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These are selected samples of my works in recent years.
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Hesam T. RostamiPORTFOLIO//2013
Curriculum Vitae
Hesam T. Rostami
305 - 165 Erskine Ave.Toronto, ON, Canada, M4P [email protected]
(416) 230 3467
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EDUCATION
2011 - 2012Master of Architecture II, Cultural Mediations and Technology McGill University, School of Architecture, Montreal, CanadaGPA: 3.91, Thesis: Light, Wind, and Shadows, Fragile Vernacular Architecture in the Village of Shaft
1999 - 2007Bachelor & Master of Architecture University of Tehran, School of Fine Arts, Tehran, IranGPA: 3.89, Thesis: Residential & Recreational Complex in the Village of Farah-Abad
SELECTED WORK EXPERIENCE
May & June 2013HOK, TorontoArchitectural Designer
EXPO 2017, Astana, Kazakhstan, 60 000 sq m
2009 - 2011Hidalou, TehranArchitect
Yavari Fifteen-Unit Residential Complex, Tehran, 5 000 sq mKhabiri Family House, Yazd, 1 000 sq mEbnesina Book City Store, Tehran, 750 sq mMemorial Complex for Shahid Beheshti, Tehran, 23 000 sq mPublic Transportation Museum, Tehran, 8 000 sq m
2007 - 2009Hidalou, TehranIntern Architect Darvaze Kazeroon Commercial Complex, Shiraz, 8 500 sq mNamazi Commercial Complex, Shiraz, 7 500 sq mExtension of the Central Mosque, Abarkooh, Yazd, 3 500 sq m 3
COMPUTER SKILL
Auto CAD 14-2013 (2D & 3D) [+7 yrs]Revit 2012-13 [+2 yrs]Rhinoceros 4.0-5.0 [+2 yrs] Grasshopper [+2 yrs]V-ray [+2 yrs] T-Splines for Rhino [+2 yrs]Google SketchUp Pro. 7 [+5 yrs]Adobe Creative Suit CS5 (Illustrator, Indesign, Photoshop) [+7 yrs]CorelDraw X4 [+7 yrs]MS Office (Word, Excel, Powerpoint) [+10 yrs]
CRAFTING SKILL
Wood Modeling, LasercuttingLine Drawing, Watercolour
2005 - 2007Ayvan, TehranArchitectural Designer
M4 Subway Station, Tehran Public Transportation, Tehran, 11 500 sq mInstitute of Standards Headquarter Building, Tehran, 20 000 sq mVozara Administrative Building, Tehran, 4 000 sq mGardoon Multifunctional Tower, 30 000 sq m
2002 - 2005Kalil, TehranArchitectural Designer / Model Maker Navab Multifunctional Complex, Tehran, 60 000 sq mParand Residential Complex, Tehran, 20 000 sq mEarthquake-Proof Residential Prototypes for the City of Bam, 300 sq m each
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CERTIFICATE
April 2013Autodesk Revit Architecture 2013Leonardo College of Design, Toronto
June 2011Licensed Architect, Grade IIITehran Construction Engineering Organization (TCEO), Iran
RECOGNITION
2013Next Stop, Burnham Prize Competition, Chicago Architectural Club, First Place, 3 000 $Form vs. Uniform, Generative Chicago BRT Stations, with Bahareh Atash
2010The Memorial Complex of Shahid Beheshti, First Place, Design contract worth 100 000 $Invited design competition sponsored by Municipality of Tehran, with Hidalou
2004Earthquake-Proof Residential Prototypes for the City of Bam, First PlaceNational competition seeking new residential pattern for the city of Bam, with Kalil
REFERENCE
Prof. Robert MellinThesis Advisor, McGill University,Macdonald-Harrington Building, Room 313Tel.: [email protected]
Prof. Aaron SprecherDesign Studio, McGill University,Macdonald-Harrington Building, Room 303Tel.: [email protected] 5
List of Selected Works
Hesam T. Rostami
2007-2013
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EXPO 2017, Astana, Kazakhstan // 8
reSTATE the WHALE, Old Puplic Museum. Grand Rapids, Michigan // 18
Form vs. Uniform, Generative Chicago BRT Stations, Chicago // 26
Michael M.’s House, Yonge-Eglinton, Toronto // 34
Amazon Water-Sprouts, Evolo Skyscraper Entry // 42
The Maude Abbott Medical Museum, McGill University, Montreal // 48
Polyphonic Residence, Yavari Residential Building, Darband, Teharn // 58
Modern Yet Vernacular, Khabiri Family House, Safaeyeh, Yazd // 66
The Public Transportation Museum, Tehran // 80
Bamboo for Wood, Residential & Recreational Complex in Farah-Abad // 86
The Memorial Complex for Shahid Beheshti, Sar-cheshmeh, Tehran // 72
Light, Wind, and Shadows: Fragile Vernacular Architecture in Shaft // 94
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EXPO 2017Astana, Kazakhstan
Troronto, July 2013
HOK + ARUP + RWDIInvited Competition Entry
Shortlisted
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The goal in this single stage international invited competition was to design Expo 2017 in Astana, Kazakhstan. The main theme of expo 2017 is energy for future, so different forms of energy with sustainable sources shaped the primary design idea.
The core concept focuses on Expo’s goal of gathering people from around the world to celebrate a common cause and themes. Rather than spread Expo out across the site, as so many such events have done, we have taken a different path.
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EXPO 2017, Astana, Kazakhstan
Inspired by the age old tradition of the meeting of nomadic communities we have brought together all Expo activities and services into single, united place; with all roads and paths leading from around the city, country and world beyond to the centre of the site.
This united place develops as a fluid extension of the ground plane of the city; growing into grand, curving shapes that envelope a gathering place for nations and people.
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This move symbolizes the nomadic life of Kazakhs (and their shelters) and the social interconnectivity of life in our digital age… a signature landmark that becomes a true place to gather.
The total land area of the site is 173.4 ha; which includes 25.0 ha for the Expo complex, 49.4 ha for parks and public gardens, and 100.0 ha for outside infrastructure, landscape, etc… for Expo City.
Climatic and geographic site analysis has been taken into consideration and is a key driver in setting the design concept. 17
reSTATE the WHALE
Grand Rapids, Michigan, August 2013
Hesam T. Rostami + Bahareh AtashCompetition Entry
Results to be announced
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N Plan perspective from second level, Showing addition to the Museum, the bridge, elevator and staircases
When the Institute moved back into the gloomy, cluttered old residence in 1935, DuMond declared: “Our success in drawing record-breaking crowds into the State Street garage has taught us that accessibility is important. If Grand Rapids should ever find enough money with which to build a new museum I suggest it be brought out to the sidewalk line at street level and be windowless except for a few openings to attract the attention of passersby.”
View to the Museum from State Street, near Charles P. Calkins Law Office, showing urban plaza
This proposal tries to bring a new life to the vacant yet beloved public museum using the same principal it was once built on: to show everyone a portion of what’s happening inside. The main idea is to give this public space back to the children of today and also those of 50’s and 60’s, in form of an art venue / community center and at the same time taking this opportunity to revive a part of State Street.
New activities like recreational classes for children, musical rehearsals and small group readings will use the space in the second floor while preserving the valuable memories this building share with the people of Grand Rapids, the front part of the first floor will remain intact.
To let more sunlight in, yet not disturbing the delicate darkness of the nave, the tail-end of museum is opened to a glass atrium which is added to be a showcase of activities inside. This will relocate small services and washrooms at the back to the northern part of addition with more room and light. Here, through a bridge, additional staircases and an elevator, different levels and the adjacent building with its hidden collection would be more accessible for everyone.
reSTATE the WHALEOld Puplic MuseumGrand Rapids, Michigan1938 to 2013 1
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Interior view to the Museum nave, showing revolving stand and the membrane roof
Placing a translucent membrane on top, perforated and bended out of a single surface, provides a semi shaded environment underneath where a revolving seating stand is placed for small gathering events including movies in the evening using the wall on the back as the screen.
Looking back from the window to the city you can see the Charles P. Calkins Law Office, the oldest structure in Grand Rapids, and Abraham Lincoln Statue in front of it. In warm seasons this window will open to an urban plaza with small fountains for families to gather and join the happenings inside the old museum. 25
Form vs. Uniform
Chicago, May 2013
Hesam T. Rostami + Bahareh AtashBurnham Prize Competition 2013
First Place
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Night bird view from SITE C / PILSEN, Tier 3 Station (Ashland Ave., between 17th St. and 18th St.)
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This design seeks a way to meet two completely oppo-site desires came out of the Public Transit Rider Survey. While most of the people of Chicago preferred bus stops to be designed completely unique to each neighbourhood, people with limited abilities prefer a more uniform design.
This approach uses an almost uniform functional pattern to reduce the ambiguity and extra construction and maintenance expenses, while by generating an array of forms out of differ-ent topological variation of a simple wooden surface allows to create distinct formal alter-natives, tailored to each site, to preserve the vivid polyphonic culture of the city.
Form vs. UniformGenerative Chicago BRT Stations
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This approach uses an almost uniform functional pattern to reduce the ambiguity and extra construction and maintenance expenses, while by generating an array of forms out of different topological variation of a simple wooden surface allows to create distinct formal alternatives, tailored to each site, to preserve the vivid polyphonic culture of the city.
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Wooden strips shape the roof, entrances and structure of each stop while glass envelopes provide roof and shelter from precipitations and increase visibility and safety accordingly.To provide sunshades in warm seasons the width and density of wooden strips changes in a relation to the location and orientation of each bus stop.
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Michael M.’s House
Toronto, March 2013
Individual workRevit Course, Leonardo College of Design
Final Project
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Bird view from the house showing the main entrance
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As the final project for a Revit course in Leonardo College of Design, I decided to design a single family house for my friend and neighbour, Michael, at the corner of Duplex Ave. and Helendale Ave.
Being sensitive to the location of the plot and the relatively heavy traffic load of Duplex Ave. during the day, an especial functional arrangement has to be done to elevate the daily living activities to upper levels.
Michael M.’s House, Yonge-Eglinton, Toronto
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Interior view from the spiral staircase to the kitchen
As a result living room and kitchen are located on the quieter second level while bedrooms are housed in the first one, and at the same time by adding a slopped skylight on the roof, it was possible to use the always neglected attic space in the third level as a playroom for his kids.
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Michael M.
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Hesam T.Hesam T.25/3/2013
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Hesam T.Hesam T.25/3/2013
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Interior view from play room at the third level to living room and balcony
Amazon Water-Sprouts
Montreal, January 2013
Hesam T. Rostami + Bahareh AtashEvolo Skyscraper Competition 2013
Not Cited
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1 2 3
1. Absorbing rainfalls and dews and preserving water during rainy seasons2. Collecting solar energywith solar panels and batteries3. Releasing preserved water during dry seasons
Proposed pattern using stored water preventing extreme drought
Existing rainfall pattern
Monthly average of rainfall/temp in rainforest area of Manaus, Amazon
Deforestation occurs rapidly in Amazon rainfall forest and hits it significantly. According to a published report by WWF, almost 60% of the region’s forest could be wiped out or severely damaged by 2030. As the lung of our planet, producing about 20% of earth’s oxygen, this damage could release a huge amount of carbon dioxide and speed up the process of global warming dramatically. Along with these changes, higher temperatures and less rainfall will result more draughts and fires in the forest as the two most important factors in deforestation. According to these and many other facts, the “point of no return” for Amazon is extremely close and protecting such a natural treasure seems urgent and essential.
Amazon Water-SproutsEvolo Skyscraper Entry, 2013
Tragic change in annual precipitation in Amazon has disturbed natural balance and hit its environment by heavy drought, fires and floods. During dry season, the vegetation is in its most vulnerable situation and needs to be assisted. Considering significant rainfalls during wet season, preserving a portion of this water can help the nature to deal with its intolerable dry season. This proposal suggests water storage spots among the forest, keeping absorbed rainfalls and releasing it gradually during hot seasons or rapidly in wildfires. These water sprouts contains two main parts. The upper part contains the water absorbents, solar energy collectors and surveillance instruments. Two wide leaves open to the sky collecting a part of rainfall water and absorbing dews from the humid air of Amazon forest.
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1The external layers of the leaves provide needed energy with installed solar panel on the blades.
Water absorber is the mid layer of the leaves that collect water rainfall and dew. This transparent layer has a ridged surface facing up and its tracks conduct the water rainfall to the trunk.
Structural shell forms outside part of the leaves and conduct the collected dews with its internal surface toward water storage.
Water filter purify absorbed water by the leaves and conduct it to the trunk. This filter can be regularly checked and cleaned.
Water sprays are designed in three levels capable of spraying out the water in different vegetation layers of the forest.
The main part of the trunk is allocated to the water storage in double layer container. Collected water pump out using water pump fixed in the top of the trunk and a set of pipes installed between two layers of the container.
Exploded Diagram,Showing the function of different parts of structure
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Solar energy collectors, water filter, detectors and transmitting antenna could facilitate the process of aggregation. The Lower part or trunk preserve the water during rainy seasons and turn it back to the natural cycle gradually during dry seasons.
The whole structure of water sprouts are designed to be installed in several parts, light enough to be transported in place with airship or helicopter so that the construction part can be done with less manipulation in nature. In this way these self sufficient towers can be installed in any needed part of Amazon regardless of its geographic restrictions. 47
Maude Abbott Medical Museum
Montreal, May 2012
Individual workCM&T Sudio, McGill University
Final Project
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Ground Level First Level Second Level
The quest of the program was to incor-porate a medical museum to Strathcona Building in northern part of McGill campus. Working in a group of seven, each one of us tried to understand and redefine the meaning of museum in this context.
Considering Deleuze’s concept of folded topologies, my project rethinks how circulation may operate within the mu-seum and, in turn, motivates a different way for bodies to move through space.
The Maude Abbott Medical Museum,McGill University, Montreal
In this way I tried to blur the distinction between inside and outside, to see that the inside is nothing more than the fold of the outside.
To make the none-linear arbitrary movement possible, a staircase has to be designed to complete the identity of museum as a parasite to the existing building and also to the city to form a threshold for the museum.
500 5 10 m
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Swells and pinches, The flow of movement in space
Above, Topological diagrams of possible ways of circulation in variouse precedents
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Below, Topological diagram of desired circulation in the Museum
structural mesh, 2”steel pipes
folding stairs, 1/2” brass coated steel sheet
glass ribbons of facade
exterior steel skin, 1/2” steel sheet
elevator
entrance ramp, 1/2” steel sheet
ramp structure, 1/2” steel sheet
interior skin
Above, Exploded Diagram, Showing different skins of structure 53
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The exterior provides the main access to the stairs, which lead up to the landing and are protectively enveloped in the structure of the façade.
In addition to being a continuation of the interior circulation, the exterior façade acts parasitically on the existing Strath-cona building, by retaining a portion of the existing wall while also creating an almost entirely new façade.
Continuing this topological variation we were able to use this stairs as a hinge to
Folding stairs,forming the brass stairs from two single stripped surfaces
connect the building’s “exterior” and its exposure to the city of Montreal as the outside to the inside of Strathcona using the same language.
Different layers and skins were used to provide the continuity of outside, semi-open spaces and inside.
This approach made it possible to provide urban benches and entrance for the city, entrance ramp and its structure for landscape and threshold and vertical access for the museum using the same surface.
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56Night view from Pine Ave.The sparkling lights of the new organ
Polyphonic Residence
Tehran, 2009-2011
Individual workPrivate Client, Realised
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Polyphonic Residence Yavari Residential Building Darband, Teharn
I was asked to redesign plans and the envelope for a 15 unit residential complex based on an existing steel structure. The site was a 50 year old garden in foothills of Tehran, one of rare green locations in the polluted capital.
The desire was to arrange openings in a way that addresses the location of each tree and best possible view for every room. At the same time I wanted to create a kind of indi viduality for each unit to avoid a homogenous look for everyone’s home.
Using different combination of steel, wood and stone I tried to make unique facades for each apartment. Instead of the ordinary array of windows in facade, the result came out like a polyphonic attitude toward the communal life. Reflecting this attitude in interior, every kitchen has its own formation and color.
Dark brown boxes popped out of the façade to house small shelves for bedrooms interior space and also allow some greenery in front of each window.
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Underground Plan Lower Ground Floor Plan
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1. Parking2. Utilities3. Janitor Residence4. Recreational Room5. Sauna and Hot Tub6. Southern Entrance and Lobby
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Upper Ground Floor Plan Typical Floor Plan
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7. Norhtern Entrance and Lobby8. Appartment Type A, Facing South and West9. Appartment Type B, Facing South, North and West10. Appartment Type C, Facing North and West11. Appartment Type D, Facing South, North and West12. Typical Lobby
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Modern Yet Vernacular
Yazd, 2009-2011
Hesam T. Rostami + Hidalou Co.Private Client, Realised
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Modern Yet VernacularKhabiri Family HouseSafaeyeh, Yazd
Yazd is an ancient city near the central desert of Iran with subtropical dry climate. This house was especially designed and built to response a young couple’s demands, who had just started their life together and was about to have a baby.
The main goal was employing vernacular architecture of the region to response ecological and green issues in this harsh weather, like using heating and cooling systems with less reliance on fossil fuel based power.
The small courtyard located in a lower level than the rest of the yard and pounds in underground level employ a natural mechanism to cool the whole structure. Also, to make the ventilation easier a dome is build on top of the void above living room to work as a wind tower.
Even in small details like rainspouts in balcony curved out of stone or the especial patterns of brick works in the facade the intention was to introduce a more contemporary interpretation of the original ones.68
Underground LevelFirst LevelSecond Level
Section showing courtyard and the profile of the building 69
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Memorial Complex
Tehran, 2009-2010
Hidalou Co.Municipality of Tehran, Under Construction
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The Memorial Complex forShahid BeheshtiSar-cheshmeh, Tehran
It was an invitation-only competition on designing a memorial complex for a raised politician in the history of Iran at the heart of the old city of Tehran.
The desire was to incorporate many different functions like, a museum, a huge amphitheatre, library, a small mosque and administrative facilities at the same site. And the plot was a part of an ancient urban fabric sur-rounded by residential buildings and narrow alleys.
As the winner of this competi-tion, we used a rectangular huge courtyard as the main structure of the spatial organisation to arrange various functions. Copper shingled roof and red brick along with stone ornaments are used to address the old Tehran’s characteristics.74
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NGround level plan, showing the courtyard and surroundings
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Section D - D
Section C - C
Section B - B
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Public Transportation Museum
Tehran, December 2010
Hidalou Co.Municipality of Tehran
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View from the courtyard showing North facade, main entrance and the pond
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Tehran is probably the most air polluted city in the planet, mostly due to enormous number of commuting cars. Using public transportation system can reduce these hazardous pollutions dramatically and the first step would be making people familiar with the benefits and history of public transportation.
The Public Transportation Museum,Tehran
View from Pounak Street showing South facade and the entrance from street
The proposal for this museum sought a green an eco-friendly house for these kinds of functions. Employing solar panels to provide electricity demand of the museum and using them as sun-shades at the same time could reduce fossil fuel energy consumption of the museum.
Other eco-friendly details like dry junctions in facades and interiors are used to diminish the use of cement based mortars.
Section from library, sunshades with solar panels and small galleries
84 South facade, entrance from the street
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Bamboo for Wood
Tehran, 2005 - 2007
University of TehranThesis for Master in Architecture
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Wood has been widely utilized in traditional architecture of this region. Considering jungles pro-tection, they can’t be exploited anymore. Introducing Bamboo as replacing material and access to simple and ethnic but modern construction process was re-garded.
Creating an infrastructural core, it is endeavoured to restore historic character of “Farah Abad” city which has changed into a village during seven century to solve its existing problems and create a new residential centre in the region.
Bamboo for WoodResidential & RecreationalComplex in Farah-Abad
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Opposite, Site Plan,Showing the village and surrounding Citruse gardens laying beside Tajan River,Designed parts with roofs in darker brown color
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Section D - D
Section B - B
Section A - A
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First Level Plan,The main urban plaza and surroundings
Instead of proposing huge infrastructural restorations in the town which could change it dramatically, I proposed oc-casional renovations in different parts of the fabric to enhance the efficiency and avoid irreparable unwanted effects.
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Light, Wind and Shadows
Montreal, August 2012
McGill UniversityFinal Paper for Master II in Architecture
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In a narrow strip of land between southern shore of Caspian Sea and Alborz Mountains in the Gillan region of Iran, there are small villages with vernacular architecture created over many centuries by employing traditional crafts and local materials.
While the construction of buildings in most of these villages has recently been affected by the use of new materials and technolo-gies, in the village of Imamazade Ibrahim there are many examples of traditional ver-nacular architecture that are largely intact.
Light, Wind, and Shadows: Fragile Vernacular Architecturein Imamzadeh Ibrahim, Shaft, Iran
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Architecturally, it is immediately evident that the village contains delicately crafted, fragile, and unique multi-storey wooden buildings. These have traditionally been seasonally occupied by pilgrims visiting the shrine of Imamzadeh Ibrahim.
The houses feature a particular type of carpentry that uses timber in various patterns and colors in a play of light and shadow, congenially permitting individual identity within the collective harmony of the village’s form.
My research has studied the cultural landscape, vernacular architecture, and material culture of Imamazade Ibrahim, investigating the connections between local cultural patterns, social life, and carpentry traditions, in an attempt to understand the meaning and values represented by the village’s unique architecture.
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Lower Ground Level, washrooms and stores
A prototype house in the village being crafted from scratch
Different Levels of a Typical Building in The Village
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Upper Ground Level, residence of the owner
First Level, residence of pilgrims
Attic Level, residence of pilgrims
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Portfolio//2013Hesam T. Rostami
305 - 165 Erskine Ave.Toronto, ON, Canada, M4P [email protected]
(416) 230 3467