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PORTFOLIO L I A I A N G
RESUME
Work Experience
07/2012 - 06/2013
08/2013
RESUMEEducation
2012-2014
2010-2011
Work Experience
07/2012 - 06/2013
08/2013
Personal InterestsSports: Table Tennis, Basketball, BadmintonTravel: Culture, People, FoodArt: Photographs, Paintings
Architecture and Planning, University of MelbourneBachelor of Environments
Melbourne, AustraliaGraduate in December 2014
KBU International College (Kolej Bandar Utama)Australian Matriculation
Kuala Lumpur, MalaysiaCompletion in November 2011
Skills- Adobe Creative Suite CS6: InDesign, Photoshop- Microsoft Word; Powerpoint; Excel- Sketch-up 3D modelling- Rhinoceros 5.0 3D modelling- AutoCAD 2014- Hand Drafting & Drawing- Model Making- Organized and good time management
Yuriya Japanese RestaurantLt Bourke Street, Melbourne
Waitress (part-time)
BookshopSwanston Street, Melbourne
Promoters (part-time)
[email protected] 443 7801
CONTENTS
SOFTWARES LEARNING
Year 1 Softwares Projects
01
A WAITING PLACE
UNCOMMON GROUND
THE NEW SPIRIT
JEWELLERY BOX
ALL ABOUT CONSTRUCTION
Year 1 Design Studio Projects
Year 2 Design Studio Projects
Cultural Centre
Year 2 Design Studio Projects
Studley Boathouse
Year 3 Design Studio Projects
University Archive
2501 05 13 1709
Brief:The project was to measure, map and create a visual 3D building by using different methods of surveying, imaging and modeling.
BALDWIN SPENCER
Softwares Learning
Sketchup 3D modelling
During the first year of study, different softwares been introduced and became parts of the subject.
01
L ANT ERNRhino 2D and 3D Modelling
Brief:To create a portable lantern that can be worn on body, hung freely or carried by one per-son. The lantern should have curvilinear geometry with a panelised surface. It should be fabricated from paper or card (restricted to only two colors: white and black).
Design Agenda: Formation of Fire
02
Design Studio Projects
01
Design Studio Projects
04
Brief:Design a place for one to wait for some-body or something that might never come.
Design Agenda:Design a waiting place that to distract the waiting people from uncomfortable feeling while waiting for uncertainty and shift their mind from waiting to enjoying the view and sense of nature surrounding.
WAITING PLACESouth-eastern cor-ner of the Royal Park
05
06
Plan Scale 1:100
East Elevation Scale 1:100 North Elevation Scale 1:100
07
08
UNCOMMON GROUNDA New Cultural CentreH e r r i n g I s l a n d s
Based on the sentence above, UNCOMMON GROUND is design that consists of separat-ed individual buildings that have various relations to the ground. Design separated individual buildings for each spaces with their own experiences and characteristics. It is also designed to be easy accessible from other directions.
A: The Aborigin Discovery CentreIt is designed based on the idea of nomad living and searching for better environment as well as their adaptability to diferent environments.
B: The Colonist Discovery Centre It is designed based on the idea of search-ing for resources and stay at one place.
C: The Reconciliation GardenThe garden is to acknowledge the bitter his-tories and bring the message of unity. Thus, it is designed to improve the social inter-action and reflection of the past, present and future.
D: Theatre spaceIt is designed by using light to enhance the building itself.
‘We cultivated our land, but in different way from
the white man. We live with the land and they seemed to live
off it.’
Site Plan
09
10
Section AA
AA
Top Plan
Top Plan
Front View
11
Different types of materi-als have been installed in this design. However, concrete and timber are the most com-mon materials in this design.
In both gallery spaces, timber in-terior and concrete exterior was installed. The reason of why the timber was used as it carries the nature characteristic the most and the long horizontal shape inspired by the idea of finding memory.
As for the theatre, the interi-or material is the concrete with timber texture while the exte-rior was covered with reflec-tive metal that enable to re-flect the surroundings changing seasons. Besides, the angle of the theater enable the reflec-tive metal to reflect the other buildings as well which provide the feeling of connectedness.
As for the garden, it is made up of different degrees of concrete stairs with grass cover on top. Same thing for the roof of the office as well where people can go up the stairs and rest on top of the roof covered with grass.
For the bridge that connect the Ab-origin Gallery and the roof of the office, glass is used at two sides.
Front View Left View
Floor Plan
12
Brief:Hypothetically, the existing boat-house is in disrepair, and a new one is needed. The client is look-ing for a new and inspiring design in the manner of Herzog de Meuron.
Design Agenda:To create a new spirit building sur-rounding with nature for users escap-ing from rigid and hectic city life.
THE NEW SPIRITA S m a l l B o a t h o u s eS t u d l e y P a r k B o a t h o u s e
South ElevationEast Elevation13
North ElevationWest Elevation
Site Plan
14
Roof Plan
3
4
7
6
LEGEND
1 Boat Hire 2 Cafe3 Restaurant4 Kitchen5 Kiosk6 Office7 Toilet
1
2
37
5
BUBBLE DIAGRAM
First Floor Plan
Ground Floor Plan15
16
Jewellery BoxUniversity Melbourne ArchiveB r u n s w i c k , V i c t o r i a
BRIEFThe following brief for the University of Melbourne Archives, compiled with the as-sistance of Dr. Katrina Dean, the Univer-sity Archivist, and the staff of the Uni-versity Archives, is a minimum guide only. By all means add to it if you consider something is “missing” or is too small.The building will require specialized ser-vices, such as air conditioning, humidity control, fire protection, etc. Allow ample space for such services within ducts running throughout the building, in false ceilings, etc. Note that circulation space, including fire escape stairs, and the number and size of public toilets have not been specified.
An archive is an intriguing hybrid of li-brary, a museum and a warehouse. The ob-jects housed in archives sometimes have unique associations, such as the typewriter owned by a famous author. While the works on paper housed in archives are usual-ly unique, ie. drawings, diaries, letters, manuscripts, original photographs etc.
An archive is made up of accumula-tive fragments, which combined bypieces of pieces of the history’s evidence. All these individual boxes gathered at onesingle place and form the history of the past.
“Collecting is inherently acult of frag-ments, a sticking together of material bits”
17
“Collecting is inherently acult of frag-ments, a sticking together of material bits”
Looking at these different pieces, theyremind me of the images in the site analysis. In context itself, this idea of fragmentationcould be seen everywhere in different scale like the building, wall and even the road.
North Elevation
South Elevation
Section A
Section B
East Elevation
West Elevation
18
Basement L1Archive Storage B1Storage RoomStudy Space
Basement L2Archive Storage B2
19
Ground FloorQuarantine areaLoading BayProcessing AreaSupplies storage Archive Storage G Reception AreaLocker+CloakroomOpen SpaceGallery+ExhibitionClassroomPublic toiletsConference RoomInternal courtyardReading AreaDigital Research Scholar OfficeScholar ApartmentParking Space
First FloorDirector’s officeKitchen+dining areaStaff’s toiletsOpen Plan OfficeMeeting RoomArchive Storage 1Library+Reading Room
20
Entrance: (Right) Reception Area(Left) Open Space+Gallery
Corridor: (Right) Archival Storage(Left) Gallery(Front) Library
(Interior) Library 1st Floor
(Interior) Library G.Floor
21
View of archive at night
Red,Blue, Yellow- these three primary colours used for the stained glass fa-cade of the design. These three pri-mary colours symbolised the untouched colours. By adding and mixing colours, different result could be noticed.Then, with the ideas of since graffiti oftenly illegal and usually been car-ried out during night time and thus, those other colours would only came out at night symbolsie the graffiti. There-fore, red, blue and yellow colours would be the main colours during the day, while at night, due to the different light bulb at the back of the stained glass, the colours resulted would be different according to different colours of light bulb used behind the stained glass.
22
Cons t ructions
Cons t ructions
I t s A l l A b o u t
Construction
For the project as shown above, the building constrcution was stud-ied from the footing system of the building to the finishes of the building surfaces.
Case Study House: Six Degree Heller Street
As shown in images below and next page, in this project, how the de-sign affect the construction system and materials and vice versa been studied and been built by use of 3D modelling software as well as hand model making. Part of the building been selected to be studied in depth.
25
For clearer version, click link: http://issuu.com/liaimemory/docs/li-
aiang_560558_cd_axo_detail
Axonometric DrawingProject :Dandenong Education Precinct92-106 Princess Highway, Dandenong
Architect : HayBall Architects
26
T O B E C O N T I N U E D
T H A N K Y O U
T O B E C O N T I N U E D
T H A N K Y O U