music-like transparency.
Carus 54.229, full score, 96 p., 36.00 €ISMN M-007-09756-1
Carus 54.229/03, vocal scoreISMN M-007-14075-5
Carus 54.229/19, complete orchestral partsISMN M-007-14039-7
April 2013
Carus 54.229
Johann Michael
HAYDNMissa Sancti Amandi
MH 229
Johann Michael Haydn . Ausgewählte WerkeUrtext
Carus 54.013
Johann Michael
HAYDNMissa Sancti Cyrilli et Methodii
MH 13
Johann Michael Haydn . Ausgewählte WerkeUrtext
Choral music 13
Otto NicolaiTe Deum
Carus 27.193 Carus _C_ 10.020
Christian Ehregott Weinlig
Ein Kind ist uns geboren
Otto Nicolai (1810–1849) Te Deum (L/G)Soli SATB, Coro SATB/SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg,Cfg, 2 Cor, 3 Tr, 3 Trb, Timp, 2 Vl, Va, Vc/Cb 45 min / ed. Klaus Rettinghaus
The Te Deum of 1832, large scale festive music, im-presses through rapid changes of expression andwarm orchestral colors. The 15-movement composi-tion unites magnificent sound with at times eight-part choral movements and delicate arias. It experi-ments with unusual instrumental sonorities and ensemble groupings. The piece becomes highly dra-matic when blaring trombones and trembling stringsannounce the Last Judgment, whereupon a sextet ofsoloists enter with a plea for salvation.
Carus 27.193, full score, 180 p., 48.20 €ISMN M-007-09578-9
Carus 27.193/03, vocal scoreISMN M-007-14041-0
Carus 27.193/19, complete orchestral parts, ISMN M-007-14042-7
full score: April 2013vocal score and perfomance material: June 2013
Christian Ehregott Weinlig (1743–1813) Ein Kind ist uns geboren, Weihnachtskantate (G)Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Ctr, Timp, 2 Vl, Va,Bc / 9 minFirst edition, ed. Klaus Winkler
This is a beautiful and rewarding composition by aformer member of the famous St. Thomas BoysChoir in Leipzig and later Dresden Kreuzkantor. Inspite of the relatively easy level of difficulty, its effectwill not fail to impress. This three-movement Christ-mas cantata for mixed choir and orchestra makes itpossible to perform the piece both in worship ser-vices and in concert.
Carus 10.020, full scoreISMN M-007-14044-1
Carus 10.020/03, vocal scoreISMN M-007-14076-2
Carus 10.020/19, complete orchestral parts ISMN M-007-14043-4
April 2013
1743–1813
14 Choral music
Carus 40.961/03, vocal scoreISMN M-007-14045-8
June 2013
Already available:Carus 40.961, full score, 16.00 €ISMN M-007-07869-0Carus 40.961/19, complete orchestralparts, 57.00 €Carus 40.961/05, choral score, �2.60 €
Johann Adolf Hasse (1699–1783)
Miserere in C minor, Psalm 50 (51) (L)Soli SATB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Vl, Va, Bc / 30 mined. Wolfgang Horn
Hasse’s Miserere setting is one his most frequently performedworks. Carus will therefore complete the available perform-ance material for this work by publishing a new vocal score.
The Miserere in C minor exists in several authentic versions.The first version from 1735 was intended for the girls at theOspedale degl’Incurabili in Venice. Carus offers a later versionfor mixed voices. Originally composed for use within the con-text of the church festivities during the latter part of HolyWeek, this work comprises eight sections each, with a con-trasting character. The ritornellos captivate immediately, inwhich short phrases and sequential units are elaborated intofine lines, as if sung by a bel canto-like solo voice. Instead oftrying to achieve the effects of fright and horror, Hasse’s music refers rather to the consolation which is promised thosewho plead for mercy, and through its beauty wishes to movelisteners and to lead them to devotion.
Recorded by Hans-Christoph Rademann on CD, Carus 83.349
Heinrich Schütz (1585–1672) Alleluja! Lobet den Herren in seinem HeiligtumPsalm 150 SWV 38 (G)Fav SATB/SATB, Cap SSAB/SATB, 3 Zk (3 Vl) + Trb (Fg), Zk (Fl) + 2 Trb + Trb (Fg), Bc / 9 mined. Uwe Wolf
Carus 20.038, full score, 44 p., 10.00 €ISMN M-007-13556-0
Carus 20.038/19, complete orchestral parts, 22.50 €ISMN M-007-14046-5
January 2013
Johann Adolf
HasseMiserere in c
Carus 40.961/03
New Choral scores for works with orchestral accompaniment
Perform great works for choir and orchestra with choirs with modest budgets! Carus has expanded its selection of choralscores with four great masterworks for choir and large orchestra.Full scores, vocal scores and complete orchestral material areavailable for all of these works. Now choirs also have the possi-bility to choose between vocal scores and the more economicalchoral scores for their performances.
Johann Sebastian BachSt. John Passion BWV 245 (Version I, 1749) (G)NEW Carus 31.245/05, choral score (June 2013)Carus 31.245, full score, 80.00 €Carus 31.245/03, vocal score, 12.00 €Carus 31.245/19, complete orchestral parts, 264.00 €
George Frideric HandelMessiah HWV 56 (E)NEW Carus 55.056/05, choral score (June 2013)Carus 55.056, full score, 98.80 €Carus 55.056/04, vocal score (E), 14.80 €Carus 55.056/19, complete orchestral parts, 196.00 €
Felix Mendelssohn BartholdySt. Paul, Oratorio op. 36 (G/E)NEW Carus 40.129/05, choral score (June 2013)Carus 40.129, full score, 115.00 €Carus 40.129/03, vocal score, 16.80 €Carus 40.129/19, complete orchestral parts, 569.00 €
Elijah, Oratorio op. 70 (G/E)NEW Carus 40.130/05, choral score (June 2013)Carus 40.130, full score, 119.00 €Carus 40.130/03, vocal score, 16.80 €Carus 40.130/19, complete orchestral parts, 552.00 €
Franz SchubertMass in E flat major D 950 (L)NEW Carus 40.660/05, choral score, �8.30 € (January 2013)Carus 40.660, full score, 84.00 €Carus 40.660/03, vocal score, 9.90 €Carus 40.660/19, complete orchestral parts, 266.00 €
Choral music 15
MessiahHWV 56
Carus 55.056/07
Stuttgarter Händel-AusgabenUrtext
HANDELGeorge Frideric
Franz
SCHUBERTMesse in EsMass in E flat major
D 950
Stuttgarter Schubert-AusgabenUrtext
Carus 40.660
16 Choral music
Contemporary choral music
Pietro Ferrario (*1967) Jubilate Deo (L)Coro SSAA / 3 minCarus 7.380/50, full score, 8 p., �3.50 €February 2013
Thomas Gabriel (*1957)Lichtmesse (G/E/L/F/I/Sp) / 30 minWinds versionSolo S, Coro SATB/SATB, 2 Ob, Eh, 2 Fg, Cor, 2 Tr,Trb, Tb, OrgOrgan versionSolo S, Coro SATB/SATB, Org
What makes the Lichtmesse so special is the idea ofmultilingualism: already in the Introitus “Auf werdeLicht!” six languages are employed (German, Ital-ian, English, Spanish, French and Latin) and at theconclusion these are even united in a six-part canon.The Halleluja and the final piece “Lebt als Kinderdes Lichts” follow the principles of multilingualismand the use of double choir. To accompany the multi-voiced choral writing a scoring for winds waschosen, taking into account the festive character ofthis large symphonic composition. There is also aversion for organ available.
Carus 19.052, version for winds, full score, 96 p. (spiral binding), 62.00 €Carus 19.052/50, organ version, full score, ca. 48 p., 24.50 €Carus 19.052/05, choral score, ca. 36 p., �9.80 €Carus 19.052/19, complete orchestral parts
April 2013
Clytus Gottwald (*1925) Vocal transcriptions (G)
– Edvard Grieg: Three LiederCarus 9.145, 16 p., �8.90 €January 2013
– Modest Mussorgskij: Two LiederCarus 9.146, 12 p., �5.20 €January 2013
Women’s choir
Josef Gabriel Rheinberger (1839–1901)
Das Töchterlein des JairusCantata for children op. 32 (G) / Soli SSA, CoroSSA, Pfte / 18 min / ed. Barbara Mohn
Immediately following his first opera Rheinbergercomposed a small dramatic cantata for children’svoices in 1863. It is based on a story from the Gospel of St. Mark. Among the highpoints of thecantata is a scene of awakening fashioned as a choral recitative with an expressive piano part and alarge final chorus. Both of these helped to make thecantata very popular in Rheinberger’s days withboys’ as well as girls’ choirs.
Version with piano accompaniment:Carus 50.032/03, vocal score, 24 p., 11.40 €ISMN M-007-14009-0
Carus 50.032/05, choral score (summer 2013)
Salve Regina WoO 54,2 (L)Coro SSA, Org ad lib / 4 min
Carus 50.252, 4 p., �1.50 €ISMN M-007-14007-6
Rheinberger no longer belongs among the un-known composers of the 19th century – not least,thanks to the 50-volume Complete Edition com-pleted by Carus. In addition, Rheinberger’s worksare available in numerous separate, critical editionswith complete performance material.
Music for solo voice 17
Music for solo voice
Heinrich Schütz (1585–1672)
Separate editions of Symphonia sacrae II
The 27 concerti of the Symphoniae sacrae II are milestones inthe development of the German-language sacred concertofor virtuoso solo singers, instruments (mostly violins) and basso continuo. Published one year before what became, byfar, the more well-known Geistliche Chormusik of 1648, theyshow another artistic side of Schütz. In the Stuttgart SchützEdition the works are now presented for the first time ever inan edition based on a comprehensive new investigation of thesources which does justice to the differentiated source situa-tion. Based on the Complete Edition, published in 2012, allworks with performance material will now be released in separate editions.
SYMPHONIAE
SACRAE II
Mein Herz ist bereit SWV 341 (G)Solo S o T, 2 Vl, BcCarus 20.341, full score, 8 p., 3.00 €ISMN M-007-14059-5Carus 20.341/19, complete orchestral partsISMN M-007-14054-0 (April 2013)
Singet dem Herrn ein neues Lied SWV 342 (G)Solo S o T, 2 Vl, BcCarus 20.342, full score, 8 p., 3.00 €ISMN M-007-14074-8Carus 20.342/19, complete orchestral partsISMN M-007-14056-4 (April 2013)
Herr, unser Herrscher SWV 343 (G)Solo S o T, 2 Vl, BcCarus 20.343, full score, 8 p., 3.00 €ISMN M-007-14062-5Carus 20.343/19, complete orchestral partsISMN M-007-14050-2 (April 2013)
Meine Seele erhebt den Herren SWV 344 (G)Solo S, 2 instr, BcCarus 20.344, full score, 8 p., 3.00 €ISMN M-007-14060-1Carus 20.344/19, complete orchestral partsISMN M-007-14055-7 (April 2013)
Der Herr ist meine Stärke SWV 345 (G)Solo S o T, 2 Vl, BcCarus 20.345, full score, 8 p., 3.00 €ISMN M-007-14047-2Carus 20.345/19, complete orchestral partsISMN M-007-14048-9 (June 2013)
Ich werde nicht sterben (first part) SWV 346 (G)Solo S o T, 2 Vl, Bc+ Ich danke dir, Herr (second part) SWV 347 (G)Solo S o T, 2 Vl, BcCarus 20.346, full score, 12 p., 4.50 €ISMN M-007-14058-8Carus 20.346/19, complete orchestral partsISMN M-007-14053-3 (June 2013)
Herzlich lieb hab ich dich, o Herr SWV 348 (G)Solo A, 2 Vl, BcCarus 20.348, full score, 8 p., 3.00 €ISMN M-007-14063-2Carus 20.348/19, complete orchestral partsISMN M-007-14051-9 (June 2013)
Frohlocket mit Händen SWV 349 (G)Solo T, 2 Vl, BcCarus 20.349, full score, 8 p., 3.00 €ISMN M-007-14061-8Carus 20.349/19, complete orchestral partsISMN M-007-14049-6 (June 2013)
18 Music for solo voice
Pietro Cassati (1684–1745)Salve Regina, Marianische Antiphon (L)Solo A, 2 Trb, Bc / 7 minFirst edition, ed. Guido Erdmann
A few church compositions have survived from thepen of Pietro Cassti, alto castrati at the VienneseImperial Court. His 1732 setting of the antiphonSalve Regina is outstanding among these. It is con-ceived for Alto, continuo and two solo alto trom-bones or, as an alternative, a viola or a pair ofgambas can also be added. This first edition is nowmade accessible and its unusual scoring recom-mend it for performance in both church and inconcert.
Carus 27.703, full score and parts, 26.50 €ISMN M-007-13941-4
“Vienna – Music of the Imperial Residence” (series)
Already available:Caldara, Antonio: Ave maris stella, Carus 27.701Caldara, Antonio: Veni Sancte Spiritus, Carus 27.702
In preparation:Reutter, Georg: Concerto in F major, see p. 19
Josef Gabriel Rheinberger (1839–1901)
Sonata for organ no. 9 in B flat minor op. 142 25 mined. Martin WeyerCarus 50.142, 24 p., 9.80 €ISMN M-007-14081-6
Sonata for organ no. 12 in D flat major op. 154 25 mined. Martin WeyerCarus 50.154, 28 p., 9.80 €ISMN M-007-14082-3
February 2013
Johann Ludwig Krebs (1713–1780)
Together with the Partita in E flat major the Partitain B flat major is without a doubt one of the mostimportant compositions of Johann Ludwig Krebs, apupil of Bach. Both works are from a six-part cycle,of which only the these two Partitas and the Partitain A minor have survived. Although in these worksKrebs has oriented himself very closely on themodel of his mentor Bach, nevertheless they showstrong individual moments of creativity, wholly in-debted to the sensitive (“empfindsam”) style.
Partita in B flat major Krebs-WV 824Cemb (Pfte) / 25 minCarus 18.520, 24 p., 15.50 €ISMN M-007-14068-7
February 2013
Partita in E flat major Krebs-WV 827alate version Cemb (Pfte) / 25 minCarus 18.522, 24 p., 15.50 €ISMN M-007-14069-4
February 2013
Instrumental music
Wien ·Vienna · VienneMusik der kaiserlichen Residenzstadt
Pietro Cassati Salve ReginaMarianische Antiphon
Carus 27.703
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Instrumental music 19
Wien ·Vienna · VienneMusik der kaiserlichen Residenzstadt
Georg Reutter Concerto in F
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Felix MendelssohnBartholdy/Rudolf LutzSonate in d überO Haupt voll Blut und Wundenfür Orgel
Carus 18.120
Felix Mendelssohn Bartholdy(1809–1847) / Rudolf LutzSonata for organ in D minor based on O Haupt vollBlut und Wunden arranged and completed by R. Lutz (2007/8) after the Mendelssohnian fragment in the Bodleian Library Oxford / 15 min
Felix Mendelssohn Bartholdy was a gifted organ im-proviser, yet there exist only a few surviving exam-ples of his improvisations. One of these will befound in the Bodleian Library in Oxford. Here ashort fragment on the chorale “O Haupt voll Blutund Wunden,” which was probably improvised within the context of the great Bach concert whichMendelssohn presented in the St. Thomas Church inLeipzig in 1840. Robert Schumann reported in detailhow Mendelssohn improvised on this chorale andhow he introduced the BACH motive in the courseof his improvisation. After careful study of Mendels-sohn’s organ sonatas, in 2007/08 Rudolf Lutz ex-panded the fragment into a sonata in the style of thecomposer.
Carus 18.120, 24 p., 15.50 €ISMN M-007-14002-1
March 2013
Georg Reutter (1708–1772) Concerto in F major for harpsichordCemb, 2 Vl, Bc / 10 minFirst edition, ed. Guido Erdmann
Georg Reutter’s concise Concerto for Harpsichord inF major, published by Carus in a first edition, mayhave been composed in around 1750. The themesof this work in three movements are both succinctand appealing, while Reutter’s modest instrumenta-tion (2 violins and basso continuo) is employed withesprit. In the melancholy, restrained middle move-ment both violins provide the foundation for the solo passages performed by the keyboard instru-ment. Especially in places of sacred worship this con-certo would be more effective if an organ instead ofa harpsichord is used.
Carus 27.704, full scoreISMN M-007-14070-0
Carus 27.704/19, complete orchestral partsISMN M-007-14071-7
May 2013
20 Complete Editions
Edizione nazionale delle operedi Giacomo PucciniLayout: 25,5 cm x 33 cm (Folio),hardcover, clothbound and stampedVolume 1: Messa a 4 voci con orchestraed. Dieter SchicklingCarus 56.001, 272 p., 225.00 €
ISMN M-007-13723-6
March 2013
Favorable subscription price.
Complete Editions
Giacomo Puccini (1858–1924)
Edizione nazionale delle opere di Giacomo Puccini
For the first time the complete works of Giacomo Pucciniwill be presented in a scholarly critical edition. Upon petitionto the Italian Ministry of Culture, the project for the edition,under the aegis of the international research institute “Cen-tro Studi Giaocomo Puccini,” was recognized as an “Edizione Nazionale.”
The Edition will contain around 25 volumes. The first vol-ume of the edition, the famous Messa a 4 voci con orches-tra, is scheduled to be published in spring 2013. GiacomoPuccini, born in Lucca in 1858, is one of the most per-formed composers on the international opera stage. Next to Mozart and Verdi, his operas are among the most per-formed works in the world. His vocal and instrumentalworks for church and concert hall, on the other hand, haveonly recently begun increasingly to find a place in the publicconsciousness, following decades of being relegated to obli-vion. In the course of time the awareness grew that Puc-cini’s complete works demanded a new evaluation. Increas-ingly he is no longer considered to be the last representativeof an obsolete Italian bel canto, but rather as a musicianseeking a new departure at the dawn of modernity. Hiscompositional processes are more akin to the experimentson the borders of tonality pursued by such contemporariesas Debussy, Richard Strauss, Mahler and Schönberg, all ofwhom he knew and for whose works he showed a lively interest.
The prerequisite for a closer examination of such issues andinterconnections is a correct edition of his works, which untilnow has not been available but which will be fulfilled forthe first time with the publication of the first scholarly critical Complete Edition of the Works of Puccini.
Volume 1Messa a 4 voci con orchestra SC 6 (L)Soli TBar, Coro SATB, Pic, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Trb,3 Trb, Oficleide, Timpani, 2 Vl, Va, Vc, Cb / 43 min
Complete Editions 21
Stuttgart Schütz Edition
Heinrich Schütz (1585–1672) Cantiones sacrae SWV 53–93 (L)4 voices, Bced. Uwe Wolf
Today the Cantiones sacrae (1625) remain in the shadow ofSchütz’s much more well known motet collection, the Geistli-che Chormusik of 1648. This is due on the one hand to theirLatin texts and to the devotional texts which often are not taken from the Bible, and on the other hand to the highly ex-pressive style of the Cantiones. Schütz demands that the sing-ers be open to a highly unusual music rich with dissonances.The reward for this venture will be an extraordinary depth andexpressiveness and music truly beyond compare.
In 1992 the Stuttgart Schütz Edition – the edition of thecomplete works of Heinrich Schütz – was taken over byCarus-Verlag, which has continued to publish it since then.It is a complete edition founded on a critical examination ofthe sources which presents today’s users an unproblematic,legible rendering of the music. In contrast to other Schützeditions the works are presented in their original keys andranges, i.e., they are edited untransposed. All editorial addi-tions or suggestions are indicated diacritically. The volumesinclude all essential information concerning the history ofthe works, their transmission, performance practice and liturgical function. Original clefs, as well as the ranges of thevocal parts and the upper instrumental parts are prefixed tothe first brace of the score.
Under the direction of Hans-Christoph Rademann, togetherwith Carus-Verlag Stuttgart, the Dresdner Kammerchor willrealize the first complete recording of the works of HeinrichSchütz by 2017. With a total of 22 CDs and countless con-certs the first German composer of European stature will begiven a tangible monument.
CANTIONES
SACRAE
Carus 20.905, complete edition (clothbound edition), Vol. 5, ca 216 p., 178.00 €ISMN M-007-14072-4
April 2013
NewCantiones sacraeHans-Christoph Rademann, Dresdner KammerchorCarus 83.252, 2 CDs
22 Complete Editions
Hybrid-Edition
For the first time, this well-founded newedition combines the printed music witha digital counterpart. Each volume willbe accompanied and supplemented by aDVD containing facsimiles of all relevantsources presently available. With the aidof the software program Edirom thesewill be compared and contrasted withcommentary. This means differences be-tween the sources will be immediatelyvisible. Furthermore, an encyclopedicsection, likewise in digital form, offersprimarily information and illustrations re-levant to the history of the works, aswell as information about the dedicateesof the composi tions, those musicianswho participated in the first perfor-mances, and much more.
Reger Edition
Max Reger (1873–1916) Choral preludes for organ, vol. I/4 of the Reger Edition
The fourth volume of the section of the Reger Edition devotedto his organ works comprises, in chronological order, the chorale preludes composed between October 1893 and November 1914 in Wiesbaden, Weiden, Munich, Leipzig, andMeiningen. The composition of chorale preludes accompaniedReger throughout his entire career, even though they werecomposed primarily in the years from 1900 to 1902 and 1914(Opus 135a). As almost no other composer at the turn of thecentury, he dedicated himself to the chorale prelude, com-posing around 100 works in this genre.
Vol. I/4� O Traurigkeit, o Herzeleid WoO IV/2� Komm, süßer Tod! WoO IV/3 � Christ ist erstanden von dem Tod WoO IV/19� Es kommt ein Schiff geladen WoOIV/14� Zweiundfünfzig leicht ausführbare Vorspiele zu den ge-
bräuchlichsten evangelischen Chorälen op. 69� O Haupt voll Blut und Wunden WoO IV/13� Wie schön leucht’t uns der Morgenstern WoO IV/16 � Dreißig kleine Choralvorspiele zu den gebräuchlichsten
Chorälen op. 135a� Kompositionen op. 79b
Already available:� Vol. I/1: Chorale fantasias for organ, Carus 52.801� Vol. I/2: Fantasias and Fugues, variations, sonatas, suites I
for organ, Carus 52.802� Vol. I/3: Fantasias and fugues, variations, sonatas,
suites II for organ, Carus 52.803
Carus 52.804, complete editionISMN M-007-13938-4
ISBN 978-3-89948-180-8
May 2013
Ziemlich lebhaft
I. Man
Nr. 46 »Wer nur den lieben Gott läßt walten«(zu Liedern freudigen Inhalts)
Catalog of works 23
Catalog of works
Johann Christoph Friedrich Bach (1732–1795)Thematic-systematic Catalog of the Musical Works Bach-Repertorium, Vol. 4ed. Ulrich Leisinger
No musical family has made such a significant contribution tothe history of European music as the Bach family from Thurin-gia, in Saxony. From the 17th through 19th centuries onefinds outstanding musicians among the family who partici-pated in all levels of musical life whether it be town, court orchurch music – their works span all genres of vocal and instru-mental music and reflect the stylistic developments of the in-dividual eras in which they lived.
Within the framework of the Bach-Repertorium research pro-ject at the Sächsische Akademie der Wissenschaften zu Leip-zig, thematic catalogs are being compiled for all members ofthe Bach family. With catalogs which include incipits, texts, tables and indexes, the compositions will be described using a unified set of criteria and they will be based on the latest musicological research.
To distinguish him from his brothers, in the 18th century Johann Christoph Friedrich Bach was known as the “Bücke-burger” Bach. His extensive opus encompasses all genres ofinstrumental and vocal music. Systematic research has led tothe rediscovery of a number of works previously believed tohave been lost, as well as to works which until now have beencompletely unknown; furthermore the existence of other lostworks also has been verified. Thus today, for the first time anoverview of the creative output of the second youngest Bachson is possible, which now occupies its own independent po-sition in the history of 18th century music.
Carus
Johann Christoph Friedrich Bach
Thematisch-systematischesVerzeichnis der musikalischen Werke
Bach-RepertoriumWerkverzeichnisse zur Musikerfamilie Bach
Band IV
Carus 24.204, book, 19 x 27,5 cm. hard-cover, thread stitching, 486 p. 115.00 €
ISBN 978-3-89948-183-9
April 2013
Already available:Wilhelm Friedemann Bach,Bach-Repertorium, Vol. 2 Carus 24.202
In preparation:Carl Phillip Emanuel Bach, Vocal music,Bach-Repertorium, Vol. 3/I. Carus 24.203
Prices are subject to change. Errors excepted. This catalog is not intended to be complete. January 2013Cover: Giacomo Puccini (oil on canvas,1903), Luigi de ServiPostcard Carus 40.348/10Carus 99.046/13
Carus-Verlag Stuttgart GmbH & Co. KGSielminger Str. 51D-70771 Lf.-EchterdingenTel: +49 (0)711 797 330-0Fax +49 (0)711 797 330-29 [email protected]
ed. Norbert Bolin
The first critical edition of Verdi’s Requiem withcomplete performance material for sale
Full score: Carus 27.303 89.00 €Full score (clothbound edition): Carus 27.303/01 148.00 €
Vocal score: Carus 27.303/03 15.90 €
Choral score: Carus 27.303/05 �9.20 €
Complete orchestral parts: Carus 27.303/19 410.00 €
Messa da Requiem
Giuseppe Verdi (1813–1901)
Carus 2.652
Große Opernchöre
Chor und Klavier
Giuseppe Verdi
Carus 2.651
Große Opernchöre
Chor und Klavier
Richard Wagner
Choral collection (choir and piano)Carus 2.652 35.80 €Carus 2.652/05, editionchor– economical choral score for performance
Giuseppe Verdi12 Opera choruses for choir and piano Coro SATB, Pfte / ed. Johannes Knecht
Choral collection (choir and piano)Carus 2.651 29.80 €Carus 2.651/05, editionchor– economical choral score for performance
Richard Wagner8 Opera choruses for choir and piano Coro SATB, Pfte / ed. Johannes Knecht
Great opera choruses Verdi · Wagner