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29

60A DUTCH SILVER COFFEE-URN, COVER AND BURNER

MARK OF HENDRIKA CATHARINA EISSONIUS (WIDOW OF JAN VAN GIFFEN), GRONINGEN, 1791/92

Baluster-shaped on three leaf-shaped supports on wooden feet, with wooden handle, the body engraved with two shields with later inscription, the tap with rocaille-shaped spigot, the hinged lid decorated with cannelures and rose-shaped finial, marked on base and burner33.4 cm. high, on later wood stand1492 gr. (gross)

€6,000-10,000 US$7,400-12,000

L I T E R A T U R E :

J.P. van Rijen, Groninger Keur - Zilver uit Stad en Ommelanden, Groningen, 1997, p. 130, no. 87.

THE HOFMAN-WESTERHOF COLLECTION OF GRONINGEN SILVER

(LOTS 1-113)

88A DUTCH SILVER WATER-KETTLE, COVER, STAND, AND BURNER

MARK OF ARNOLDUS VAN ESSEN, GRONINGEN, 1744/45; THE BURNER WITH THE MARK OF LUCAS VAN GIFFEN II, GRONINGEN, 1778/79

Of hexagonal pear shape, the upper half chased with foliage and shells, lozenges, lambrequins and tassels, the decoration thrice repeated, with similar motifs on the cover and around the stem of the spout, the body crowned with a hexagonal finial of baluster shape, hinged raffia-bound overhead handle incorporating volutes and acanthus leaves, cast domed cover hinged on the side, the kettle attached with hinge and pin to conforming stand with openwork foliage and lozenges, on shell, scroll and acanthus supports, marked on base and on base of burner28.6 cm. high2348 gr. (gross)

€10,000-20,000 US$13,000-25,000

L I T E R A T U R E :

J.P. van Rijen, Groninger Keur - Zilver uit Stad en Ommelanden, Groningen, 1997, p. 105, no. 61.

37

THE HOFMAN-WESTERHOF COLLECTION OF GRONINGEN SILVER

(LOTS 1-113)

50 ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE – 2 WEEKS FREE STORAGE

An eye for detailThe seemingly endless variations in glass paperweight

design makes the art of collecting these small microcosms

of beauty completely compulsive. Although the concept

of weighting down paper can seem antiquated in our

modern computer age, collectors are drawn to the intricate

‘lampwork’ and ‘millefiori’ and the human touch evident in each weight.

Millefiori canes are made of coloured glass which are squeezed into layers in iron moulds,

stretched at either end with pontils. When cooled, the canes are broken into smaller pieces which

display motifs such as stars, silhouettes and animals as well as the usual flower heads. The most

desirable canes are the most complex, made of many individual motifs which take hours to create.

Lampworking involves the use of a gas fuelled torch to melt tubes of clear and coloured glass which

are blown and shaped by tools and hand movements. Each petal, stem, or element is designed piece

by piece and placed together to be encased in crystal.

This small and select group comprises examples from two of the most sought after French

glasshouses, St Louis and Baccarat, including a very rare design of which only two other examples

are known. In addition, there are two weights by the Scotland-based Paul (ne Pablo) Ysart (1904-

1991), widely regarded a pioneer of modern paperweight making as a result of his mastery of

traditional techniques and motifs.

*197A BACCARAT PATTERNED MILLEFIORI WEIGHT AND A ST LOUIS GARLANDED POSY WEIGHT

MID-19TH CENTURY

The first with central red, white and green arrowhead cane within a circle of star canes set within two interlocking trefoil garlands in predominantly red and blue, the garland loops each enclosing a further composite arrowhead cane; the second with a central posy comprising four florets in shades of blue, red and white, resting on five green leaves, set within a garland of alternated dark-blue and pale pink canes, on an upset muslin ground3 in. (7.7 cm.) diam. (2)

£700-1,000 US$1,100-1,500

€790-1,100

*196A ST. LOUIS PANEL MILLEFIORI WEIGHT

MID-19TH CENTURY

The closely-packed multi-coloured canes divided by six twisted red, green and white ribbons, set with a central green, blue and white cane3 in. (7.2 cm.) diam.

£2,500-3,500 US$3,800-5,300

€2,900-3,900

THE PROPERTY OF A EUROPEAN GENTLEMAN

*195A BACCARAT FACETED BUTTERFLY AND BLOSSOM WEIGHT

MID-19TH CENTURY

The clear glass set with a butterfly in profile, the insect composed of a translucent deep-purple body, amethyst legs, black head, turquoise and white eye and teal antennae, each upright multi-coloured mottled wing centering a large red and white millifiori quatrefoil cane, perched on a short green stem issuing two leaves and a budding white striated bellflower, cut with a top circular window and six side printies above a star-cut base3¿ in. (7.9 cm.) diam.

£12,000-18,000 US$19,000-27,000

€14,000-20,000

The present example, depicting a mid-19th century Baccarat butterfly in profile with folded wings, is one of three known. An example perched on a purple budding stem can be reviewed in Paul Jokelson’s, One Hundred of the most important Paperweights, (London, 1955), p. 46-47, plate 17. At the time of publication this example was considered unique. Formerly part of the Rubloff Collection, this weight is now conserved at The Art Institute of Chicago (inv. 1997.845), and illustrated by Geraldine J. Casper, Glass Paperweights, (The Art Institute of Chicago, 1991), p. 47 and 110, cat. no. 17. The only other example extant was documented in 1998 and illustrated as the catalogue front cover, when Sotheby’s offered ‘Important paperweights from a Private Collection’, New York, 29 April 1998, lot 136. This weight is a close comparison, the most self-evident variations being the placement of the leaves and smaller size.

195

196

197

198

51ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE – 2 WEEKS FREE STORAGE

VARIOUS PROPERTIES

201AN UNUSUAL PAIR OF VICTORIAN SILVER NOVELTY THREE-LIGHT CANDELABRA

MARK OF JOHN AND WILLIAM DEAKIN, LONDON,

1889

Modelled as rose bushes on naturalistic filled circular bases11º in. high (28.5 cm.) (2)

£5,500-6,500 US$8,300-9,800

€6,200-7,300

THE PROPERTY OF A FLORENTINE COLLECTOR

200nA NORTH ITALIAN CLEAR AND POLYCHROME MOULDED AND ENGRAVED GLASS MIRROR

VENETIAN, FIRST HALF 19TH CENTURY

The cartouche-shaped divided plate within a border applied with flowerheads and foliage, minor losses and replacements52 x 84 in. (133 x 213 cm.)

£3,000-5,000 US$4,600-7,500

€3,400-5,600

*199TWO PAUL YSART TRANSLUCENT BLACK-GROUND CLEMATIS WEIGHTS

20TH CENTURY

The first set with a flower composed of six striated turquoise and pink petals about a millefiori cane centre, on a green stem with two green leaves, the second set with a flower composed of five blue petals alternating with five green leaves about a millefiori cane centre, each within a garland of alternating millefiori canes and short lengths of spiral latticinio cable2√ in. (7.4 cm.) and 3 in. (7.7 cm.) diam. (2)

£500-700 US$760-1,100

€570-790

*198A BACCARAT GARLANDED BUTTERCUP WEIGHT

MID-19TH CENTURY

Set with a burgundy flower edged in white, lined with five white hollow petals and centering a yellow stardust cane, growing from a curved green stalk issuing a bud and two green leaves with five leaves about the flower, within a garland of alternating canes in blue and white and claret and white, sunburst-cut base3.1/16 in. (7.8 cm.) diam.

£1,200-1,800 US$1,900-2,700

€1,400-2,000

199

200

201

52

202A GILT-METAL AND PORCELAIN-MOUNTED CLOCK

LATE 19TH CENTURY

The pierced gilt-metal shell-moulded rocaille base issuing a tôle tree-trunk and branches applied with colourful Continental porcelain flowers, centred by a clock with a white enamel dial, surmounted by a German porcelain group of vintners30 in. (76.2 cm.) high

£2,000-3,000 US$3,100-4,500

€2,300-3,400

203A NORTH EUROPEAN GILT-IRON AND BRONZE AND PORCELAIN MOUNTED HALL-LANTERN

OF LOUIS XV STYLE, LATE 19TH CENTURY

The cylindrical glazed frame applied with rococo bronze scrolls and porcelain flowerheads25 in. (64 cm.) high

£1,800-2,500 US$2,800-3,800

€2,100-2,800

~204nA MATCHED PAIR OF FRENCH ORMOLU MOUNTED ROSEWOOD AND KINGWOOD MARQUETRY BOMBE COMMODES

OF LOUIS XV SYTLE, CIRCA 1900

Each with a variegated rouge marble top of serpentine outline, with foliate inlaid cartouche panels to the sides and front with three drawers each33æ in. (85.7 cm.) high; 27Ω in. (70 cm.) wide; 15Ω in. (39.5 cm.) deep (2)

£2,000-3,000 US$3,100-4,500

€2,300-3,400

205ALEXANDER VORONKOV (RUSSIAN, B. 1961)

The warm currents of the Aegean Seasigned in Cyrillic and dated 1989/1992 (lower right); signed and inscribed in Cyrillic and dated 1992 (on the reverse)oil on canvas60 x 60 in. (153 x 153 cm.)

£5,000-8,000 US$7,600-12,000

€5,700-9,000

~206nA FRENCH ORMOLU MOUNTED MARQUETRY, ROSEWOOD AND AMARANTH TABLE AMBULANT


The shaped top inlaid with central cartouche depicting a pastrol scene surrounded by foliate C-scrolls and trellis decoration, with a frieze drawer, on cabriole legs29 in. (74 cm.) high; 21º in. (54 cm.) wide; 12Ω in. (32 cm.) deep

£1,500-2,000 US$2,300-3,000

€1,700-2,200

ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE – 2 WEEKS FREE STORAGE

53ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE – 2 WEEKS FREE STORAGE

207SERGEY MARSHENNIKOV (RUSSIAN, B. 1971)

Slumbersigned ‘S. Marshen.’ (lower left) and signed and inscribed ‘Sergey Marshennikov/2012’ (on the reverse)oil on canvas24 x 36 in. (61 x 91.5 cm.)

£7,000-9,000 US$11,000-14,000

€7,900-10,000

208VLADIMIR VASILYEV (UKRAINIAN, 20TH/21ST CENTURY)

Sunlightsigned in Cyrillic (lower left)oil on canvas23æ x 31Ω in. (60.3 x 80 cm.)

£1,000-1,500 US$1,600-2,300

€1,200-1,700

209nA FRENCH ORMOLU MOUNTED KINGWOOD AND BOIS SATINE MARQUETRY TABLE AMBULANT


The shaped top inlaid with scrolling foliage above an end drawer, on slender cabriole legs joined by a quarter veneered under tier29 in. (73.5 cm.) high; 15æ in. (40 cm.) wide; 11æ in. (30 cm.) deep

£1,500-2,000 US$2,300-3,000

€1,700-2,200

210A LARGE LATE VICTORIAN SILVER DRESSING TABLE MIRROR

MARK OF WILLIAM COMYNS, LONDON, 1896

Heart-shaped, pierced and embossed with putti, flowers and scrolls, the top with monogrammed reserve, easel back covered in purple velvet, bevelled glass29Ω in. high (75 cm.), 24Ω in. wide (62 cm)

£4,000-5,000 US$6,100-7,500

€4,500-5,600

211nA PAIR OF LOUIS XV GREY PAINTED BERGERES

MID-18TH CENTURY

Each with channelled frame, foliate carved crest and seat rail, on foliate carved cabriole legs, redecorated and re-upholstered in red damask with a squab cushion37æ in. (96 cm.) high; 29Ω in.(75 cm.) wide; 25Ω in. (65 cm.) deep (2)

£4,000-6,000 US$6,100-9,000

€4,500-6,700

P R O V E N A N C E :

Christie’s, London, 11 May 2000 lot 14.

THE PROPERTY OF A LADY

237nA WILLIAM AND MARY BURR WALNUT BUREAU-CABINET

CIRCA 1700

Feather banded throughout, the rectangular bolection cornice above a pair of doors enclosing a fitted interior with adjustable shelves and a horizontal bar, above candle slides, the hinged front enclosing five drawers and two secret drawers, pigeon-holes, a well and a green baize-lined writing surface, above two short and two long drawers, on bun feet, the feet, exterior handles and escutcheons later79 in. (101 cm.) high; 33º in. (84.5 cm.) wide; 24æ in. (63 cm.) deep

£5,000-8,000 US$7,600-12,000

€5,700-9,000

A similar walnut bureau-cabinet with solid paneled doors was sold anonymously, Christie’s, London, 3 November 2011, lot 46 (10,000 including premium).

236nA SET OF EIGHT WALNUT AND BURR WALNUT DINING CHAIRS

OF GEORGE II STYLE, EARLY 20TH CENTURY

Including two open armchairs, each with a scroll top rails above a vase shaped vertical splat, with drop-in seat above scallop-shell headed cabriole front legs terminating in trefoil feet40 in. (102 cm.)n high; 24æ in. (63 cm. ) wide; 18æ in. (48 cm.) deep (8)

£5,000-8,000 US$7,600-12,000

€5,700-9,000

THE PROPERTY OF A GENTLEMAN

235nA GEORGE II MAHOGANY CENTRE TABLE

MID-18TH CENTURY

The dished rectangular top above a plain frieze and cushion moulded apron on cabriole legs with pad feet, some repairs to top27 in. (69 cm.) high; 32 in. (81 cm.) wide; 21 in. (54 cm.) deep

£2,000-3,000 US$3,100-4,500

€2,300-3,400


234nA QUEEN ANNE GILT-GESSO MIRROR

EARLY 18TH CENTURY

The scrolled cresting centered by plumes and with foliage, strapwork and rosettes on a pounced ground, above shaped bevelled plates within a cushion-moulded foliate and strapwork surround, inscribed to the reverse twice ‘2038’, the plates replaced, minor repairs to carving, the gilding possibly original62 x 23 in. (158 x 59 cm.)

£6,000-10,000 US$9,100-15,000

€6,800-11,000

233A GEORGE II SILVER COFFEE POT

MARK OF JOHN SWIFT, LONDON, 1743

Tapering sides with leaf-capped, scalloped spout, handle terminating in a shell at upper junction, bell-shaped finial, front engraved with a baroque cartouche centred by a later crest and motto scroll8æ in. high (22 cm.)23 oz. (722 gm.)

£1,200-1,500 US$1,900-2,300

€1,400-1,700


242nA PARCEL-GILT RED JAPANNED CABINET-ON-STAND

THE CABINET EARLY 18TH CENTURY, LATER DECORATED, ON A LATER STAND

Decorated overall with figures set within a watery landscape with pagodas and rocky outcrops, the cavetto moulded top with hinged lid enclosing a mirror and compartment above two doors enclosing various small drawers around a central cupboard including a secret drawer, on a stand with shaped apron55 in. (140 cm.) high; 34æ in. (88.5 cm.) wide; 17Ω in. (44.5 cm.) deep

£4,000-6,000 US$6,100-9,000

€4,500-6,700

241nA PAIR OF MAHOGANY GAINSBOROUGH LIBRARY CHAIRS

OF GEORGE II STYLE, IN THE MANNER OF GILES GRENDEY, EARLY 20TH CENTURY

Each with a padded rectangular back and padded arms with rosette terminals and acanthus carved supports above a padded seat covered in close nailed green leather above cabriole legs with carved scrolling foliage on claw and ball paw feet37Ω in. (95 cm.) high; 29Ω in. (75 cm.) wide; 26Ω in. (67.5 cm.) deep (2)

£3,000-5,000 US$4,600-7,500

€3,400-5,600

240nA GEORGE II WALNUT WING ARMCHAIR

SECOND QUARTER 18TH CENTURY

The back, scroll arms and seat re-upholsterd in crewel work fabric, on acanthus carved cabriole legs with claw and ball feet, restorations44æ in. (113.5 cm.) high; 33Ω in. (85.5 cm.) wide; 24 in. (61 cm.) deep overall

£3,000-4,000 US$4,600-6,000

€3,400-4,500

239nAN ENGLISH GILTWOOD EIGHT-BRANCH CHANDELIER

OF GEORGE II STYLE, EARLY 20TH CENTURY

Carved with shells36 in. (92 cm.) high

£3,000-5,000 US$4,600-7,500

€3,400-5,600

238A GEORGE II IRISH SILVER SOUP TUREEN & COVER

MARK OF ROBERT CALDERWOOD, DUBLIN, CIRCA 1755

Oval with gadroon rim, on four rococo scroll and ball feet, scroll side handles above applied scroll and foliate decoration, domed cover with large pomegranate finial, cover and front engraved with crest and motto of Ainslie, opposite side engraved with vacant rococo cartouche, base inscribed with scratch-weight and number in service No.2=93=1514Ω in. long (36.7 cm.)90 oz. (2835 gm.)

£6,000-8,000 US$9,100-12,000

€6,800-9,000

ALL LOTS MARKED WITH A SQUARE n ARE REMOVED TO AN OFF-SITE WAREHOUSE AT THE CLOSE OF BUSINESS ON THE DAY OF THE SALE – 2 WEEKS FREE STORAGE59

243nA PAIR OF GLASS MOUNTED OVAL MIRRORS

OF IRISH GEORGE III STYLE, RECENT MANUFACTURE

Each with an amythest tinted faceted border57Ω in. (146 cm.) high; 42Ω in. (108 cm.) wide (2)

£2,000-3,000 US$3,100-4,500

€2,300-3,400

246nA GEORGE III MAHOGANY SERVING TABLE

THIRD QUARTER 18TH CENTURY

The rectangular top above a plain frieze with pierced fret brackets, on square chamfered legs, some replacements31Ω in. (80 cm.) high; 60Ω in. (154 cm.) wide; 25º in. (64 cm.) deep

£2,000-3,000 US$3,100-4,500

€2,300-3,400

This sideboard-table is designed in the George II ‘picturesque’ or ‘Modern’ style illustrated in Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director, 1754. With its simple top, fret-railed brackets and its rectilinear pilaster legs champher-cut on the inside angles, it corresponds to Chippendale’s ‘Sideboard Table’ pattern dated 1753 and published as pl. XXXV.

245nA MAHOGANY PARTNERS’ DESK

IN THE STYLE OF THOMAS CHIPPENDALE, RECENT MANUFACTURE

The shaped top with black leather writing surface above three frieze drawers to the opposing sides and six drawers to each pedestal, enclosed by canted angles mounted with volute scrolls, side carrying handles31Ω in. (80 cm.) high; 76æ in. (195 cm.) wide; 40Ω in. (103 cm.) deep

£3,000-5,000 US$4,600-7,500

€3,400-5,600

244A GEORGE III IRISH SILVER DISH RING

MARK ATTRIBUTED TO JOHN LLOYD SENIOR (SCRIPT IL IN OVAL SERRATED EDGED PUNCH), DUBLIN, CIRCA

1780

The slat-pierced sides with pierced foliate scrollwork bands, embossed with laurel leaf swags, rosettes and birds, the front with shield-shaped cartouche engraved with crest of a demi-greyhound sejant, chased rocaille decoration around the upper and lower rims, lower edge inscribed with scratch-weight 11-5ΩDiameter across base 7√ in. (20 cm.), acoss top 7 in. (17.9 cm.)11 oz. (346 gm.)

£3,000-5,000 US$4,600-7,500

€3,400-5,600


247nA SET OF EIGHT GEORGE III SOLID MAHOGANY ARMCHAIRS

IN THE MANNER OF WILLIAM LINNELL, CIRCA 1775

Each carved overall with bell-flowers, the patera-crested oval back, channeled arms and seat re-upholstered in blue patterned cotton, on square tapering stop-fluted legs, some repairs36 in. (92.5 cm.) high; 23 in. (58.5 cm.) wide; 24 in. (61 cm.) deep (8)

£4,000-6,000 US$6,100-9,000

€4,500-6,700


Christie’s, New York, 14-15 April 2011, lot 421.

VARIOUS PROPERTIES

248nA LATE VICTORIAN MAHOGANY COMMODE

OF GEORGE III STYLE, LATE 19TH CENTURY

The rouge royale marble top of serpentine outline above two long drawers, the angles carved with acanthus and trailing beading, the apron centred by a foliate C-scroll cartouche, on rocaille feet34Ω in. (87.5 cm.) high; 54æ in. (139 cm.) wide; 25.43/4 in. (65.5 cm.) deep

£6,000-9,000 US$9,100-14,000

€6,800-10,000

This commode is inspired by the designs of Thomas Chippendale in the French rococo manner, illustrated in the Gentleman and Cabinet-Maker’s Director, 1754. As noted by Christopher Gilbert (see The Life and Work of Thomas Chippendale, 1978, p.121, pl.213) this Director-style furniture was freely attributed to Chippendale during the 1920s.


249A GEORGE III SILVER SOUP TUREEN AND COVER

MARK OF PARKER & WAKELIN, LONDON, 1766

Shaped oval with gadroon rim, domed cover with large pumpkin finial and gadroon and acanthus leaf decoration, the sides applied with trailing foliage and buds between goat mask and scroll feet, cover and base both inscribed No.= 216Ω in. long (42.5 cm.)111 oz. (3496 gm.)

£8,000-12,000 US$12,000-18,000

€9,000-13,000

251nA GEORGE III SATINWOOD, AMARANTH AND TULIPWOOD CROSSBANDED DEMI-LUNE CARD TABLE

POSSIBLY IRISH, LATE 18TH CENTURY

The fold-over top enclosing a later blue baize interior, on green and cream painted stop-fluted tapering legs29Ω in. (75 cm.) high; 48º in. (122.5 cm.) wide; 19º in. (49 cm.) deep

£3,000-5,000 US$4,600-7,500

€3,400-5,600

This slightly elongated elliptical form may suggest an Irish origin.

252nA GEORGE III MAHOGANY AND SATINWOOD KNEEHOLE DESK AND DRESSING-TABLE

CIRCA 1760-70

With a caddy top above a frieze drawer fitted with a baize-lined slide and mahogany divisions, originally fitted with a dressing-mirror, above six short drawers, a shallow drawer to the shaped fieze and a cupboard, later handles and bracket feet30 in. (78 cm.) high; 35 in. (91 cm.) wide; 22 in. (56 cm.) deep

£2,000-3,000 US$3,100-4,500

€2,300-3,400

THE PROPERTY OF A LADY OF TITLE

253nA GEORGE III GILTWOOD SEMI-ELLIPTICAL SIDE TABLE

18TH CENTURY AND LATER

The brêche d’Alep marble top above a fluted frieze with guilloche borders and sunflower paterae hung with foliate swags on tapering turned fluted legs joined by guilloche stretchers centred by a fluted and stiff leaf carved urn, on turned reeded feet, labeled ‘BY DIRECTION RIGHT HONOURABLE THE EARL OF ELLESMERE STETCHWORTH HOUSE NEAR NEWMARKET’, inscribed in pencil ‘25’, and in black ink ‘3524’, with some replacements and re-gilt36 in. (92 cm.) high; 61 in. (156 cm.) wide; 23 in. (59 cm.) deep

£6,000-10,000 US$9,100-15,000

€6,800-11,000P R O V E N A N C E :

Presumably the Earl of Ellesmere, Stetchworth House, Newmarket, Suffolk.


250nA GEORGE III GREY-PAINTED MIRROR

CIRCA 1770-1810, ATTRIBUTED TO

EITHER THOMAS CHIPPENDALE OR

THOMAS CHIPPENDALE THE YOUNGER

With a later plate, in a foliate carved frame, adapted from architectural joinery, redecorated and rebacked68 in. (173 cm. high); 42 in. (106 cm.) wide

£3,000-5,000 US$4,600-7,500

€3,400-5,600


The Earls of Harewood, Harewood

House, Yorkshire.

Sold by the present Earl of Harewood, Christie’s London, 3 October 1988, as part of lot 108.

West - East: The Niall Hobhouse Collection, Christie’s London, 22 May 2008, lot 137.

Visit www.christies.com for additional information on this lot

259nA PAIR OF LARGE BRASS MOUNTED MAHOGANY PEAT BUCKETS

OF IRISH GEORGE III STYLE, RECENT MANUFACTURE

Each with spiral reeded tapering bodies mounted with scallop shells, fitted with metal liners36 in. (191.5 cm.) high; 30 in. (76 cm.) diameter£3,000-5,000 US$4,600-7,500 €3,400-5,600

258nA GEORGE III MAHOGANY SERPENTINE SERVING-TABLE

LATE 18TH CENTURY

The shaped rectangular top above a flame-figured and satinwood crossbanded frieze on square tapering line-inlaid legs36 in. (93 cm.) high; 72 in. (183 cm.) wide; 30 in. (76 cm.) deep£3,000-5,000 US$4,600-7,500 €3,400-5,600

257A SET OF SIX GEORGE III SILVER WINE COASTERS

MARK PROBABLY OF GEORGE SMITH (III), LONDON, 1788

The sides pierced and engraved with paterae and a crested reserve, also decorated with a pierced band of diamonds and lattice-work, reeded borders, with turned wood bases4√ in. (11.7 cm.) diameter (6)£4,000-5,000 US$6,100-7,500 €4,500-5,600

256nA GEORGE III MAHOGANY WING ARMCHAIR

LATE 18TH CENTURY

Re-upholstered in button-down and close nailed leather with scroll arms and a squab cushion42 in. (107 cm.) high; 26 in. (66 cm.) wide; 25 in. (63.5 cm.) deep£4,000-6,000 US$6,100-9,000 €4,500-6,700

255A GEORGE III SILVER OIL AND VINEGAR CRUET

MARK OF PETER DESVIGNES, LONDON, 1777

Boat-shaped with bead borders, the openwork receivers on column supports, the ends terminating in rams masks, on foliate feet, engraved with crest below motto scroll, the two ovoid faceted glass bottles with reeded loop handles and leaf-chased mounts10æ in. long (27.5 cm.)23 oz. (724 gm.)£2,000-2,400 US$3,100-3,600 €2,300-2,700

VARIOUS PROPERTIES

254A GEORGE III SILVER EPERGNE

MARK OF MARY TROBY, LONDON, 1807

Supporting five cut-glass bowls, on four ram mask and reeded paw feet, linked by chains and centred by a bud finial below the central cut-glass dish17æ in. (45.1 cm.) long; 9æ in. (24.7 cm.) high42 oz. (1323 gm.)£3,500-4,500 US$5,300-6,800 €4,000-5,100


264A GEORGE III SILVER SWING-HANDLED CAKE BASKET

MARK OF PAUL STORR, LONDON, 1815

Of oblong form with part-fluted sides and a demi-lion rampant crest to centre, the gadroon border interspersed with shells and foliage, the handle with stiff-leaf terminals and a shell and scrollwork reserve to centre, on pedestal foot13 in. (33 cm.) long38.5 oz. (1213 gm.)£2,400-2,600 US$3,700-3,900 €2,700-2,900

263A SET OF THREE GEORGE III SILVER TEA CADDIES

MARK OF ALBARTUS SCHURMAN, LONDON, 1764

Of bombé form, chased with flowers set on fluted vertical bands, the bases with scrolls and rocaille work and later engraved with the twin crests of Sackville-West, on shell and scroll-embellished bracket feet, the hinged covers with a leafy branch finial surmounted by a fly, in silver-mounted shagreen box lined in blue velvet edged with silver braid and retailed by J.W. & F.B. Thomas of New Bond St.12º in. long (31 cm.)33 oz. (1039 gm.) (3)£3,000-4,000 US$4,600-6,000 €3,400-4,500The bases of the caddy are engraved with initials WESW for William Edward Sackville-West, a younger brother of Mortimer, 1st Baron Sackville

262nA PAIR OF MARQUETRY AND SANTOS ROSEWOOD CROSSBANDED DEMI-LUNE COMMODES

OF GEORGE III STYLE, RECENT MANUFACTURE

The tops inlaid with patera and radiating anthemia, above a frieze drawer and two cupboard doors inlaid with vases, enclosing a shelf35æ in. (91 cm.) high; 52 in. (132 cm.) wide; 22 in. (56 cm.) deep (2)£4,000-6,000 US$6,100-9,000 €4,500-6,700

261nGEORGE III MAHOGANY SILVER TABLE

LATE 18TH CENTURY

The rectangular top with later chequered stringing and waved gallery above a plain frieze, on cluster-column legs headed by pierced angle-brackets on block feet with castors30 in. (76 cm.) high; 31Ω in. (80 cm.) wide; 21Ω in. (54.5 cm.)deep£3,000-5,000 US$4,600-7,500 €3,400-5,600

260ENGLISH SCHOOL, LATE 18TH CENTURY

A figure administering teaoil on canvas20Ω x 30 in. (52 x 76.2 cm.)£2,000-4,000 US$3,100-6,000 €2,300-4,500


109

103A BRONZE MODEL OF AVALOKITESVARA

17TH CENTURY

晚明／清初十七世紀銅觀世音菩薩坐像

The figure is cast seated on a recumbent snarling Buddhist lion on a

lotus petal base, wearing ornate jewellery and a crown with a small

figure. The shoulders are draped with a long flowing celestial scarf,

and the face is detailed with a serene and benevolent expression.

12º in. (31.1 cm.) high

£8,000-12,000 US$12,000-18,000

€9,000-13,000

In one of Avalokitesvara’s many manifestations, the current figure is seated on a lion, shown with a small figure in the crown which represents Amitabha or the spiritual father of the God of Mercy and Compassion. Compare with a gilt-bronze figure of Avalokitesvara, also seated on a lion and with a similar crown, sold in our Paris rooms, 14 December 2011, lot 71.

110


104

A GILT-BRONZE FIGURE OF AMITAYUS

18TH CENTURY

清十八世紀鎏金銅無量壽佛坐像

The figure is cast seated in dhyanasana on a double lotus base with a beaded edge. His hands

are in dhyana mudra and holding an urn. He is depicted wearing elaborate robes with incised

foliate borders, beaded jewellery and a high crowned five-leaf tiara. His face is modelled with

a gentle and serene expression.

6º in. (15.8 cm.) high

£25,000-30,000 US$38,000-45,000

€29,000-34,000

48

51CUILLERE A SAUPOUDRER EN ARGENT

PAR NICOLAS GONTHIER OU NICOLAS GROS, PARIS, 1779

Modèle filet-coquille, gravé d’une armoirie surmontée d’une couronne de comte, le cuilleron ajouré de fleurs et enroulements, poinçons: charge, jurande (lettre P), maître-orfèvre et décharge

97 gr. (3.15 oz.)

€300-500 US$410-670£270-450

A LOUIS XVI SILVER SUGAR SIFTER, 1779

52CUILLERE A CREME EN ARGENT

PAR ANTOINE CHAYE, PARIS, 1749

Modèle filet coquille, poinçons: jurande (lettre I), maître-orfèvre, décharge

et contremarque

Longueur: 20 cm. (8 in.)116 gr. (3.70 oz.)

€300-500 US$410-670£270-450

A LOUIS XV SILVER CREAM SPOON, 1749

53CUILLERE A SAUPOUDRER EN ARGENT

PAR ANDRE CLEMENT, TOULOUSE, 1768-1774

Modèle filet, gravé d’une armoirie surmontée d’une couronne de marquis, le cuilleron ajouré de fleurs stylisées et de cercles, poinçons:

charge, trace de jurande, maître-orfèvre et décharge

Longueur: 23 cm. (9º in.)99 gr. (3.15 oz.)

€400-600 US$540-800£360-530

G R A V E :

L’armoirie appartient à la famille de Flotte, originaire de Provence, du Dauphiné et de Bretagne, dont une branche s’est installée à Toulouse.

A LOUIS XV SILVER SUGAR SIFTER, 1768-1774

51

52

53

49

54PELLE A POISSON EN ARGENT

PAR SEBASTIEN IGONET, PARIS, 1756

Le manche uni conique, la pelle ajourée d’enroulements feuillagés, poinçons: charge, jurande (lettre q), maître-orfèvre et décharge

Longueur: 25,5 cm. (10 in.)135 gr. (4.30 oz.)

€2,000-3,000 US$2,700-4,000£1,800-2,700

A LOUIS XV SILVER SERVING FISH SLICE, 1756

55CUILLERE A RAGOUT EN ARGENT

PARIS, 1780, MAITRE-ORFEVRE ILLISIBLE

Modèle filet-coquille, poinçons: jurande (lettre R), contremarque et trois

poinçons illisibles

Longueur: 32 cm. (12Ω in.)177 gr. (5.70 oz.)

€800-1,200 US$1,100-1,600£720-1,100

A LOUIS XVI SILVER SERVING SPOON, 1780

56CUILLERE EN ARGENT

PAR WILLIAM FLEMING, LONDRES, 1719

Le manche en bois, le bol percé d’un décor d’arabesques et appliqué d’un crochet, gravé sur le bol d’un crêt sous un tortil de baron et sur le fond du poids “2:12”, poinçons dans le bol: titre, ville, lettre-date (D) et

maître-orfèvre; sur le manche: maître-orfèvre

Longueur: 25 cm. (9√ in.)

€1,500-2,000 US$2,100-2,700£1,400-1,800

A GEORGE I SILVER PUNCH STRAINER, 1719

54

55

56

3

UNFOLDING ELEGANCE | 8 JANUARY 2013

From the simplest designs to the embellished

creations presented here, fans have been

fashionable accessories for centuries. Made of

materials such as ivory, lace, paper and feathers,

the fan has become a work of art in itself. This

collection includes some 18th century fans of

beautiful quality, with jewel-set sticks, as well as

an early 20th century ostrich feather fan. Whether

one is a seasoned or new collector of fans, it is

impossible not to admire the craftsmanship of

these delicate pieces.

UNFOLDING ELEGANCE

LOT 5

4


~2 A PAINTED SILK LEAF FAN WITH CARVED AND STAINED IVORY STICKS

LATE 18TH CENTURY

Painted with pastoral scenes, the front guardstick with mother-of-pearl inlay, with a fitted silk monogrammed box11æ in. (30 cm.) long

£800-1,200 US$1,200-1,800

€900-1,300

~3 A WHITE OSTRICH FEATHER FAN WITH BLONDE TORTOISESHELL STICKS

LATE 19TH / EARLY 20TH CENTURY

The front guardstick set with a monogram and crown in rose cut diamonds, in a fitted silk box19 in. (48.5 cm.) high (folded)

£1,000-1,500 US$1,600-2,300

€1,200-1,700

~4 A PAINTED PAPER LEAF FAN WITH MOTHER-OF-PEARL PIERCED SILVERED AND GILDED

CARVED STICKS

18TH CENTURY

Each guardstick applied with a miniature, probably on ivory of a young man and woman, the paper leafs painted with a betrothal scene, in a fitted silk box monogrammed ‘N de R’10 in. (25.5 cm.) long (folded)

£1,500-2,500 US$2,300-3,800

€1,700-2,800

~5 A WHITE OSTRICH FEATHER FAN WITH BLONDE TORTOISESHELL STICKS


The front guardstick with a monogram and crown in rose cut diamonds15Ω in. (39.5 cm.) long (folded)

£800-1,200 US$1,200-1,800

€900-1,300

~6 A WHITE OSTRICH FEATHER FAN WITH MOTHER-OF-PEARL STICKS


The front guardstick with ‘Antoinette’ in rose cut diamonds20 in. (51 cm.) high (folded)

£800-1,200 US$1,200-1,800

€900-1,300

THE PROPERTY OF A LADY OF TITLE

(LOTS 1-7)

~1 THE THREE GRACES: A PAPER LEAF FAN WITH CARVED IVORY STICKS

19TH CENTURY, PROBABLY BY ALEXANDRE

The front guardstick with monogram ‘CR’ in emeralds and diamonds, the back guardstick with a coronet also in emeralds and diamonds, in a red velvet box with inside label: Alexandre, eventailliste de leurs Majestes l’Imperatrice des Francais, La Reine d’Angleterre, L’Imperatrice de Russie12 in. (30.5 cm.) long (folded)

£2,500-3,500 US$3,800-5,300

€2,900-3,900

8 PLEASE REFER TO THE IMPORTANT NOTICE AT THE FRONT OF THE CATALOGUE REGARDING LOTS OF IRANIAN/PERSIAN ORIGIN

37n A FINE UNUSUAL KASHAN RUNNER

approx: 15ft.7in. x 3tf.6in.(474cm. x 107cm.)

£700-1,100 US$1,100-1,700

€790-1,200

38n A REGENCY MAHOGANY TEA TABLE

POSSIBLY AMERICAN, EARLY 19TH CENTURY

With twin hinged leaves on a pedestal with carved foliate base, paw feet and castors28æ in. (73 cm.) high; 31Ω in. (80 cm.) wide; 31æ in. (81 cm.) deep, open

£800-1,200 US$1,200-1,800

€900-1,300

39 A SPANISH CARVED GILTWOOD

PICTURE FRAME


Pierced with shells and scrolls18 x 16 in. (46 x 41 cm.); rabbet size 7 x 5¡ in. (18 x 14.5 cm.)

£600-900 US$910-1,400

€680-1,000

40n AN ANTIQUE PEKING CARPET

approx: 11ft.10in. x 9ft.4in.(360cm. x 283cm.)

£2,000-3,000 US$3,100-4,500

€2,300-3,400

41n A DANISH OR GERMAN BIEDERMEIER

MAHOGANY AND BURR BIRCH

SECRETAIRE A ABATTANT

EARLY 19TH CENTURY

With ivory escutcheons, the concave frieze drawer above a fruitwood and burr birch architectural interior with polished writing surface, various drawers and pigeon holes, the base with three long drawers58º in. (148 cm.) high; 39Ω in. (100 cm.) wide; 19æ in. (50 cm.) deep

£800-1,200 US$1,200-1,800

€900-1,300

42 A PAIR OF SPANISH GILTWOOD

MOULDED FRAMES

18TH CENTURY

49 x 23 in. (125 x 58 cm.); rabbet size 42Ω x 16æ in. (108 x 43 cm.) (2)

£600-900 US$910-1,400

€680-1,000

43n AN ANTIQUE HAMSEH KELLEH


£1,000-1,500 US$1,600-2,300

€1,200-1,700

44n A VICTORIAN MAHOGANY

SECRETAIRE CAMPAIGN CHEST

MID 19TH CENTURY

Previously with a gallery, the top drawer enlosing a fitted interior40 in. (102 cm.) high; 37 in. (94 cm.) wide; 20Ω in. (52 cm.) deep

£800-1,200 US$1,200-1,800

€900-1,300

45 A GEORGE III GILTWOOD AND GESSO

MARATTA PICTURE FRAME

LATE 18TH CENTURY

With applied gesso beading and band of foliage on a wood carcase55 x 43Ω in. (143 x 111 cm.); rabbet size 46Ω x 35Ω in. (118 x 90 cm.)

£600-800 US$910-1,200

€680-900

46n AN UNUSUAL KAZAK RUG


£550-850 US$830-1,300

€620-950

47n A GREY PAINTED LINEN PRESS

SECOND QUARTER 19TH CENTURY AND LATER

The scallop-shell centred pierced foliate carved broken pediment above panelled doors with two frieze drawers beneath, stamped miles &

edwards 134 oxford st. london 14340

95º in. (242 cm.) high; 59 in. (150 cm.) wide; 24 in. (61 cm.) deep

£1,200-1,800 US$1,900-2,700

€1,400-2,000

19


137 A FRENCH BRONZE FIGURE ENTITLED ‘DEVOIR

CIVIQUE’

EARLY 20TH CENTURY, AFTER EUGENE MARIOTON (1854-1925)

In the form of a swordsmith standing by an anvil entitled ‘DEVOIR CIVIQUE’, signed ‘Eug. Marioton’ and inscribed ‘Copyright 1904 By Lapointe’24 in. (61 cm.) high

£1,200-1,800 US$1,900-2,700

€1,400-2,000

138n AN OAK DOUBLE-SIDED ARTIST’S EASEL

LATE 19TH CENTURY

With opposing adjustable-height and adjustable-angle rests on an H-frame base, on castors85 in. (216 cm.) high; 25 in. (63.5 cm.) wide; 30Ω in. (77.5 cm.) deep

£1,200-1,800 US$1,900-2,700

€1,400-2,000

139 A PAIR OF FRENCH POLYCHROMED SPELTER FIGURES

LATE 19TH CENTURY, AFTER LOUIS HOTTOT

Modelled as Arab musicians, the bases with cast signature ‘L. Hottot’18º in. (46.5 cm.) high (2)

£1,500-2,000 US$2,300-3,000

€1,700-2,200

140n A FRENCH GILTWOOD MARGINAL MIRROR

LATE 19TH CENTURY

With pierced foliate scroll cresting and projecting corners, the raised bevelled central mirror within bevelled marginal plates64 in. (163 cm.) high; 47 in. (120 cm.) wide

£1,500-2,000 US$2,300-3,000

€1,700-2,200

141 A FRENCH BRONZE FIGURE ENTITLED ‘PRINTEMPS’

CIRCA 1900, AFTER ADRIEN-ETIENNE GAUDEZ (1845-1902)

Standing on a circular base signed ‘A GAUDEZ’ and with applied title plaque21æ in. (55 cm.) high

£1,000-1,500 US$1,600-2,300

€1,200-1,700

142n A COLLECTION OF SEVENTEEN VICTORIAN COPPER

JELLY MOULDS

LATE 19TH CENTURY

Mostly of plain form and some domed gadrooned with brass mounts, together with a brass ladle, set on a pine stand52 in. (132 cm.) high

£800-1,200 US$1,200-1,800

€900-1,300

27

DRINK AND BE MERRY | 8 JANUARY 2013

DRINK AND BE MERRY

Raise a glass to the New Year

with our selection of decanters,

tankards and trays. From an 18th

century tankard made by George

Wickes to a Regency sarcophagus-

shaped wine cooler in mahogany

decorated with lion heads, the

sale presents an eclectic mix of

objects, perfect for entertaining

or decorating the home.

LOT 272

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*248 A WALDGLAS BEAKER

LATE 16TH CENTURY, GERMAN OR LOW COUNTRIES

Of green-tint, the tapering cylindrical form with a kick-in base, softly moulded with a trellis pattern, supported on a footring with pinched ornament, the lower part applied with four bun prunts below a trailed line3¡ in. (8.4 cm.) high

£1,500-2,000 US$2,300-3,000

€1,700-2,200

*249 A WALDGLAS STANGENGLAS

16TH CENTURY, GERMANY

Of watery-green tint, the slender cylindrical body with an everted rim, applied with horizontal bands of prunts divided by trailed threads, on a pierced coiled foot7√ in. (20 cm.) high

£1,500-2,500 US$2,300-3,800

€1,700-2,800

*250 A DIAMOND-POINT-ENGRAVED PROVINCES ROEMER

CIRCA 1680, THE NETHERLANDS OR GERMANY

Of pale-green tint, the ovoid bowl engraved with the coats-of-arms of the Seven United Provinces, each crowned and titled HOLLANDIA, ZEELANDIA, TRAIECIUM, FRISIA, TRANSISALANIA, GRONINGA et OMLANDIA and GELDRIA, below a band of meandering berried laurel leaves, the lower part applied with a milled bands above a cylindrical hollow stem applied with slanting bands of raspberry prunts, with a kick-in base supported by a coiled foot9 in. (22.9 cm.) high

£1,500-2,000 US$2,300-3,000

€1,700-2,200


Sir John Gooch, Benacre Park, Suffolk, sale on the premises,

Sotheby’s, 9-11 May 2000.

With Mallett, London.

*251 A THUMB BEAKER AND COVER (DAUMENGLAS)

18TH CENTURY, PROBABLY DUTCH

Of green tint, typically formed, the barrel-shaped body with six indentations between milled bands, the cover with a hollow acorn finial11æ in. (29.8 cm.) high

£1,200-1,800 US$1,900-2,700

€1,400-2,000


16TH CENTURY, GERMANY OR THE LOW COUNTRIES

Of pale-green translucency, the slender cylindrical body with a plain upper section above densely-packed bun prunts below a trailed thread, on a spreading foot with a stepped rim11¬ i.n (29.5 cm.) high

£3,000-5,000 US$4,600-7,500

€3,400-5,600


CIRCA 1600, GERMANY OR LOW COUNTRIES

Of cylindrical form with an everted rim above a moulded rib, the body applied with bands of bun prunts above a pierced and coiled footrim5¡ in. (13.7 cm.) high

£1,000-1,500 US$1,600-2,300

€1,200-1,700


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*275 TWO ENGLISH ENGRAVED GLASS DECANTERS AND

STOPPERS AND A CARAFE

CIRCA 1765

The first of sugar-loaf form, named for CALCAVELLA within a double-line quatrefoil cartouche, suspended by a chain, the flat stopper cut to the edge, the next smaller decanter and stopper of shouldered form, named for PORT within a quatrefoil cartouche issuing fruiting vines and leaves, the carafe of sugar loaf form, named for MADEIRA within a quatrefoil cartouche issuing flowers, leaves and tendrilsThe first 10æ in. (27.7 cm.) high (3)

£1,200-1,800 US$1,900-2,700

€1,400-2,000

*276 AN ENGLISH GLASS ‘LYNN’ DECANTER AND STOPPER

AND TWO CARAFES

CIRCA 1765

The decanter of shouldered form with a cut spire stopper, the carafes each of sugar loaf form11Ω in. (29.2 cm.) high, the carafes 9¿ in. (23.2 cm.) and 8 in. (20.3 cm.) high (3)

£1,800-2,500 US$2,800-3,800

€2,100-2,800

*277 AN ENGLISH GLASS JUG, ANOTHER SMALLER, TWO

SMALL CARAFES AND A STOPPER

18TH CENTURY

Each plain, the first of flattened pear shape with a thick ribbed handle, on a conical footring, another similar smaller example, and two shaft-and-globe carafes, one with a stopperThe first 9¬ in.(24.4 cm.) high (4)

£1,800-2,500 US$2,800-3,800

€2,100-2,800

*278 AN ENGLISH ENGRAVED GLASS REGIMENTAL

DECANTER AND STOPPER AND TWO OTHERS

CIRCA 1800

The first of Prussian form, engraved with the coat-of-arms of the Loyal Colchester Volunteers, the reverse with a matt panel reserved with the initials LCV between pendant husk swags below the date 1797 and the initials CAC, between cut flutes, the neck with three cut rings, with a target stopper, another of similar form engraved with a crowned rose flanked by the inscription South Hants, and a plain decanter and stopper engraved with a crowned thistle flanked by the initials KVThe first 10 in. (25.4 cm.) high (3)

£1,800-2,500 US$2,800-3,800

€2,100-2,800

*279 THREE ENGLISH GLASS ‘LYNN’ TYPE CARAFES

18TH CENTURY

The first of shaft-and-globe form, moulded with ribs to the body, the other two of pear shape7Ω in. (19 cm.), 5æ in. (14.6 cm.) and 5Ω in. (13.9 cm.) high (3)

£1,500-2,000 US$2,300-3,000

€1,700-2,200

*280 FIVE ENGLISH BLUE-GLASS DECANTERS AND STOPPERS

AND A CLEAR-GLASS EXAMPLE

CIRCA 1800

Each named in gilding, the first for JAN:TENTYE, the stopper initialled H, another named for PORT and three examples named for RUM, the clear-glass example named for BRANDYThe first 10æ in.(27.3 cm.) high (6)

£2,000-3,000 US$3,100-4,500

€2,300-3,400

*281 A CUT AND ENGRAVED GLASS TUMBLER AND THREE

DECANTERS AND STOPPERS

LATE 18TH/19TH CENTURY

The tumbler fluted to the lower part, finely engraved with stars reserved with a roundel inscribed A, TRIFLE/SHOWS/RESPECT — 4Ω in. (11.5 cm.) high, a cylindrical decanter and cut stopper engraved with a three mast sailing ship and two further panels inscribed FARRIER and RUM — 7Ω in. (19 cm.) high, a rectangular decanter and stopper, named FAIRNTOSCH — 9æ in. (24.7 cm.) high, and another cut decanter and stopper named for WHISKEY 9.7 in. (24.7 cm.) high (4)

£1,200-1,800 US$1,900-2,700

€1,400-2,000

*282 FIVE ENGLISH GLASS MOULDED CARAFES

SECOND QUARTER 18TH CENTURY

Each of similar form, the fluted octagonal section body below a tall plain neck with annulated collarFour carafes about 9º in. (23.5 cm.) high, the fifth 8º in. (21 cm.) high (5)

£1,500-2,500 US$2,300-3,800

€1,700-2,800

*283 AN ENGLISH CUT AND ENGRAVED GLASS ICE

DECANTER AND STOPPER AND A PAIR OF CARAFES

WITH STOPPERS

LATE QUARTER 18TH CENTURY

The decanter with rounded shoulders, pierced to the underside with an ice compartment, engraved and polished with pendant swags of beads and flowers suspended from bows and stars, the stopper engraved with a star and flowers, the two baluster carafes cut and engraved with swags of beads and stars, the broad covers with barley-twist loop finialsThe decanter and stopper 13º in. (33.6 cm.) high, the carafes and covers 9 in. (22.8 cm.) high (3)

£1,200-1,800 US$1,900-2,700

€1,400-2,000


46


313n A PAIR OF ITALIAN SILVERED AND GILTWOOD PEDESTAL STANDS

19TH CENTURY

Each carved with fruit and foliage in relief with a faux-marble top24 in. (61 cm.) high; 15 in. (38 cm.) wide at top (2)

£800-1,200 US$1,200-1,800

€900-1,300

308 A PAIR OF BELGIAN BRASS AND EBONISED-METAL COACH LANTERNS

SECOND HALF 19TH CENTURY

The glazed panels with shaped bevels, inscribed ‘J. Lemoine. Bruxelles.’ set on later brackets21 in. (53 cm.) high (2)

£800-1,200 US$1,200-1,800

€900-1,300

310n A SPANISH BLACK MARQUINA AND WHITE VARIEGATED BOLECTION MOULDED

MARBLE CHIMNEYPIECE

EARLY 20TH CENTURY

52Ω in. (133.5 cm.) high; 63 in. (160 cm.) wide; 7 in. (17.8 cm.) deepThe opening — 38º in. (97 cm.) high; 37º in. (94.5 cm.) wide

£3,000-5,000 US$4,600-7,500

€3,400-5,600

309n TWO VICTORIAN BRASS AND IRON-WIRE NURSERY FENDERS

MID-19TH CENTURY

Both of rectangular form with drying railsLargest: 27 in. (69 cm.) high; 53æ in. (136.5 cm.) wide (2)

£1,200-1,800 US$1,900-2,700

€1,400-2,000

311 A SET OF THREE ART-DECO BRONZE WALL-APPLIQUES

CIRCA 1920

Each cast as a foliate capped torchere with floral backplate and fluted tops supporting opaline glass shades16Ω in. (42 cm.) high excluding shades (3)

£1,000-1,500 US$1,600-2,300

€1,200-1,700

312n A COLLECTION OF FRENCH AND ENGLISH IRON AND STEEL FIRE-SIDE UTENSILS


Comprising a steel and wire-mesh nursery fender, a pair of steel fire-tools on a stand, a log box, a pair of brass mounted steel andirons, and a mesh covered fire-guardfender 35 in. (89 cm.) wide (8)

£1,200-1,800 US$1,900-2,700

€1,400-2,000

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