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Postmodernism in Post-World War II and Post-Vietnam Europe

Postmodernism in Post-World War II and Post-Vietnam Europe

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Page 1: Postmodernism in Post-World War II and Post-Vietnam Europe

Postmodernism in Post-

World War II and Post-Vietnam Europe

Page 2: Postmodernism in Post-World War II and Post-Vietnam Europe

Postmodernism

Main Content, Philosophy and Development

Page 3: Postmodernism in Post-World War II and Post-Vietnam Europe

PostmodernismUsually referred to by time period, 1960 –today

• Rejection of modernism standards of how work should be made, especially “impulsive expressionistic” qualities.

• Attacks ultimate truth in work, believing that the truth is from all different points of view.

• Expands into many different areas of art. Expands into multi-media type projects like Installations, Performance, Photography, Sound and Video installations, found-art, painting, sculpture, and environmental installations.

• Rejects genres and labeling, tries to eliminate High v. Low art

Page 4: Postmodernism in Post-World War II and Post-Vietnam Europe

Postmodernism• Individuality and Identity

• All artists and viewers are different with their own perspective.

• Cultural factors affect each person individually.

• Human beings are full of potential.

• Postmodernists tackle issues of identity like:• Feminism• Race• Gender• Sexuality

• Postmodernists place a large emphasis on originality and creativity within each individual. Creating their own new boundaries.

Page 5: Postmodernism in Post-World War II and Post-Vietnam Europe

Performance Art & “Living

Sculpture”

Page 6: Postmodernism in Post-World War II and Post-Vietnam Europe

Joseph Beuys, Coyote, "I Like America and America Likes Me , Tate Modern, GB 1974

Page 7: Postmodernism in Post-World War II and Post-Vietnam Europe

Joseph Beuys, Action Piece , Tate Modern, 1972

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Vanessa Beercroft, The Book of Food, Milan, 1993

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Vanessa Beercroft, VB35, Guggenheim Museum, NY 1998

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Photorealism

Page 11: Postmodernism in Post-World War II and Post-Vietnam Europe

Gerhard Richter, Candle 1982

Page 12: Postmodernism in Post-World War II and Post-Vietnam Europe

Gerhard Richter,Skull 1983

Page 13: Postmodernism in Post-World War II and Post-Vietnam Europe

Gerhard Richter, Apfel (Apples) 1984

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Gerhard Richter, Lesende 1994

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Installations

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Ilya Kabakov, The Man who Flew into Space from his apartment , Moscow Apartment, 1968

Page 17: Postmodernism in Post-World War II and Post-Vietnam Europe

Conceptual Art

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Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living 1991

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Damien Hirst, Some comfort gained from the acceptance on the coherent lies in everything ,1996

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Addicted to Crack 2005 Vivisection 2004-05

Damien Hirst

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Kiki Smith, Untitled (train) 1994

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Kiki Smith, Las Animas. 1997

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Environmental Installation

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Reichstag in Berlin, 1995

• Parliament had to be convinced in person by Christo and Jeanne- Claude to go ahead with the project.

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The Umbrellas in California and Japan, 1990

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Surrounded Islands, 1983

Biscayne Bay, Miami, Florida

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The Gates, 1979-2005

Central Park, New York

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The Gates, 1979-2005

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The Gates, 1979-2005

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the end.