C O

L O U

R

COLOUR

• LIGHT AND COLOUR: COLOUR

PERCEPTION

• COLOUR MIXING

– ADDITIVE COLOUR COMBINATION: LIGHT

– SUBTRACTIVE COLOUR COMBINATION:

PIGMENT

• ATTRIBUTES OF COLOUR

• COLOUR AND COMPOSITION

COLOUR PERCEPTION

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• COLOUR = SENSATION

• COLOUR LIGHT

• WHITE LIGHT COMPOSITION

• HOW DO WE SEE COLOURS?

• COLOUR = SENSATION

• COLOUR LIGHT

COLOUR PERCEPTION

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR PERCEPTION

• WHITE LIGHT COMPOSITION

– Newton’s prism experiment

(1666)

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR PERCEPTION

• WHITE LIGHT COMPOSITION

– Newton’s prism experiment (1666)

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR PERCEPTION

• HOW DO WE SEE COLOURS? • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR PERCEPTION

• HOW DO WE SEE COLOURS? • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR PERCEPTION

• HOW DO WE SEE COLOURS? • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• PRIMARY COLOURS:

They are the colours from which we

can obtain all other colours, by mixing

them.

• SECONDARY COLOURS:

They are the colours which can be

obtained by mixing two primary colours.

• COMPLEMENTARY COLOURS:

They are the colours which, when

mixed, get the mixture colour of the

primary ones.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• HOW WHITE COLOUR IS

OBTAINED:

– ADDITIVE COMBINATION:

LIGHT

– SUBTRACTIVE MIXTURE:

PIGMENT

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– Additive combination

– White light dispersion

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– Primary lights

RED

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– Primary lights

GREEN

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– Primary lights

BLUE

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– Secondary lights

RED

GREEN

yellow

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– Secondary lights

BLUE

RED magenta

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– Secondary lights

BLUE

GREEN cyan

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS:

– RGB Model (Red, Green and Blue)

BLUE

GREEN

RED

WHITE yellow

magenta

cyan

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS (RGB): • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS (RGB):

– Screens

– Spot lights

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS (RGB):

– Complementary lights: A primary

light is complemetary or opposite to

a secondary one when it does not

form part of the secondary colour’s

mixture.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED LIGHTS (RGB):

– Complementary lights: secondary light

cyan is the complementary light to primary

light red because cyan uses green and

blue but not red.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

RED cyan WHITE

COLOUR MIXING

• COLOURED LIGHTS (RGB):

– Complementary lights: secondary light

magenta is the complementary light to

primary light green because magenta uses

red and blue but not green.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

GREEN magenta WHITE

COLOUR MIXING

• COLOURED LIGHTS (RGB):

– Complementary lights: secondary light

yellow is the complementary light to

primary light blue because yellow uses red

and green but not blue.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

BLUE yellow WHITE

COLOUR MIXING

• COLOUR PIGMENTS:

– Subtractive combination

– Markers

– Coloured pencils…

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS:

– Primary pigments

CYAN

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS:

– Primary pigments

YELLOW

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS:

– Primary pigments

MAGENTA

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS:

– Secondary pigments

YELLOW

CYAN

green

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS:

– Secondary pigments

MAGENTA

CYAN blue

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS:

– Secondary pigments

MAGENTA

YELLOW red

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS:

– CMYK Model (Cyan, Magenta and

Yellow)

MAGENTA

YELLOW

CYAN

green

blue

red

BLACK

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOUR PIGMENTS (CMY):

– Paintings;

– Printings (CMYK Model);

Claude MONET: «Saint Georges

majeur au crépusule» (1908-1912)

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED PIGMENTS (CMY):

– Complementary pigment: A primary

pigment is complemetary or opposite

to a secondary one when it does not

form part of the secondary colour’s

mixture.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• COLOURED PIGMENTS (CMY):

– Complementary pigment: secondary

pigment red is the complementary pigment

to primary pigment cyan because red is

obtained by the mixture of magenta and

yellow.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

CYAN red BLACK

COLOUR MIXING

• COLOURED PIGMENTS (CMY):

– Complementary pigment: secondary

pigment green is the complementary

pigment to primary pigment magenta

because green is obtained by the mixture

of cyan and yellow.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

MAGENTA green BLACK

COLOUR MIXING

• COLOURED PIGMENTS (CMY):

– Complementary pigment: secondary

pigment blue is the complementary

pigment to primary pigment yellow

because blue is obtained by the mixture of

cyan and magenta.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

blue YELLOW BLACK

COLOUR MIXING

• RYB MODEL (Red, Yellow and

Blue): Until 19th–early 20th centuries

BLUE

YELLOW

RED

orange

purple

green

BLACK

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• RYB MODEL (Red, Yellow and

Blue): Until 19th–early 20th centuries

Piet MONDRIAN: «Composition in red,

yellow, blue and black» (1921)

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR MIXING

• EXPERIMENT:

– Colour wheel

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• HUE

• SATURATION

• VALUE

• COLOUR SCHEMES

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• HUE:

– It is the name of every colour.

ATTRIBUTES OF

COLOUR • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• SATURATION:

– Degree of colour’s purity (grays)

ATTRIBUTES OF

COLOUR • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• VALUE:

– Dregree of lightness (white-black)

ATTRIBUTES OF

COLOUR • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

HUE+ SATURATION + VALUE • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

ATTRIBUTES OF

COLOUR HUE + SATURATION + VALUE

Ostwald body of colour (HSL)

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• EXERCISE: –Colour wheel

considering

hue, value

and

saturation.

COLOUR MIXING

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• EXERCISE: –Colour wheel considering hue, value

and saturation.

COLOUR MIXING

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• EXERCISE: –Colour wheel considering hue, value

and saturation.

COLOUR MIXING

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• EXERCISE: –Colour wheel considering hue, value

and saturation.

COLOUR MIXING

ATTRIBUTES OF

COLOUR • COLOUR SCHEMES:

– According to Hue

– According to Value

– According to Saturation

– According to Temperature

• RELATIVE PERCEPTION:

– Hue changes

– Value changes

– Saturation changes

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• COLOUR SCHEMES:

– According to Hue:

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• COLOUR SCHEMES:

– According to Value:

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• COLOUR SCHEMES:

– According to Saturation:

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• COLOUR SCHEMES:

– According to Temperature:

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• RELATIVE PERCEPTION: • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• RELATIVE PERCEPTION: • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• RELATIVE PERCEPTION:

– Hue changes: the same colour placed on

two different backgrounds can change its

tone.

https://www.youtube.com/watch?v=mf5otGNbkuc

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• RELATIVE PERCEPTION:

– Hue changes: the same colour placed on

two different backgrounds can change its

tone.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• RELATIVE PERCEPTION:

– Value changes: any colour can change its

value depending on the colour of the

background it is situated on.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

• RELATIVE PERCEPTION:

– Saturation changes: if we place a highly

saturated hue on to a slightly saturated one,

it looks purer.

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

ATTRIBUTES OF

COLOUR

COLOUR AND

COMPOSITION • HARMONY

• CONTRAST:

– Contrast of hue

– Light-dark contrast

– Contrast of saturation

– Contrast of extension

– Complementary contrast

– Cold-warm contrast

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

• HARMONY:

– Harmonize = coordinating colours on a

composition

– Using colour schemes:

• With one hue only

• With a main hue

• With hues that are close from each other

on the colour wheel

• With hues opposed on the colour wheel

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• HARMONY whith close hues • LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• CONTRAST:

– Relationship between colours that are not

related at all.

– Contrast of:

• Hue

• Value

• Saturation

• Extension

• Complementary

• Temperature

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• CONTRAST:

– Of hue

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• CONTRAST:

– Of value

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• CONTRAST:

– Of saturation

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• CONTRAST:

– Of extension

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• CONTRAST:

– Of complemetary colours

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

• CONTRAST:

– Of temperature

• LIGHT AND

COLOUR:

COLOUR

PERCEPTION

• COLOUR

MIXING

– ADDITIVE

COMBINATION

– SUBTRACTIVE

COMBINATION

• ATTRIBUTES

OF COLOUR

• COLOUR AND

COMPOSITION

COLOUR AND

COMPOSITION

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

http://verne.elpais.com/verne/2016/01/27/articulo/1453897011_477533.html

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS

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confundiran-mente-mas-vestido-azul-gifs-20150302113610.html

OPTICAL ILLUSIONS

OPTICAL ILLUSIONS