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WORK SAMPLES IN RISD TILLINGHAST FARM Design Principles | 2 Months Project BOLD POINT PARK Constructed Ground | 1 Month Project REPRESENTATION DESIGN FOUNDATION BOOKBINDING

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WORK SAMPLES IN

RISD

TILLINGHAST FARMDesign Principles | 2 Months Project

BOLD POINT PARKConstructed Ground | 1 Month Project

REPRESENTATION

DESIGN FOUNDATION

BOOKBINDING

JING LIRoom 301, 1 Regency Plaza Apt, Providence, RI

[email protected] | 401 3409522EDUCATION

08.2009 - 06.2014Hunan University | Changsha ChinaBachelor of engineering in Landscape Architecture | GPA 3.5Core Courses: History of Modern Landscape | Landscape Planning and Design | Principle of Landscape Planning | Planting Design | Landscape Engineering and Technology

08.2014 - presentRhode Island School of Design | Providence Rhode IslandMaster of Landscape Architecture (Program 2) | GPA 3.42Core Courses: Design Principle | Theory 1 | Topic of Representation | Research Method | Constructed Ground; Elective Course: Bookbinding | Painting | Pottery

WORK EXPERIENCE

07.2013 - 10.2013China Academy of Urban Planning and Design | Beijing China

-Landscape Design, Section and Elevation Drawing, Ecology Analyze,Traffic Planning, Vegetation Planning, Visualization, Documents Writing and Making | Wetland Park Planning and Protection, Tongling,China-Existing Situation Investigation, Master Plan Drawing, Concept Diagram Drawing, Land Use Planning, CAD Drawing | 2013-2030 Mater Planning, Rizhao,China-CAD Drawing, Concept Design, Visualization | Changsha,Zhuzhou,Xiangtan City Group Planning, Hunan,China-Master Plan Drawing, GIS Analysis, CAD Drawing, Section and Elevation Drawing | Qionghai Wetland Park Planning, Xichang,China-CAD Drawing, Site Analysis,Traffic Design | Urban Planning, Zhoukou,China

Intern Landscape ArchitectRealize integrated process of planning and design project | Participate in each step | Gain basic knwoledge of ecological sensitivity analysis | Increase understanding of ecological protection | Improve writing ability.

RESEARCH01.2015 - 02.2015 Historical Research In Jewelry District, Post-Industrial Providence

Investigate history of Jewelry District | Come up with a research question | Focus on the relationship between street form and historical industrial building in a specific area

04.2012 - 08.2013 Investigation of Social Places in Modern Universities

Investigate social and behavioral patterns of college students | Analyze the structure of HNU | Conceive new space pattern in university to provide students with suitable social placesStudent Innovation Training Project

Mentor: Suzanne Mathew

09.2012 - 11.2012 Different Activity Space for Kids in Old & New Community

HONORS10.2010 & 10.2011

10.2011

10.2012

Single Course Scholarship

The Second Scholarship

Outstanding Student Cadres-Top 30%, 2009-2011 | HNU

-Top 20%, 2011-2012 | HNU

-Only 1 in Faculty, 2010-2011 | HNU

SKILLSsoftware

language

Auto CAD, Sketch UP, Adobe Creative Suite( Photoshop,Illustrator,InDesign,Lightroom), ArcGIS, DiaLUX, Vray, Microsoft Office, 3D MAXEnglish | Full professional proficiency

Mandarin | Native or bilingual proficiencyCantonese | Limited working proficiency

Investigate space patterns in different kinds of communities | Survey behavioral patterns of children and their parents | Analyze differences between old and new communities | Provide new plans for specific activity places

Mentor: Yanyang Xiao

10.2012 - 12.2012 Ecological Pattern of Western Changsha

Analyze transformation of greenland areas, water areas and field spaces in the past decade | Give suggestions of city development from the perspective of ecological protectionMentor: Prof.Sheng Jiao

TRANSCRIPT

TILLINGHAST FARMDESIGNPRINCIPLES +

SITE UNDERSTANDING

FORM

DESIGN DESIGN

SPACE

FORM

PHENOMENA

FUNCTION

JING LIRoom 301, 1 Regency Plaza Apt, Providence, RI

[email protected] | 401 3409522

To whom it may concern,

I am Jing Li, a first year student in RISD MLA 2 program. I am eager for practicing and developing my skills in landscape design. For me, landscape projects are like smaller gears to

deliver power and make the city run better. Grew up in China, I witnessed lots of examples of the changes brought by good landscape designs. Charm of diverse landscape become my

motivation to go further in this way, and to work in a great firm like EDSA is one of my dream.

As far as I know, EDSA has lots of projects in a wild range of scale, I went to the Downtown Disneyland last year and I found it was very attractive and well arranged. EDSA designed so

many sustainable places during the last 50 years and made great achievements in lots of areas such as working and living space design and planning.

Leading by my understanding of landscape, I treated every project in college as gear, which truly connected to development and optimization of our environment. The Programs I did

in RISD are new gears with deeper knowledge of nature. I learned how to think about underground condition, to analyze the phenomena, to design with threshold and to deal with the

details in construction here as well as how to make process models quickly to help thinking. As for my undergraduate programs, I practiced in different scales, from a series of structures

to plan and design for an urban district. Varieties of designing methods as well as the understanding of my gear theory were gained from all these projects. My internship in China

Academy of Urban Planning and Design (CAUPD) updated my understanding of gearing city in several ways such as how to directly optimize the city gear itself in sustainable ways, how

to protect and develop wetland parks, and how to respect existing creatures and environment while developing a scenic. These projects revealed the promotion made by city gears and

gave a bright future of landscape design and planning to me.

As a well-prepared student and a landscape architect, I am sincerely expecting to participate in and contribute my knowledge and skills to your program in EDSA. Thank you for your

time in reading this and hope to join you in this summer.

Best,

Jing Li

PAPER MODELFOLD/ CURVE/ ROTATE/ CUT/ BEND/ COMBINE/ UNIT

fold

combine

units sOIL MODELSILT

pressure water

horizon a organIc

horizon b1 S & g

horizon c1 S & g

horizon b2 S & g

horizon c2 S & g

horizon c3 FInE SanD

bEDrocK

sandpeat

sand sandsand

sand sandcobble

silt

silt sandorganic organic organic organica:gravely sand

b:gravely sandgravely sand

gravely sandc1:gravely sandc2:gravely sandc3:fine sand

organic

silt sand

1

1

2 3 45 6

65

432

TILLINGHAsTFARM

DESIGNPRINCIPLES +SITE UNDERSTANDING

FORM

DESIGN DESIGN

SPACE

FORM

PHENOMENA

FUNCTION

TILLINGHAST FARM

To design landscape is to begin with understanding what is beneath the ground.Started from folding paper, I began to develop a system with an unit, than apply it in analyzing the soil profile.

To introduce this paper study into the site - Tillinghast Farm, a coastal site that moves from an upland, pastoral open space, down through a woodland, marshers and finally arrives at a beach, we broke the site exploration into three investigations: of ground, of phenomena, and finally, of site spatial transitions.

We digged into ground to see the composition of soil at different locations on site. Based on the specific section I was focusing, the soil horizon models represent the layers of ground as they change from the surface to a depth of 8 feet below this surface.

THREsHOLD

IN TILLINGHAST FARM-Space between two conditions.

a: Threshold between woodland & marsh

- VEgETaTIon- SIgHT- SPacE- HYDroLogY

b: Threshold between tophill & upland

- HYDroLogY- ToPograPHY- VEgETaTIon- HYDroLogYWalking on the section, we can see the mainly transect from the small sketches

from the upland to the beach. Based on the soil composition and other conditions, I analyzed the transition of hydrology, vegetation and topography and made a series of models to show the thresholds.The ground transect model represents the change in surface topography, vegetation and the hyfrology condition of the section. The two detail models are focused on two specific area that has apparently thresholds and how they affect people.

A

B

HYDROLOGY

VEGETATION

TOPOGRAPHY

PHENOMENA

INSTALLATION

SITE

one week projectscale & topography study

working on 1'=1'' scale

create new th

reshold

same edition with

installatio

n

choose a new place

SITE

iteration

use the same concept

design with light & temperature

THRESHOLD

PHENOMENA

PHENOMENA MODEL OF NEW THRESHOLD

Inteangible and dynamic elements are integral components to landscape space. After documented changes in light and moisture from the farm down to the beach, I translated the transition into visual, spatial, and 3-dimentional representations to understandhow these phenomena respond to the site, then I began to focus on a specific area where has intersting transition in topography, hydrology, light, and vegetation.

From all these study, I finally chose an area to insert the new pogram

- CLAssROOM

To better understand scale and threshold, we made a 1=1 installation in the site to see how the new threshold in topography and vegetation influence the Tillinghast Farm.

CLAssROOM

steel paver concrete walk gather sit teach sit play

Threshold

=

=

Phenomena

Material

Function

light temperature

CLASSROOM SECTION

topography vegetation

an outdoor classroom responded to explorations and understanding of elements on site / create a new spatial transition.

+

+

+

To create a speacial space for people to gather and learn, I cut a sharp slope near the new threshold I made before.Planted different species of trees under the slope and let people on the top can touch the canopy and see seasonal changes during the year,The spaces around the slope and the small hill are fluid so that people will have multiple choice to stay and play. The material and structures are inserted to make the slope become an attractive point in the whole site and people can walking on different elevation to experience more. The stones on the surface indicate the contour lines and also show the angel of slope through the combination of vegetation.

Classroom Perspective

ENTRANCE

+

=

contour

material

ITEraTIona space sequence to lead people to the classroom / new threshold connected with the site

consistence with classroom inMATERIAL / TOPOGRAPHY / UNITS

The entrance is inserted to lead people from different points to notice the classroom and go to experience it.To keep the continuity with the classroom, I used the same design method -- topography edition, and material -- red steel.

Cut the mounds and add red material on the surface so that people can only see it from one side. The series of edition then become an indication for people to restrict their circulation and sight and lead them to the classroom.

Temperaturelow - high

SUMMEr

Temperaturelow - high

WInTEr

Light & Shadowautumn Solstice8:30am

In summer, people could use the cooler area to gather and play, the slope will be the most attractive part where people are able to interact with the trees and learn about them.The top area will be fully used in both summer and winter due to the different temperature and light condition.

In winter, people will mainly use the warmer area, the evergreen and deciduous trees will create different experience for them so that they can enjoy different spaces and learn about the tree species.

PARTI

VEGETATION VIEW

CIRCULATION TOPOGRAPHY

BOLD POINT PARK

CITy vIEw

TIDE

vEGETATION

BOLD POINT PARK

- Providence River- Waterfront Park- Kayak Pavilion

To design a park with grading.

City view / Tide / Wind / Vegetation / Habit

LIFT & PUSH CUT & PULL

LIFT & CUT PUSH & PULL

1

1

2

2

TIDE

TIDE = 1' TIDE = 2' TIDE = 3' TIDE = 4'

TOPOGRAPHy

TIDE = 1' TIDE = 2'

TIDE = 3' TIDE = 4'VEGETATIONTOPOGRAPHy

In different tidal condition, the edge of this site will

change apparently. The water will be pushed inside

and submerge some area, the higher part will be

strengthen instead.

Due to the direction of tide, the new edge will be

the protection and create harbors for vegetation

and kayaks.

Different landform created by cut and fill also

provide people with multiple experience, in some

place, people goes down and their view will be

blocked, in another area, they could walk up and

overview the whold site and the city view from

another side.

Due to the different speed and direction

of water, the vegetation along the coast

will have great diversity from lawn to

marsh.

The circulation will also change when

the tide is in different elevation.

The main circulation is east-west

direction, people are led to the edge to

see the ocean and city view as well as

the diverse vegetation.

BOLD POINT PARK

Play with tide

Walk along coast

1-1 SECTION

STONE

TIDE = 1'TIDE = 1'

TIDE = 4'TIDE = 4'

WOOD

GABION WALL GRANITE

PHRAGMITIES JOINT PLANTING

RIP RAP PHRAGMITIES

WOOD DECK COCONUT ROLL

Different materials are used on

the north coast.

STONEs are used as paving to

allow people walking along the

coast;

GABION WALL is used as

retaining construction to let water

comes in and out;

FLOATING WOOD DECK is placed

to give people more possibilities

to feel and play with the water

and plants. It can be lifted by the

tide so that people can always

walking on the water.

As the biggest waterfront

gathering space, WOOD and

GRANITE are used as paving to

enrich people's experience.

JOINT PLANTING is used here at

4' height so that people are able

to occupy that area even in the

high tide.

NATURAL SLOPE PROTECTION

along the edge here is providing

oppurtunity to people who want

to get closer to the ocean.

2-2 SECTION

SITE PLAN 1” = 40’

CONCEPT DRAWING

AERIAL VIEW

SECTION 1 SUMMER

SECTION 1 AUTUMN

SECTION 2 SUMMER

SECTION 2 WINTER PERSPECTIVE

Vegetation is inserted according to the topography condition, trees are more dense in where the slope is sharper and looser in flat area. There is no trees in the most flat area where people could go through or gather and reach the top of the hill.

Trees along the stream are more random compared with the other area, which will create space that people can approach the stream. The space divided by vegetation are connected with the main road, which allow people from the road go into the whole site.

NAME:JING LI

ALONG|FOREST STRUCTURE ON TOPOGRAPHY DESIGN FOUNDATION

FOLD PAPER

|

CUT INTO PIECES

|

PLACE ON GROUND

|

CUT & FILL

|

ADD CONTEXT

LIGHT

+

SHADOW

+

TIME

+

WATER FLOW

+

PLANT

HyDROLOGy

SHADOW22nd, December

bOOkbINDING

- PORTFOLIO OF MODELS

- REPRESENTATION OF TOPOGRAPHy

- OCEAN BOOK

- COLLECTION OF GAUDI'S WORK

PARK

GUELL

SAGRADA

FAMILIA

CASA

MILA

COLLECTION

OF

GAUDI