post presents Ich Nibber Dibber - Intimate Spectacle · post's Ich Nibber Dibber Technical Specifications p3 Reviews Keith Gallasch, RealTime issue #137 Feb-March 2017 "Life is 90-99%

post'sIchNibberDibber TechnicalSpecifications p1

postpresents

IchNibberDibberproducedbyIntimateSpectacle

InformationPackage&TechnicalSpecifications

V3.0,15June2017

ContactHarleyStumm,ProducerIntimateSpectaclePtyLtdharley@intimatespectacle.com.auwww.intimatespectacle.com.au+61411330654POBox3211RedfernNSW2016Australia


GeneralDescription ProductionCredits

Written&performedby ZoeCoombsMarr,NatalieRose&MishGrigor Set&CostumeDesigner MichaelHankin LightingDesigner FaustoBrusamolino Composer&SoundDesigner JamesBrown ProductionManager FaustoBrusamolino Dramaturg Anne-LouiseSarks StageManager RoxzanBowes Producedby IntimateSpectacle(HarleyStumm)Originallyproducedby CampbelltownArtsCentre

ProductionDescription IchNibberDibbermapsthelivesandpracticesofthreewomencomingofageinthe21stCentury.Asingleconversationspanningadecadeoffriendship,bowelmovements,birthingmoansandtonguepiercings.

ByAustraliancollaborativeperformanceensemblepost,andlyingsomewherebetweendrama,comedyandpoliticalcommentaryIchNibberDibberlooksatwhatitmeanstobeawoman,anartist,andthewaywemakesenseoftheworldinconversationwiththosenearesttous.IchNibberDibberisascripttakenfromrealrecordedconversationsovertenyears.Inrehearsalrooms,dressingrooms,theatres&loungerooms,Mish,Nat&Zoehaveusedcameras&voicerecorderstodevisealloftheirshows.

Inthemidstofthecreativeprocess,theyoftengoofftopic-reallifeeventsbecomeenmeshedwiththeircharacters,currenteventsareunpackedandrepacked,andfriendshipisinfectedwiththetopicstheyareresearching.Thispieceisadaisychainoftextsfromthesetangentialmusings.

DesignDescription

Thesetcomprisesablackboxconfiguration,with3blacklegsoneachsideofthestage,ablacksmotherUS,andblackcarpetonthefloortocovertheentireperformingarea.Thecastisperformingtheentireshowsittingon3custommaderaisedchairs,placedapproximatelymidstage/centrestage.

DocumentationVideo

Promo(6min) https://vimeo.com/210689660Promoandstills http://intimatespectacle.com.au/production/ich-nibber-dibber/Fullshow(1hr10min): https://vimeo.com/202873227(password:IND)

Warnings Thisperformancecontainsexplicitlanguageandadultthemesincludingsexanddrugreferences.

RunningTime

70minutes,withnointerval. Thereisalockouttothisperformance.Nolatecomerswillbeadmittedintothetheatre.

Astheperformersarepresetonstageunderasmother,thedoorsmustbeopenedandtheaudienceadmittedtothevenueasshortatimeaspossiblepriortothebeginningoftheshow.


ReviewsKeithGallasch,RealTimeissue#137Feb-March2017"Lifeis90-99%shit,"saysZoeCoombsMarr,resolutely.There'sanalltooapparentkinshipbetweenPat-riciaCornelius'SHITandpost'sIchNibberDibber.Bothworksfocusonthreeyoungwomenreflectingontheirlives,theirfrankexchangesrevealingthecamaraderieandtensionsthatmakeandtestfriendships.Theobviousdifferenceisthatpost(MishGrigor,ZoeCoombsMarr,NatalieRose)arereproducingverbatimconversationsmadeafterperformancesacrossa10-year-period,openinguptheirlivestous.Thetextcan-notbefinelycrafted,buttheperformers'easyfamiliaritywitheachothercarrieswithitcadences,hesita-tions,interruptionsandoverlapsthatyieldasatisfyingrhythmandunderpinthetrio'ssharedsenseoftheabsurd.TheotherkinshipbetweenSHITandIchNibberDibberisthattheyoungwomenineachliveun-orill-informedlives.Inthefirstthisistragic,inthesecondit'sfuelforfunaspostkeenlyrattleoffun-andhalf-truthsgleanedfrommagazines,televisionshowsandmovies,agreeingwithormockingtheteller.Werepost,forallthoseyears,justbeingsilly—theirsenseoftheabsurdisfinelycalibrated—orhavetheyde-cidedtotargettheknowledgedeficitinducedbyadumbed-downmassculture,revealingatthesametimetheirownmisadventures,inadequaciesandanxieties?Ofcoursetheyhave,they'repostandtheylikebigsubjects—deadmaleplaywrights,theglobalfinancialcrisis;butherethemediumistheirownlives.What-evertheirintention,IchNibberDibberispointedfunbecauseitunleashesthekindofeverydaytalkaboutthefemalebodyrarelyheardinthetheatre,theperformance'sopeningimagemakingthepointwithagrandiosebluntnessandmusictomatch.Fromoutofthedarkappearthreeidealisedfiguresswathedinwhitesilk,suspendedinspace:Baroquean-gelsminusthewings,untiltheyopentheirmouths.SHITcommencedwitha"fuck"litany,hereit's"poo"andvomit.Thechallengesofheight,weight,aneatingdisorderandpregnancyvividlyunfoldacrosstheshow,rapidlyde-idealisingthebody.KeenlyrelayedmediastoriesaboutSiamesetwinspushbodyanxietiestotheextremealongsidevarioustakesonRichardGereandarecollectionofpassingoutataBlueLightdiscoandbeinghelpedby'aguywhowasarealgentlemanbecausehelaiddownhisjumpersowecouldhavesex'(orwordstothateffect).It'sascarymix.Fearsaboutbeing30and"overthehill"triggercharac-teristicpostriffing,including"goontoadifferenthill."LikeSeinfield,IchNibberDibberisaboutnothing(theapparentlyinconsequentialeveryday)andeverything(life,deathandthewholedamnedthing).We'renotguidedchronologically;theyearofeachconversationisnotsignalled.Thementionofanevent("AtkinsdiedoftheAtkinsDiet")mightgiveusaclueastowhereweare.Sometimesoneofthetriosays,"Shouldwestop?"or"Isthetapestillrunning?"suggestinganimminenttransition.Overallthere'sakindofseamlessnessinwhichcertainsubjectsrecurlikemotifsandthetimelessnessofanenormouslycreativefriendshipisunderlined.Towardstheend,aftersortingrandomlythroughrelationshipsandcelebratingasuccessfulbirth,deathmakesanappearance.Aproposedmurder-suicidepact,thekindofthingfriendsmightconsiderinjest,iswittilyundone(who'sgoingtobethemurderer?)andthepassingofthegreatwriterJohnBergerisac-knowledged,"Thefirstcelebritydeathof2017."Twoofthetriodon'tknowhim;isheBabyJohnBurgess,thegameshowhost?IchNibberDibberisgreatfun,raw,sharplyobservantandculturallyincisive,inthatsingularpostway.http://www.realtimearts.net/article/issue137/12507


BiographiesPOSTare(inheightorder)Nat,ZoeandMish.Straddlingliveart,theatreandcontemporaryperformancepractices,theycouldbedescribedas‘hybrid’,butprefer‘genre-queer’.They’verisenthroughtheranksofexperimentalvenuesandexplodedontothemainstreamwithoutanyonereallyknowinghow.Fastbecom-ingsomeofAustralia’stoptheatremakers,theyarepartofanewgenerationwithnewrules.Theytakebeingsillyveryseriously,andhaveadeepandtruecommitmenttoinnovationthatdoesn’talienateaudi-encesorgetboring.

“Itpokesatthedeadremainsofdramaticperformancewithaverybigstickthatisitselfhugelyentertain-ing”(JohnBailey,REALTIME)

Continuallyinvigoratedbycollaboration,theyascribetothetheorythatoneplusoneequalsthree.Postbelieveinthepossibilitiesofprocessandpracticeoutsideofexistinghierarchicalformsoftheatreproduc-tion.Originallyacoregroup,since2008posthaveexpandedtoincludeapoolofcollaboratorsfromawiderangeofdisciplines.(JamesBrown,Anne-LouiseSarks,EdenFalk,EmmaSaunders,ClareGrant,etc)

postcarryadeepirreverencefortheinstitutionoftheatreandadeepreverenceforthemagicmomentofliveperformanceithouses.Thishasamused,bemusedandprobablyannoyedaudiencesaroundthecoun-tryforthelastdecade.Withagrowinginternationalpresence,POSTarereceivingattentionfortheiruniquecombinationofpoliticalsensibilityandhighcampkitschaesthetic.

post’sworkisconcernedwithliveconnection,thetrulyabsurd,drag,impostors,impressions,badacting,boygenii,TheBiggestLoser,birth,death,auditions,shamans,epitaphs,avatars,andthosenightmareswhereyouhavetogiveaspeechbuthaven’tgotanypantson.

“OedipusSchmoedipuspushestowardssomefundamentaltruthaboutwhywewatchtheatreatall,stavingoffourownmortalitywithamomentoftogetherness”RebeccaHarkins-Cross,TheAge

OurworksincludeOedipusSchmoedipus,Who’sTheBest?,EverythingIKnowAboutTheGlobalFinancialCrisisInOneHour,ComeOnLadies,ShamelesslyGlitzyWork,andGiftedandTalented.

In2017,aswellasIchNibberDibber,theypremieredWeAreTheWorldwithCountryArtsSAinMountGambier,andwilltourOedipusSchmoedipustoChile.

MishGrigorisanartistwhoworkswithperformanceacrossavarietyofcontexts.In2016shetouredTheTalktoBuzzcut(Glasgow),ForestFringe(Edinburgh),andMetroArts/BrisbaneFestival,andpresentedWeAreMountain,incollaborationwithartistZoeScoglio,asiteresponsiveworkinanopencutmineonthewestcoastofTasmania.SheispartofMelbourneTheatreCompany’sWomeninTheatreprogram,under-takinganartisticdirector’smentorshipwithBrettSheehy.Recentotherprojectsinclude,RAMBLEforPunc-tum,SexTalkforProximityFestivalatArtGalleryofWesternAustraliainPerth,andManOManforFestivalofLiveArtandVitalStatistixAdelaide.HercuratorialworkincludesWINNER!forFirstdraftGallery,TheIm-perialPandaFestival,andshewastheco-founderofQuarterbred,anartistruninitiativethatestablishedtheTinyStadiumsFestivalinSydney(2006-2009).

ZoëCoombsMarrisaperformer,writer,artistandcomedian.HerlatestshowTriggerWarning,wonthe2016MelbourneInternationalComedyFestivalBarryAwardforbestshowandtheGoldenGibbo,andwasnominatedforaHelpmannAwardandBestComedyatEdinburghFringe.In2012,hersolotheatre/comedyworkAndThatWasTheSummerThatChangedMyLifewasawardedthePhilipParsonsYoungPlaywrightAwardandnominatedforBestNewcomerattheMelbourneInternationalComedyFestival.OtherworksincludeGoneOfforI’veBeenEverywhere,Man(OldFitzroyTheatre,MICF2012,SMACawardBestOnStage2012)andDave(MICF2013,EdinburghFringe,SohoTheatre,London).In2014,herfve-womanen-sembleplayIsThisThingOn?waspresentedatBelvoirTheatreandwonaSydneyTheatreAwardforBestEnsembleandwasnominatedforBestNewAustralianWork.

NatalieRoseisanartist,performeranddirector.HerworkhasbeenseenatBlacktownArtsCentre,FUN-PARKandBelvoirforSydneyFestival2014,SydneyTheatreCompany,ArtsHouse,andMuseumofContem-poraryArt.Shehasworkedextensivelywithyoungpeopleandemergingartistswithandwithoutdisabilityforthepast16years,mostrecentlyatShopfrontArtsCo-opandBlacktownArtsCentre.In2016shewas


appointedasAccessibilityDirectoratShopfrontandwillcontinueherworktherein2017inhernewlyap-pointedpositionasCreativeProducer.In2017,NataliewillcontinueherworkwithyoungpeopleandemergingartiststhroughfacilitatingworkshopswiththeBlacktownArtsCentreWesternSydneyYouthEn-sembleaswellasdirectingworksforShopfront/ATYPandEverAfterTheatre.

MichaelHankinisaNIDAtrainedSetandCostumeDesignerfortheatre,dance,operaandflm.Mostre-centlyhedesignedIvanov,JasperJones,TheGreatFire,TwelfthNightandTheGlassMenagerieforBelvoirStTheatre,LakeDisappointmentforCarriageworks,TartuffeforBrinkproductions/STCSA,OthelloandAsYouLikeItforBellShakespeareandThePeasantPrinceforMonkeyBaaTheatre.Othercareerhighlightsinclude247DaysforChunkyMove,JumpyforMelbourneTheatreCompany/SydneyTheatreCompany,DirtyRottenScoundrelsattheTheatreRoyal,UglyMugsforMalthouseTheatre/GriffnTheatre,SongsForTheFallenforSydneyFestivalandtheNewYorkMusicTheatreFestival,TheAspirationsOfDaiseMorrowforBrinkProductionsandTheLighthouseforSydneyChamberOpera.BelvoirStTheatre’sAngelsInAmer-ica,AChristmasCarol,andTheDarkRoomwereallnominatedforBestStageDesignatthe2014,2013and2011SydneyTheatreAwards.HisdesignsforSportforJove’sOfMiceAndMenandQtheatre’sTruckstopwonthe2016and2012independentaward.HewasoneoftheMikeWalshFellowsfor2016andiscur-rentlyAssociateLecturerofDesignatNIDA.

Anne-LouiseSarksworksprofessionallyasanactor,writer,directoranddramaturg.ShewasResidentDi-rectoratBelvoirfrom2013to2015.From2010to2013,shewasArtisticDirectorofTheHayloftProject,andadirector-in-residenceatMalthouseTheatre.ForpostAnne-LouisewasdramaturgonOedipusSchmo-edipus.ForBelvoir,Anne-LouisehasdirectedJasperJones,SeventeenandStoriesIWanttoTellYouinPer-son,co-adaptedanddirectedAChristmasCarol,co-wroteanddirectedNora,MedeaandElektra/Orestes,wasassistantdirectoronTheWildDuck,anddramaturgonThyestes.HerotherdirectingcreditsincludeTheFieryMaze(MalthouseTheatre);TheSeed(MelbourneTheatreCompany);TheNest,YuriWellsandByTheirOwnHands(TheHayloftProject).

FaustoBrusamolinoisalightingdesignerandproductionmanagerbasedinSydney,Australia.Faustohasbeenworkingandtouringwithperformingartsproductionsfornearly20yearsacrossItaly,Portugal,France,Iran,Australia,andNewZealand.Hisroleshavespannedlightingdesign,setdesign,lightingboardoperator,venueandproductionmanagement.Asafreelancer,Faustohasworkedandcollaboratedwith:MAU,Bangarra,OperaAustralia,AustralianBallet,SydneyOperaHouse,NewZealandInternationalArtsFestival,MCA,BiennaleofSydney,Post,VictoriaHunt,TeatroStabilediTorinoandmanymore.Mostre-cently,Faustoproductionmanaged,designedthelightingandwatereffectsforTangiwai,directedbyVicto-riaHunt,aproductionthatcraftstogethercontemporarydance,watereffects,videoandartinstallation.FaustospendshissparetimeworkingonArduinoandProcessingprojects,playingbassguitar,recordingandproducinghisownmusic.

HarleyStumm,Post'sproducer,hasworkedinperformingartssince1994,andestablishedtheindepend-entproducingcompanyIntimateSpectaclein2011.Inthatrolehehasproducedandtouredartistsinclud-ingpost,BranchNebula,VickiVanHout,CambodianSpaceProject,SamRoutledge,Erth,TeamMessandLenineBourke,tomajorfestivals&venuesnationally,regionallyandinternationally.Previously,hewasProduceratPerformingLines2005-11,managingtheMobileStatescontemporarytouringprogram,andtouringorproducingartistssuchasTanjaLiedtke,ChambermadeOpera,version1.0,Marrugeku,BacktoBack,GavinWebberandMyDarlingPatricia.HewasExecutiveProducerandjointCEOatUrbanTheatreProjects1995-2003.HeundertooktheNationalTouringFrameworkconsultancywithRickHeathfortheAustraliaCouncilin2011-12,instrumentalintherecentpositivereformstoperformingartstouring.

JamesBrownisaSydneybasedcomposerandsounddesigner.Hehasworkedcollaborativelywithcompaniesbothlocallyandinternationallytoproducesoundtracksforperformance,flm,animationandgames.HeholdsaVisualArtsdegreefromSydneyCollegeoftheArts,andaMastersDegreeinAcousticPhysicsfromSydneyUniversity.Hehasextensiveexperienceworkingincollaborative,multi-artformprocessesandhasformedongoingartisticrelationshipscollaborationswithartistsandcompaniesincluding:Bethesda,VictoriaHunt,JaneCampion,AustralianBallet,SydneyDanceCompany,WilliamYang,GeorgeKhut,MatthewDay,HansVanDenBroeck(SOIT),POST,andUrbanTheatreProjects.Hisprocessofteninvolvescreatingmusicinsynchronicitywiththedevelopmentoftheproject,creatingastrongconnectionbetweenthematerialandsound.


TechnicalSpecificationsPersonnel&Management

Thetouringcompanyconsistsof4persons: 3xPerformer/Directors ZoeCoombsMarr,NatalieRose,MishGrigor1xProductionManager/Lighting&Soundoperator TBC

Localcrewrequirements

Localcrewwillberequiredforbumpin,foreachperformance,andforbumpout.Abreakdownofestimatedcrewnumberrequirementsisbelow.Thelocalcrewrequirementbelowisindicative,asdifferentvenuesmightrequiremorecrewand/orprerigging.

Pleasediscusstheallocatedcrewwithourproductionmanager.

BumpIn(withindicativetask):

• 2xMX(layingcarpet,riggingmaskingandbackdrop)

• 2xLX(rigging,patchingandfocussingalllighting)

• 1xSound(installingandpatchingthesoundsystem.tuneupofmicrophones)

• 1xStageManager(assistshowPMandlearnperformancerequirements)

Showcrew(required):

• 1xStageManager(operatestagecuesduringtheshow)

BumpOut(withindicativetask):

• 1xMX(strikecarpet,maskingandsound)

• 2xLX(strikealllighting)

• 1xStageManager(packallset,costumes,andpropselementreadyfortouring)

Thebumpoutforthisproductionisfairlystraightforward,howeversomecollaborationbetweendepartmentswillbeimportanttoeffectivelystrikeallthetouringandvenuetechnicalelements.

Local StageManagerrequirementsforbumpin,techrunandeachperformance ThePresenterwillprovideaStageManagerforthedurationoftheseason.TheStageManagermustbeavailableduringthebumpintoassistourProductionManager,andthenduringthetechrunandeachperformance.

TheStageManagerwillreceivealltheinstructionsonhowtocallandoperatetheshow.

Ideallythispersonwouldhaveaverygoodunderstandingofthevenue,andpotentiallyactasvenuetechnician,toassistthetouringcompanywithanystage,lightingandsoundtouchupsandrequirements.

Keyresponsibilities:

• workundersupervisionandinliaisonwiththeshowproductionmanageranddirectors

• cleanandprepareallset,costumeandpropselementsfortheproduction.Whennecessary,procure,maintain,orreplaceprops,orotherdesign/productionelements


• toassisttheProductionManagerduringthebumpin,throughtheseason,andbumpout

• runningthebackstageandonstageareasduringeachperformance

• operatetherevealclothatthetopoftheshow,andanyothercuerequiredduringtheshow.

• theStageManagermustbewearingblack,andwillbebrieflyenteringthestageduringtheshow,aspartoftheperformance

• helpingtheproductionmanagerduringthebumpoutwithpackingawayallset,costumes,andpropselements.

• additionaltasksmightberequireddependingonthevenueconfigurationandschedulinglayout

IndicativeProductiontimetable

Fordetails,pleaserefertoourProductionScheduleattached.TheProductionScheduleistobeconsideredasindicative.SpecificProductionscheduleswillbenegotiatedanddevisedinliaisonwiththePresenter.

DressingRooms,Facilities&Amenities Facilities • Atleastonedressingroomforthetouringteamwith:

o Shower&toiletfacilities

o Benches,mirrors,chairs&adequatelightingformakeup

o Costumerack

• GreenRoomwithaccesstobasickitchenfacilities(fridge,microwave,tea&coffee)

Managementrequirements

Venuetoprovideforthedurationoftheseason: • Broadbandinternetconnections(wirelessorcable)inoffices

• Wirelessinternetinauditorium&stage

• StageManagementwillrequireuninterruptedaccesstostagefor2hrspriortotheperformanceforpre-showpreparation

Staging RequiredVenue

Studiotheatreideal,butprosceniumtheatrealsopossible.

Minimumstagedimensions:

10mwidex8mdeep. Asmaller8mwidex8mdeeppossiblependingdiscussion.

Minimumheight:

approximately5m

SetOverview

Insummary,thesetconsistsofthefollowing elements:


• Ablackcarpetedfloor,ingood/perfectconditions,tocovertheentireperformingarea.

• 6xblacklegsformaskingtheboomlighting.3legsoneachsideofthestage.

• Ablacksmothertodesignatetheupstagewall

PleaserefertoourStagePlansforfurtherdetails.OurStagePlanisfairlyflexible,andcanbeadjustedtofitinvenueswithdifferentlayouts.

Companytourswith:

• 3xcustommademetalchairs,completewithbasesanduprightpipes

• 10x8mofblackcarpet(orinsomecaseseginternationaltouringmaybestbeprovidedbyvenue:ifmatchingtoourstockrequireditis:ExpoFlat/ColorBlack09102mwide,flatsurface,withplastic,3mmthick(Code:EXPOPLFT200*BLACK)

Presentertoprovide: • 6xblacklegstobeusedasmasking.

• 3xblackborders(dependingonvenueconfiguration)

• 1xblacksmother

• adequatetypeofdoublesidedtapeforinstallingtheblackcarpettothevenue’sfloor

• insomecircumstances,dependingonthevenueconfiguration,afronthousecurtainmightberequired

Thepresenterwillprovidethenecessarycrewforinstallingallsetelements.

Rigging&flytower

ThisshowwillnotrequireaFlyTower,howevertrussesorgridarerequiredtohangmasking,lightingandanupstageblackbackdrop.

Lighting

Overview

Ourlightingoperatorwillneedtooperatefromanauditoriumposition,unlessagreedotherwise. Theproductionwillneedatleast3xtrusses/battensforlighting.

PleaserefertoourLightingPlanfromthepremiereseasonattached.TheLightingplanastobeconsideredasindicative,andwillbeadjustedandfine-tunedbythetouringcompany.

Companytourswith:

• 3xconcealedfootlights

• 3xPar16(orLEDchip,orglowtape)tobeusedasreferencesightlineforcast

Presentertoprovide: • MA2dot2onPC(withethernettoDMXport),orMA2 • alllightingandboomslighting.Pleaserefertothelistbelowandourlightingplanforfurtherdetails

andgelcolouring.

• 10xStrandSL15/32’

• 6xOvationLED26’Profile(EF-910FC)

• 5x4cell500xcyclight(orequivalent,or10x1.2kWfresnelwithbarndoors)


• 2x1xkWfresnelwithbarndoors(orPAR64CP62)

• 3xPar36pinspot30wverynarrowbeam

• 24xchannelsdimmer2.4kW

• all240vandDMXcablingtoinstallthelightingplan

• 10xcutsofR132forStrandSL15/32’

• Backstagebluelightsandropelights.

• Appropriateheightaccessequipmentmustbeprovidedbythevenue

• thePresentingvenuetosupplyconsumablessuchastape,cableties,gelsetc

• Alllanternsaretobepreriggedpatched&flashedpriortotouringpartyarrival.Cablinganddataalreadyrunandtestedforcompanytouredlightinggear.

• Allequipmentsuppliedbyvenuetobeingoodworkingorderandhavecurrenttesttagorothercertificationrequiredbylocalorstateauthorities

Assistancewillberequiredinsettingupandfocussingthetouringcompanylightinggear.

Someassistancemightberequiredinpatchingthelightingdesk.

Sound

Overview Oursoundoperatorwillneedtooperatefromanauditoriumposition,unlessagreedotherwise.

Theshoweffectsareprogrammedonalaptopcomputer,whichistouredwiththecompany.

Companytourswith:

• Acomputerrunningforsoundcues.

Presentertoprovide

ThePresentermustprovideaPAappropriatetotheroomwithplentyofheadroom,includingleft,rightandasubforeachseatingbank.Itshouldinclude: • asounddeskwithatleast8inputs.

• 2xPAspeakersandSubwithplentyofheadroom

• 2xPAspeakersformicrophoneoutput

• 3xwirelessmicrophonesSennheisere6earsets,withreceivers.

• batteriesforwirelessmicrophones

• allsoundcablingrequiredtoinstallandrunthesoundsystem

• cablingforconnecting2xcomputersintothesounddesk

Assistancefromthelocalsoundcrewwillberequiredinsettingupandcheckingthesoundsystems,andthentuningthe3xSennhesiere6earsetsmicrophones.

PropsCompanytourswith:

• 1xlightweightblacksmotherforrevealatbeginoftheshow


• 1xblackrope,attachedtoblacksmother

• 1xmobilephone(MishusedherownduringCACseason)

• 1xhairtie

• 3xcoldbeers

• 1xbottleopener

• 1xwaterbottleforweeeffect

Presentertoprovide:

• 1xfoldablestepladderladder(approx180cmtall)tohelpthecastgettingonandoffthechairs.

• 1xvacuumcleaner,forvacuumingthecarpetpriortoeachperformance.

Costume&Wardrobe

Overview

Costumewashinganddryingistobeperformedbythethetouringcompany.Castcostumesmightrequiredrycleaningandspotcleaning.

Thecostumesarehandsewnandwillrequireparticularcarewhendrywashingorspotcleaning.

Companytourswith:

• 3xsilkcostumes • 1xgarmentsteamer

• 1xspotcleaningtoolkit

Presentertoprovide:

• 1xWardroberackwith3xclotheshangers

CommunicationsPresentertoprovide:

• 3xWireless,batterypoweredbeltpackcomms,withchargingstationandsparebatteries

Personneloncomms:

1xcompanyPM/showoperator

1xlocalStageManager

1xvenueFOHmanager


Bump-inschedule Belowisasuggestedscheduleforthefirstvenueinanytour.Forsubsequentseasonsinatour,ashorterschedulemaybepossible,withthetouringpartyonedayinthevenue,ifelementscanbepre-rigged.

DAY1:bumpin

Time Event Touringteam Venuecrew Notes

Touringset&costumesarrives

Touringcarpet,chairs,costumes,LXandprops

8:00-12:00Laycarpet,installlight-ing

TouringPM 2xMX,2xLXMXcrewtolaycarpet,rigmask-ing.LXcrewtoinstalllightingandpatching

11:00-13:00 Installsound 1xSNDSNDcrewtoinstall,patchandtunesound

12:00-13:00LunchbreakforLXandMX

Soundtune

13:00-14:00 LunchbreakforSND

13:00-16:00 B/incontinue 2xMX,2xLX,1xSM,1xSND

Installchairs,touchupcarpet.Localstagemanagerarrives,toassitwithtouringproductionneedsandlearningtheshow

16:00 LXfocuscommence Focusallnon-criticallamps(topLX,blinders,audLX)

16:30-17:30Focussingsession,microphonesandsoundcheck

Zoe,Nat,Mish,PM

2xLX,1xSND

LX:theshowrequiresaspecificfocussing+intensitylevelsses-sionwithcastoncostume&sit-tingonchairsSND:finetunemicrophoneslevelsandEQ

17:30-18:00 Buffer/fixups 1xSM/venuetech

DAY2:techandopening

10:00-12:00Preparestagefortechrun&cue-to-cue

PM 1xSM/venuetechSteamcostumes,touchuplight-ing.SMtolearnshowandruncuetocuewithtouringPM

12:00-13:00 TechrunwithcastZoe,Nat,Mish,PM

13:00-14:00 Lunchbreak

14:00-17:30Dressrehearsalandsceneworkasrequired

Runsectionsortechfixupsasrequired

17:30-18:30 Dinnerbreak 18:30 Showcall ALL 1xSM/venuetech

19:30 Performance#1 ALL 1xSM/venuetechApprox70mins

21:00 Dressdown

Dayoffinalperformance18:30 Showcall ALL 1xSM/venuetech

19:30 Performance#FINAL ALL 1xSM/venuetech Approx70mins

from21:00Bumpouttouringandvenuegear

(CAST)+PM 1xSMPacktouringgear,cleardressrooms

1xMX,2xLX,1xSMB/outalltouringandvenuetechelements,helploadingvan

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2x 1kW fresnel with barndoors

10 x Strand SL 15/32'

6x Ovation LED 26' profile (EF-910FC)LED 26' 15ch mode

3x Company concealed footlights

5x 4 cell 500w Cyccyc

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R132

29

R132

C boom 4200mm H

C boom 4200mm H

DS boom LX 4200mm H

DS boom 4200mm H

zoenat

mish

Top View

42 n

37 n17 z

38 z18 n

on costumeon costume

40 m39 m

41 z

3x Company par 16, or LED dots or glow tape

12

nat sightline

12

mish sightline

12

zoe sightline

LED 36'3919 R132

blue lx SM ch13

on faceon face

1 n 2 m 3 z

on costume

on faceon costume

on face

1 n 2 m 3 z

Front Elevation

40 m39 m41 z

37 n 38 z

19 m17 z 20 m 18 n

20 m19 m

Side Elevation FOH1

mishz&n

seating bank

FOH2@5mtblinders

ch 1,2,3ch 27,28,29

FOH 3

LX FOH 1

LX FOH 2

LX FOH 3

Ich Nibber DibberPost

CACFausto Brusamolino

Lighting Darkness by Design

Company:

Venue:

Production:

Lighting Design:

Version: 31st Jan 2017

Lighting Plan

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12

34

56

78

910

01

23

45

67

89

10

5m

5m

4m 4m

13.75m8m




Company:

Venue:

Production:

Lighting Design:


Stage Layout

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12

34

56

78

910

01

23

45

67

89

10

SUB




Company:

Venue:

Production:

Lighting Design:


Sound Placement

Documents

post presents Ich Nibber Dibber - Intimate Spectacle · post's Ich Nibber Dibber Technical Specifications p3 Reviews Keith Gallasch, RealTime issue #137 Feb-March 2017 "Life is 90-99%