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Post-Impressionism. 1880 - 1905 Centered in France. Impressionism. Impressionism : outdoor painting ( Plein - air) that shows the changing effects of light and color. - PowerPoint PPT Presentation
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Post-Impressionism
1880 - 1905 Centered in France
Impressionism
Impressionism’s Artistic Conventions: Study of light and color. Loose, short choppy brushstrokes. Depictions of the middle class and the fleeting moment.
Claude Monet
Impressionism: outdoor painting (Plein-air) that shows the changing effects of light and color.
Pierre-Auguste Renoir Dance at Le Moulin de la Galette Woman with a Parasol
Post-Impressionism: A group of artists reacting to Impressionism. They emphasized the emotional aspect of painting, and explored the use of color, line, and form.
Night Café at Arles
Henri de Toulouse-Lautrec
“I have tried to do what is true and not ideal.”-Henri de Toulouse-Lautrec
Le Divan JaponaisJane Avril
Moulin Rouge-La Goulue Poster for Jane Avril
Paul Cézanne
“A work of art which did not begin in emotion is not art”-Paul Cezanne
Maison Maria on the way to the Château Noir
Bords d'une rivière (Riverbanks)
Georges Seurat
“Harmony is the analogy of contrary and similar elements of tone, of color, and of line, conditioned by the dominant key, and under the influence of a particular light, in happy, calm, or sad combinations” -Georges Seurat
The Circus Le Chahut
PointillismPointillism: A technique of painting using tiny dots of various pure colors (primary colors), which become blended in the viewer's eye. It was developed by Georges Seurat with the aim of producing a greater degree of luminosity and brilliance of color.
A Sunday Afternoon on the Island of La Grande Jatte
Georges Seurat Vincent Van GoghSelf Portrait
Paul Signac
“The anarchist painter is not the one who will create anarchist pictures, but the one who will fight with all his individuality against official conventions.”
-Paul Signac
Grand Canal in Venice Portrait of Felix Feneon
Paul Gauguin
• “Art is a mad search for individualism”
• “Art is either plagiarism or revolution”
-Paul Gauguin
The Vision After The Sermon Christ In The Garden Of Olives
(Jacob Wrestling with the Angel)
“I often think that the night is more alive and more richly colored than the day.”
-Vincent van Gogh
Vincent Willem Van Gogh
The Church at Auvers
Impasto: Heavy layering of paint so that it stands out from a surface.
Starry Night
A Peasant Woman Digging in Front of Her Cottage
Siesta (Noonday Nap)
Gauguin’s self-portrait with portrait of Bernard in the background
Bernard’s self-portrait with portrait of Gauguin in the background.
Émile Bernard, Pardon at Pont-Aven.
Vincent Van Gogh, copy of Pardon
Gauguin, The Vision of the Sermon.
Bernard, Emile painted by Toulouse-Lautrec
Emile Bernard
-on Cezanne...A painter above all, he opens for art that surprising door: painting
for its own sake. -Emile Bernard
Harvest (Breton Landscape)
• Cloisonnism is a style of Post-Impressionist painting with bold and flat forms separated by dark contours. It was inspired by medieval stained glass for the broad color areas and distinct outlines.
Buckwheat Harvest
Iron Bridges at Asnières
Bridge at Pont-Aven
Madeleine in the Bois d'Amour Breton Women at Prayer
Bernard developed the Synthetist style, which emphasizes decorative forms and surface harmony. Descriptive details are suppressed in favor of broad areas of intensely saturated color and sinuous outlines.
The Painter of Sunflowers.
Toulouse-LautrecGauguin
Portrait of Vincent van Gogh
Night Café, painted by Gaugin Night Café, painted by Van Gogh
Night Café at Arles
The Principles of Harmony and Contrast of Colors by Michel Eugene Chevreul.
Principle #1
Put a color on a canvas and surround the space with a complementary color.
Principle #2Place white beside a color to heighten its tone. Removing white lessens the intensity.
Principle #3
Put black beside a color to weaken its tone, an example is with yellow.
Principle #4 Put grey beside a color to render it more brilliant.
Principle #5
Put a dark color near a different but lighter color to heighten the tone of the first color.
Principle #6Beside each color put two tints of different tones of the same color
to create chiaroscuro.(Chiaroscuro means the treatment of light and dark parts in a work of art to create contrast)