Upload
yong-jae-kim
View
216
Download
1
Embed Size (px)
DESCRIPTION
School and Professional Works by Yong Jae Kim
Citation preview
YONG JAE KIMPortfolio
Master of [email protected] c. 201 970 0905
University of Pennsylvania l Graduate School of Design
Yong Jae Kim [email protected] 201-970-0905 4619 Chester Ave. APT# B409 Philadelphia, PA 10143Yong Jae Kim [email protected] 201-970-0905 4619 Chester Ave. APT# B409 Philadelphia, PA 10143
- 09/2008
06/2012 - 12/2015
09/2007 - 05/2008
06/2004 - 05/2007
03/2012
07/2001 - 09/2003
06/2013 - 08/2013
08/2014 - 01/2015
06/2015 - 08/2015
Education University of Pennsylvania PennDesign_Philadelphia, PA
Master of Architecture University of Virginia McIntire School of Commerce _Charlottesville, VA
Master of Science in Accounting Virginia Tech Pamplin Business School_Balcksburg, VA
Bachelor of Arts in Accounting and Information System
Professional Experience
KPMG LLP New York, NY_ Third Year Senior Auditor _Led 2-10 audit team members as a lead senior auditor of LG Electronics, USA audit team _Partnered with managers to audit clients business process and activities to find non compliances and advised on corrective actions
_Trained first/second year associates
Branch of Military Seoul, Korea_ Auxiliary Police
_Joined as a private and discharged as a corporal sergeant with supervisory responsibilities over 30 police officers _Directed order and peace using crowd control techniques to protect citizens of Seoul from violent demonstrations
Adrian Smith & Gordon Gill Chicago, IL _ Intern
Chicago, IL _ Intern
_Participated in Extell Building (mixed-use), Suzhou Sudi Parcel Project (mixed-use), International Design Competition for Expo-2017 (cultural), and Taihu New Town CBD Super Tall Complex (mixed-use)
_Designed vehicle paths to drop-offs and parking garages, and landscape considering legal requirements
_Participated in the development of concept, rendered 3D models with Maxwell, performed site research and analysis
UNStudio Amsterdam, The Netherlands_Intern
_Participated in schematic design of Castle Towers (mixed-use), Sydney, Australia _Worked on the roof and facade geometries utilizing Rhino grasshopper _Participated in regular meetings with clients and delivered presentations
_Interacted with client accounting personnel directly on a daily basis
Skidmore, Owings & Merrill _Participated in design development of The Address Residence Sky View (mixed-use), schematic design of Nanning Tower (mixed-use) and conceptual design of a city planning competition
_Assisted with construction documents set
_Worked on documentation including building plans, sections, and elevations_Prepared Rhino files for physical models and constantly communicated with model makers
_Worked on documentation including building plans, sections, and elevations
_Worked on documentation including building plans, sections, and elevations_Focused on design of tower and canopy_Participated in regular team meetings and delivered presentations
Yong Jae Kim [email protected] 201-970-0905 4619 Chester Ave. APT# B409 Philadelphia, PA 10143
01/2013 - Present
06/2004 - 05/2007
03/2000 - 06/2001
06/2012 - Present
08/2007 - 05/2008
08/2006 - 05/2007
06/2004 - 05/2007
01/2014
2013-2015
Activities President of Upenn Squash Club President of Accounting Society, Virginia Polytechnic Institute and State University
President of French Club, a va
Honors
PennDesign Graduate Programs Scholarships, University of PennsylvaniaMcIntire School of Commerce Graduate programs Scholarships, University of VirginiaWilliam S. Gay Scholarship, Virginia Tech
Graduated Magna Cum Laude with a GPA of 3.79 on a 4.0 scale, Deans list for 5 semesters, Beta Gamma Sigma member, Virginia Tech
Computer Skills
Drafting : Auto CAD
3D Modeling and Rendering : Rhinoceros, Grasshopper, Python, Autodesk Maya 3D, 3D Max Studio, Maxwell, V-Ray, and KeyshotGraphics : Photoshop, InDesign, Illustrator, After Effects, and Premiere Pro, and Zbrush
Dales Travelling Fellowship Award: awarded for travelling grant based on portfolio of school workMatters Pressing 2013 - 2016 (Upenn Publication): selected works by professors
Others : Microsoft Office (Word, Excel, PowerPoint)
44
23 October 2015 To Whom It May Concern, I am pleased to recommend Yong Jae Kim, for whom I was the direct supervisor during his employment at Skidmore, Owings & Merrill this past summer. I am a Technical Design Studio Head at SOM where I oversee approximately 25 people working on three to eight projects at any given time. Yong Jae was selected from a pool of over 500 applicants to hold an architectural summer internship in our Chicago office from June through August 2015. My experience working closely with Yong Jae substantiated the excellent design abilities we witnessed in his portfolio. As a summer intern, our goal was to expose Yong Jae to as many experiences as possible. Not only was he open minded to new experiences, his extensive range of skills allowed us to integrate Yong Jae into vital components on numerous projects. Here is an overview of his contributions during his internship: x Modeling and rendering canopy options for a mixed use tower in design development phase using
Rhino, Maxwell, and Photoshop (172hrs) x Rendering for a city planning competition in conceptual design phase using Maxwell and
Photoshop (47hrs) x Diagraming for a mixed use supertall tower in schematic design phase using Illustrator and
Photoshop x Interior modeling and rendering for an office lobby in schematic design phase using Rhino,
Maxwell and Photoshop (39hrs) x Editing plans for a firm-wide marketing brochure using AutoCad and Illustrator (99hrs) x Integrating review comments for a mixed use tower in construction administration phase using
AutoCad and Bluebeam (14hrs) Yong Jaes calm and confident personality was appreciated during critical deadlines. He built my trust throughout the summer as he consistently completed tasks in a timely and professional manner, sometimes working additional hours if necessary. Yong Jaes quiet demeanor did not stop him from asking advantageous and relevant questions. I would be glad to have Yong Jae back on our team but I also support him in broadening his experiences by working in other environments. Based on his summer internship performance, I am confident Yong Jae has the ability to excel in any entry-level architectural situation. Please contact me if you would like to discuss my recommendation of Yong Jae in more detail. Kind Regards, Scott Steffes, AIA, LEED AP Associate 312-360-4164 [email protected]
5
6
7Table of ContentsReimagining Penn Station.................................................................9PennDesign Fall 2015 Studio, New York
Smart Apartment..............................................................................23PennDesign Spring 2014 Studio, New York
The Cultural Center..........................................................................31PennDesign Spring 2015 Studio, New York
House of Painters..............................................................................39PennDesign Fall 2013 Studio, New York
Hybridization...........................................................................47,53,57PennDesign Fall 2012 Studio-Chairs-Chairs and Interior Space-Chairs, Interior Space and Experior Space
Public Mental Therapy Center........................................................61PennDesign Spring 2013 Studio, Philadelphia
Revit BIM Model..............................................................................64PennDesign Fall 2012 and Spring 2013 Construction Techonolgy
Professional Works............................................................................67Internship at UNStudio, Adrian Smith & Gordon Gill
Idea Competition.............................................................................74Busan Opera House, Korea
Installation..........................................................................................76Flow between Diff erences
0102030405
0607080910
8view from platform level
9Penn Station serves as a primary gateway into the city. It is one of major train stations including Grand Central station, and World Trade Center Transportation Hub. It was originally designed to accomodate 200 thousands of riders per day, however, it is now packed with over 600 thousands of riders per day, which is even larger than riders of JFK, ERW, and LGA all combined. The user faces an under-ground labyrinth with no connection to the city, light or air while the land above only utilizes about one-third of the maximum FAR thereby limiting its value. It is urgent to think about re-envisioning Penn Station.
There are ciritical issues with the existing conditions of Penn Station: The trakcs and platforms are 44 below street level. All passengers must navigate three levels before they can reach their train. All waiting areas are shared by all passengers regardless of which train service they use.Lack of visual connectivity and transparency as well as unclear circulation make all levels unfriendly for passengers and visitors. The exit concourse, centeral con-course, and NJ Transit concourse are not well-connected and do not form a clear network, which would help guide passengers intuitively through the circulation system. Combined with a complex signage system and the mixing of back-of-house and retail services, pedestrian circulation at Penn Station is a labyrinth that even the most regular passengers have a hard time navigating.
The proposal will create two grand entrances for departure and arrival with sta-tion identity, while also removing visual clutter to create a streamlined experience for travelers and visitors. The original station served not only as a transportation hub, but as an elaborate entranceway into New York City. The new design should seize the opportunity to rekindle this iconic experience and mitigate the sense of loss felt by New Yorkers. Strategic use of natural light helps to de ne interior spaces, to create a sense of uplift and openness in the vast building, and to rein-force the gate way notion by developing orientation from the inside out.
The new design will make Penn Station as an iconic gateway to NYC with a pleas-ant environment.
01REIMAGINING PENN STATION
VOID
Fall Semester 2015Instructor: Thom Mayne
Location: Penn Station, New York CityProgram: Transportation + Residential + Offi ce + Entertainment
Softwares: Rhino, Illustrator, AutoCad, Photoshop, Maxwell, and Vray
awkward corner entrances
present proposed
two grand entraces
lack of visual connectivity clarity of form, use and function
lack of iconic experience two grand entraces
lack of open space enough open space
lack of natural light abundant natural light
10
madison square garden
gym
8th avenue
offi ce
gallery
penn station
sky garden
11
offi ce
auditorium
7th avenue
retail
perspective section
12
1F
2F
3F
4F
5F
10F
15F
1 2 3 4 5 6 7 8 9 10 11 12 13
20F
1F
2F
3F
4F
5F
10F
15F
1 2 3 4 5 6 7 8
20F
madison square garden
hotel
offi cemadison square garden
offi ce gym
sky garden
offi cegallery
auditorium
retail
retailretail31st st.
residential
concourse
penn station
retail7th ave.
concourseconcourse8th ave.
penn station
sky garden
sky garden
sky garden
33rd st.
section through 32nd st.
section through between 7th and 8th avenues
13
interior _top of madison square garden
14
15
section model
16
section model
17
section model
18
exterior from 8th ave. and 30th st.
19
exterior from James A. Farley Post Offi ce Building
20
21
sky garden
22
structure model
LIVE
PLAY
WORK
LIVE
LIVEwork
work
play
play
play play80
%60
%40
%20
%
Live
Work
Lobby
Play
Parking
Auditorium
Fitness
Event Hall
Child Care
Meditation
+ 0ft
+ 0ft
Viewing Deck
Live
Work
Lobby
Play
Parking
23
The Smart apartments building is a design in which working, living, private atmosphere and public space come together. Its about the exible co-existence and integration of daily living- and working situations within one system. The system needs to accommodate and proliferate new lifestyles and work styles by following the slogan: we live and work wherever and whenever we are.
Live, work and play at the crossroads of these intersecting human desires stands this uniquely de ned TriBeCa highrise. While the programs coincide in a single tower, each area is de ned by a distinct spatial and structural theme. Residential units are constructed using an exposed concrete structure, which allows for sinu-ous edges and soft owing spaces, creating a warm sense of visual and acoustic harmony. In contrast, the commercial spaces employ exposed steel structures, accentuated sharp edges, and raw structural details embody urban modernity and sophistication, complementing the everyday lives of its inhabitants.
This sequence of activities is committed to exploring the extremities of human condition. The stylistic attribute variation, ranging from monolithic to skeletal, closed to open, soft to sharp, re ects the paradoxical nature of our experiences, as well as the staggering diversity found in contemporary urban life. The height of the building not only provides it with a stunning view, but also has the eff ect of establishing its three-dimensional presence. Floors alternate between concrete and steel structures, allowing them to exploit free plan - as the programs are marked by various structural members, which oscillate between support and ar-chitectural de ner, utility and aesthetics, necessity and decor.
The structural integrity maximizes friction, comprehends in-betweens, and blurs boundaries as it is integrated in a single container. Hybrid Tower will be the future standard for generating density in NYC.
02SMART APARTMENT
Spring Semester 2014Instructor: Hina Jamelle
Consultant: Dan Brodkin and Matt Jackson, ARUP New YorkLocation: West Soho, New York City
Program: Residential + Offi ce + EntertainmentSoftwares: Maya, Rhino, Illustrator, AutoCad, Photoshop, Maxwell, and Vray
*Published in Pressing Matters 2014-2015
program diagram
worklobbywork
playlive
24
offi ce
auditorium
residential
25
perspective section
offi ce
auditorium
residential
residential
up
dn
up
A B C D E F G H I J K
1
2
3
4
5
6
A B C D E F G H I J K
1
2
3
4
5
6
upup
26
oor plan of auditorium
auditorium
offi ce
residential
oor plan of residential + offi ce
Play
Work + Live
12 ft
12 ft
12 ft
15 ft
20 ft
D-1
D-2
D-3
D-1
D-2
D-3
27
+ 450ft
residential
balcony detail
residential
residential
residential
auditorium
offi ce
lobby
concrete to steel detail
residential / offi ce / auditorium sections and detail sections
steel connection detail
28
live
work
play
29
front view night view
30
31
l.
ll.
lll.
lV.
FLAT ONTOLOGYThings exist equally but differentlyDiscreteness and tension between elementsRelations make objects real
Mass
Interior
Surface Articulation
Ground
HIERARCHY OF ELEMENTSVertical relation of architectural elements Contingency and trickle down relations
WHAT IS FLAT ONTOLOGY?
03THE CULTURAL CENTER
Spring Semester 2015Instructor: Tom WiscombeLocation: New York City
Program: CulturalSoftwares: Maya, Rhino, Illustrator, AutoCad, Photoshop, Keyshot, and Z-brush
*Published in Pressing Matters 2015-2016
The project is based on creating mystery and spatial tension between elements such as building masses, interior spaces, surface articulation, and ground. It is refered as the architecture of a at ontology, where architecture is pulled apart into discrete parts so that it can be put back together again in unexpected ways. In this way, architecture becomes a set of interactive whole objects rather than a classical part-to-whole unity.
Near guration is achieved by either subtracting or pushing voxels into one an-other and by creating illusions between exterior and interior.
If everything is a whole object and not a part of something else, and every-thing exists equally but diff erently, then vertical strati cation between parts and wholes becomes impossible. In this model, everything exists side by side, like a collection of treasures laid out on a table.
from www.tomwiscombe.com
32
Near guration is de ned as the appearance of distinct, legible objects from illegible or uid conditions, that is, as the simul-taneity of things which have both graphic and formal features. It includes involuted gures, which can simutaneously create exterior depth eff ects but also interior spatial guration.
Voxel Jack
Figure Con guration
Voxel + Jack
Near Figuration
performance hall
15.0
53.0
29.05.0
4.0 15.0
170.0
85.0
75.0
To BuildHeadEL +137.0
6th FLEL +77.0
5th FLEL +57.0
4th FL
Street Level
EL +42.0
3rd FLEL +32.0
2nd FLEL +20.0
EL +0.0
BasementEL -15.0
20.0
15
.0
10.0
12
.0
20.0
v15
.0
60.0
33
conference
performance hall
lobby
gallery
gallery
high line
high lineparking
performance
cafe
bathroom
entry lobby
theater lobby
6th level plan
section_east/west
34
physical model
physical model
part physical model
35
36
performance stage
gallery 3
gallery 2
gallery 1
multipurpose space
perspective section
sectional model
37
view from high line
38
entrance from high line
39
This architectural design studio invents a combinatory logic for ultra luxury and low income housing, and proposes a prototype for new residential towers along the High Line urban park in New York City.
As a complimentary program to attract public use, and working as a synthe-sizer for community and appropriation, the housing program will be rounded off by an arts center that supports the presentation of innovative, multi-dis-ciplinary work and serves as an intersection of cultural engagement for lo-cal, national, and international audiences and arts-workers. This program will catalyze to acquaint high- and low income occupants with each other, and generate respective appreciation, goals and contributions to society at large.
Natural systems off er architects and designers signi cant potential as alter-native, ecologically performative architectonic strategies. Study of sea urchin generated cluster concept forming ultra luxury and low income housing and circulations and programs between two diff erent entities.
04HOUSE OF PAINTERS
ultra luxury + low income housing
Fall Semester 2013Instructor: Jonas Coersmeier
Location: 229 10th ave, New York, NY 10011Program: Residential
Softwares: Maya, Rhino, Illustrator, AutoCad, Photoshop, Maxwell, and Vray
*Published in Pressing Matters 2014-2015
cluster physical modelsea urchin microscopic image
40
HIGHLINE
HIGHLINE
10TH AVENUE
Envelope DevelopementModule Formation Aggregation
sea urchin massing
lifted up
optimize views
create access
green space
expansion/compression
module formed
extrusion
41
SHARED SPACE
AFFORDABLE
LUXURIOUS
Local Circulationaff ordable apartment_studio
luxurious_two bedrooms
aff ordable apartment_studio
aff ordable apartment_studio
A cluster derived from analysis of sea urchin includes a luxurious two bedrooms, and three aff ordable studios. A wealthy person and a young artist can socilize at the shared space in the middle of the cluster where buying or selling artworks, and art classes, exhibition take place.
Creating a smooth integration of two extremes in the socio-economic spectrum re-quires a reminder of what unites us as people. Providing shelter, a sense of community, and art exhibitions, the tower is composed of a blend of low-income and luxury hous-ing, linked by communal oors that provide ample opportunity for social interaction. The highline level gives prime access to an uncensored and unjuried exhibition space for all artists, giving them the opportunity to showcase their talents for both tenants and visitors alike. The 60,000 square foot tower provides private living ranging from studios to 3 bedroom penthouses, as well as communal living quarters. In the artist communes, each artist works his or her studio. Such oors are in close proximity to communal oors that provide amenities such as outdoor patios, exercise facilities, and dining rooms. The diff erent housing units interweave and overlap, blending together both vertically and horizontally, blurring social and economic boundaries, while also maximizing rent-able square footage and providing a diverse array of housing units.
Perspective Section of the Cluster
42
cluster section_east/west
aff ordable studio
art classroom
indoor garden
aff ordable studio
two-storiesluxurious condo
two-storiesluxurious condo
43
cluster section_north/south
aff ordable studio
aff ordable studio
aff ordable studio
art classroom
indoor garden
UPPER LEVEL
LOWER LEVEL
10th
AV
EN
UE
DN
DN
UP
UP
R LEVEL
44
luxurious condominium planN
Living Room
Bed Room 1
Bed Room 2
DressRoom
Guest Room
Library
45
interior of the luxurious condominium
module
cluster chunk
front section
46
47
05_1HYBRIDIZATION OF CHAIRS
: Diamond Chair + LC4 Chaise Longue
Fall Semester 2012Instructor: So a Krimizi
Project 1 (Project length: three weeks)Softwares: Rhino, Illustrator, and Photoshop
*Published in Pressing Matters 2013-2014
Project starts from analyzing two chairs and ends with hybridizing them. Analyzing begins with measuring chairs without convetional tools, such as a ruler. Measuring and transfering to the 3D world give full and deep under-standing of the objects. We chose Diamond Chair, designed by Harry Bertoia in 1952, as we were intereted in its unique organic shape. He stated that
I appreciate a slight yield, lightness of weight, some motion if pos-sible, because in moving about, the human body determines the comfort and the measurements of its environment the human measure is still the strongest factor, and if the chairs adaptable it responds and its almost like wearing a comfortable coat; you really dont know you have it on.
Diamond Chair is hybridized with LC4 Chiase Lonuge, designed by Le Cor-busier in 1887, and a unique chair is created. Seven organic shapes of chairs with seven diff erent functions are combined, and each chair appears as it is ipped or roatated. The chair not only functions as furniture but also provides users with pleasant experience exploring diff erent shapes and movements.
+
PLANS
LEVATIONS
ECTIONS
ECTIONS WITH POSITION OF PERSON
AXONOMETRIC
AXONOMETRIC WITH POSITION OF PERSON
48
1.Diamond Chair and LC4 Longue
3.Translating through Variation
4.Hybridiztion Realization
2.Duplicating Space of Body Shape
Part 2: HybridizationPart 1: Understanding Geometry Part 3: Plan, Section and AxonPlans
Elevations
Sections
Sections with Position of Person
Axonometric
Axonometric with Position of Person
Organic shape of Diamond chair is hybridized with rocking LC4 Chiase Lonuge and it creates seven diff erent organic-shaped diamond chairs combined in one. Each dia
49
Part 4: Rotating Plan and ElevationRotating Plans and Poses
Rotating Elevations and Poses
amond chair has diff erent function (sitting for one person or two people, lying, leaning, cradle for a baby, etc) by ipping or rotating the chair.
50
51
physical model_elevation view
52
53
05_2HYBRIDIZATION :CHAIRS + INTERIOR SPACE
: interior space for an accountant
Fall Semester 2012Instructor: So a Krimizi
Project 2 (Project length: four weeks)Softwares: Rhino, Illustrator, and Photoshop
*Published in Pressing Matters 2013-2014
The main concept, rotation is derived and geometry is generated from the rst project, hybridization of chairs. Each triangle thread on the three diamond chair is roated 2 or 3 dimensionally and created spaces are combined becoming an inteior space for an accountant.
Weight of documents pushes down (peak season) or lift up (off -season) spaces and creates diff erent proximity and size of interior spaces based on an accountants yearly work cycle.
library bathroom living room
/LYLQJ5RRP %DWKURRP /LEUDU\
8QLWV:HLJKWOEVRI'RFXPHQWVB$FFXPXODWHG
0RYLQJ)RUFH8QLWV:RUN+RXUVSHU:HHN
/LEUDU\
%DWKURRP
/LYLQJ5RRP
JANNOVOCTSEPAUG JULYJUNEMAYMAR APRDEC FEB
&RPELQDWLRQRI6SDFHVDQG0RYLQJ)RUFHV
3DWKRI/LYLQJ5RRP3DWKRI%DWKURRP3DWKRI/LEUDU\
3UR[LPLW\
40 40 40 40 40 40 40 60 100 20 30 40
10 20 3 0 40 50 60 70 90 130 5 10 15
/LYLQJ5RRP
%DWKURRP
/LEUDU\
54
During off -season
living room
bathroom
library
Combination of Spaces and Moving Force
Proximity
Moving Forceunits: work hours per week
units: weight (lbs) of documents_accumulated
peak
seas
on
Starting point is determining an occupant. Since I had work experience as an accountant, I was able to fully under-stand what the accountant needs based on the work cycle; busy season (March to May) and off -season (June to Febuary). During busy season, the accountant needs direct access to library and library should be spacious. On the other hand, during off -season, suffi cient space of living room and direct access to living room are provided.
Fully understanding of the occupant signi cantly aff ects overall design process, such as space organization, pro-grams, circulations, etc.
GeometryDuring peak season
living room
bathroom
library
frequency of use
ground level
PLAN 1_DURING OFF-SEASON
PLAN 2_DURING TRANSITION
DURING PEAK SEASON
library
bathroom
living room
Off-season
sq.ft
Transition
Peak season
SECTION 1_DURING OFF-SEASON
SECTION 2_DURING TRANSITION
SECTION 3_DURING PEAK SEASON
55
Section
Transition of oor area Plan
* accumulation of documents during peak season pushes down library to the ground level* decrease of documents (lbs) lifts up library and living room becomes accessible from the ground level
*during off -season, living room has the largest interior space while library becomes largest during peak season
during off -season
living room
living room
living room
living roomlibrary
ground level
library
library
library
bathroom
bathroom
bathroom
bathroom
during off -season
during transition
during transition
during peak season
during peak season
56
57
05_3HYBRIDIZATION: CHAIRS, INTERIOR AND EXTERIOR SPACE
: performing loop
Fall Semester 2012Instructor: So a Krimizi
Project 3 (Project length: six weeks)Program: Performance Art Center
Softwares: Rhino, Illustrator, AutoCad, Photoshop, and Vray
*Published in Pressing Matters 2013-2014
If the rst two projects were to instill knowledge as architectural discipline, then the object-hybrid study followed by its expanded domestic interior-hybrid design is now exercised on a fully developed inside-outside.
The concept of the looping is derived comes from the secon project, interior space for an accountant. Three loops create seperate circulations for the performers and the public, and spaces, such as plaza, bar, performance hall, and cafe by intertwining each other. These spaces are both public and private diff erent occupants require diff erent strategies. The public and the performers will require diff erent experiences and occupancies.
horizontality
geometry from project 04_2
loop
verticality
oblique
REHEARSAL HALL
LOBBY
PLAZA
CITY
CITY
PERFORMANCE HALL
BACKSTAGE
CAFE
MINI BAR
REHEARSAL HALLSKY GARDEN
58
Circulation for the Performers Circulation for the Public
CITY
PLAZA
ENTRANCE
CITY
BARPERFORMANCE
HALL
REHEARSAL HALL
BACK STAGE
RAMPSKY G
ARDEN
BAR
TO RESID
ENTIAL
TO RESIDENTIAL
*loop creates program, circulation, and space
*three diff erent loops create space for the diff erent users and purposes
sky garden
performers housing 1
city
plaza
lobby
mini barcafe
cityperformance hallperformers housing 2
performers housing 3
rehearsal hall
59
REHEARSAL HALL
SKY GARDEN
BACK STAGEPERFORMANCE HALL
RAMP
MINI BAR
RA
PLAZA
CAFE
BACK STAGE
PERFORMANCE HALL
RAMP
PLAZA
SKY GARDEN
BACK STAGEPERFORMANCE HALL
RAMP
LOBBYPLAZA
PLAZA
CAFE
MINI BAR
PERFORMANCE HALL
BACK STAGE
plan_plaza level
plan_sky garden level section_through plaza
plan_performing hall level
performance hall sky garden view from performers housing
section_through cafe
section_through performers circulation
60
61
Spring Semester 2013Instructor: Reese Campbell
Location: 600 Schuylkill Ave. Philadelphia, PA 19146Program: health care
Softwares: Rhino, Illustrator, AutoCad, Photoshop, Maxwell
concept model: indepent space, but interactive with other pro-grams within isolated environemnt provides variety of space combinations based on types of mental therapy.
a
b
c
d
06PUBLIC MENTAL THERAPY CENTER
: interactive isolation
Polemic statement: Mental well-being can be improved by inter-action and solitude in isolated environements inside or urban fabric.
Although the modern society has become more materialistically af- uent, people are exhausted from the competitive environments, nancial diffi culties, hectic lifestyles, and socio-economic pressures. According to the site analysis, the site is somewhat isolated mainly because of a massive apartment complex right accross the street and nearby Schuykill River, blocking traffi c, visual polution, noise, and accessibility. I came up with a question why dont I take advantage of isolation for the people who need calm and quite place but want to feel connected with other people at the same time? This project started from interactions within isolation.
Examples of interactions in isolative space: (a) gravels interconnected by cement, (b) keyboard buttons are linked by lights, (c) each instal-lation is accessible by void space, and (d) myriad activities throughout the Central Park in isolated environment from Manhattan. The strat-egy is developed to manipulate degrees of isolation and interaction architecturally.
62
isolat
iveiso
latio
n+int
erac
tion
inter
actio
n
Divide Circulations
Control Visibility_Competely Isolated
Use Landscape
Combine Isolated/Interactive Programs
Control Visibility_Half Isolated
. Control Visibility_Completely open
Circulation for isolative/isolative+interactive programs
Circulation for interactive programs
Entrance
5. control visibility_semi-isolated
1. divide spaces
2. divide circulations
3. use landscape
4. control visibility_completely isolated
7. control visibility_completely open
6. combine interactive/isolated programs
a) degree of isolation or interaction increases or decreases by dividing spaces, circulations, blocking sounds using landscape, controlling visibility, and combining interactive and isolated programs. Programs with isolation are located through the red circulations and more programs with interaction are placed along the green circulations (see the digram b). Each user can choose either red or green circulations from the entrance depending on what kind of mental therapy is needed for him or her.
b) circulation is divided from the entrance into red (isolation) and green (interaction) . Through the red circulation, a participant can experience private room overlooking nature, hypnotic treatment rooms, prayer room, garden in isolated space, music appreciation room, meditation room, etc. Along the green circulation, a visitor can enjoy cooking treatment, workout room, play basketball and soccer, etc.
a)
b)
63
plan_upper level
perspective section
plan_lower level
64
interior view_through atrium
interior view_typical offi ceexterior view
Fall semetser 2012 and Spring semester 2013Course: Construction TechnologySoftware: Autodesk RevitProjects: Three-story townhouse (concrete basement foundation/wood framing) and eleven-story offi ce building (co dation / steel superstructure)
window header oor edge foundation
07REVIT BIM PROJECT
65
Level 10' - 0"
Level 218' - 0"
Level 330' - 0"
Level 442' - 0"
Level 554' - 0"
Level 666' - 0"
Level 778' - 0"
Level 890' - 0"
Roof102' - 0"
B1-12' - 0"
B2-24' - 0"
B3-36' - 0"
2345 1A202
A4021
0' -
3 1/
2"0'
- 6"
17' -
6"
0' -
6"1'
- 6"
10' -
0"
0' -
6"1'
- 6"
0' -
6"10
' - 0
"1'
- 6"
10' -
0"
0' -
6"0'
- 6"
Basic Wall Generic-8" Masonry
Skylight 4'x8'x2'
Steel Truss-Insulation on Metal Deck-EPDM
Curtain Wall Mullion: Height: 8' 0" Thickness: 0' 5"
Rectangular Duct_Supply Air
W-Wide Flange_W14 x 43
Pendant Light-Linear-2Lamp_96"-120V
Railing_Handrail_Pipe
Solar Shading
Elevator_Electric_2,000lbs
Glass Curtain Wall w/Aluminum 7075
Compound Ceiling GWB on Mtl.Stud
Basic Wall_Foundation-16" Concrete
Excavation Support-H pile and lagging
16" Concrete Round Column
6" Concrete Floor
Two-way Concrete Rectangular Beam 12" x 18"
Bearing Footing 48" x 24"
Stair 7" max riser 11" tread
2A201
Sewer 2' 6"
Gas Main
Water Main
Line of Tieback (Rock-anchor)
Basic Roof _Slope 1/4" 1/2"
Basic Roof _Slope 1/4" 1/2"
A3012
A302 2
1
2
3
4
5
AB
DE
F
6
2
137' - 6"19' - 4 1/32"
2' - 0"45' - 11 17/32"
30' - 7 5/8"
29' - 4"
23' - 7 5/8"
4' - 4 3/8"
17' - 4 3/8"
89' -
91/
2"
39' -
021
/32"
4'- 0
"
10' -
75/
8"
28' -
55/
32"
8'- 7
5/8"
7'- 4
3/8"
8'- 7
5/8"
7'- 4
3/8"
49' -
71/
2"
10' -
75/
8"
9'- 4
3/8"
141' - 1 5/8"
UP
1
2
3
4
5
AB
DE
F
6
A2
137' - 6 1/2"
23' - 7 5/8"
4' - 4 3/8" 17' - 4 3/8"
8'- 7
5/8"
8'- 7
5/8"
30' - 7 5/8"
23' - 7 5/8"
10' -
75/
8"
4' - 4 3/8"17' - 2 3/8"
2' - 0 1/4"
49' -
11"
137' - 6"
89' -
91/
2"
18' - 2 1/4"
14' -
55/
32"
8'- 6
7/16
"
section
typical offi ce oor planre ected ceiling plan
66
67
08PROFESSIONAL WORKS
Skidmore, Owings & Merrill / Internship / Chicago
UNStudio / Internship / Amsterdam
Adrian Smith + Gordon Gill Architecture / Internship / Chicago
68
08_1PROFESSIONAL WORKS: internship at Skidmore, Owings & Merrill / Chicago_10 weeks
canopy option study: modeling_Rhino+Grasshopper, rendering_Maxwell, Photoshop
tower option study: modeling_Rhino+Grasshopper, rendering_Maxwell, Photoshop
69
lobby option study: modeling_Rhino, rendering_Maxwell, Photoshop
canopy option study: modeling_Rhino, rendering_Maxwell, Photoshop
70
RL 130.650Level 1a
RL 150.850Level 5
RL 127.850Level 1
RL 136.250Level 2aRL 139.050Level 3
RL 143.000Level 3a
RL 133.450Level 2
RL 144.650Level 4RL 147.750Level 4a
RL 124.300Level B1
RL 121.200Level B2
RL 115.900Level B3
PEN
NA
NT
STR
EET
AR
Y
Y D
SHO
WG
RO
UN
D R
OA
D
BO
UN
DA
RL 130.650Level 1a
RL 150.850Level 5
RL 127.850Level 1
RL 136.250Level 2aRL 139.050Level 3
RL 143.000Level 3a
RL 133.450Level 2
RL 144.650Level 4RL 147.750Level 4a
RL 124.300Level B1
RL 121.200Level B2
RL 115.900Level B3
ZONE A ZONE 3 ZONE 2 ZONE 1
1 : 500PENNANT STREET ELEVATION_PART 22
1 : 500PENNANT STREET ELEVATION_PART 11
AR
Y
Y D
RL 165.400
RL 161.070
RL 151.200
RL 148.260
EXL
002_
CO
MPO
SITE
CLA
DD
ING
GRA
DIE
NT
PERF
ORA
TED
(C
OLO
UR-
SILV
ER W
HIT
E)
SPF
001_
LIVI
NG
GRE
EN W
ALL
SPF
001_
LIVI
NG
GRE
EN W
ALL
EXL0
01_P
ROFI
LED
MET
AL
CLA
DD
ING
WIT
H T
IMER
INFI
LIN
GRA
DIE
NT
AN
GLE
S
GLS
002
_ G
LASS
WA
LLCL
EAR
GLA
ZIN
G
GLS
001
_OPE
RABL
E G
LASS
WA
LLCL
EAR
GLA
ZIN
G
GLS
002
_ G
LASS
WA
LLCL
EAR
GLA
ZIN
G
GLS
004
_ PE
RFO
RMA
NCE
G
LAZI
NG
SPF
003_
PRO
FILE
D C
ON
CRET
E PL
AN
TIN
G B
OX
SPF
001_
LIVI
NG
GRE
EN W
ALL
EXL0
01_P
ROFI
LED
M
ETA
L CL
AD
DIN
G
WIT
H T
IMER
INFI
LIN
GRA
DIE
NT
AN
GLE
S
GLS
001
_OPE
RABL
E G
LASS
WA
LLCL
EAR
GLA
ZIN
G
EXL
006_
ALU
MIN
IUM
LE
AD
ING
ED
GE
PRO
IFIL
ES
GLS
001
_OPE
RABL
E G
LASS
WA
LL C
LEA
R G
LAZI
NG
EXL0
01_P
ROFI
LED
M
ETA
L CL
AD
DIN
G
WIT
H T
IMER
INFI
LIN
GRA
DIE
NT
AN
GLE
S
CINEMA
Perspective Section 2
Perspective Section 1
Perspective Section 3
08_2PROFESSIONAL WORKS: internship at UNStudio / Amsterdam_5 months
LEVEL 2
AIR
LEVEL 1
LEVEL B1
LEVEL B2
AIR
RL 121.200
RL 124.300
FFL 127.850
FFL 133.450
LEVEL 3FFL 139.050
C.L.
C.L.
C.L.
LEVEL 4SSL 144.650
SSL 147.650(AT OUTLET)
(AT OUTLET)
LEVEL 5 SMOKE EXHAUST
AIR
MALL
SHOPFRONT
RETAIL
CARPARK
CARPARK
SHOPFRONT
CARPARK
CARPARK
SHOPFRONT
RETAIL
RETAIL
SMOKE EXHAUST
6m
AIR
AIR
C.L.
C.L.
C.L.
SMOKE EXHAUST
AIR
SHOPFRONT
RETAIL
SHOPFRONT
CARPARK
CARPARK
SHOPFRONT
RETAIL
RETAIL
SMOKE EXHAUST
6m
4m
4m
4m
4m
15m
7m
8m
4,85m
16m
5,2m
0,4m
3m
0,4m
5,6m
4,1m 4,5m
4,2m
1,1m
0,65m
5,6m
3,6m
0,6m
0,75m
3,6m
0,6m
0,9m
3,55m
2,65m
0,4m
3,1m
2,7m
12m5,6m
4,85m
2,6m
4,2m
0,75m
0,65m
7,9m
roof option study: modeling_Rhino+Grasshopper, rendering_Rhino_vray, Photoshop
71
facade option study: modeling_Rhino+Grasshopper, rendering_outsourced
72
08_3PROFESSIONAL WORKS: internship at Adriam Smith + Gordon Gill Architecture / Chicago_12 weeks
podium option study: modeling_Rhino, rendering_Maxwell and Photoshop
73
a) Suzhou Sudi Parcel Project in China: develop circulations to hotel, offi ce, residential, retails, and underground parking garage and landscape meeting legal requirements.
b) International Design Competition for Expo-2017 in Astana, Kazahstan: won 1st place/prepared Rhino les for physical models/communicated with model makers.
a)
b)
74
09BUSAN OPERA HOUSE IDEA COMPETITION
75
front view: modeling_Rhino, rendering_Maxwell and Photoshop
76
Documents & rigid box (Accounting) vs. Water (Architecture): the shape of water varies depending on its immediate surroundings. It can take the form of a mug, bowl or basin. Architecture embraces diversity.
10FLOWS BETWEEN DIFFERENCES:this project shows frictions and interactions between accounting and architecture that I have felt before studying arcihtecture at school. After three years studying architecture, I realized that it begin with collision, but they progress into a developed relationship through understanding and respecting. Com-monalities and mutual interchanges are found accross seemingly diff erent elds, but it creates uniqueness as well.
77
Documents (Accounting) vs. People (Architecture): architecture begins with an architect and reaches completion through the people who use the spaces. Architecture continuously communicates with people who make, use, or pass through the buildings. When architecture helps people to prog-ress through their lives, their progress gives the mean ing to the architecture.
Crumbled documents (Accounting) vs. Lights (Architecture): light is refract-ed and broken into all the colors of rainbow when it passes through a prism. All residential buildings serve the same general purposes: to provide spaces for people to live. However, they come in a wide variety: high-rise apartments in the city, town houses in a suburb, and single houses in the country. Archi-tectural design diff ers in its appearance and is readily changeable like light.
78
Full Portfolio Available for View at:
http://issuu.com/kimyong/docs/portfolio_2015_yong_jae_kim
79
YONG JAE KIMPortfolio
Master of [email protected] c. 201 970 0905University of Pennsylvania l Graduate School of Design