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LAURA LOUPIGNAN architecte diplômée d’état

Portfolio 2015 Laura Loupignan

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  • LAURA LOUPIGNANarchitecte diplme dtat

  • sommairesummary

  • | au sein de DLA / within DLA | juillet 2014 / july 2014 - stage chez DLA / internship at DLA | 74 logements / 74 housing units | ingre, france

    jardin du bourg, ingre

    | encadr par Fabien Duchene / supervised by Fabien Duchene | fevrier 2014 / feburary 2014 - master 2 | fab-lab, logements, bureaux / fab-lab, housing, offices| bures sur yvette, france

    vaporation

    | au sein de DLA / within DLA | juillet 2014 / july 2014 - stage chez DLA / internship at DLA| 28 logements sociaux / 28 social housing units | pierrefitte sur seine, france

    ZAC des Tartres, PierrefitteZAC des Tartres, Pierrefitte

    | encadr par Fabien Duchene / supervised by Fabien Duchene| fevrier 2015 / feburary 2015 - projet de fin dtudes / degree project| ville dans la ville / city within the city | memphis, tennessee, etats-Unis / USA

    live city memphislive city memphis

    jardin du bourg, ingre

    evaporation

    patrimoine et dveloppement durable aux Etats-Unis | encadr par Fabien Duchene / supervised by Fabien Duchene | dcembre 2014 / december 2014| memoire de master / master paper thesis| master 2 heritage and sustainablility in the USA

    | encadr par John Stallmeyer / supervised by John Stallmeyer| decembre 2012 / december 2012 - SAPUIUC master 1 | tour multi-programmatique + gare TGV / mix-used tower + high speed train station| chicago, illinois, etats-unis / USA

    moving citymoving city

    | encadr par Paul Kapp / supervised by Paul Kapp| avril 2013 / april 2013 - SAPUIUC master 1| tour multi-programmatique + gare TGV / mix-used tower + high speed train station| springfield, illinois, etats-unis / USA

    adaptive armoryadaptive armory

    | publication tudiante dart de lENSAV / student art publication from the ENSAV| 2012-2015| association loi 1901 - projet ditorial / association under the 1901 law - editorial project| versailles, france

    volumevolume

    | encadr par David Trottin / supervised by David Trottin| juin 2012 / june 2012| logement collectif / housing units | aubervilliers, france

    masse collectivecollective mass

    | formation / education | exprience professionnelle / experience in practise | logiciels / softwares - langues / languages| intrts personnels / personal interests

    curriculum vitaeresume 4

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    | encadr par Djamel Klouche / supervised by Djamel Klouche| juin 2012 / june 2012| urbanisme / urban planning| saint denis, france

    saint denis islandsaint denis island 32

  • 4Laura LoupignanNe le 21 Avril 1991, Paris/Born on April, 21st, 1991 in Paris47 Rue de Montreuil78 000 Versailles, France. [email protected]+33(0)6.76.56.05.01

    Diplme darchitecte dtat / Architecture Master DegreeEcole Nationale Suprieure dArchitecture de Versaillesfvrier 2015 / feburary 2015

    Patrimoine et dveloppement durable aux Etats-Unis - Mmoire de Master/ Heritage and Sustainability in the United States - Master thesisEcole Nationale Suprieure dArchitecture de Versailles fvrier 2014 / feburary 2014

    Programme dchange international / Study exchange programEcole dArchitecture de lUniversit de lIllinois Urbana-Champaign, IL, USA./ Architecture school at the University of Illinois at Urbana-Champaign (USA). 2012/2013

    Diplome de Licence en Architecture / Bachelor degree in Architecture Ecole Nationale Suprieure dArchitecture de VersaillesJuin 2013 / June 2013

    Diplme du Baccalaurat option Mathmatiques Mention Bien / Graduation from High School Mathematic Option, with HonoursLyce Henry Matisse Vence, France / Henry Matisse High School, Vence, France Juin 2009 / June 2009

    Dumont-Legrand Architectes, Paris, FranceStage en agence darchitecture / Internship in an architecture firmConcours - 28 logements Pierrefitte-sur-Seine / DCE - 74 logements Ingre.

    Design competition - 28 housing units Perrefitte-Sur-Seine, France / DCE - 74 housing units Ingre, France

    fevrier 2014-juillet 2014 / feburary 2014-july 2014

    Bensa-Martins Architectes, Vence, France Stage en agence darchitecture / Internships in an architecture firmModlisation de projets de maisons individuelles / 3D modeling of housing projects

    septembre 2011-juillet 2012 / september 2011-july 2012

    Lorin Architectes, Grasse, FranceStage en agence darchitecture / Internship in an architecture firmVisite de chantiers / Construction site work

    juillet 2010 / july 2010

    Atelier Francis Chapus, Nice, FranceStage en agence darchitecture / Internship in an architecture firmjuin 2009 / june 2009

    Format ion / Educat ion

    Expr ience p ro fess ionne l l e / Exper ience in p ract i se

    curriculum vitae / resume

  • 5Autocad Google SketchupRhinocros ArtlantisV-ray

    PhotoshopIllustratorInDesignArchiwizard

    Microsoft Office Word Microsoft Office Excel Outlook EmailsInternet

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    5/55/55/55/5

    Franais / French 5/5 Anglais / English 5/5 Espagnol / Spanish 2/5

    Volume - Publication tudiante darts / Volume - Art student magazine Cration de lassociation et membre active du bureau de 2011 aujourdhui/ Creation and actif member of the assocation from 2011 until now

    Atelier 13 Membre active au sein de lEcole Nationale Suprieure dArchitecture de Versailles / Actif member of the XIII worshop in the Ecole Nationale Suprieure dArchitecture de Versailles

    KFet Serveuse bnvole de la cafteria tudiante de lEcole Nationale Suprieure dArchitecture de Versailles / Volonteer waitress at the Kfet, caf in the Ecole Nationale Suprieure dArchitecture de Versailles

    Voyages / TripsAmrique du Nord / North America - Europe / Europ - Asie Central / Central Asia - Russie / Russia

    Confiserie Florian SARL Hotesse daccueil pour des groupes de touristes en franais et en anglaisTour guide for English and French-spoken groupsEte 2011-2012-2013 / Summer 2011-2012-2013

    Emplois tudiants Aide aux devoirs et gardes denfants de tous gesHome work help and baby-sitting

    Log ic ie l s / So f twares

    Langues / Languages

    In t r ts pe rsonne l s / Pe rsona l i n te res ts

  • 6Memphis, Tennessee, USAmaquette 1:5000

  • 7Memphis, Tennessee, USA maquette 1:500

  • 8live city memphisune nouvelle urbanit pour la ville fantme

    Le site choisi est le seul et unique qui fait converger les 4 dimensions de la ville de Memphis. Ce groupe de 5 btiments sont lis architecturalement par la brique. Lclectisme et la surprise se lisent dans les diffrents niveaux de toiture de ses difices pannels par le temps.Pour formaliser le principe de densit nous nous sommes inspir de lanecdote historique : celle de la ville dans la ville. Nous avons ainsi tudi et condens des typologies existantes du tissu urbain de Memphis lintrieur du site vacant : la tour de logements, le plot de commerces ou la fabrique historique. Il ne sagit pas dune collection dobjets mais de la cration dune super-ville abstraite.Ensuite, nous avons cr un espace public qui envahit et creuse lespace bti en microsituations. Il sagit de donner une nouvelle apprciation la rue. Le trac de ces circulations publiques sont faites de rtrcissements, douvertures impromptues, de chemins flanc de toit dans le but denvisager ce que Peter Cook du groupe Archigram appelle lindtermin, lphmre et le fouillis de la vie urbaine o lexprience de la rue est plutt influence par les forces ambiantes et immatrielles que par lespace physique. Les ambiances et les usages sont lexprience du btiment. De la mme faon que la brique cre une continuit matrielle au niveau de lexistant, la super-ville est enveloppe uniformment par du verre rflechissant. Toutefois la masse abstraite et immatrielle de la ville du dessus, au contact de lespace public et de ses zones hypercaractrises mute et sadapte ponctuellement au caractre du lieu.

    The choosen site is the one and only that converges the 4 Memphis portraits. These 5 buildings are linked by the brick material. The eclectism of the levels of roofs is something we did like and tried to work with. To formalize the concept of density, we worked around the historic story : the city within the city. We studied and concentrated the different typologies of Memphis in the vacant site : the housing tower, the business plot, the historical fabric. Its not a collection of objects but the creation of a super-city on top of the old one. Then we worked on the public space that overhelms and dig the building into micro situations. Its all about creating a new approach of the street. The layout of these public circulations are about shrinking, impromptu opening, roofing in order to achive the purpose of Peter Cook from the Archigram group : the indeterminacy, the ephemeral and the life jumble where the street experience is influenced more by the surrounding and immaterial forces than by the physical space. Atmospheres and usages are the building experience. As the brick creates a continuity on the ground floor, the super-city is wrapped by reflective glass. The abstract and immaterial mass of the super-city mutates and adapts the caracter of the space in contact with the public space and the hyper-characterized area.

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    1. axonomtrie du centre-ville de Memphis au bord du Mississippi2. axonomtrie du site de projet.

    1. downtown Memphis axon along the Mississippi River 2. site project axon

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    1. plan du rez-de-chausse2. plan de toiture de lexistant

    1. perspective extrieure depuis le Mississippi2. perspectives intrieures de llot

    Sur la page suivante 1. ground floor plan2. roof top plan

    1. exterior perspective from the River 2. interior lot perspectives

    Next page

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    ZAC des Tartres, PierrefitteConcours darchitecture au sein de DLA architectes

    MOA / CLIENT | Immobilier 3FMOE / ARCHITECT | DLA Dumont Legrand ArchitectesPROGRAMME / PROGRAM | logements (28) / housing (28)SURFACE TOTALE / TOTAL AREA | 4500 MCOT / COST | 6 M

    Dans un contexte maracher, la parcelle, coince entre deux fermes existantes en briques, prsente des problmatiques spcifiques. La faade sur la rue doit rpondre des rgles dpannelage contraignantes alors que la faade sur le jardin permet de souvrir sur un espace public piton de la ZAC des Tartres. Le projet concentre 28 logements sur la parcelle en levant un btiment sur 6 niveaux. Un socle en brique intgre le rez-de-chausse sur le site puis le bardage mtallique rpond au challenge que stait lanc lagence. Je me suis concentre sur la recherche volumtrique de la faade ainsi quau dessin du plan masse, et la ralisation de la maquette.

    In a contryside context, the lot is hidden between two existing brick barns. The lot displays multiple problematics. The facade on the road has to comply the city rules. The facade on the garden can be open on the pedestrian public space of the ZAC des Tartres. The project gathers 28 housing units on 6 levels. A brick base integrates the ground level to the site and then the architects used metallic cladding as a challenge on this project. I focused on the facade volume search, the drawing of the mass plan and the realisation of the model for the competition.

    Architecture compition within DLA architectes team

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    1. perspective extrieure depuis le jardin2. photos de la maquette du concours

    1. exterior perspective from the garden2. photos of the competition model

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    MOA / CLIENT | Groupe ArcadeMOE / ARCHITECT| DLA Dumont Legrand ArchitectesPROGRAMME / PROGRAM | logements (70) / housing (70)SURFACE TOTALE / TOTAL AREA| 4500 MCOT / COST | 6 M

    Chaque btiment est un couple de granges, qui se caractrisent par une relecture des codes ruraux tout en relevant dune criture contemporaine. Le projet propose plusieurs modes dhabiter. Chaque appartement du rez-de-chausse comporte un jardin, pendant que les duplex des tages jouissent dune terrasse privative. Le hall commun, rduit son minimum, ne dessert que la moiti des logements, les autres ayant un accs indpendant depuis lextrieur. Jai particip la fin du permis de construire et ai travaill en binome sur la phase DCE.

    Each building is composed by two barns which are defined by a countryside style playback. The project displays multiple ways to live. Each appartment at the ground floor has a garden. The duplex in the upper levels has a private terrace. The commun hall is the smaller possible and gives access to the minimum appartements. The others have an access directly from the outside. I took part to the end of the building permit phase and worked on the DCE phase.

    Jardin du bourg, IngreProjet de logements collectifs et intermdiairesCollective and alternative housing units project

    1. perspective extrtieure du projet

    1. exterior perspective of the project

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    2. plan du rez-de-chausse du btiment A

    2. building A ground floor plan

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    Ce projet exprime le phnomne chimique de dvaporation travers la forme globale du btiment. Une trame rgulire organise des module de 6m par 6m par 6m. Ceux-ci sont alors dmultiplis de faon crer un faade qui se prcipite vers lYvette. Le programme comprend un Fab-Lab au rez-de-chausse puis les tages sont cinds en deux : dune part les logements et dautre part les bureaux.

    This project expresses the chemical reaction called evaporation thanks to its general shape. A regular frame organizes 6x6x6meters modules all together. The number of modules increases to create a haste to the Yvette River. The program is a chemical Fab-Lab on the ground floor. The others levels are divided into two parts : on one side, housing units and on the other side, offices suites.

    EVAPORATIONAmnagement de la valle de lYvette/ Laying out of the Yvette valley

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    1. plan du fab-lab au rez-de-chausse2. coupe perspective nord-sud3. zoom de situations sur la diffrenciation des faades4. dtails techniques sur la diffrenciation des faades5. perspectives extrieures depuis lYvette

    1. fab-lab ground floor plan 2. north south perspective section3. facade close-up to distinguish them4. technical details to distinguish facades5. exterior perspective from the Yvette River

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    LEmpire State Building, la Statue de la Libert, le Millnium park, Beale Street , Las Vegas, Hollywood Boulevard... tant de symboles faisant rfrence au patrimoine culturel et architectural des Etats-Unis dans la culture populaire mondiale. Entits globales ou objets singuliers, ils composent les diffrentes villes et sont les fruits des mouvements et courants historiques. Les Etats-Unis, nation rcente, premire nation dcolonise du monde en 1776, ont t le thtre de plusieurs mouvements notamment architecturaux, et ont t influencs par plusieurs puissances europennes par le pass. Le pays cherche encore se constituer une identit propre travers larchitecture. Dans lhistoire rcente, cette recherche didentit physique est passe par lemploi de diffrents styles architecturaux par le gouvernement. Ces styles ont t vhiculs travers la construction dinfrastructures et sont issus, pour la plupart, de lhistoire europenne. La question de lidentit nationale est complexe car le pays est divis en tats qui ont un pass individuel et une culture nettement diffrents les uns des autres. Cette fragmentation peut sexpliquer de manires diffrentes : dune part, lhistoire de la colonisation par des pays diffrents qui ont chacun import leurs modles architecturaux et dautre part, la situation gographique dun pays qui stend comprenant des climats et des reliefs propres chaque tat. A lheure o les amricains ont pris soin dlever au statut de monuments les emblmes de leur histoire comme Grand Central Station ou la Statue de la Libert New York, la problmatique se tourne maintenant vers larchitecture moins significative, larchitecture quotidienne qui fait les villes. Cette architecture rcente comporte-elle une dimension patrimoniale qui participerait forger lidentit architecturale amricaine ? Les Etats-Unis ont eu un dveloppement urbain et conomique trs important qui est notamment pass par lapparition ultra rapide de villes entires. Toujours obnubils par la qute de limpossible, de linnovation et motivs par le dveloppement conomique, les Etats-Unis donnent naissance aux gratte-ciels Chicago, ainsi quau paysage rptitif et sans me des suburbs comme Levittown . Maintenant, confronts labandon des centres-villes, au vieillissement des lments verticaux (que sont les tours) et ltalement urbain, la rflexion est porte larchitecture dont personne ne sest souci auparavant : le parc existant bti, le pass architectural, sa signification et son devenir. Ce sont des objets de rflexion autour du patrimoine. Limportance des entits du parc bti nest pas forcement vidente et ncessite la redfinition de la notion de patrimoine dans le contexte historique des Etats-Unis.

    Larchitecture rpond ncessairement un besoin et des proccupations de la socit. Dans cette perspective, il parat important laube du XXIme sicle de sattacher aux proccupations durables et lenvironnement dans la constitution et galement dans la reconqute du patrimoine amricain. Les prvisions concernant le stock bti envisageaient la destruction dun sixime

    PATRIMOINE ET DEVELOPPEMENT DURABLE AUX ETATS-UNISRflexion sur le patrimoine amricain face aux proccupations contemporaine.

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    de la superficie construite et la rnovation de la moiti avant lanne 2035 ainsi que la construction de quinze milliards de mtres carrs neufs dans les rgles du dveloppement durable imposes par le gouvernement. Mais les amliorations que la socit amricaine a faire dans une perspective de dveloppement durable sont importantes. Leur systme bas sur la voiture et la surconsommation sont en total paradoxe avec lamlioration apporter pour devenir une socit plus durable. Leur dpenses nergtiques font parties des plus impressionnantes lchelle mondiale. Quarante pourcent de lusage nergtique amricain est dvolu au chauffage, lclairage et au refroidissement des btiments rsidentiels, commerciaux et industriels : larchitecture en somme. Les efforts sur les logements neufs sont encore importants faire mais, tels que les pays europens, ce sont les constructions existantes qui posent le plus de problmes.

    Il sagit donc de mettre en relation deux rflexions contemporaines sur larchitecture amricaine. Dune part, un questionnement sur la constitution dun patrimoine amricain en tenant compte de lhistoire rcente, et dautre part, lintroduction dune notion de durabilit dans larchitecture. Il sagit de sinterroger sur le devenir de larchitecture existante et sa relation avec les proccupations contemporaines propos de larchitecture. Comment le mode de pense du dveloppement durable peut servir la production de patrimoine aux Etats-Unis et aider la constitution dune identit nationale travers larchitecture ? Est-il possible dallier la constitution dlments architecturaux portant et assurant lidentit de tout un pays tout en minimisant limpact sur lenvironnement ?

    La dimension temporelle voque par les notions de patrimoine et de dveloppement durable sont trs loignes. Le patrimoine fait appel une notion de permanence et de rsistance dans le temps. Le dveloppement durable mne des objets architecturaux dont la conception prend en compte leur cycle de vie, rglant leur naissance et envisageant plus ou moins long terme leurs morts certaines. Le mode de pense durable en architecture peut prendre une multiplicit de directions en fonction des projets et des acteurs engags.Cette dualit entre patrimoine et dveloppement durable ncessite un chef dorchestre : larchitecte. Dans le contexte amricain, son rle apparat comme ncessairement diffrent par rapport celui quil peut envisager en Europe. Il sagit donc de sinterroger sur le rle de larchitecte dans le processus de production et dutilisation du stock construit afin de satisfaire les proccupations de la socit actuelle en terme de dveloppement durable et du respect de lenvironnement.Il faut repenser le patrimoine, lide mme de ce quil est, de ce quil reprsente dans le contexte dun pays rcent.

    Pour lire la totalit du mmoire : http://issuu.com/lauraloupignan

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    The Empire State Building, the Lady Liberty, the Millenium Park, Beale Street, Las Vegas, Hollywood Boulevard... as many symbols that refer to the American cultural and architectural heritage in the international culture. Global entities or singual objects, they define mutliple cities and are the result of historic movements and thoughts. The United States of America is a young country. Its the first decolonized country in the world in 1776. It has been the land of multiple culture movements espacially architectural one that have inspired others countries and more specifically european countries in the past. This country is still looking for a singular identity through architecture. In the recent past, this search for physical identity used different architectural styles choosen by the goverment. The topic of the national identity is complex because the country is divided into states which all has a different past and a different culture the one from the others. This fragmentation can be explain in different ways : on one hand, the history of colonization by multiple countries which all brought their own cultures and on another hand, the geographic position of each state in a country that extends from the Atlantic to the Pacific oceans going through different climates and topographies. As American are erected to National Heritage some buildings as Grand Central Station, New York or the Lady Liberty, New York, the problematic focuses on the every-day architecture that composed cities. Does this recent architecture have an important historical signification that can help the constitution of a strong national identity ? The United States of America had a fast economical and urban development that helped building whole cities very quickely. Always focus on impossible quest, innovations, the Americans have the first to build skyscapers in Chicago and boring suburbian landscapes like Levittown. Now facing abandonned downtowns, aging skyscapers and urban sprawl, the reflection focuses on the not-significant architecture : the existing building stock, its architecture past, its meaning and its future. There are ways to think about the meaning of heritage in the USA. The signification of this building stock is not obvious and needs a redefinition of the word heritage in the American context.

    Architecture necessarily matches a need or a concern of the society. In this regard, it seems important to study the sustainable concerns of the

    HERITAGE AND SUSTAINABILITY IN THE USA Reflection on the American architecture heritage regarding the contemporary concerns

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    society in the XXIth century in order to keep building and recapturing of the American heritage. Forecast about the building stock are planning to destroy one sixth of the total building area and to renovate half of it before 2035. It also plans to build fifeen billions square meters following the new federal laws about sustainability. These improvements that need to be done are huge. How to make these improvement in a country where the way of life is based on car-used and overconsumption ? The energy consumption of the USA is the most impressive one worldwide. Fourty percent of the American enery consumption goes to heating, lighting and cooling of the industrial and residential and commerical buildings : to architecture in other words. Efforts on new housing units are still to be done but, as European countries, most of the efforts need to go to the existing building stock which burn off the most.

    This paper is about linking two contemporary thoughs about American architecture. On one hand, the question of the constitution of an American heritage considering the youth of the country and on the other hand, the sustainable concern in architecture. Its about questioning the future of this existing stock and its relation to the contemporary concern in architecture. How does the sustainable way of thinking can be helpful to the production of an American heritage and the constitution of a national identity throught architecture ? Is it possible to build architectural entities that aim to be forever and that give a country a singular and personal identity minimizing environmental impact ? The temporal aspect called by heritage and by sustainability are far appart. Heritage uses time as always and forever while sustainability uses time as until it dies. The sustainable way of designing take into account life time of the building, planning the building but planning also its dead in a more or less long term. This paradox between heritage and sustainability calls for a master : the architect. In the American context, the architect role necessarily appears very different from the one he has in Europ. Its about questioning the role of architects in the design production process and in the use of the existing building stock in order to match the societal concerns on sustainability. Rethinking heritage, the idea of what it is and what it represents is the key in a young country as the United States of America.

    To read the rest of this paper : http://issuu.com/lauraloupignan

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    MOVING CITYfrom the suburb to the top

    The site is located in one of Chicagos last undeveloped riverfront areas and is a prime location to create a link with West Loop. The High Speed Rail would create an immense amount of passenger activity to and from Chicago, bringing with it lots of business and expansion opportunities. Along with the terminus, a 67 story tower has been proposed that can make a strong connection with the high speed rail traffic. There is an underground retail level that connects the public users from both areas. The station encourages the passenger experience by creating an undulating roof form that helps to guide

    circulation and allows natural light in as well. The form continues throughout the station and is reemphasized on the east and west tower facades by creating offset corrugation the run down to the base. On the lower east side of the tower, the faade transitions into an atrium of similar form that is supported by an elegant space frame structure. At the ground level of the tower is a public retail section and a large opening that has a direct connection to the high speed rail arrival and departure, making it both a destination for those arriving to the city as well as a central hub for it as well.

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    1. high speed train station underground floor plan2. interior perspective of the atrium link-ing the train station and the tower3. technical axon of the project

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    This project is about historic preservation in the United States. Its the adaptive use of the State Armory in Springfield, Illinois. The fea-tures that we needed to preserve were the 4 facades and the historic wall which was divid-ing the atrium and the stage. The different in-terior levels of offices were organized around a central empty space which was an atrium. The new building is organized the same way keeping the central space empty and very open. The different floors are stepping back one from the other around the atrium. The 4 facades all had entrances in the existing build-

    ing which I kept. These four entrances make the central space very open and public and cut the building into 4 different parts which are each a suite for public services on each floor. The project also integrates nature in this very massive building. The entire block is open on the other buildings of the Capitol. The West facade is open on a green space which was a parking before. This garden is connected to the atrium. The steps between the floors allow the proliferation of the nature up to the green roof which was one of the desire of the State architects who worked with us all semester.

    ADAPTIVE ARMORYillinois state armory adaptive mix-reuse

    1. photos of the existing building2. ground floor plan3. south north section4. photos of the model

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    ILLINOIS STATE ARMORY ADAPTIVE REUSE - 2013 PAUL KAPPLAURA LOUPIGNAN

    FLOOR PLAN - FIRST FLOORSCALE: 1/8 " = 1'-0"

    ILLINOIS STATE ARMORY ADAPTIVE REUSE - 2013 PAUL KAPPLAURA LOUPIGNAN

    EAST-WEST SECTION BB'SCALE: 1/8 " = 1'-0"

    EAST-WEST SECTION AA'SCALE: 1/8 " = 1'-0"

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    VOLUMEpublication dart / art publication

    Volume est une revue tudiante cre par les tudiants de lEcole Nationale Suprieure dArchitecture de Versailles. Le magazine est n de la volont de promouvoir et de donner de la visibilit aux productions tudiantes des coles dart et darchitecture, ralises hors du contexte scolaire. Volume est un support dchanges, de rflexion et de dialogue entre pratiques, approches et horizons artistiques diffrents. Jai particip la cration de lassociation et la publication des 7 premires ditions. Jai t la secrtaire du bureau durant lanne universitaire 2013-2014.Volume is a student magazine created by students from the Ecole Nationale Suprieure dArchitecture of Versailles. Its coming from the willing to pro-mote and to make visible the architecture and art student personal works. Volume is an exchange platform, a way to think and talk about different artistic approches. I was part of the team that created the magazine and the association and I took part of the 7 first publications. I was secretary of the bureau for the 2013-2014 year.

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    http://volume-magazine.fr1. photo de la prparation de Volume #2 Mutation2. photo de Volume #5 Mmoire(s)3. photo de Volume #5 Mmoire(s)

    1. getting ready photo of Volume #2 Mutation2. photo of Volume #5 Memorie(s)3. photo of Volume #5 Memorie(s)

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    Espace commerciale100m

    MASSE COLLECTIVE / COLLECTIVE MASSmedina en ile-de-france / medina in the parisian area

    Le projet a pour objectif de revisiter la Medina, de travailler la densit et la masse. Les logements sont les rsultants de deux principaux creusements. Lun est vertical et permet la cration de deux centralits, qui encouragent les relations de voisinages et la vie en communaut. Lautre se veut plus horizontal, ce qui rend le plan du rez-de-chausse poreux en crant des venelles qui permettent de traverser tout le btiment. . Ces coursives sont interrompues par des jardins partags, toitures de logements qui se dgagent au fur et mesure des tages.

    The goal of the project is to re-interpret the Medina and to work on the density and the mass. The units are the results of two different diggings. One is vertical and create two new plazas which promote the relationships between neighboors and the life in community. The other is horizontal which makes the ground floor porous creating alleys and bridges which allowed to cross the building. Those bridges are composed with green areas and gathering gardens which are the roofs of the units.

    1. plan du rez-de-chausse2. plans des tages3. coupe ouest-est du projet

    1. ground floor plan2. upper level plans 3. west-east section

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    SAINT DENIS ISLANDune reconqute des friches industrielles

    Le travail a t de crer un nouveau quartier trs dense avec lobjectif de rompre la continuit du paysage de lle. Ce nou-veau quartier fonctionne transversalement par rapport lile ce qui donne lieu un squenage de lespace. Lamnagement dun lot est pens de telle sorte que les btiments hauts lon-gent les rues pour librer le centre qui accueille dautres qui-pements publics comme une cole, une mdiathque, des ter-rasses de cafs, restaurants, cinmas, stations services ou des boutiques. Cette organisation cre deux ambiances de rues diffrentes : lune trs minrale, dense par les flux quelles gnrent et lautre plus calme, plus vgtale, plus pitonne.

    The work is to design a new dense district with the goal of creating a contrast which breaks the continuity of the island landscape. This new district works transversally to the is-land which creates a space sequencing. The high buildings are all along the road which clears the inside of the blocks for public equipment such as schools, libraries, coffee shops, res-taurants, cinemas, service stations and shops... This blocks planning creates two different road environments : a mineral and dense one and the second one more quiet, pedestrian and vegetal.

    1. mass plan of the project 2.3. photos of the model 4.5.6. interior lot perspectives

    1. plan masse2.3. photos de la maquette4.5.6. perspectives intrieures des lots industrial wasteland recapture

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  • portfolio 2015

    Laura Loupignan - 47 rue de Montreuil - 78000 Versailles - +33(0)6.76.56.05.01 - [email protected]