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IN DETAIL Fall 2016 Instructor: René Davids [email protected] This seminar will reevaluate of the material nature of buildings by studying and understanding construction details and the new technologies that are revolutionizing design construction and labor relations in architecture. Nowhere in architecture is bodily contact felt more readily than in realm of detail. Small when compared to a building’s overall mass, details should be considered the building’s basic genetic in-print determining not just the architecture’s appearance but also its performance. Each detail contributes to the meaning of the whole and simultaneously represents a microcosm of the larger entity. For Le Corbusier this idea could be traced back to nature where the smallest cell determines the validity of the whole. Through dedicated research, analysis, and interpretation of case studies and self generated design investigations we will explore and understand formal and material innovation and the increasingly global nature of architectural practice; consultants, suppliers, and fabricators as well as the understanding of the critical role of computers in architecture. Finally we will also discuss the ethical dimension of detailing as the choice of materials and their combination has a potential impact on world resources, environments, and economy. Structure The course is structured in three parts: 1) Discussions of essays by scholars and practitioners an detailing, practice and materials 2) A series of lectures by Bay Area practitioners focused on detailing work in their practices 3)An in depth case-study of significant buildings focusing on design ethos of the architect practice , construction technique, materials that will leading to the design of two and the making of one 1: 1 details intended to develop and advance your mown design work. Notes on Reading Reserve listings and call numbers are available through Oskicat TASKS . 1)Weekly reading response Attendance and Participation in Discussions You are required to prepare a brief response of three critical questions to all of the assigned readings of no more than 150 words, which you may be asked to read aloud at the start of the class discussions each week. Your response should not be a summary; rather it should present critical issues/questions the reading has raised for you. You may also use it to suggest connections/conflicts with previous readings, or perhaps establish a link with work you are doing in other courses. A copy of your response must be submitted at the beginning of each class. These will form an integral part of the final grade you receive for class participation. Attendance is mandatory. Regular, enthusiastic and informed participation in class discussions is an important part of your contribution to the class. 2)CASE Studies Leading to the construction of one detail: Choose buildings case studies that are of interest to you and that will lead to the 1:1 design a detail it may be a different scale depending on the chosen detail). .Focus on the different assemblies/materials a) Give us a general context, site and climatic context b) General architectural context of the architect work. Illustrate the building identify the detail’s location/s c) Present the details in 11X14” sheets of paper ( as many as necessary)presented horizontally. Include a graphic scale. d) Choose the case studies with some thesis or subject in mind; for example staging of parts, de-mountability, ergonomics, accessibility, economy, durability or serial applicability. Please study the alternatives so that you can determine why one

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Page 1: PowerPoint Presentationced.berkeley.edu/downloads/gallery/arch/262/Arch262-2016.pdf · overall mass, details should be ... technique, materials that will leading to the design of

IN DETAIL

Fall 2016

Instructor: René [email protected]

This seminar will reevaluate of the material nature of buildings by studying and understanding construction details and thenew technologies that are revolutionizing design construction and labor relations in architecture.Nowhere in architecture is bodily contact felt more readily than in realm of detail. Small when compared to a building’soverall mass, details should be considered the building’s basic genetic in-print determining not just the architecture’sappearance but also its performance. Each detail contributes to the meaning of the whole and simultaneously representsa microcosm of the larger entity. For Le Corbusier this idea could be traced back to nature where the smallest celldetermines the validity of the whole.Through dedicated research, analysis, and interpretation of case studies and self generated design investigations wewill explore and understand formal and material innovation and the increasingly global nature of architectural practice;consultants, suppliers, and fabricators as well as the understanding of the critical role of computers in architecture. Finallywe will also discuss the ethical dimension of detailing as the choice of materials and their combination has a potentialimpact on world resources, environments, and economy.

StructureThe course is structured in three parts:1) Discussions of essays by scholars and practitioners an detailing, practice and materials2) A series of lectures by Bay Area practitioners focused on detailing work in their practices3)An in depth case-study of significant buildings focusing on design ethos of the architect practice , constructiontechnique, materials that will leading to the design of two and the making of one 1: 1 details intended to develop and advance your mown design work.

Notes on ReadingReserve listings and call numbers are available through Oskicat

TASKS.1)Weekly reading response Attendance and Participation in DiscussionsYou are required to prepare a brief response of three critical questions to all of the assigned readings of no morethan 150 words, which you may be asked to read aloud at the start of the class discussions each week. Yourresponse should not be a summary; rather it should present critical issues/questions the reading has raised for you.You may also use it to suggest connections/conflicts with previous readings, or perhaps establish a link with workyou are doing in other courses. A copy of your response must be submitted at the beginning of each class. Thesewill form an integral part of the final grade you receive for class participation. Attendance is mandatory. Regular,enthusiastic and informed participation in class discussions is an important part of your contribution to the class.

2)CASE Studies Leading to the construction of one detail:Choose buildings case studies that are of interest to you and that will lead to the 1:1 design a detail it may be a different scale depending on the chosen detail).

.Focus on the different assemblies/materialsa) Give us a general context, site and climatic contextb) General architectural context of the architect work. Illustrate the building identify the detail’s location/sc) Present the details in 11X14” sheets of paper ( as many as necessary)presented horizontally. Include a graphicscale.d) Choose the case studies with some thesis or subject in mind; for example staging of parts, de-mountability, ergonomics,accessibility, economy, durability or serial applicability. Please study the alternatives so that you can determine why one

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Taewook Kang

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Anna Phe

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Christopher Gomez

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Nikita Tugarin

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Shireen Khan

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Foster Turcott

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Albert Orozco

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Keenan Gravier

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Keenan Gravier

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Andrew Jimbo

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Isabella Warren

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Lawrence Lazarides

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Britta Wangstad

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Marc Rios

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