1
Shakespeare and Autism Pilot Outcomes A Shakespearian Social Skills Intervention for Children with ASD Margaret H. Mehling 1 , Marc J. Tassé 1 , Ph.D., Kelly Hunter 3 , Robin Post 2 , M.F.A., & Lesley Ferris 3 , Ph.D. Institutions: 1 The Ohio State University Nisonger Center, 2 The Ohio State University Department of Theatre, 3 The Royal Shakespeare Company Measures The core features of autism include qualitative impairments in social engagement and communication and presence of restricted interests and repetitive behaviors. Teaching social skills has been shown to be an effective intervention for children with autism spectrum disorders (ASD; Chung, Reavis, Mosconi, Drewy, Matthews, & Tassé, 2007). Drama-based intervention may be a good vehicle to teach many social and communication skills that can benefit children with ASD. Drama intervention offers a structured approach to enabling and motivating hard-to-reach children to participate more meaningfully in a social world (Peter, 2003). Enabling children with ASD to engage in playful activity can strengthen those aspects of brain functioning necessary for more flexible thinking, with associated benefits in communication skills and greater sensitivity in social interaction (Sherratt & Peter, 2002). The Hunter Heartbeat Method, developed by Kelly Hunter of the Royal Shakespeare Company, has been used with children with ASD for the past 20 years. Over the years, teaching strategies and intervention methods have been refined and have been anecdotally effective in improving social and communication skills with children of all ages and abilities. The present pilot study explores the effects of participating in a Shakespeare theatre intervention using the Hunter Heartbeat Method on certain behavioral features associated with ASD including social engagement, eye contact, expressive and receptive communication, facial emotion expression recognition, and pragmatic language. The Hunter Heartbeat Method is a Shakespearian based theatre intervention developed by Kelly Hunter of the Royal Shakespeare Company. The Hunter Heartbeat Method is based around the rhythm of iambic pentameter and the sound of the heartbeat. In this intervention, games based on Shakespeare’s The Tempest are introduced to the children allowing them to progress through the basic plot of the work while emphasizing the themes of the eyes, the mind and the heart. Games target skills such as eye contact, turn taking, facial emotion recognition and production, imitation, improvisation, basic play humor, and communication in a playful manner. Children learn the games while seated in a large group circle through imitation and observation rather than explicit instruction, have an opportunity to play the games one on one with an actor, and then have an opportunity to enter the middle of the circle and show their interpretation of the work to their peers. The Hunter Heartbeat Method emphasized the low actor to child ratio so children receive individual attention, feedback, and interaction as they play the games and develop core social skills. Introduction Pilot Design Children (N=14) participating in the study were recruited through local area public schools. Children were selected based on the presence of an ASD diagnosis and absence of severe behavior problems (screened for with Nisonger Child Behavior Rating Form). Actors facilitating the intervention were selected from The Ohio State University Department of Theatre and received training in the Hunter Heartbeat Method as well as basic education in Autism Spectrum Disorders. Prior to participating in the Shakespeare intervention, pre-test evaluations were conducted to obtain baseline information for each child. Children were then divided into two groups (N=8 and N=6) based on scheduling needs and to allow for low actor to student ratios during the intervention (approximately 1:1 for group 1 and 2). Children participated in the Shakespeare intervention after school for approximately 1-hour per week for 10 weeks. At the end of the 10-week intervention period, post-test evaluations were conducted to measure potential change in ability. At this time parents and teachers were also asked to complete a brief questionnaire regarding their impression of the intervention, whether or not their child/student found the intervention enjoyable, and whether they noticed any progress in social skills, communication, or behavior. Hunter Heartbeat Method Funding from: OSU/RSC Partnership & OSU Nisonger Center (ADD grant #90-DD-0621) and the Maternal and Child Health Bureau Grant T73MC00049 Sample Demographics Age: 10 years, 6 months to 13 years, 10 months; M = 12 years, 5 months Gender: 9 males (64%); 5 females (36%) Autism Diagnosis: Mean ADOS = 10.7, SD = 3.8 Results Test Skills Assessed Pre- Test Post- Test Autism Diagnostic Observation Schedule (ADOS) Core Symptoms of Autism (Social Skills, Communication, Repetitive Behavior) X Nisonger Child Behavior Rating Form (NCBRF) Problem behavior X X Penn Emotion Recognition Test Facial Emotion Recognition X X Vineland Adaptive Behavior Scales Second Ed. (Vineland II) Adaptive Behavior; specifically communication and socialization domains X X Test of Pragmatic Language Second Edition (TOPL-2) Pragmatic language X X Social Validation Questionnaire Parent/Teacher/Child’s general impression of intervention; anecdotal report change in skills X . 50 55 60 65 70 75 80 Communication Domain Daily Living Domain Socialization Domain Total Adaptive Behavior Composite Vineland Adaptive Behavior Scale pre-intervention post-intervention 75 80 85 90 95 100 Pre-Intervention Post-Intervention TOPL-2 Pre versus Post Test 6.8 7 7.2 7.4 7.6 7.8 8 8.2 8.4 8.6 Pre-Intervention Post-Intervention Vineland Relationships Subscale 0 2 4 6 8 10 12 Pre-Intervention Post-Intervention Vineland Expressive Language Subscale Non-parametric statistics were utilized to analyze pre and post test statistics due to the small sample size and non-normal distribution of the data. The Wilcox Signed Ranks Test was used to test for differences between pre and post test measures tor the TOPL, NCBRF subscales, Vineland subscales, and Vineland composite scores. Significant differences between pre and post test measures were found for the TOPL composite score (Z = -2.40, p=0.02), the Vineland Expressive Language Subscale (Z = -2.45, p=0.01), the Vineland Daily Living Composite (Z = -2.53, p=0.01), the Vineland Relationships Subscale (Z = -2.44, p=0.02), and Vineland Composite Scores (Z= -2.37, p=0.02)

Poster #045 - Shakespeare and Autism Pilot Outcomes: A Shakespearian Social Skills Intervention for Children with ASD

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Margaret H. Mehling, Marc J. Tassé, Ph.D., Kelly Hunter, Robin Post, M.F.A., & Lesley Ferris, Ph.D.

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Page 1: Poster #045 - Shakespeare and Autism Pilot Outcomes: A Shakespearian Social Skills Intervention for Children with ASD

Shakespeare and Autism Pilot Outcomes A Shakespearian Social Skills Intervention for Children with ASD

Margaret H. Mehling1, Marc J. Tassé1, Ph.D., Kelly Hunter3, Robin Post2, M.F.A., & Lesley Ferris3, Ph.D.

Institutions: 1The Ohio State University Nisonger Center, 2The Ohio State University Department of Theatre, 3The Royal Shakespeare Company

Measures

The core features of autism include qualitative impairments in social engagement and

communication and presence of restricted interests and repetitive behaviors. Teaching social

skills has been shown to be an effective intervention for children with autism spectrum

disorders (ASD; Chung, Reavis, Mosconi, Drewy, Matthews, & Tassé, 2007). Drama-based

intervention may be a good vehicle to teach many social and communication skills that can

benefit children with ASD. Drama intervention offers a structured approach to enabling and

motivating hard-to-reach children to participate more meaningfully in a social world (Peter,

2003). Enabling children with ASD to engage in playful activity can strengthen those aspects

of brain functioning necessary for more flexible thinking, with associated benefits in

communication skills and greater sensitivity in social interaction (Sherratt & Peter, 2002).

The Hunter Heartbeat Method, developed by Kelly Hunter of the Royal Shakespeare

Company, has been used with children with ASD for the past 20 years. Over the years,

teaching strategies and intervention methods have been refined and have been anecdotally

effective in improving social and communication skills with children of all ages and abilities.

The present pilot study explores the effects of participating in a Shakespeare theatre

intervention using the Hunter Heartbeat Method on certain behavioral features associated

with ASD including social engagement, eye contact, expressive and receptive

communication, facial emotion expression recognition, and pragmatic language.

The Hunter Heartbeat Method is a Shakespearian based theatre intervention developed by

Kelly Hunter of the Royal Shakespeare Company. The Hunter Heartbeat Method is based

around the rhythm of iambic pentameter and the sound of the heartbeat. In this intervention,

games based on Shakespeare’s The Tempest are introduced to the children allowing them to

progress through the basic plot of the work while emphasizing the themes of the eyes, the

mind and the heart. Games target skills such as eye contact, turn taking, facial emotion

recognition and production, imitation, improvisation, basic play humor, and communication in

a playful manner. Children learn the games while seated in a large group circle through

imitation and observation rather than explicit instruction, have an opportunity to play the

games one on one with an actor, and then have an opportunity to enter the middle of the

circle and show their interpretation of the work to their peers. The Hunter Heartbeat Method

emphasized the low actor to child ratio so children receive individual attention, feedback, and

interaction as they play the games and develop core social skills.

Introduction Pilot Design

Children (N=14) participating in the study were recruited through local area public

schools. Children were selected based on the presence of an ASD diagnosis and

absence of severe behavior problems (screened for with Nisonger Child Behavior

Rating Form). Actors facilitating the intervention were selected from The Ohio State

University Department of Theatre and received training in the Hunter Heartbeat

Method as well as basic education in Autism Spectrum Disorders. Prior to participating

in the Shakespeare intervention, pre-test evaluations were conducted to obtain

baseline information for each child. Children were then divided into two groups (N=8

and N=6) based on scheduling needs and to allow for low actor to student ratios during

the intervention (approximately 1:1 for group 1 and 2). Children participated in the

Shakespeare intervention after school for approximately 1-hour per week for 10

weeks. At the end of the 10-week intervention period, post-test evaluations were

conducted to measure potential change in ability. At this time parents and teachers

were also asked to complete a brief questionnaire regarding their impression of the

intervention, whether or not their child/student found the intervention enjoyable, and

whether they noticed any progress in social skills, communication, or behavior.

Photo Caption: Arial, 28 pts.

Hunter Heartbeat Method

To turn the guides on or off, right mouse click on blue area outside slide area and click on Grid and Guides>Check Display drawing guides on screen

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Funding from: OSU/RSC Partnership & OSU Nisonger Center (ADD grant #90-DD-0621) and the Maternal and Child Health Bureau Grant T73MC00049

Sample Demographics

• Age: 10 years, 6 months to 13 years, 10 months; M = 12 years, 5 months

• Gender: 9 males (64%); 5 females (36%)

• Autism Diagnosis: Mean ADOS = 10.7, SD = 3.8

Results

Test Skills Assessed Pre-

Test

Post-

Test

Autism Diagnostic Observation

Schedule (ADOS)

Core Symptoms of Autism (Social Skills,

Communication, Repetitive Behavior) X

Nisonger Child Behavior Rating

Form (NCBRF)

Problem behavior X X

Penn Emotion Recognition Test Facial Emotion Recognition X X

Vineland Adaptive Behavior

Scales Second Ed. (Vineland II)

Adaptive Behavior; specifically

communication and socialization domains X X

Test of Pragmatic Language

Second Edition (TOPL-2)

Pragmatic language X X

Social Validation Questionnaire Parent/Teacher/Child’s general impression of

intervention; anecdotal report change in skills X

.

50

55

60

65

70

75

80

Communication Domain Daily Living Domain Socialization Domain Total Adaptive BehaviorComposite

Vineland Adaptive Behavior Scale

pre-intervention

post-intervention

75

80

85

90

95

100

Pre-Intervention Post-Intervention

TOPL-2 Pre versus Post Test

6.8

7

7.2

7.4

7.6

7.8

8

8.2

8.4

8.6

Pre-Intervention Post-Intervention

Vineland Relationships Subscale

0

2

4

6

8

10

12

Pre-Intervention Post-Intervention

Vineland Expressive Language Subscale

Non-parametric statistics were utilized to analyze pre and post test statistics due to the

small sample size and non-normal distribution of the data. The Wilcox Signed Ranks Test

was used to test for differences between pre and post test measures tor the TOPL, NCBRF

subscales, Vineland subscales, and Vineland composite scores. Significant differences

between pre and post test measures were found for the TOPL composite score (Z =

-2.40, p=0.02), the Vineland Expressive Language Subscale (Z = -2.45, p=0.01), the

Vineland Daily Living Composite (Z = -2.53, p=0.01), the Vineland Relationships Subscale

(Z = -2.44, p=0.02), and Vineland Composite Scores (Z= -2.37, p=0.02)