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PRATT CONTEMPORARY PRATT EDITIONS

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Page 1: Pratt Contemporary

PRATT CONTEMPORARY

PRATT EDITIONS

Page 2: Pratt Contemporary
Page 3: Pratt Contemporary

Pratt Contemporar y

Printers and publishers of contemporar y prints and

artists’ books

Pratt Contemporary is multi-faceted, offering

technical exper tise to ar tists in the field of

printmaking, specialising in screenprint, intaglio,

relief and inkjet techniques. The studio has

a continuous publishing programme for its

own ar tists as well as providing a proofing and

editioning service to independent ar tists and

publishers.

Founded in 1977 by Bernard and Susan Pratt, Pratt

Contemporary has evolved through a multitude of

different activities that include sculpture, painting

and drawing. Since its inception the core activity

has been printmaking and the guiding principle has

been one of collaboration and dialogue between

printer and ar tist. Alongside the studio’s broad

knowledge of traditional printmaking techniques

it continues to experiment with new methods

and materials as they become available.

Now in its thir ty-third year, what is clear is the

studio’s commitment to printmaking as a vigorous

language for visual ar tists and its impor tance in the

development of their work. Pratt Contemporary

does not stick to the tried and tested - ‘being

facilitators for ar tists is what’s exciting.’

Pratt Contemporary is a member of the

International Fine Print Dealers Association

(IFPDA) and the Fine Press Book Association

(FPBA).

Page 4: Pratt Contemporary

Ana Maria Pacheco is an artist of extraordinar y

diversity. Pr imarily a sculptor, she is also a painter

and printmaker. Her work has evolved from a

tradition of making that lies between South American

and European culture, drawing on a r ich variety of

cultural references. She is currently working on

a series of reliefs in alabaster, bronze and wood,

exploring the metaphor of the journey, a recurrent

theme in her work.

Ana Maria Pacheco was born in Brazil. Following

degrees in both Ar t and Music, she taught and

lectured for several years at universities in Goiás

before coming to London in 1973 on a British

Council Scholarship to the Slade School of Fine

Ar t. Since then she has lived and worked in

England. From 1985-89 she was Head of Fine Ar t

at Norwich School of Ar t. She has lectured widely

and has been on various educational boards. In

1999 she received the prestigious Ordem do Rio

Branco from the Brazilian Government. She has

received Honorar y Degrees from the University

of East Anglia and Anglia Polytechnic University

and in 2003 was made a Fellow of University

College London.

From 1997-2000 she was Associate Ar tist at the

National Galler y, London, which culminated in a

major exhibition of her work that toured on to

fur ther venues in the UK.

Pacheco has exhibited widely in the UK and

abroad including the National Galler y, London;

British Museum, London; Hereford Museum

and Ar t Galler y; Aldeburgh Festival of Music

and the Ar ts; Wallspace at All Hallows on the

Wall, London; Herber t Ar t Galler y & Museum,

Coventr y; Ashmolean Museum, Oxford; Brighton

Museum and Ar t Galler y; Hayward Touring

(Prints); The Gas Hall, Birmingham Museum and

Ar t Galler y; Wolverhampton Ar t Galler y; Norwich

Castle Museum; Trout Galler y, Dickinson College,

Pennsylvania, USA; Galleri F15, Moss, Norway

(touring); Kunsthalle Wien, Austria; Salander-

O’Reilly Galleries, New York, USA; PanAmerican

Ar t Projects, Miami, USA; Kilkenny Ar ts Festival,

Ireland; Dak’Ar t 2000, Senegal, West Africa;

Trondhjems Kunstforening, Trondheim, Norway.

Collections include

British Museum; British Librar y; Tate Galler y;

Victoria and Alber t Museum; Ar ts Council England;

Government Ar t Collection: Ashmolean Museum,

Oxford; Birmingham Museum and Ar t Galler y;

Wolverhampton Ar t Galler y; Norwich Castle

Museum; Cass Sculpture Foundation, Chichester ;

Trondhjems Kunstforening, Trondheim, Norway

New York Public Librar y, USA; Fogg Ar t Museum,

USA; Por tland Ar t Museum, USA; Sweet Briar

College, Virginia, USA; Setagaya Ar t Museum,

Tokyo, Japan; Itaú Cultural, São Paulo, Brazil.

Sculpture Exhibitions 2010-11

Shadows of the Wanderer

St. John’s Church, Water loo, London

29 October - 23 December 2010

Studio 3 Galler y, The Jarman Building,

University of Kent, Canterbury

18 January - 9 April 2011

An Ancient Dark Night Descended Upon My Soul

Drypoint, 2010. Printed on Somerset Satin White

410gsm in an edition of 15 plus 3 ar tist’s proofs,

2 publisher’s proofs, 1 printer’s proof and 1 archive

proof. Plate: 99.7 x 75.8 cm (391/4 x 293/4 in)

Ana Maria Pacheco

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Page 6: Pratt Contemporary

Guardians I & II

Drypoint, 2010. Printed on Somerset Soft White

300gsm in editions of 20 plus 3 ar tist’s proofs,

2 publisher’s proofs, 1 printer’s proof and 1 archive

proof. Plates: 32.8 x 25.8 cm (127/8 x 101/8 in)

Page 7: Pratt Contemporary

Guardians III & IV

Drypoint, 2010. Printed on Somerset Soft White

300gsm in editions of 20 plus 3 ar tist’s proofs,

2 publisher’s proofs, 1 printer’s proof and 1 archive

proof. Plates: 32.8 x 25.8 cm (127/8 x 101/8 in)

Page 8: Pratt Contemporary

The Sphinx that learned to fly 1-6

Drypoint, 2010. Printed on Somerset Soft White 300gsm

in editions of 25 plus 3 ar tist’s proofs,2 publisher’s proofs,

1 printer’s proof and 1 archive proof.

Plates: 12.5 x 10 cm (5 x 4 in)

Page 9: Pratt Contemporary
Page 10: Pratt Contemporary

Marcus Rees Rober ts

Following his degree in English at Cambridge,

Marcus Rees Rober ts studied Film Theory at the

Slade School of Fine Ar t, where he wrote his

thesis on German Expressionist Cinema. He went

on to complete a second post-graduate course in

printmaking at the Slade. In 1977 he was awarded

the Slade Prize and appointed teaching assistant

in printmaking.

In 1980, Rees Rober ts moved to Scotland to

lecture at Edinburgh College of Ar t. In 1982 he

was appointed Visiting Professor at the University

of Central Florida and in 1989 as Lecturer in

charge of Printmaking at Edinburgh College of Ar t,

a post he held until 1995, when he returned to

live and work in London. He is currently Visiting

Lecturer at West Dean College, West Sussex.

Memory’s Wound

This new series of etchings is related to much of

the work Rees Rober ts has been making over the

last eighteen months. Reading Paul Celan has had

a deep influence on his work. Bukovinian Jewish,

writing in German, this great poet survived the

Holocaust in body but, in Michael Hamburger’s

phrase, not in spirit.

As well as prints, Rees Rober ts has been working

on ar tist’s books, paintings, and films, all with a

similar theme. It is not only the recurring ideas of

Celan’s work that interests him, it is the way these

ideas are expressed in such inventive but sparse

and fractured language.

Exhibitions include

The London Original Print Fair at the

Royal Academy of Ar ts

The New York Print Fair, Park Avenue Armory

UK Fine Press Book Fair, Oxford Brookes

University, Oxford.

Por tland Ar t Museum, Oregon, USA

(International Print Exhibition)

University of Central Florida, Orlando, USA;

Hodges Taylor Galler y, Char lotte, USA

The Slade Galler y, London

Strang Print Room, University College London;

Blackburn Museum and Ar t Galler y

Steven Harris, New York, USA

Sussex Barn Ar t Galler y, West Dean College.

Collections include

British Museum

Victoria and Alber t Museum

University College London

Ashmolean Museum Oxford

Blackburn Museum

Scottish Ar ts Council

Pallant House, Chichester

Memory’s Wound I & II

Etching, 2010. Printed on Velin Arches Blanc 400gsm

in editions of 15 plus 3 ar tist’s proofs, 2 publisher’s

proofs, 1 printer’s proof and 1 archive proof.

Plates: 58.2 x 84.2 cm (23 x 331/4 in)

Page 11: Pratt Contemporary
Page 12: Pratt Contemporary

Memory’s Wound III

Etching, 2010. Printed on Velin Arches

Blanc 400gsm in an edition of 15 plus

3 ar tist’s proofs, 2 publisher’s proofs,

1 printer’s proof and 1 archive proof.

Plate: 58.2 x 84.2 cm (23 x 331/4 in)

Page 13: Pratt Contemporary
Page 14: Pratt Contemporary

Krist ian Krokfors

Kristian Krokfors was born in Finland in 1952.

From 1973-74 he studied Ar t at the University of

Industrial Ar ts in Helsinki. In 1974 he moved to

England to study at Leicester Polytechnic, where

he received his BA in 1977. From 1977-78 he

completed the Advanced Printmaking Course

at Croydon College of Ar t before returning to

Helsinki, where he currently lives and works.

In 1985 Krokfors received Finland’s Young Ar tist

of the Year Award, a prestigious national event

organised by the City of Tampere and the Tampere

Ar t Museum. From 1988-90 he spent two years

living and working in New York City. In 2001 he

returned as ar tist-in-residence under the auspices

of the Finnish Foundation for the Visual Ar ts, the

Cultural Institute for Finland in the USA.

Kristian Krokfors is an eminently serious artist. His

works are in no sense didactic , but if you were to

ask what they are “about”, the answer would spring

unbidden, without any verbal prompting from him.

Yes, they are, they must be, about the environment.

They take as their evident, immediate subject the

splendours and miseries of town planning and

urbanism’s shaky relations with whatever belt of

green it chooses to girdle itself with. They look at the

dr yness of the desert, the acrid smoke that belches

from factories, the wind that shakes the barley - or

would, if there were any barley left to shake. . . .1

1 Extract from exhibition catalogue:

‘Kristian Krokfors: Paintings and Works on Paper’

Foreword by John Russell Taylor

Pratt Contemporary, 2008

Exhibitions include

Tampere Ar t Museum, Finland.

Amos Anderson Ar t Museum, Helsinki, Finland.

Henie-Onstad Ar t Museum, Oslo, Norway.

Galleri Futura, Stockholm, Sweden.

Galleria Bronda, Helsinki, Finland.

Dannenberg Galler y, New York City, USA.

Lemonstreet Galler y, Dublin, Ireland.

Galerie Forsblom, Helsinki, Finland.

Galleri Norske Grafikere, Oslo, Norway.

Galler y Alex, Washington DC, USA.

Galleria Uusitalo, Helsinki, Finland.

Galería Manuel, Ojeda, Las Palmas, Spain.

Osborne Samuel Galler y, London.

The London Original Print Fair at the

Royal Academy of Ar ts

The New York Print Fair, Park Avenue Armory

Collections include

The Museum of Contemporary Ar t, Helsinki.

The Amos Anderson Ar t Museum, Helsinki.

Helsinki City Ar t Museum.

Tampere Ar t Museum.

The State Collection.

Par liament of Finland Collection.

Alber tina Collection, Vienna, Austria.

Chicago Ar t Institute, USA.

World Bank, Washington DC, USA.

Office of Public Works, Dublin, Ireland.

University College Dublin, Ireland.

The Ar t Museum of Cracow, Poland.

The State Collection, Sweden.

City of Nurnberg, Germany.

Page 15: Pratt Contemporary

City View 1 & II

Etching, 2008. Printed in editions of 35

plus 4 ar tist’s proofs, 1 publisher’s proof,

2 printer’s proofs and 1 archive proof.

Plates: 59.5 x 49.5cm (231/2 x 191/2)

Page 16: Pratt Contemporary

Red Space - Blue Canal - Beach Scene

Moon and the Chimney - Beach Houses - City Scene

Etching, 2009-10. Printed on Somerset Soft White 300gsm

in editions of 45 plus 5 ar tist’s proofs, 2 publisher’s proofs,

1 printer’s proof and 1 archive proof.

Plates: 29.8 x 24 cm (113/4 x 91/4 in)

Page 17: Pratt Contemporary
Page 18: Pratt Contemporary

Sarah Woodf ine

Sarah Woodfine was born in England in 1968.

From 1987-8 she studied Fine Ar t at Winchester

School of Ar t and from 1988-91 at Liverpool

School of Ar t. In 1995 she completed a three

year postgraduate course in sculpture at the

Royal Academy Schools, London.

Woodfine’s practice has always had a cer tain

element of gothic darkness, most recently taking

the form of three-dimensional constructions

in cases and glass domes, exploring imaginar y

worlds that border between the familiar and

fantastical. Whilst these constructions simultane-

ously present themselves as solid formed repre-

sentations, they also seem like facades - almost

like stage sets with nothing behind them. She

explores the implication of what can be concealed

and has become fascinated by the psychological

implications of multiple viewpoints.

Awards, Residencies and Projects

Commissioned by Graves Ar t Galler y to

produce a new work for the permanent

collection (2010)

Ar tangel Nights of London Interaction

Project (2006)

The Nelson Touch Collaboration between

Aspex Galler y and The Maritime Museum,

Por tsmouth (2005)

First Prize, Jerwood Drawing Prize (2004)

Drawing Ar tist in Residence at MIMA (2002)

Exhibitions include

Danielle Arnaud Contemporary Ar t, London

The Jerwood Drawing Prize

The Drawing Room, London

Harewood House, Yorkshire

Ha Gamle Prestegard, Norway

Hales Galler y, London

Galleri F15, Norway

Trondjheims Kunstforening, Norway

Haugesund Billedgalleri, Norway

MIMA, Middlesbrough

Cheltenham Open Drawing Exhibition

Aspex, Por tsmouth

Museum of Garden History, London

Compton Verney, Warwickshire

Maritime Museum Por tsmouth

Sheffield Millennium Galler y

Abbot Hall Ar t Galler y, Cumbria

The London Original Print Fair at the

Royal Academy of Ar ts

The New York Print Fair, Park Avenue Armory

Public Collections include

Victoria & Alber t Museum, London.

MIMA, Middlesbrough

Ha Gamle Prestegard, Norway

Still Life 1

Still Life 2

Etching, 2009. Printed on Canford acid-free card and

mounted in glass dome. Editions of 15 plus 2 ar tist’s

proofs, 1 publisher’s proof, 1 printer’s proof and 1

archive proof.

Still Life 1: 23.5 x 22.4 cm dia (91/4 x 83/4 in)

Still Life 2: 15.4 x 15.4 cm dia (6 x 6 in)

Page 19: Pratt Contemporary
Page 20: Pratt Contemporary

Derek Mawudoku

Derek Mawudoku was born in London in 1959

and graduated from Goldsmiths College of Ar t in

1987 with a BA (Hons) in Fine Ar t.

His powerfully expressive works are drawn

directly from his own life experience. His recent

prints are based on the reinterpretation of images

taken from sketchbooks, self-por traits, doodles

and imaginar y emotional landscapes.

. . . he depicts the world as he finds it, without elevat-

ing authorial presence, enhancing or exaggerating

the drama of his subject. The imager y is always

raw and uncompromising. Often it is heavy with

psychological affect . . . fear . . . joy . . . pain . . .

Sometimes it is child-like, giddy, funny; sometimes

angr y. Always it is intensely human. 1

Exhibitions include

Printworks, Unit 2, London Metropolitan

University

The London Original Print Fair at the

Royal Academy of Ar ts

The New York Print Fair, Park Avenue Armory

UK Fine Press Book Fair, Oxford Brookes

University, Oxford

Adjustments & Errors, The Bag Factory,

Johannesburg, South Africa

Edition - 100 Years of British Printmaking,

SW1 Galler y, London

Stephen Lawrence Galler y,

University of Greenwich, London

Morley Galler y, London

Clapham Ar t Galler y, London

The Galler y at Willesden Green Librar y

Centre, London

Stockwell Studio Open (1990-92)

Kettles Yard, Cambridge

Galerie Hard Koppon, Amsterdam

Adam Galler y, London

Residencies

Sir John Cass Depar tment of Ar t,

London Metropolitan University (2010)

The Bag Factory, Johannesburg,

South Africa (2006)

Winchester Project, London (1995)

John Kelly Boys School (1992)

Ar tists in Schools, St. Lukes Primary School,

Cambridge (1988)

Collections

His work has been acquired by The British

Museum and is in a number of private

collections in the UK and USA.1 Jon Thompson

Introduction to exhibition catalogue:

‘Feed Me: The Monotypes of Derek Mawudoku’

Page 21: Pratt Contemporary

Exquisite

Ar tist’s Book, 2009. Thir teen hand-coloured intaglio prints by Derek Mawudoku with text by Adrian Burnham.

Printed on Somerset Textured Soft White 300gsm in an edition of 15 plus 2 ar tist’s proofs, 2 publisher’s proofs

and 1 printer’s proof. Text set in Garamond. Plates: 24 x 32.8 cm (91/2 x 13 in)

Full linen case binding in a slipcase: 33.5 x 39 x 2.5 cm (131/4 x 151/4 x 1 in)

Each print available individually in a separate edition of 10 + 2 ar tist’s proofs, 2 publisher’s proofs and 1 printer’s proof.

Page 22: Pratt Contemporary

Mark Hayward

Mark Hayward was born in 1979 in England.

From 2003-7 he studied at the University for

the Creative Ar ts, Canterbury (formerly KIAD)

where he received a First Class Honours Degree

in Fine Ar t. He went on to complete an MA in

Fine Ar t Printmaking at the Royal College of Ar t,

London (2007-9) and at his postgraduate degree

show he was a recipient of the Tim and Belinda

Mara Award.

In 2007 Hayward was awarded a placement at

Pratt Contemporary. He is currently developing a

new series of drawings and animations, alongside

which he continues to work in the studios assisting

other ar tists with the production of their work.

In 2009 Air-raid (animation) was selected for the

Jerwood Drawing Prize Exhibition, which toured

to fur ther venues in the UK.

Exhibitions include

Ar t Projects - invited to represent the ‘Ar t

Projects Video Booth’ with a solo show of

multiple moving image works, London Ar t

Fair, 2010

Eyestorm, London Ar t Fair, 2010

Jerwood Drawing Prize, London (touring)

Show One, Royal College of Ar t, London

Bandstand, Cafe Galler y, London

All Sold Out, More Around the Corner, New Cross

Project Space, London

The London Original Print Fair at the

Royal Academy of Ar ts

The New York Print Fair, Park Avenue Armory

UK Fine Press Book Fair, Oxford Brookes

University, Oxford

Page 23: Pratt Contemporary

Fight With Punch

Looped animation (18 seconds) on DVD, 2008

Produced in an edition of 171, each signed DVD is presented in a hand-made wallet

with an original production ‘cel’. Wallet: 14.5 x 14.5 cm (53/4 x 53/4 in)

Page 24: Pratt Contemporary
Page 25: Pratt Contemporary

Body Armour

Screenprint, 2010. Printed on G.F. Smith Bier paper in an edition of 75 plus 8 ar tist’s proofs

2 printer’s proofs and 2 archive proofs. Image: 20.3 x 20.3 cm (8 x 8 in)

Snatch

Screenprint 2010. Printed on G.F. Smith Bier paper in an edition of 50 plus 5 ar tist’s proofs

2 printer’s proofs and 2 archive proofs. Image: 32 x 36 cm (121/2 x 141/8 in)

Challenger

Screenprint 2010. Printed on G.F. Smith Bier paper in an edition of 50 plus 5 ar tist’s proofs

2 printer’s proofs and 2 archive proofs. Image: 43 x 65 cm (17 x 251/2 in)

Page 26: Pratt Contemporary

Little Bird

Screenprint 2010. Printed on Korean hand-made paper in an edition of 50

plus 5 ar tist’s proofs 2 printer’s proofs and 2 archive proofs.

Paper : 87 x 60 cm (341/4 x 231/2 in)

Page 27: Pratt Contemporary

Helter Skelter

Screenprint 2010. Printed on Korean hand-made paper in an edition of 50

plus 5 ar tist’s proofs 2 printer’s proofs and 2 archive proofs.

Paper : 87 x 60 cm (341/4 x 231/2 in)

Page 28: Pratt Contemporary

Hugo Wilson

Hugo Wilson was born in 1982; he currently lives

and works in London.

From 2000-4 Wilson received classical training in

fine ar t at the renowned Char les H. Cecil Studio

in Florence, Italy. He went on to study at City

and Guilds in London, where he received his MA

in 2008.

Five of his recent etchings explore the genetic

rules that were formulated by the evolutionary

biologist, J.B.S Haldane, which state: When in the

offspring of two different animal races, one sex is

absent, rare, or sterile, that sex is the heterozygous

(heterogametic) sex. Wilson is gripped with the

notion that the ‘creator’, or whatever controls

these things, allows cross-breeding to go so far, yet

the product will never be able to have children;

there can only be the one singular individual

animal. Beefalo, Zeedonk, Liger, Habit and Cama

are Wilson’s realisation of genetic anomalies in

response to Haldane’s rule.

Exhibitions include

Busan Biennale, Busan Museum of Modern

Ar t, South Korea

Anticipation Two, London

Project B, Milan, Italy

London Original Print Fair at the

Royal Academy of Ar ts

Wonderland, New Ar t from London, curated

by James Putnam, Assab One, Milan, Italy

The Age of the Mar vellous

One Marylebone, London

East Wing Nine Collection

Cour tauld Institute of Ar t, London

Small is Beautiful, Flowers East, London

Tunnel 228, London

Curwen & New Academy Galler y, London

Maddox Ar ts, London

Ar tefiera Bologna, Italy - Unosunove Ar te

Contemporanea, Rome

COSA Galler y, London

Eleven Galler y, London

BP Por trait Prize 2005, National Por trait

Galler y, London

Habit

Zeedonk

From a series of five etchings, 2009.

Printed on hand-made paper in editions of 10

plus 1 ar tist’s proof and 1 printer’s proof.

Paper : 38.5 x 54cm (151/8 x 211/4 in)

Page 29: Pratt Contemporary
Page 30: Pratt Contemporary

Freder ic Morr is

Frederic Morris was born in 1985. Following a

First Class Honours Degree in Illustration from

Middlesex University in 2007, Morris went on to

study Fine Ar t Printmaking at the Royal College

of Ar t, where he received his MA in 2009.

Morris ironically glamourises the darker aspects

of society, where he depicts a world in a state of

mental and physical disrepair as the consequence

of over-indulgence and consumerism .

Exhibitions include

Royal Academy Summer Show 2010

RE Annual Exhibition at Bankside Galler y,

London

Collectible 2, The Bargate Monument

Galler y, Southampton

Rising Stars, Coombe Galler y, Devon

Royal Academy Summer Show, 2009

Show One, Royal College of Ar t, 2009

Bandstand, Cafe Galler y, London

All Sold Out, More Around the Corner,

New Cross Project Space, London

Hockney Galler y, Royal College of Ar t

Awards

Vivien Leigh Prize, Ashmolean Museum,

Oxford, 2010.

Gwen May Trust Award, Bankside Galler y,

London, 2010.

And the Fields Roared with Revelling Outcry

Etching, 2009

Printed on Somerset Soft White 300gsm in an

edition of 25. Plate: 90.8 x 60.3 cm (353/4 x 233/4 in)

Kangaroo Court

Etching, 2009

Printed on Somerset Soft White 300gsm in an

edition of 25. Plate: 59.4 x 67.4 cm (231/2 x 261/2 in)

Page 31: Pratt Contemporary
Page 32: Pratt Contemporary

Flesh and Blood

Etching with aquatint, 2010. Printed on Somerset Satin White 410gsm in an edition of 25

plus 5 ar tist’s proofs 2 printer’s proofs and 2 archive proofs.

Plate: 61 x 76 cm (24 x 30 in)

Page 33: Pratt Contemporary

Mud Larks

Etching with aquatint, 2010. Printed on Somerset Satin White 410gsm in an edition of 25

plus 5 ar tist’s proofs 2 printer’s proofs and 2 archive proofs.

Plate: 50.8 x 63.5 cm (20 x 25 in)

Page 34: Pratt Contemporary

Hand Made

Good Food, Good Company

Open Wide

Swallow

Tuck In

Screenprint with hand colouring, 2010. Printed on Somerset Satin White 400gsm in an edition of 20

plus 5 ar tist’s proofs, 2 printer’s proofs and 2 archive proofs. Paper : 38 x 28 cm (15 x 11 in)

Page 35: Pratt Contemporary
Page 36: Pratt Contemporary

P R AT T C O N T E M P O R A RYP R AT T E D I T I O N S

The Galler y, Ightham, Sevenoaks

Kent, TN15 9HH, England

Tel +44 (0)1732 882326

pca@prattcontemporaryar t.co.uk

www.prattcontemporaryart.co.uk

P RATTCONTEMPORARY