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EUNICE WONG Welcome to my portfolio! What you will find here is a collection of planning and design works, archived from professional or educational experiences and even a few personal pieces. I enjoy ex- ploring a range of mediums and am most interested in achieving urban design ex- cellence through a strong graphic narrative. The worlds of urban design and graphic design are the two realms I am most passion- ate about; I hope to further explore their relationship in the planning profession. P T L O F I R O O

PORTFOLIO

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Page 1: PORTFOLIO

E U N I C E W O N G

Welcome to my portfolio! What you will find here is a collection of planning and design works, archived from professional or educational experiences and even a few personal pieces. I enjoy ex-ploring a range of mediums and am most interested in achieving urban design ex-cellence through a strong graphic narrative. The worlds of urban design and graphic design are the two realms I am most passion-ate about; I hope to further explore their relationship in the planning profession.

PTL

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Page 2: PORTFOLIO

E U N I C E W O N G

Page 3: PORTFOLIO

SITE DESIGN: Bishop’s Crossing - Cambridge, ON / PLAN 313 / Spring 20161

WORKSHOP: Cross Sections and Perspectives Activity / PLAN 313 / Spring 20162

SITE DESIGN: Project Haven - Guelph, ON / PLAN 309 / Fall 2015

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E U N I C E W O N G

PTL

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SITE VISION AND CONCEPT: Bishop’s Crossing - Cambridge, ON / PLAN 313 / Spring 2016

MODEL BUILDING: Bishop’s Crossing - Cambridge, ON / PLAN 313 / Spring 2016

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5

6 PROFESSIONAL WORKS / York Region, City of Ottawa, BA Group / Various

7 COMMISSIONED / LEISURE WORKS / Freelance Work / Various

Ps Ai Id Lr

M E D I U M S

TA B L E O F C O N T E N T S

photoshop illustrator indesign lightroom sketchup autocad arcgis photography visual arts

Page 4: PORTFOLIO

E U N I C E W O N G

PTL

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”la

nd

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L E G E N D

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precedents

The various elements identified through this matrix can all be adapted in the lo-cal context of Preston to improve current is-sues of connectivity, both in the sense of so-cial relationships and flows of movement.

WE CAN DRAW FROM EXTERNAL EXAMPLES TO

INSPIRE AND ACHIEVE DESIGN EXCELLENCE

250m125m0mN

A

B

C

D

E

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B

A

B

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A

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B

B

B

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A

250m125m0mN

A

B

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D

E

F

F

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G

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G

F

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F

F

F

E

E

E

E

D

C

B

A

B

C

A

C

B

B

B

B

A

buildings

streets

open space

design details

buildingsrailroadpedestrian pathcycling pathwoonerf streetsite boundary

L E G E N D

A commercial gateway

B residential building

C klotz kreations

D recreation complex

E linear marketplace

F low-density mixed use

B U

I L

D I

N G

S

A along linear trail

B swing set structures

C industrial style slide

D fitness park

E street furniture

F bike parking

signageG

D E

S I

G N

D

E T

A I

L S

A urban forest

B urban plaza

C junkyard jungle gym

O P

E N

S

P A

C E

S

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big moves & key elements

Not only are these moves important as stand-alone elements, but the interplay they create in their overlap presents unique opportuni-ties to activate frontages and open space.

Landscape is a method of integration for the various elements; as spaces for movement and gathering, they create sustainable spaces for both the human and natural world.

Public space simplifies public gathering, fostering community ties by attracting residents from within the community and adjacent neighbourhoods.

Public art is used to reveal the site’s character in past, present, and future form, as well as an opportunity for local artists; this emphasis will transform Bishop’s Crossing into an artistic hub.

As Preston’s heritage is rooted in industry, these activities must be recognized and protected, and new industrial installments must preserve the industrial culture of the area; current and future uses should be modernized to foster small-scale growth.

THE BIG MOVES FOR BISHOP’S CROSSING ARE: LANDSCAPE,

PUBLIC SPACE, PUBLIC ART, AND INDUSTRY.

density check

Aligning with objectives of the City of Cambridge’s Growth Management Strategy (GMS) & requirements for Prime Intensification Areas, density on-site has been altered, now providing 92.55 people and jobs per hectare. This meets provincially mandated intensification targets and also to attract users to the site in order support the proposed active and passive uses.

ESTIMATION OF NUMBER OF UNITS AND JOBS ON SITE, BOTH EXISTING AND PROPOSED.

Residential Commercial

Industrial Mixed-use Institutional

71%10%

3%12%

4%

massing

Bishop’s Crossing is proposed to range between one to eight storeys. Stepping-up buildings was employed throughout the site to adhere to the prevailing character; this will set up buildings in a manner that does not overwhelm residents walking along the street, yet still provides a continuous façade and “eyes-on- the-street” feel. A second technique frequently used is locating the highest point at the corner of each building, to employ a sense of way-finding using on-site architecture.

AS A MEASURE OF DENSITY, THIS INDICATES THE IMPACT THAT PROPOSED STRUCTURES WILL HAVE ON VIEWSHEDS AND MOVEMENT.

A railroad rd. woonerf

B crosswalks

C multi-use paths

S T

R E

E T

S

single home

townhome

apartment

live-work

retail

office

industrial

education

12

352

765

15

231

340

613

134

firm profile:(re)concinno ltd.

Reconcinno is the latin word for rehab, reflecting the firm’s philosophy of revitalization and rehabilitation. Every site, community, and township/municipality has their own unique character and heritage. When proposing redevelopment for a site, this heritage should not be forgotten. We focus on employing modern revitalization practices, while incorporating heritage features and green development through design landscpaes which maximize environmental proteticition and revitalization. All proposals are designed with the utmost respect for the environment, both local and at large.

WHO WE ARE & WHAT WE STAND FOR IN OUR DESIGN STRATEGIES

vision & strategic direction

A

B C D E

K L O T Z K R E A T I O N SA R T G A L L E R Y

O T T O K L O T ZR E C R E A T I O N C O M P L E X

R A I L W A YP A R K

I N D U S T R I A LW O O D S

I N D U S T R I A LI N C U B A T O R

5-6 Storeys

7-8 Storeys

1-2 Storeys

3-4 Storeys

Site Boundary

L E G E N D

250m125m0mN

1-2 storeys3-4 storeys5-6 storeys7-8 storeyssite boundary

L E G E N D

1-2 Storeys

3-5 Storeys

“All urban environments are built on foundations laid by natural

and industrial worlds. The redevelopment of “bishop’s crossing”

will create a vibrant urban village based on these foundations. Im-

proving connections through the site and creating places which

express it’s existing character will signify the site’s transition and

theoretical crossroads from past to future. Not only is this reflected

in it’s history, but also the uses found on site, being industry, art,

and their fusion through open public space.

design objectives

S E L F - A C T U A L I Z A T I O NP L A C E - M A K I N GC O N N E C T I V I T Y P E R M E A B I L I T Y P R E S E R V A T I O N

the directness and density of connections within the trans-portation network, as well as the connection between plac-es, spaces & uses.

the extent of which the urban form will permit and attract movement, and fluidity of ur-ban form with societal change.

uncovering the site’s existing sense of place to improve the experience of all users and reach the site’s full productive potentials.

protecting the historic character of the site and unraveling a site identity through this history.

capitalizing local community assets and potential with the in-tention of creating public spaces that promote the user’s health, happiness, and well-being.

public art

tree

buildingzone of activationpedestrian/cyclist pathslinear trailrailsite boundary

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5-6 Storeys

7-8 Storeys

1-2 Storeys

3-4 Storeys

Site Boundary

L E G E N D

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1The final PLAN 313 assessment for the redesign of Preston, Cambridge’s industrial town, required design groups to cre-ate 4 (four) concluding panels to present an overview of the design direction and implementation strategies envisioned for the subject site. Main themes considered include revitilization, rehabilitation, and inducing human-scale urbanism. The greatest challenge with Preston was its complexity as an abandoned industrial site, with two railways bisecting the site. We adapted to this by introducing live-work units and studios that encourage an increase in residential and employ-ment density, while staying grounded in its historical roots.

SITE DESIGN: Bishop’s Crossing - Cambridge, ON / PANEL 1 of 4

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E U N I C E W O N G

Page 5: PORTFOLIO

Diversity in land use increase the rea-sons an individual may have to travel to the site. Creating a true live-work- play community through mixed-uses will present an interesting interplay in areas where these uses mix; intermingling of uses will present a more active site at all times of day, helping to strengthen current community ties.

L E G E N D

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analysis: before & after opportunities & constraints

A thorough dissection of the site’s existing opportunities and constraints delin-eates aspects of the site that should be utilized, constructed, protected, or en-hanced; this helps when determining strategies to better develop the site to mag-nify its full potential.

THE INITIAL STEP IN DEVELOPING A NEW CONCEPT FOR ANY SITE SHOULD BE

A REVIEW OF ITS EXISTING CONDITIONS.

THROUGH FIGURE GROUND ANALYSIS, ONE CAN IDENTIFY THE OVERARCHING CHANGES PROPOSED.

Built form indicates alterations made to building structures to accommodate proposed uses; it has been altered to maxi-mize usable public space while also providing ample residential, commercial, and industrial opportunities. Street networks are examined by their removed, retained, and proposed status within the new proposal. Open space analysis was cate-gorized into four types, being naturalized vegetation, manicured vegetation, hardscape, and programmed spaces, each being unique in terms of what they bring to the site.

removed

retained

altered structure

altered use

250m125m0mN

14%

83%

3%

retained

removed

altered

built form

Most changes are centred on Duke Street, being a natural choice for development as the corridor holds the highest traffic volume within the site. Alterations were distinguished by comparing buildings in which the structure was changing to those in which the use was changing; majority of altered buildings were re-garding the latter. Buildings to remain were found to already be efficiently used on site and thought to fit well with the future use of Bishop’s Crossing.

ALTERATIONS HAVE BEEN MADE TO MAXIMIZE

PUBLIC SPACE, WHILE ALSO PRIORITIZING A MIX OF

USES TO ADD VITALITY TO THE SITE.

removed

retained

altered structure

altered use

250m125m0mN

14%

83%

3%

retained

removed

altered

removed

retained

altered structure

altered use

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14%

83%

3%

retained

removed

altered

removed

retained

altered structure

altered use

L E G E N D

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MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

land useFURTHER DEFINING LAND USE AND

MAKING AMENDMENTS FOR THE BET-

TERMENT OF THE SITE.

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

L E G E N D250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

mixed use: commercial/office

mixed use: industrial/office

mixed use: commercial/residential

mixed use: live/studio

1-3 storey residential

4-8 storey residential

institutional

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

commercial

transit-oriented

industrial

manicured open space

natural open space

public hardscape

building

railway

site boundary

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

LEGENDDo notneed toInclude textonly symbols (icons)

ARTISTSSTUDENTS

INDUSTRIALWORKERS

ENTREPRENEURSRESIDENTS

NEIGHBOURINGCOMMUNITIES

markets

Although vast and appropriate for all users, the site is mainly geared to-ward six target subgroups within the population; these are based on the site’s history, as well as the art-based and industrial trajectory that Bishop’s Crossing intends to take.

WHO THE SITE IS GEARED TO DIC-

TATES CHARACTER AND REQUIRED

AMENITIES.

S T U D E N T

R E S I D E N T

I N D U S T R Y

W O R K E R

A R T I S T

E N T R E -

P R E N E U R

- conestoga college- student housing- parks- community centre

- neighbourhoods- community centre- parks- public spaces

- business/industrial- residential

- live/work- incubator- mixed-use- residential

- live/work- incubator- commercial- residential

N E I G H B O U R

C O M M U N I T Y

- public spaces- recreational uses- commmercial uses

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

L E G E N D

building

railway

site boundary

uses

Activities on-site can be summed up through five categories which work draw from activities confined within buildings to create life in the spaces between buildings.

DECIPHERING HOW THE SITE WILL

BE USED CAN IDENTIFY NETWORKS

OF ACTIVITY.

PLAY

LEARN

CREATE

LIVE

WORK

L I V E

W O R K

C R E A T E

L E A R N

P L A Y

- neighbourhoods with varying demographics

- industrial- art-based- local

- inspire users- spark innovative ideas- draw individuals from private buildings

- knowledge from environment

- engage all ages in uses, places & spaces

250m125m0mN

MIXED USE: COMMERCIAL/ OFFICE

MIXED USE: INDUSTRIAL/ OFFICE

MIXED USE: COMMERCIAL/ RESIDENTIAL

MIXED USE: LIVE/ STUDIO

1-3 STOREY RESIDENTIAL

4-8 STOREY RESIDENTIAL

INSTITUTIONAL

COMMERCIAL

TRANSIT

INDUSTRIAL

MANICURED OPEN SPACE

NATURAL OPEN SPACE

PUBLIC HARDSCAPE

L E G E N D

building

railway

site boundary

L E G E N D

1

1

2

34

4

55

67

6

1

428

9

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2

1

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7

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N

L E G E N D

1

1

2

34

4

55

67

6

1

428

9

2

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2

1

3

7

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0 275m 550m

N

construct

utilize

protect

revitalize

buildingcurbsrailsite boundary

L E G E N D

north-south connections

uniform and gradual topography

under-developed areas of open space

abundance of parking and vacant lots

proximity to king street

off-site parking

cultural and natural heritage

grid network

inactive rail line as a pedestrian connection

active rail line will absorb activity from decommissioned rail

existing passive industrial uses

live/work character of the site

historically significant CanadaLasco building

rail line as development constraint

polarized land uses which have been shaped by zoning

site entrances

lack of bicycle ROWs

the site’s main corridor (Duke St.), as it is currently all residential

large run-down industrial buildings

mainly low-rise building forms

lack of transit servicing the site

contaminated soils

diversity of land uses, as the site is dominated by housing stock

L E G E N D

1

1

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34

4

55

67

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1

428

9

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2

1

3

7

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0 275m 550m

N

c o

n s

t r

u c

tu

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p r

o t

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tr

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i t a

l i z

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built form

streetnetwork

naturalopen space

manicuredopen space

publichardscape

programmedopen space

mid-rise residential

commercial

mixed use: industrial/business

manicured open space

natual open space

250m125m0mN

250m125m0mNpatio space

public art

playground structure

single tree

three trees

landscape buffer

manicured greenspace

natural greenspace

grassed area

packed dirt

asphalt

hardscape

on-site buildings

external buildings

pedestrian path

cycling path

woonerf

road

curb

railway

site boundary

L E G E N D

B I

S H

O P

’ S

C

R O

S S

I N

G

(re)

con

cin

no

ltd

. pre

sen

ts:

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patio space

public art

playground structure

single tree

three trees

landscape buffer

manicured greenspace

natural greenspace

grassed area

packed dirt

asphalt

hardscape

on-site buildings

external buildings

pedestrian path

cycling path

woonerf

road

curb

railway

site boundary

L E G E N D

B I

S H

O P

’ S

C

R O

S S

I N

G

(re)

con

cin

no

ltd

. pre

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250m125m0mN

250m125m0mN

E U N I C E W O N G

1 SITE DESIGN: Bishop’s Crossing - Cambridge, ON / PANEL 2 of 4

Page 6: PORTFOLIO

Shared StreetA woonerf is a street type that mixes cars, cyclists, and pedestrians into one space. This slows down all traffic, and creates a safer space for travel. The woonerf, named Rail Line Way connects Montrose Street and Dolph Street. This will facilitate more north-south movement within the site, and will priori-tize pedestrian and cycle traffic.

TRANSIT

LOCAL STREET

THROUGH STREET

MAIN STREET

BICYCLE PATH

PEDESTRIAN PATH

MULTI-USE PATH

SHARED SPACE PATH

BUILDING

CURBS

RAIL

SITE BOUNDARY

NODES

250m125m0mN

800m400m

800m

400m

800m

400m

BUILDING

CURBS

SITE BOUNDARY

PED-SHED

250m125m0mN

circulation analysis

Circulation can be viewed in two lights, in which one matches on-site paths to modes of travel, while the other defines hierarchy. Different modes of transportation create different opportunities and challenges when developing a site. As such, Bishop’s Crossing contains multi-use paths, pedestrian/cycling-only paths, and a shared space path to accommodate for all modes, and prioritize certain ones in particular locations to better define that area of the site. The proposal also sug-gests the implementation of a transivt route, which is anchored by a transit hub in the southern most corner of the site; this initiative looks beyond on-site move-ment, hoping to draw in residents from the K-W region to experience the site’s offerings.

FLOW OF MOVEMENT IMPACTS HOW SPACES ARE USED AND PERCEIVED. HYPERACTIVITY MAY APPEAR PROHIBITIVELY BUSY, WHILE UNDERUTILIZATION

COULD BE SEEN AS DESOLATE OR ABANDONED CONNECTIONS.

TRANSIT

LOCAL STREET

THROUGH STREET

MAIN STREET

BICYCLE PATH

PEDESTRIAN PATH

MULTI-USE PATH

SHARED SPACE PATH

BUILDING

CURBS

RAIL

SITE BOUNDARY

NODES

250m125m0mN

L E G E N D

transit

local street

through-street

main street

bicycle path

pedestrian path

multi-use path

shared space path

building

curbs

rail

site boundary

800m400m

800m

400m

800m

400m

BUILDING

CURBS

SITE BOUNDARY

PED-SHED

250m125m0mN

ped-shed

building

curbs

site boundary

L E G E N D

ped-sheds

These sheds are derived from major nodes of activity which hold the highest amount of ac-tivity, whether they are throughways or destina-tions. An overlay of 400-metre and 800-metre ped-sheds from the three identified nodes in-dicates that majority of the site is accessible by foot, depending on which node the user origi-nates from.

A UNIT OF MEASUREMENT TO DEPICT THE

DISTANCE INDIVIDUALS WOULD BE WILLING

TO TRAVEL BY FOOT FROM A SET NODE

Recreation Centre

12AM

12PM

6AM6PM

R E C R E A T I O N C O M P L E X

Courtyard/Inudstrial Woods

12AM

12PM

6AM6PM

C O U R T Y A R D /I N D U S T R I A L W O O D SPublic Square

12AM

12PM

6AM6PM

P R E S T O NS Q U A R E

Transit

12AM

12PM

6AM6PM

T R A N S I TH U B

street hierarchyHIERARCHY PROVIDES THE BASIS FOR DEVELOPMENT PATTERNS AND SHOULD BE EXPLOITED TO ESTABLISH DISTRICTS BASED ON

THE LEVEL OF ACTIVITY THEY DESIRE AND THE TYPE OF TRAFFIC THAT WOULD SUIT THEIR DEVELOPMENTS.

These characteristics also dic-tate dimensions of these net-works. Expected traffic flows in Bishop’s Crossing can be represented by five street hier-archies:

Local StreetA local street is designed to prioritize low volumes of mostly car traffic. The street itself has two car travel lanes, and sidewalks for pedestrians. They are generally in place to service residential communities.

ThoroughfareA thoroughfare street is designed for higher volumes of traffic than local streets. They should major aspects of a region, and can support some uses

that require street frontage.

Main StreetMain streets are designed to handle high volumes of both vehicle and pedes-trian traffic. They support high amounts of retail uses. Development should focus around main streets, since the traffic that is generated by them will help to facilitate the success of said development.

When examining traffic flows, Bishop’s Crossings main streets are Duke Street and King Street, which serve as major thoroughfares and have significant com-mercial development. Elevated levels of traffic on these streets presents great-er potential for commercial establishments. Likewise, streets with less expected traffic will be targeted for residential development. Methods in which streets, paths, or connections are designed will also affect amounts of attracted traffic; by using certain materials on predominantly pedestrian streets, segregating bike-lanes, and creating cycle-only trails, Bishop’s Crossing hopes to empha-size the importance of non-auto networks and increase their traffic.

activity analysisOBSERVING THE PEAK ACTIVITY PERIODS OF VARIOUS

INTERSECTIONS AND PUBLIC SPACES ON SITE, BASED

ON PREDICTED WEEKDAY ACTIVITY.

125

0.04inch=1m

0m 12.5m 25m

25m 7.7m 6.6m 38.4m64.3m 7m

mixed-use laneway chestnut st. preston square the cambridge museum walkway

38.5m 2m 44m 61m 5.3m 10.6m3.7m 20m 12m

conestoga college satellite campus open spacerailway park parking otto klotz recreation complex private property sidewalk winterhalt ave.

20.75m 7.5m 130m 7m 72.5m 6.5m 5.5m 2m

95m 20.75m 15.75m 24.5m 85m 12.5m

private property duke st. courtyard bleiler st. industrial woods shared space

landscape

rail

klotz kreations public space bishop st. laneway transit hub/parking garage bus lane

250m125m0mN

1 4

2

3

125

0.04inch=1m

0m 12.5m 25m1.

2.

3.

4.

E U N I C E W O N G

1 SITE DESIGN: Bishop’s Crossing - Cambridge, ON / PANEL 3 of 4

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K L O T Z K R E A T I O N SA R T G A L L E R Y

this attraction unites art and public space and creates a prominent viewshed from the site’s gateway; the com-munity can enjoy public art installations by local artists and/or artists-in- residence within the site, contribute to the canvas-based graffiti wall, or enjoy the patio space.

this scrapyard-based park harmonizes industry and open-space through the use of materials and creative structures to symbolize the industries that have

prevailed and educate users while they enjoy its amenities.

J UN K Y A R D J UN C T I ON

C O M M E R C I A L

J U N C T I O N

I N D U S T R I A L

C O M P L E XC O U R T Y A R D

W O O D S

R E C R E A T I O N

S Q U A R E P R E S T O N

N O D E

J U N K Y A R D

open spaceDIFFUSING FROM THE SPINE OF THE SITE, BISHOP’S CROSSING ESTABLISHES A

COMPREHENSIVE OPEN SPACE NETWORK, ALIGNED WITH DIFFERENT TYPES OF

TRAILS, PASSIVE AND ACTIVE PUBLIC ART, AS WELL AS PROGRAMMED AND PAS-

SIVE USES, ALL INTENDED TO SERVE THE COMMUNITY.

The linear trail is connected to various pockets of open space which all contrib-ute to defining the site and present places for all walks of life to enjoy, beyond the boundaries of four walls.

passiveactivity

dynamicactivitypublic art

THIS IS A DESIGN STRATEGY USED TO EXPRESS COMMUNITY VALUES, ENHANCE ENVIRONMENTS, AND TRANSFORM LANDSCAPES USING WORKS

OF ART THAT HAVE BEEN DESIGNED WITH THE INTENT OF BEING SITED/STAGED.

Bishop’s Crossing will attempt to inspire engaged dialogue by infusing public art throughout the site, in which we hope evolves a location of visitation. The City of Cambridge currently promotes pubic art through their Public Art Policy, which establishes a Public Art Reserve Fund through contributions equivalent to 1% of capital construction budgets. As the City looks to acquire a variety of public art over time, their targets work hand-in- hand with Bish-op’s Crossing. Elements of public art are often drawn from natural significance of the region and historical community. As such, we attempt to embrace the industrial history and nature of Bishop’s Crossing through public art installments throughout the site. Art will draw out on the industrial background, but will also work to bring industrial uses to the human-scale, deducting from its harsh reputation. These element will illuminate the past but also bring it forward into today’s contemporary landscape for continual embrace and protection.

industryTHE INDUSTRIAL CHARACTER THAT HAS GROWN WITH

THE SITE WILL BE RESPECTED AND RECOGNIZED

THROUGH THE PROVISION OF SPACE FOR EXISTING AND

NEW INDUSTRIAL USES TO FLOURISH, PRESERVATION

OF RAIL FEATURES AND CREATION OF PUBLIC SPACES

WHICH DISPLAY THE SITE’S HISTORIC PAST.

The reintroduction of trades and craft-based commu-nities that once populated the site will be encouraged by providing spaces and uses to attract them. Inno-vative and expressive spaces will also be provided to bring users together, draw on existing connections, and display them publically to increase a sense of community. As the rail line is an important aspect of Preston’s history, Bishop’s Crossing will work to respect and protect the active line from encroachment by us-ing landscape buffers and surrounding it with passive land uses that do not conflict with its operations. The decommissioned rail will be respected in a different light, as the linear trail will pay tribute to the history of Preston and importance of rail andindustry in the town’s development.

6 P S Y C H O L O G I C A L

F U N C T I O N S O F A R T

Remembering – communicating what matters to the community

Hope – progressive changes build mo-mentum and entice movement

Sorrow – sublimation of trouble through networks results in community resilience

Re-balancing – balance to make limited space serve multiple functions and all community subgroups

Growth – participants learn about them-selves, the site, and other users, forging connections between users that spill into public space

Appreciation – awareness of attributes and po-tentials of places within the site

EARLY 1800

1832 -1835

1837 1855 1871

1890 – 1894

1900LATE1960s

1950 – 1960

19731980 –2016

arrival of German Mennonites; John Erb settled on Speed River

Mr. Erb passed away; sale of his land attracted a signifi-cant number of tradesmen, artisans and craftsmen

discovered mineral springs, alleged to have remarkable curative powers.

population decline from 1539 to 1409 inhabitants

population growth from 250 to 1600

electric railway system began service, marking Preston’s transition from “Sleepy German Town”, to an active presence.

population breaks 2000

growth of industrial base and ex-pansion toward Galt and Hespeler

the creation of the Regional Municipality of Waterloo to

form a new city to amalgamate Preston with Galt and Hespeler

loss of Preston as political entity and beginning of the

new City of Cambridge

passive industrial character and live-work environment still prevail

B I S H O P ’ S C R O S S I N G

A T

I M

E L

I N

E

The Cambridge Artist-in-Residence Pro-gram will be brought on-site, making Bishop’s Crossing home to professional and developing artists to present them with an opportunity to involve and en-gage each other, as well as the broader community, in the artistic and creative process through a variety of disciplines.

C A M B R I D G E A R T I S T - IN - R E S I D E N C E P R O G R A M

Goals: Foster dialogue among artists and non-artists Provide vehicle for public learning Present exposure to variety of artistic disciplines Provide artists with opportunity to develop their work

Administered by Cambridge Centre of the ArtsFocus on industrial materials and art fabricationArt and industry sectors exchange skills and services

C O N E S T O G A C O L L E G ES A T E L I T T E C A M P U S

uniting public art and industry, the Conestoga College Satellite Campus will hold classes for the

Manufacturing Engineering and Art Fabrication diplomas; these buildings will keep the form of

the old industrial units, one being Canada Last Co. Students will work together in their professions,

and will hopefully be integrated into their profes-sions within the community following graduation.

E X A M P L E S

O F

P U B L I C A R T

C O M M E R C I A L

C A F E

P A T I OS P A C E

H E A V Y I N D U S T R I A L

B U S I N E S SI N D U S T R I A L

H E A V Y I N D U S T R I A L

B U S I N E S SI N D U S T R I A L

conceptual floor plan of the industrial incubator, ground floor

B A T H R O O M

K I T C H EN

S T U D I O /L I V I N G R O O M /

B E D R O O M

E L E V A T O R

L O B B Y

conceptual floor plan of the live-work building, ground floor

Graduating students have the knowledge, but lack the resources to establish themselves

Utilize new technologiesWork with experts & mentors Receive financing services

Industrial entrepre-neurs are established with resources to employ multiple team members to yield higher returns from their start-up

Students and Entrepre-neurs work together to:

I N C U B A T O RC O N E S T O G AI N T E R P L A Y

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1 SITE DESIGN: Bishop’s Crossing - Cambridge, ON / PANEL 4 of 4

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WORKSHOP 4: PERSPECTIVESBishop’s Crossing | Industrial Incubator | Eunice Wong

outdoor amenity space

individual offices

coffee shop

large studio/factory space

shared public space

WORKSHOP 2: 3D DRAWINGS

PLAN 313MAY 24 2016

EUNICE WONG

land use designation:BUSINESS INDUSTRIAL

land use designation:LOW - MEDIUM

DENSITY RESIDENTIAL

PARK SPACEINDUSTRIAL

(one storey)

RESIDENTIAL(one-two storeys)

SIDEWALK

STREET

RAILROAD

vehicular access (driveway /rear entrance)

pedestrian access (front entrance)

coarse stuccoweaved wood

shinglesconcreteshingles

wood framingchain link

fenceasphalt

loading access

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2

As part of a weekly exercise, PLAN 313 students had the opportunity to refine their technical design skills through the execution of cross sections, perspectives, and related key informative maps. These assignments developed and strengthened my ability to balance the necessity of delivering accurate technical details with the capacity to use vi-sual tools, such as colour or layout, to present a complete graphic narrative.

WORKSHOP: Cross Sections and Perspectives Activities Ps

Ai

AiN

INFRASTRUCTURE

ZONING BY LAW

OFFICIAL PLAN DESIGNATION

PRIVATE / PUBLIC SPACE

PLAN 313 | MAY 31 2016EUNICE WONG

WORKSHOP 3: CROSS SECTIONS

RESIDENTIAL(townhouse)

ROAD CORRIDOR(two-way traffic) RESIDENTIAL

(single detached)

SIDEWALKFRONT LAWNLANDSCAPE BUFFER

PRIVATE SPACE PUBLIC SPACE

13. 5m 15. 9m 2.2m 7.5m 2.2m 9.2m 9.0m

LOW TO MID-RISE RESIDENTIAL

MEDIUM DENSITY RESIDENTIAL CITY ROW LOW DENSITY RESIDENTIAL

WATER MAIN & STORM DRAIN SEWER MAIN ELECTRICAL LINES

0 5m 10m

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3To correspond with the print material, PLAN 313 students were required to create a 3D model of their redeveloped vision for the subject site. The process started off by es-tablishing the topographic layers to cut, through GIS and AutoCad. Once the base had been created, the site’s mass-ing typology was analyzed in SketchUp and cut individually in the woodshop. We took advantage of the assignment’s allowance for creative freedom and used a variety of tools, found objects, and a range of art materials to create our fi-nal product. Since this area of Cambridge has a strong his-tory rooted in its industrial lands, it was a collective decision to use nails, screws, pins, and different kinds of wire as an ode to the city’s past. The proposed districts, new land uses, and preservation of green space were emphasized visually, so the audience is aware of the adaptation techniques used between both the existing and planned contexts.

MODEL BUILDING: Bishop’s Crossing - Cambridge, ON

Ps Ai Id Lr

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rehabilitate(ree-huh-bil-i-teyt) | verb |

In its essence, rehabilitation is restoration to a state of good health, condition, operation, or management. As a community design approach, it entails repair of deteri-orating features for a new or continued use. This method of treatment is unique, as it presents an opportunity to re-establish an efficient contemporary use from previous infrastructure; this renewal process is important in im-plementing a growth-based design which respects the community’s past walks of life. We aspire to create our new concept for Bishop’s Crossing using this approach. We intend this redevelopment to rehabilitate the site, while also maintaining and enhancing its heritage.

strategic direction:

“bishop’s crossing”The name Bishop’s Crossing signifies the transition and theoretical crossroads from the past to the future. Bishop Street is the focus of the commercial development and will exemplify the themes of the site. Focused around Bishop Street will be new commercial develop-ments, mixed with existing. This mix of new and old is a perfect rep-resentation of the goals of the rest of the lands. New developments will be integrated with existing buildings around the site. The name also represents the many crossings in the subject area. The two rail lines cross Bishop Street, Dolph Street, Montrose Street, and Lawrence Street. These rail crossings, along with the crossing from the old devel-opment to the new are critical to the success of the site.

6

O P E N S P A C E N E T W O R K

Naturalized vegetation areas will have denser vegetation than manicured spaces. These spaces will serve as habitats for the local flora and fauna. In terms of sustainability, it is critical to have naturalized vegetation on the site. This vegetation also serves as a natural barrier between public and private spaces.

Manicured vegetation consists of gardens and areas that are formally landscaped. These ar-eas serve as paths, congregation areas, and transitions between hardscapes and naturalized veg-etation. An example of this would be the Industrial Forest. This urban forest serves as a space for groups to gather in the plaza, while subsequently being a transition zone between the hardscape of the street to the nearby naturalized vegetation.

Hardscape is all areas that are open to the public and paved over. These include plazas, parking lots, and open air shopping malls. These also serve as paths and congregation spaces. They are also more accessible spaces than manicured vegetation, since the hard surfaces enable easier movement for those using mobility devices.

Programmed space includes sports fields, public buildings, and institutional buildings. These spaces are built for specific purposes, such as a soccer field or a museum. They serve as reasons for individuals to come to, and stay in, certain areas of the site.

T h e r e a r e f o u r t y p e s o f O P E N S P A C E o n t h e s i t e :

n a t u r a l i z e d v e g e t a t i o n , m a n i c u r e d v e g e t a t i o n , h a r d -

s c a p e , a n d p r o g r a m m e d s p a c e .

9

O P E N S P A C E N E T W O R K

250m125m0mN

hardscapehardscape

manicured open space

natural open space

building

road

rail

site boundary

pedestrian path

woonerf

bicycle

trees

LEGEND

N 250m125m0m

Junkyard Junction

Public Courtyard

The Cambridge Museum

Otto Klotz Park

Otto Klotz Recreation Complex

Conestoga College Satellite campus

Klotz Kreations Gallery

Preston Square

The Cambridge Museum parking

Otto Klotz Recreation Complex parking

Industrial Incubator semi-public lot

natural public space public and semi-

public hardscape

manicured public space

250m125m0mN

hardscapehardscape

manicured open space

natural open space

building

road

rail

site boundary

pedestrian path

woonerf

bicycle

trees

LEGEND

250m125m0m

Junkyard Junction

scaled up 200 from smaller mapsNatural Public Space

Manicured Public Space

Public and semi-public hardscape

Public courtyard

Cambridge Museum

Otto Klotz Recreation Fields

Otto Klotz Recreational Complex

Conestoga College Satellite campus

Art Complex

Public gateway

Cambridge Museum parking

Recreational Complex parking

Incubator semi-public lot

buildingroadbicyclewoonerfpedestrian pathrailroadsite boundary

L E G E N D

hardscapemanicured greennatural greensingle treegroup of trees

10

250m125m0mN

hardscapehardscape

manicured open space

natural open space

building

road

rail

site boundary

pedestrian path

woonerf

bicycle

trees

LEGEND

250m125m0m

Junkyard Junction

scaled up 200 from smaller mapsNatural Public Space

Manicured Public Space

Public and semi-public hardscape

Public courtyard

Cambridge Museum

Otto Klotz Recreation Fields

Otto Klotz Recreational Complex

Conestoga College Satellite campus

Art Complex

Public gateway

Cambridge Museum parking

Recreational Complex parking

Incubator semi-public lot

250m125m0mN

hardscapehardscape

manicured open space

natural open space

building

road

rail

site boundary

pedestrian path

woonerf

bicycle

trees

LEGEND

250m125m0m

Junkyard Junction

scaled up 200 from smaller mapsNatural Public Space

Manicured Public Space

Public and semi-public hardscape

Public courtyard

Cambridge Museum

Otto Klotz Recreation Fields

Otto Klotz Recreational Complex

Conestoga College Satellite campus

Art Complex

Public gateway

Cambridge Museum parking

Recreational Complex parking

Incubator semi-public lot

public courtyard

cambridge museum parking

industrialincubatorsemi-public lot

otto klotzrecreation complexparking

preston square

the cambridgemuseum

otto klotz park

otto klotzrecreation complex

contestoga collegesatellite campus

klotz kreationsgallery

junkyard junction

programmed public space

manicured green

nat. green space

hardscape

cycling

pedestrian only

multi-use

woonerf

Proposed Street

Retained Street

Building

Rail line

Site boundary

Curbs

250m125m0mN

residential

commercial

mixed use

institutional

industrial

recreational

SITE VISION & CONCEPT [excerpts]: Bishop’s Crossing - Cambridge, ON4E U N I C E W O N G

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Excerpts from preliminary reports that explore the design considerations necessary for evaulating the site’s potential for revitilization. These consider the existing and planned networks, built form massing types, street typologies, circulation anal-yses, and research of precedent developments.

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goals &objectives The goals and objectives for our vision of Preston help identify the priorities (re)concinno ltd. has for the overall development of the subject site. This sets a direction for the design and adaptive strategies we look to implement in our plan.

heritage preservation

create “places” and “spaces” for all human activity

balanced network: improve connectivity

rehabilitation of industrial buildings

promote a diversity of economic activities

• preserve the industrial character of Preston• emphasize the abandoned rail• incorporate public art to reflect the industrial heritage of Preston• develop a Museum for Cambridge

• enhance green spaces and recreational places for all ages and all or-ganisms to enjoy and flourish• encourage movement and destinations through the development of landscape features.• create a work, play, live environment• provide amenity spaces for employees in the area

• create connections to existing paths to accommodate movements of all modes of transportation• establish a multi-use pathway along the abandoned railway• improve road infrastructure to promote more bicycle and pedestrian traffic, and less automobile traffic• eliminate storefront parking to reconnect the street and the shops

• enhance industrial dwellings to eliminate the divide between the street network and workplaces• readapt the existing industrial units to be more transparent and more open to the public

• bring in a diversity of businesses through the development of an “in-dustrial incubator” node on site• attract commercial and service industries to balance the amount of industrial activity

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SITE DESIGN [excerpt]: Project Haven

5 YASMIN AFSHAR ANITA HELMERS DANIEL WATCHORN EUNICE WONG COREY YUEN WENXUAN ZHANG

Uniting Redevivus with “Project Haven”, we strive to achieve integrated sustainability. Using a multi-tude of techniques, we aim to link the past, present, and future throughout our design. Maintaining the past involves preserving historical features while adapting their use to the present context. Enhancing the present requires growth from past mistakes, and designing for the good of the entire community, human and nature. Sustaining the future implies planning for the unknown, and developing through low impact methods. This integrative approach balances social, economic, and social components, ensuring a site which adapts to the changing times.

Sustainability in its essence is a path towards permanence, being the ability of something to remain, yet grow with the times. For something to be permanent it must be unique, have identity, and exude intra-generational justice. These are the key traits that we envision for Yorklands Greenhub. We intend this proj-ect to be distinctive, with features that enhance the rich history and charac-ter that are already present. It will also be eco-friendly, using all native plants, cutting edge green technology, ecological urbanism approach to the design.

projecthaven

V I S I O N

S U S T A I N A B I L I T Y

E C O L O G I C A L U R B A N I S M

heritagepreservation

Maintain and enhancehistorical features

self-sustaining

Utilize multiple green technologies

integratedspaces

Build spaces for allliving things

revivenatural areas

Restore ponds/streamsto natural state

connectlocations

Create a network witheffective paths

G O A L S +O B J E C T I V E S

ecology + urbanism = harmonious development

sparked by urban sustainability issues- need to reach beyond the political realm and recognize what is ethical and just

views the city as an artificial ecosystem- interrelated processes, similar to natural systems

rules are not fixed- series of flexible principles adapted to context specific circumstances and conditions

criteria considerations- density - geography - pollution- orientation - weather - sound/smell

maintain a high standard of ethics- dynamic relationships among larger jurisdictions and between natural and built environments

large scale, holistic, transdisciplinary- recognizes conflictual relations- gain knowledge from various fields and apply it with an emphasis on biodiversity- all members must give and take to balance priorities of all involved in the system

3CORE STRATEGIES

OF ADAPTIVE REUSE

1

2

3

Low impact development

Remediating ourshortcomings

Ensuring futurefeasibility

redu

ce

reuse

recycle

past

present future

ENVI

RON

MEN

T ECO

NO

MY

EQUALITY

Y O R K L A N D SG R E E N H U B

R E D E V I V U S P R E S E N T S :

L A N D S C A P E

WAT

SON

PKW

Y S

YORK RD

0 50 10025 MetresSCALE: 1:1200

Grassy Area

Low Canopy

Medium Canopy

High Canopy

Water

Heritage Building

Building

Tree

Site Boundary

LEGEND

Sugar Maple

Eastern White Pine

Black Cherry

Hawthorn

Balsam Fir

Balsam Poplar

Black Willow

Serviceberry

Butternut

P L A N T I N G P L A N S

Cr

Cs

Dg

F

Lp

Rp

n/a

n/a

n/a

25

n/a

290

Aa6

1:100

A

B

C

C

projecthaven

Ccan/a

Gpn/a

Gnn/a

Vcn/a

Mdn/a

Ec8

Acn/a

Samn/a

Mdn/a

Evn/a

Aan/a

Smn/a

Mtn/a

1:50

B

WINTER

SPRING

SUMMER

FALL

reduceG A R D E N S: R R R G A R D EN

recycle

Smn/a

Vf36

Ehn/a

Ar8

Ern/a

Eamn/a

Ma30

Eal40

Frn/a

1:50

A

ShrubsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadEc Elaeagnus commutata Wolf Willow 8 240 cm W.B 150 - 175 cm 175 – 200 cm

Ground Cover Key Botanical Name Common Name Quantity Spacing Condition Height SpreadAq Anemone quinquefolia Wood Anemone n/a 15 – 22 cm Potted 25 cm 10 – 50 cmAc Asarum canadense Wild Ginger n/a 22 – 30 cm Potted 30 cm 30 – 60 cm

Cca Cornus canadensis Bunchberry n/a 61 cm Potted 20 cm 20 – 30 cm

Gp Goodyera pubescens Downy Rattlesnake Plantain n/a 22 – 30 cm Potted 45 cm 30 – 46 cm

Perennials Key Botanical Name Common Name Quantity Spacing Condition Height SpreadCco Castilleja coccinea Indian Paintbrush n/a 18 – 22 cm Potted 90 cm 30 cmEv Echium vulgare Viper’s Bugloss n/a 30 – 38 cm Potted 80 cm 20 mmGn Galanthus nivalis Snowdrops n/a 3 cm Potted 50 cm 15 cmMt Menyanthes trifoliate Buckbean n/a 20 – 30 cm Potted 45 cm 10 cmMd Monarda didyma Oswego Tea Plant n/a 25 cm Potted 90 – 120 cm 90 cmSm Spiranthes magnicamporum Ladies’ Tresses n/a 3 – 6 cm Potted 17 – 50 cm 1.5 cmSam Symphyotrichum x amethystinum Amethyst Aster n/a 30 – 90 cm Potted 120 cm 30 – 50 cmVc Viola cucullata Marsh Blue Violet n/a 7 – 15 cm Potted 10 – 30 cm 20 – 30 cm

TreesKey Botanical Name Common Name Quantity Spacing Condition Height Spread

Aa Amelanchier alnifolia Serviceberry 6 7 m B.R. 7 – 12 m 4 – 6 m

VinesKey Botanical Name Common Name Quantity Spacing Condition Height SpreadCr Campsis radicans Trumpet Creeper n/a 1.8 – 2.4 m Potted/Staked 10 – 15 m Vining

ShrubKey Botanical Name Common Name Quantity Spacing Condition Height SpreadCa Cornus alba ‘Elegantissima’ Red Twig Dogwood 25 1.5 m Potted 6 – 9 m 1.5 m

GroundcoverKey Botanical Name Common Name Quantity Spacing Condition Height SpreadDg Dryopteris goldiana Goldie’s Woodfern 290 .3 - .38 m Potted .35 – 1.2 m .9 m

Grass Key Botanical Name Common Name Quantity Spacing Condition Height SpreadFr Festuca rubra Red Creeping Fescue n/a n/a Seeded .02 – .2 m n/a

PerennialsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadLp Lupinus perennis Wild Lupine n/a .25 m Potted .6 m .38 – .45 mRp Ratibida pinnata Grey-headed Coneflower n/a .38 – .45 m Potted .9 – 1.2 m .45 - .5 m

ShrubsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadAr Aralia racemosa American Spikenard 8 60 – 90 cm Potted 90 – 150 cm 90 – 150 cmEal Euonymus alatus ‘Rudy Haag’ Dwarf Burning Bush 40 152 – 213 cm Potted 90 cm 152 cmMa Mahonia aquifloium Oregon Grape 30 120 – 180 cm Potted 120 cm 60 – 180 cmVf Vibernum farreri ‘Nanum’ Dwarf Fragrant Viburnum 36 60 – 120 cm Potted 60 – 120 cm 60 – 120 cm

GrassKey Botanical Name Common Name Quantity Spacing Condition Height SpreadEh Elymus hystrix Bottlebrush Grass n/a 45 – 60 cm Potted 70 – 90 cm 30 – 25 cmF Festuca rubra Red Creeping Fescue n/a n/a Seeded 2 – 20 cm n/a

Perennials Key Botanical Name Common Name Quantity Spacing Condition Height SpreadAr Amerorchis rotundifolia Round Leaved Orchid n/a 10 – 20 cm Potted 9 – 25 cm 15 – 25 cm

Eam Erythronium americanum Trout Lily n/a 7 – 15 cm Potted 7 – 30 cm 7 – 15 cmSm Spiranthes magnicamporum Ladies’ Tresses n/a 3 – 6 cm Potted 3 cm 1.5 cm

ShrubsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadEc Elaeagnus commutata Wolf Willow 8 240 cm W.B 150 - 175 cm 175 – 200 cm

Ground Cover Key Botanical Name Common Name Quantity Spacing Condition Height SpreadAq Anemone quinquefolia Wood Anemone n/a 15 – 22 cm Potted 25 cm 10 – 50 cmAc Asarum canadense Wild Ginger n/a 22 – 30 cm Potted 30 cm 30 – 60 cm

Cca Cornus canadensis Bunchberry n/a 61 cm Potted 20 cm 20 – 30 cm

Gp Goodyera pubescens Downy Rattlesnake Plantain n/a 22 – 30 cm Potted 45 cm 30 – 46 cm

Perennials Key Botanical Name Common Name Quantity Spacing Condition Height SpreadCco Castilleja coccinea Indian Paintbrush n/a 18 – 22 cm Potted 90 cm 30 cmEv Echium vulgare Viper’s Bugloss n/a 30 – 38 cm Potted 80 cm 20 mmGn Galanthus nivalis Snowdrops n/a 3 cm Potted 50 cm 15 cmMt Menyanthes trifoliate Buckbean n/a 20 – 30 cm Potted 45 cm 10 cmMd Monarda didyma Oswego Tea Plant n/a 25 cm Potted 90 – 120 cm 90 cmSm Spiranthes magnicamporum Ladies’ Tresses n/a 3 – 6 cm Potted 17 – 50 cm 1.5 cmSam Symphyotrichum x amethystinum Amethyst Aster n/a 30 – 90 cm Potted 120 cm 30 – 50 cmVc Viola cucullata Marsh Blue Violet n/a 7 – 15 cm Potted 10 – 30 cm 20 – 30 cm

TreesKey Botanical Name Common Name Quantity Spacing Condition Height Spread

Aa Amelanchier alnifolia Serviceberry 6 7 m B.R. 7 – 12 m 4 – 6 m

VinesKey Botanical Name Common Name Quantity Spacing Condition Height SpreadCr Campsis radicans Trumpet Creeper n/a 1.8 – 2.4 m Potted/Staked 10 – 15 m Vining

ShrubKey Botanical Name Common Name Quantity Spacing Condition Height SpreadCa Cornus alba ‘Elegantissima’ Red Twig Dogwood 25 1.5 m Potted 6 – 9 m 1.5 m

GroundcoverKey Botanical Name Common Name Quantity Spacing Condition Height SpreadDg Dryopteris goldiana Goldie’s Woodfern 290 .3 - .38 m Potted .35 – 1.2 m .9 m

Grass Key Botanical Name Common Name Quantity Spacing Condition Height SpreadFr Festuca rubra Red Creeping Fescue n/a n/a Seeded .02 – .2 m n/a

PerennialsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadLp Lupinus perennis Wild Lupine n/a .25 m Potted .6 m .38 – .45 mRp Ratibida pinnata Grey-headed Coneflower n/a .38 – .45 m Potted .9 – 1.2 m .45 - .5 m

ShrubsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadAr Aralia racemosa American Spikenard 8 60 – 90 cm Potted 90 – 150 cm 90 – 150 cmEal Euonymus alatus ‘Rudy Haag’ Dwarf Burning Bush 40 152 – 213 cm Potted 90 cm 152 cmMa Mahonia aquifloium Oregon Grape 30 120 – 180 cm Potted 120 cm 60 – 180 cmVf Vibernum farreri ‘Nanum’ Dwarf Fragrant Viburnum 36 60 – 120 cm Potted 60 – 120 cm 60 – 120 cm

GrassKey Botanical Name Common Name Quantity Spacing Condition Height SpreadEh Elymus hystrix Bottlebrush Grass n/a 45 – 60 cm Potted 70 – 90 cm 30 – 25 cmF Festuca rubra Red Creeping Fescue n/a n/a Seeded 2 – 20 cm n/a

Perennials Key Botanical Name Common Name Quantity Spacing Condition Height SpreadAr Amerorchis rotundifolia Round Leaved Orchid n/a 10 – 20 cm Potted 9 – 25 cm 15 – 25 cm

Eam Erythronium americanum Trout Lily n/a 7 – 15 cm Potted 7 – 30 cm 7 – 15 cmSm Spiranthes magnicamporum Ladies’ Tresses n/a 3 – 6 cm Potted 3 cm 1.5 cm

ShrubsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadEc Elaeagnus commutata Wolf Willow 8 240 cm W.B 150 - 175 cm 175 – 200 cm

Ground Cover Key Botanical Name Common Name Quantity Spacing Condition Height SpreadAq Anemone quinquefolia Wood Anemone n/a 15 – 22 cm Potted 25 cm 10 – 50 cmAc Asarum canadense Wild Ginger n/a 22 – 30 cm Potted 30 cm 30 – 60 cm

Cca Cornus canadensis Bunchberry n/a 61 cm Potted 20 cm 20 – 30 cm

Gp Goodyera pubescens Downy Rattlesnake Plantain n/a 22 – 30 cm Potted 45 cm 30 – 46 cm

Perennials Key Botanical Name Common Name Quantity Spacing Condition Height SpreadCco Castilleja coccinea Indian Paintbrush n/a 18 – 22 cm Potted 90 cm 30 cmEv Echium vulgare Viper’s Bugloss n/a 30 – 38 cm Potted 80 cm 20 mmGn Galanthus nivalis Snowdrops n/a 3 cm Potted 50 cm 15 cmMt Menyanthes trifoliate Buckbean n/a 20 – 30 cm Potted 45 cm 10 cmMd Monarda didyma Oswego Tea Plant n/a 25 cm Potted 90 – 120 cm 90 cmSm Spiranthes magnicamporum Ladies’ Tresses n/a 3 – 6 cm Potted 17 – 50 cm 1.5 cmSam Symphyotrichum x amethystinum Amethyst Aster n/a 30 – 90 cm Potted 120 cm 30 – 50 cmVc Viola cucullata Marsh Blue Violet n/a 7 – 15 cm Potted 10 – 30 cm 20 – 30 cm

TreesKey Botanical Name Common Name Quantity Spacing Condition Height Spread

Aa Amelanchier alnifolia Serviceberry 6 7 m B.R. 7 – 12 m 4 – 6 m

VinesKey Botanical Name Common Name Quantity Spacing Condition Height SpreadCr Campsis radicans Trumpet Creeper n/a 1.8 – 2.4 m Potted/Staked 10 – 15 m Vining

ShrubKey Botanical Name Common Name Quantity Spacing Condition Height SpreadCa Cornus alba ‘Elegantissima’ Red Twig Dogwood 25 1.5 m Potted 6 – 9 m 1.5 m

GroundcoverKey Botanical Name Common Name Quantity Spacing Condition Height SpreadDg Dryopteris goldiana Goldie’s Woodfern 290 .3 - .38 m Potted .35 – 1.2 m .9 m

Grass Key Botanical Name Common Name Quantity Spacing Condition Height SpreadFr Festuca rubra Red Creeping Fescue n/a n/a Seeded .02 – .2 m n/a

PerennialsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadLp Lupinus perennis Wild Lupine n/a .25 m Potted .6 m .38 – .45 mRp Ratibida pinnata Grey-headed Coneflower n/a .38 – .45 m Potted .9 – 1.2 m .45 - .5 m

ShrubsKey Botanical Name Common Name Quantity Spacing Condition Height SpreadAr Aralia racemosa American Spikenard 8 60 – 90 cm Potted 90 – 150 cm 90 – 150 cmEal Euonymus alatus ‘Rudy Haag’ Dwarf Burning Bush 40 152 – 213 cm Potted 90 cm 152 cmMa Mahonia aquifloium Oregon Grape 30 120 – 180 cm Potted 120 cm 60 – 180 cmVf Vibernum farreri ‘Nanum’ Dwarf Fragrant Viburnum 36 60 – 120 cm Potted 60 – 120 cm 60 – 120 cm

GrassKey Botanical Name Common Name Quantity Spacing Condition Height SpreadEh Elymus hystrix Bottlebrush Grass n/a 45 – 60 cm Potted 70 – 90 cm 30 – 25 cmF Festuca rubra Red Creeping Fescue n/a n/a Seeded 2 – 20 cm n/a

Perennials Key Botanical Name Common Name Quantity Spacing Condition Height SpreadAr Amerorchis rotundifolia Round Leaved Orchid n/a 10 – 20 cm Potted 9 – 25 cm 15 – 25 cm

Eam Erythronium americanum Trout Lily n/a 7 – 15 cm Potted 7 – 30 cm 7 – 15 cmSm Spiranthes magnicamporum Ladies’ Tresses n/a 3 – 6 cm Potted 3 cm 1.5 cm

reuseThis section con-tains plant species for phytoremedia-tion to reduce and eliminate contam-inants within the site’s soils. As well, the species used are all native to Canada.

This portion is com-posed of plants that can be co-opted by humans to fulfill a particular need such as medicine. The products will be pro-cessed in the pro-duce workshop and sold in the market.

This component contains a vari-ety of perennial plant species that will provide the site visual appeal throughout all seasons of the year.

The RRR (‘Reduce Reuse Recycle’) Garden

The entrance archway to the site provides high visual interest using dynamic gardens as well as ensur-ing effective pedestrian flow with

a roundabout.

The redevelopment initiative sparked by Yorklands Green Hub led up to this last PLAN 309 as-signment, where design groups had to present their final vision for the site. The site is currently occupied by a former prison, and consists of mostly overgrown greenspace, which the developer hopes to re-store and conserve. Under the theme of ecological urbanism, our firm had the intent to instill adap-tive reuse strategies rooted in low-impact development mindsets. Throughout the design process, this assignment helped me develop an understanding for the social, eco-nomic, and social componments of a large scale master plan.

This concept had been individually selected by the Client, Yorklands Green Hub, as an excellent vision for the site; it was displayed at the Organic Conference in Guelph, Ontario, in January 2016.

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• The things stressed by weather have changed: Our population has doubled, we have more possessions, we invest money in different things, and we have different needs and activities.

• There is an increase in city living: The weather behaves differently on surfaces like asphalt or large paved lots and the result has been an urban heat island effect.

• Water runs instead of in�ltrates due to increased hard surfaces.

• We LIKE the Hollywood factor of extreme weather: There is high media coverage on the subject; they are attractive and exciting.

• We are re-engineering the landscape: There are rapid runoffs, drained wetlands, and land is being reclaimed from the sea.

• We are experiencing weather that is rare and multifaceted• The multitude of moderate events causes resources to be depleted• Storms are forming in warmer moisture atmospheres• 60% increase in precipitation damage claims (Insurance Bureau of Canada)

• Seasons are becoming unpredictable, “Weather whiplash”• We made decisions based on the “normal” climate and weather from the 50s to the 70s• This was the most environmentally stable period in history, so we did modelling/ building all based on this period

• Focus on jetstreams: Rivers of air 8-15 km above the earth are now slower and dipping/diving• They cause the weather and climate from other areas in the world to impact us, and vice versa• Arctic ice conditions are changing, which impacts the world’s weather

“We are experiencing the same weather, but with a new character,with a different personality.”

BECAUSE WE HAVE CHANGED,OUR RESPONSE TO WEATHER HAS CHANGED

More rain fell in the July 2013 storm in Toronto than with Hurricane Hazel in 1954

FACTS CLOSE TO HOME:

The last cold weather record was in 1916, before last year in 2015

Peterborough flood, 2004: Enough rain fell to fill 9 skydomes

Toronto flood, 2013: Most targeted storm in an urban area in Canadian history

Burlington, 2014: 190 mm fell in the city in a few hours,but no rain reached Hamilton

A 1 degree Celsius increase in the Earth’stemperature has resulted in 4 times the

number of extreme weather eventsover the past 30 years

WHY SHOULD WE WORRY?IMPACTS OF CLIMATE CHANGE:

EXTREMES OF WEATHER VARIABILITY OF WEATHER DE-STABILIZATION OFWEATHER PATTERNS

Great Lake levels were at their lowest,then within 3 years they fully recovered

“We’re at greater risk and we have to learn to live better with the climate that we’ve got.”

SUSTAINABILITY EDUCATION SESSIONDAVID PHILLIPS, ENVIRONMENT CANADA

David Phillips, Senior Climatologist from Environment Canada shared with us his perspectives and findings on how climate change impacts us as humans and how we should be approaching the future. In the last decade, there have been major changes in how climate change has been studied. He spoke on how our lifestyle of possessions, large homes, and urban living has resulted in an environment that human history has never seen before. Extreme weather events are now the norm and it is up to municipalities to engage in strategic planning to meet these challenges, incorporate risk mitigation and create resilient infrastructure and facilities.

June 23, 2015

CITY OF OTTAWA - As-of-Right Zoning ModelsThis particular development proposal crossed three different zoning designations. As a tool to analyze its overall massing impact, I created as-of-right models in Sketchup to visualize the potential building. I pulled height requirements, setbacks, and stepbacks from the applicable by-laws, in con-junction with existing City guidelines. This practice later has been adopted for other complex projects and applications to the City.

YORK REGION -York One Initiative / Sustainability TalkI was tasked with creating a new logo for the York One Initiative, which is a municipal approach to streamlining all external and internal exchanges of information, throughout all of the Region’s departments. This is now used in document (memos, reports, letters) formats, and various promotional materials. // It was a typical practice to send concise minutes after large meetings or presentations, but I had noticed that they were usually formatted in a bland way. I decided, after a sustainability talk, to create a poster instead, to deliver information in a more captivating method.

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Princess Ave

Harlandale Ave

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Old Yonge St

Holmes Ave

Bathurst St

Felbrigg Ave

Doris Ave

Brooke Ave

Ridley Blvd

Yorkview Dr

WilsonHeights

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Yonge BlvdHaddington Ave

Laurelcrest Ave

Churchill Ave

Kenton Dr

De Quincy Blvd

Bryant St

Alfred Ave

Maxwell St

Palm Dr

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Bombay AveClanton Park Rd

Avondale Ave

Norton Ave

Delhi Ave

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Greenfield Ave

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Horsham Ave

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Hounslow Ave

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Artreeva Dr

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YORK CEMETERY ANDFUNERAL CENTRE

BA GROUP -Transportation Impact Studies: Report Figures

In the four months I worked at BA, I helped transition a com-pany-wide experiment to start creating some supplementary report figures in GIS. I adopted the role as a GIS technician for the term, and explored different graphic ways to display trans-portation-related information, as shown here.

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COMMISSIONED / LEISURE WORKS

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A collection of commissioned projects from a variety of clients, alongside personal works explor-ing a range of styles, mediums, and story-telling techniques.

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TrudeauMusic