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+65 8490 1148 e: [email protected] Joan Capdevila Puig Selected Projects

Portfolio 2014

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+65 8490 1148 e: [email protected]

Joan Capdevila Puig Selected Projects Section

Elevation from Odenplan

Long Section

View from Odenplan Aerial view

Main entrance

Section A

Level 4MArt & Aesthetics

Level 4Art

Level 3MNature & TechnologyRestaurant and terrace

Level 3Nature & TechnologyRestaurantRoof gardens

Level 2MPeople & CountriesForeign Languages

Level 2People & CountriesForeign Languages

Level 1MCivic StudiesSwedish InstituteNews Zone

Level 1Civic StudiesLearning ZoneSwedish InstituteCafé

Level 0AuditoriumStudiosTeaching roomsDepositories

* Please note mezzanines can

be developed to produce

additional floor area for

each collection area as

desired

** 2000m2 on the lower two

floors of the Asplund

Building has been

proposed as storage /

depositories, but not

identified in the areas

shown opposite

Area schedule & key to 1:1250 plans(X) denotes existing Asplund Library

Floor plans 1:1250

Q U A M M A R T ET A M A R T E

Entrance and café court

View towards ecology gardenLevel 3 looking east showing mezzanine

Level Public areas M UA G I A

1M Entrances 580 7011M The News Zone 350 423 1 The Learning Zone 1600 19330 Studios 155 1870 Teaching 220 2660 Lecture Halls/Auditoriums 550 665 Subject areas / open media collections (Young People’s areas included in figures below)1M (X) Fiction 1900 1900 250 24541 (X) Children’s Fiction 880 880 200 11372/2M Foreign Languages 1829 1105 724 215 22104/4M The Arts 1900 1350 550 150 22964M Aesthetics 800 800 150 9671/1M Civic Studies 1555 985 570 100 18793/3M Nature and Technology 1650 1150 500 250 19942/2M People and Countries 1687 1235 452 153 2038

Visit-oriented activities/offices 1468 1774 Other public areas, toilets, etc 275 332

1 Café 380 4593/3M Restaurant 700 846

Depository media management

0 Depositories ** 1253 15661M Sorting machines 180 2182 Media management 860 10392 Logistics/loading platform 200 2422M Caretaker’s office and property services 500 604 Administration and staff

2M Management 200 2423 Marketing 300 3632M Virtual 200 2422M Outreach activities 100 1212M Regional library 300 3632 Staff areas 900 1088 1/1M The Swedish Institute of Children’s Books 1250 1510

G R A N D TOTA L 24722 30156

Combined

Main Mezzanine

VOA

Elevation from Sveavägen

Section B

See area schedule colour codes and larger scale plans and for detailed functional locationstunbridge wells cinema site

© Avanti Architects Ltd 2008

OUR VISION

We see this project as a wonderful opportunity to regenerate the heart of this historic town. In thinking about how to respond we have focussed on three main obligations -

to the people of the town •

to the town itself as an evolving material entity•

to the owner/developer•

The people of the town

The first of these obligations is to do with creating something that the people of Tunbridge Wells can feel in some sense ‘belongs to them’. There are several ways in which we propose to achieve this, but they all turn on the idea of public inclusion. Our scheme creates a new civic piazza on the corner of the main intersection. This space is offered as a gesture of public goodwill and can become a key focal point in the life of the town, its ‘outdoor living room’. It is the place where you would arrange to meet your friends; a place for coffee, lunch, drinks, supper; the place where the town’s Christmas tree would stand and carol singers perform, a place to relax for a few minutes on your way up or down the main hill. The piazza will also be animated by the many functions it serves – restaurant, hotel, spa, office, and roof garden access – as described next.

A development of this size will also necessarily impact on the town’s skyline. There is a sense in which the skyline of a town is public property – many of the buildings that already register on the skyline, town hall, opera house, various church towers, have a public dimension. Accordingly we feel that an architectural intervention which alters the skyline should include a ‘public offer’ at roof level. Our scheme proposes the creation of a public sky garden and bar, surmounted by a camera obscura. This ancient and wondrous device is perfectly suited to elevated locations such as this, and will allow the development to ‘give the town back to its inhabitants’. It will also of course be a significant attraction for its many tourists for whom the camera obscura will provide an introduction to Tunbridge Wells and a means of orientation. The roof profile of our scheme will thus be characterised by a signature form with which everyone can identify.

The town as a material artefact

The second obligation relates to the physical quality of what is built, and the urban relationships it establishes with its location and its neighbours. We have sought to respond to the genius loci of Tunbridge Wells in both the strategic organisation and formal language of the scheme. Rather than building out the principal site corner with an assertive convex form to challenge to Town Hall, the generous re-entrant of the proposed piazza acknowledges and absorbs the diagonal thrust of that building across the intersection, answering a solid with a void; the series of stepping pavilions with their attic rooms that lines the Mount Pleasant Road frontage echoes the cubic forms of the bank and buildings opposite and elsewhere on this main shopping street; the slender sculptural form of the access tower that serves the roof garden will stand as an urban marker at the intersection and enter into dialogue with the tower of Trinity church, whose height it respects. Meanwhile the south west corner of the scheme steps back from its residential neighbours, reducing to their scale, while crowning the whole the curving planted wall of the rooftop accommodation will soften the building outline and presents as a built metaphor for the hillside of Mount Ephraim running parallel along the west edge of the town, the conical outline of our camera obscura in effect becoming another ‘boulder’ to echo Wellington Rocks.

As to the material character of the building fabric, we envisage the principal cladding being a warm stone, used both in smooth ashlar and a more textured finish to articulate different elements of the facades. Our vision is of a finely crafted quality artefact, worthy of comparison with the best historic buildings of the town, not mannerist but well mannered, speaking in a clear contemporary language that asserts a confident but not ostentatious identity. Our objective is to create not a ‘Noughties’ icon but an assimilated classic. We want it to look good for decades, not just for the season.

Evening view looking south west towards the new development from the Town Hall, showing the public piazza, with entrances to restaurant, hotel and offices, the retail frontage stepping down Mount Pleasant Road, and the access tower, right, serving the green roof garden and Camera Obscura.

Looking east from the raised ground of Mount Ephraim – the new scheme takes its place in the Tunbridge skyline.

The Piazza – an outdoor living room for the whole town Looking out from the hotel lobby towards the piazza, with spa left and restaurant right

The Camera Obscura

There is reference to a temporary camera obscura in Tunbridge Wells in 1834 giving ‘panoramic views of our furze-clad common’. This wondrous device, of which the earliest recorded mention is in 5th century BC China, was studied by Aristotle, Leonardo da Vinci, Kepler and many 17th & 18th century artists. The camera obscura room is an amenity for both education and enjoyment and is ideally located in areas of scenic beauty and raised elevation – such as this outstanding site in Tunbridge Wells. Our proposal will reinstate this historic facility with a modern ‘state of the science’ installation drawing residents and tourists to an exciting real-time ‘virtual’ tour of the town.

Plan at Piazza level showing disposition of main uses: restaurant, office entrance/ reception, hotel entrance lobby and spa, retail floorplate with continuous frontage to Mount Pleasant, and service area/car park to west of site. The road intersection is shown greatly upgraded with new paving materials, improved crossing treatment, lighting and signalling.

Aerial view showing the longitudinally ‘contoured’ plan, lateral pavilion fingers, toplit zones and roofscape. The camera obscura becomes a coordinate in triangulating the town.

Retail

Hotel

Piazza

Plant

Spa

Office

Tower Upgraded public realm

Restaurant

Service

A

A

BB

0 10 20 30 40 50m

N

Town plan showing relationship of scheme

to selected key buildings. The curving form of the roof

garden echoes the long arc of the A26.

Service access

Car parking

N

SOLIDANSWERS

SPACE

TOWER ECHOES

TOWER

Concept diagrams

RE-ENTRANT RESPECTS

NEIGHBOURS

Sp

ine

Atria

Pavilio

ns

Wing

KPF Kohn Pedersen Fox Associates (International) PA

Victoria Transport InterchangeBuilding No.6

Design and Access Statement August 2007

Document NumberVTI 07

esc 150

TRANSFORMACIÓ BADIAJoan Capdevila PuigProjecte Fi de Carrera. ETSAV

ALÇAT S/OPlànol 20Entrega: 27 de Juny 2006 Habitatge_Mediatèca_Tallers_Gimnàs_Residència 1/150

Façana S/O Residencia

Chengdu Pullman. Mixed use. Smallwood Reynolds Stewart Stewart

Jeddah Gate. Hotel and Serviced Apt. Smallwood Reynolds Stewart

Kelapa Gading. Jakarta. Smallwood Reynolds Stewart Stewart

Wujiang. Hotel, pavillions and privat house. Smallwood Reynolds Stewart Stewart

Hackney Free and Parochial School. Avanti architects3 fase project to build school + private housing. An existing school on site had to continue with its activity while the construction of the new modules where running on. The school is sorrounded by noisy streets and is caracterised by the ventilation louvers that allow natural ventilation but limits noise disruption.

Hackney Free and Parochial School. (cont.)

Haggerston School. Refurbishment + New build. Avanti architectsRefurbishment of the original building by Erno Goldfinger.Adapting it to BSF new parametres.

The project has to deal with the increase of the number of new students. The Proposal of the new building is respectful with the existing and holds large group activities.

Works from the initial concept drawings, renders, and planning application drawings.

Bluesky project for the development of a series of schools in the Birmigham area, basing concepts and ideas on an existing school. The Project consists of large LearningTeams around a public area. Concept drawings, 3d modelling and renderings.

Birmingham BSF. Bluesky. Avanti architects

Tunbridge Wells. Cinema+Hotel+Spa. Competition. Avanti architects

tunbridge wells cinema site

© Avanti Architects Ltd 2008

The client/developer

In considering our obligations to the client our objective has been to configure the development in such a way as to provide all the accommodation demanded in the brief, optimise flexibility and maximize the site potential. Large retail floorplates are provided, but may be subdivided to suit changing requirements. An active and commercially attractive retail street frontage is maintained all along Mount Pleasant Road and into the piazza, where entrances to the restaurant, hotel, spa and office are located.

The development is zoned in planning ‘contours’ allowing a series of longitudinal north-south atria that extend from the piazza canopy to enliven the retail and the hotel components. Retail floorspace that abuts the hotel lobby may have dual access if desired. The office ‘offer’ is enhanced by the location of its entrance and reception at the piazza and the provision of executive floorspace at upper levels on the street frontage. The hotel also derives value from its entrance position on the piazza while locating the vertical core in such a way as to give the bedrooms the best southerly outlook. Meanwhile the rooftop bar may be managed as a hotel function only, or as part of the public camera obscura facility. Vehicular service access is provided directly into all the respective uses from the covered service area on the west side, entered from Church Road, and ample parking is accommodated at lower levels from the south for allocation as required. In other words, there are many possible permutations in how the scheme could be developed and we would look forward to working with the client to further interrogate the brief, explore the options and tune the scheme accordingly.

Table of areas (m2)

Retail Office Hotel No. rooms Café/Restaurant

Piazza -2 2033

Piazza -1 3081

Piazza level 1930 305 896 231

Piazza +1 1039 1686 22 447

Piazza +2 1502 1013 16

Piazza +3 1244 787 17

Piazza +4 1059 787 17

Piazza +5 908 747 16

Piazza +6 515 9

Piazza +7 183

Camera obscura

Total 7044 6057 6431 97 861

TOTAL COMMERCIAL ARE A (GIA ) 20393m2

163 Car parking spaces

Long cut through Mount Pleasant Road looking west, showing integration of the scheme with the topography, and tower marker ‘in dialogue’ with Trinity Church.

Approaching the intersection, from the east

Aerial model view looking north east

Aerial model view looking south west

Aerial model view looking north west

Looking up Mount Pleasant Road, showing new development on left with stepped retail pavilion street frontage, hotel spine to left and Camera Obscura above

Cross section BB looking southLong section AA looking west

Piazza -2 Piazza -1 Piazza +1 Piazza +2 Piazza +3 (+3/4 Hotel)

Piazza +4 (+5 Hotel)

Piazza +5 (+6 Hotel)

Piazza +6 Piazza +7

Piazza Level see board 1

Retail

Plant

Plant

Office Office Office Office Office

Hotel Hotel Hotel Hotel Hotel

Bar

Terrace

Garden

Plant

Camera obscura

Pool

Conference

Terrace

Restaurant

Atrium

Office access

Hotel access

Car park Car park

Retail

RetailChurch Road

Mount Pleasant Road

Hotel PiazzaHotel

Hotel

Conference

Office

Potential spa zone

Retail

Hotel Service

Restaurant

Bar

Camera obscura

Office

Office

Camera obscura

Roof garden Roof garden

Office access

Hotel access

tunbridge wells cinema site

© Avanti Architects Ltd 2008

The client/developer

In considering our obligations to the client our objective has been to configure the development in such a way as to provide all the accommodation demanded in the brief, optimise flexibility and maximize the site potential. Large retail floorplates are provided, but may be subdivided to suit changing requirements. An active and commercially attractive retail street frontage is maintained all along Mount Pleasant Road and into the piazza, where entrances to the restaurant, hotel, spa and office are located.

The development is zoned in planning ‘contours’ allowing a series of longitudinal north-south atria that extend from the piazza canopy to enliven the retail and the hotel components. Retail floorspace that abuts the hotel lobby may have dual access if desired. The office ‘offer’ is enhanced by the location of its entrance and reception at the piazza and the provision of executive floorspace at upper levels on the street frontage. The hotel also derives value from its entrance position on the piazza while locating the vertical core in such a way as to give the bedrooms the best southerly outlook. Meanwhile the rooftop bar may be managed as a hotel function only, or as part of the public camera obscura facility. Vehicular service access is provided directly into all the respective uses from the covered service area on the west side, entered from Church Road, and ample parking is accommodated at lower levels from the south for allocation as required. In other words, there are many possible permutations in how the scheme could be developed and we would look forward to working with the client to further interrogate the brief, explore the options and tune the scheme accordingly.

Table of areas (m2)

Retail Office Hotel No. rooms Café/Restaurant

Piazza -2 2033

Piazza -1 3081

Piazza level 1930 305 896 231

Piazza +1 1039 1686 22 447

Piazza +2 1502 1013 16

Piazza +3 1244 787 17

Piazza +4 1059 787 17

Piazza +5 908 747 16

Piazza +6 515 9

Piazza +7 183

Camera obscura

Total 7044 6057 6431 97 861

TOTAL COMMERCIAL ARE A (GIA ) 20393m2

163 Car parking spaces

Long cut through Mount Pleasant Road looking west, showing integration of the scheme with the topography, and tower marker ‘in dialogue’ with Trinity Church.

Approaching the intersection, from the east

Aerial model view looking north east

Aerial model view looking south west

Aerial model view looking north west

Looking up Mount Pleasant Road, showing new development on left with stepped retail pavilion street frontage, hotel spine to left and Camera Obscura above

Cross section BB looking southLong section AA looking west

Piazza -2 Piazza -1 Piazza +1 Piazza +2 Piazza +3 (+3/4 Hotel)

Piazza +4 (+5 Hotel)

Piazza +5 (+6 Hotel)

Piazza +6 Piazza +7

Piazza Level see board 1

Retail

Plant

Plant

Office Office Office Office Office

Hotel Hotel Hotel Hotel Hotel

Bar

Terrace

Garden

Plant

Camera obscura

Pool

Conference

Terrace

Restaurant

Atrium

Office access

Hotel access

Car park Car park

Retail

RetailChurch Road

Mount Pleasant Road

Hotel PiazzaHotel

Hotel

Conference

Office

Potential spa zone

Retail

Hotel Service

Restaurant

Bar

Camera obscura

Office

Office

Camera obscura

Roof garden Roof garden

Office access

Hotel access

tunbridge wells cinema site

© Avanti Architects Ltd 2008

OUR VISION

We see this project as a wonderful opportunity to regenerate the heart of this historic town. In thinking about how to respond we have focussed on three main obligations -

to the people of the town •

to the town itself as an evolving material entity•

to the owner/developer•

The people of the town

The first of these obligations is to do with creating something that the people of Tunbridge Wells can feel in some sense ‘belongs to them’. There are several ways in which we propose to achieve this, but they all turn on the idea of public inclusion. Our scheme creates a new civic piazza on the corner of the main intersection. This space is offered as a gesture of public goodwill and can become a key focal point in the life of the town, its ‘outdoor living room’. It is the place where you would arrange to meet your friends; a place for coffee, lunch, drinks, supper; the place where the town’s Christmas tree would stand and carol singers perform, a place to relax for a few minutes on your way up or down the main hill. The piazza will also be animated by the many functions it serves – restaurant, hotel, spa, office, and roof garden access – as described next.

A development of this size will also necessarily impact on the town’s skyline. There is a sense in which the skyline of a town is public property – many of the buildings that already register on the skyline, town hall, opera house, various church towers, have a public dimension. Accordingly we feel that an architectural intervention which alters the skyline should include a ‘public offer’ at roof level. Our scheme proposes the creation of a public sky garden and bar, surmounted by a camera obscura. This ancient and wondrous device is perfectly suited to elevated locations such as this, and will allow the development to ‘give the town back to its inhabitants’. It will also of course be a significant attraction for its many tourists for whom the camera obscura will provide an introduction to Tunbridge Wells and a means of orientation. The roof profile of our scheme will thus be characterised by a signature form with which everyone can identify.

The town as a material artefact

The second obligation relates to the physical quality of what is built, and the urban relationships it establishes with its location and its neighbours. We have sought to respond to the genius loci of Tunbridge Wells in both the strategic organisation and formal language of the scheme. Rather than building out the principal site corner with an assertive convex form to challenge to Town Hall, the generous re-entrant of the proposed piazza acknowledges and absorbs the diagonal thrust of that building across the intersection, answering a solid with a void; the series of stepping pavilions with their attic rooms that lines the Mount Pleasant Road frontage echoes the cubic forms of the bank and buildings opposite and elsewhere on this main shopping street; the slender sculptural form of the access tower that serves the roof garden will stand as an urban marker at the intersection and enter into dialogue with the tower of Trinity church, whose height it respects. Meanwhile the south west corner of the scheme steps back from its residential neighbours, reducing to their scale, while crowning the whole the curving planted wall of the rooftop accommodation will soften the building outline and presents as a built metaphor for the hillside of Mount Ephraim running parallel along the west edge of the town, the conical outline of our camera obscura in effect becoming another ‘boulder’ to echo Wellington Rocks.

As to the material character of the building fabric, we envisage the principal cladding being a warm stone, used both in smooth ashlar and a more textured finish to articulate different elements of the facades. Our vision is of a finely crafted quality artefact, worthy of comparison with the best historic buildings of the town, not mannerist but well mannered, speaking in a clear contemporary language that asserts a confident but not ostentatious identity. Our objective is to create not a ‘Noughties’ icon but an assimilated classic. We want it to look good for decades, not just for the season.

Evening view looking south west towards the new development from the Town Hall, showing the public piazza, with entrances to restaurant, hotel and offices, the retail frontage stepping down Mount Pleasant Road, and the access tower, right, serving the green roof garden and Camera Obscura.

Looking east from the raised ground of Mount Ephraim – the new scheme takes its place in the Tunbridge skyline.

The Piazza – an outdoor living room for the whole town Looking out from the hotel lobby towards the piazza, with spa left and restaurant right

The Camera Obscura

There is reference to a temporary camera obscura in Tunbridge Wells in 1834 giving ‘panoramic views of our furze-clad common’. This wondrous device, of which the earliest recorded mention is in 5th century BC China, was studied by Aristotle, Leonardo da Vinci, Kepler and many 17th & 18th century artists. The camera obscura room is an amenity for both education and enjoyment and is ideally located in areas of scenic beauty and raised elevation – such as this outstanding site in Tunbridge Wells. Our proposal will reinstate this historic facility with a modern ‘state of the science’ installation drawing residents and tourists to an exciting real-time ‘virtual’ tour of the town.

Plan at Piazza level showing disposition of main uses: restaurant, office entrance/ reception, hotel entrance lobby and spa, retail floorplate with continuous frontage to Mount Pleasant, and service area/car park to west of site. The road intersection is shown greatly upgraded with new paving materials, improved crossing treatment, lighting and signalling.

Aerial view showing the longitudinally ‘contoured’ plan, lateral pavilion fingers, toplit zones and roofscape. The camera obscura becomes a coordinate in triangulating the town.

Retail

Hotel

Piazza

Plant

Spa

Office

Tower Upgraded public realm

Restaurant

Service

A

A

BB

0 10 20 30 40 50m

N

Town plan showing relationship of scheme

to selected key buildings. The curving form of the roof

garden echoes the long arc of the A26.

Service access

Car parking

N

SOLIDANSWERS

SPACE

TOWER ECHOES

TOWER

Concept diagrams

RE-ENTRANT RESPECTS

NEIGHBOURS

Sp

ine

Atria

Pavilio

ns

Wing

tunbridge wells cinema site

© Avanti Architects Ltd 2008

The client/developer

In considering our obligations to the client our objective has been to configure the development in such a way as to provide all the accommodation demanded in the brief, optimise flexibility and maximize the site potential. Large retail floorplates are provided, but may be subdivided to suit changing requirements. An active and commercially attractive retail street frontage is maintained all along Mount Pleasant Road and into the piazza, where entrances to the restaurant, hotel, spa and office are located.

The development is zoned in planning ‘contours’ allowing a series of longitudinal north-south atria that extend from the piazza canopy to enliven the retail and the hotel components. Retail floorspace that abuts the hotel lobby may have dual access if desired. The office ‘offer’ is enhanced by the location of its entrance and reception at the piazza and the provision of executive floorspace at upper levels on the street frontage. The hotel also derives value from its entrance position on the piazza while locating the vertical core in such a way as to give the bedrooms the best southerly outlook. Meanwhile the rooftop bar may be managed as a hotel function only, or as part of the public camera obscura facility. Vehicular service access is provided directly into all the respective uses from the covered service area on the west side, entered from Church Road, and ample parking is accommodated at lower levels from the south for allocation as required. In other words, there are many possible permutations in how the scheme could be developed and we would look forward to working with the client to further interrogate the brief, explore the options and tune the scheme accordingly.

Table of areas (m2)

Retail Office Hotel No. rooms Café/Restaurant

Piazza -2 2033

Piazza -1 3081

Piazza level 1930 305 896 231

Piazza +1 1039 1686 22 447

Piazza +2 1502 1013 16

Piazza +3 1244 787 17

Piazza +4 1059 787 17

Piazza +5 908 747 16

Piazza +6 515 9

Piazza +7 183

Camera obscura

Total 7044 6057 6431 97 861

TOTAL COMMERCIAL ARE A (GIA ) 20393m2

163 Car parking spaces

Long cut through Mount Pleasant Road looking west, showing integration of the scheme with the topography, and tower marker ‘in dialogue’ with Trinity Church.

Approaching the intersection, from the east

Aerial model view looking north east

Aerial model view looking south west

Aerial model view looking north west

Looking up Mount Pleasant Road, showing new development on left with stepped retail pavilion street frontage, hotel spine to left and Camera Obscura above

Cross section BB looking southLong section AA looking west

Piazza -2 Piazza -1 Piazza +1 Piazza +2 Piazza +3 (+3/4 Hotel)

Piazza +4 (+5 Hotel)

Piazza +5 (+6 Hotel)

Piazza +6 Piazza +7

Piazza Level see board 1

Retail

Plant

Plant

Office Office Office Office Office

Hotel Hotel Hotel Hotel Hotel

Bar

Terrace

Garden

Plant

Camera obscura

Pool

Conference

Terrace

Restaurant

Atrium

Office access

Hotel access

Car park Car park

Retail

RetailChurch Road

Mount Pleasant Road

Hotel PiazzaHotel

Hotel

Conference

Office

Potential spa zone

Retail

Hotel Service

Restaurant

Bar

Camera obscura

Office

Office

Camera obscura

Roof garden Roof garden

Office access

Hotel access

Victoria Transport Interchange. Facade studies. KPF + Avanti architects

KPF Kohn Pedersen Fox Associates (International) PA

Victoria Transport InterchangeBuilding No.2

Design and Access Statement August 2007

Document NumberVTI 04

KPF Kohn Pedersen Fox Associates (International) PA

Victoria Transport InterchangeBuilding No.6

Design and Access Statement August 2007

Document NumberVTI 07

KPF Kohn Pedersen Fox Associates (International) PA

Victoria Transport InterchangeBuilding Nos.7A and 7B

Design and Access Statement August 2007

Document NumberVTI 08

KPF developed this urban scheme for central London and at Avanti architects we studied different facade solutions to complete Planning application package. Strict planners, a sensitive site and a great media pressure of this project were key facts to take in mind for the final design decisions.

Clapham State. Housing. Competition. Avanti ArchitectsCompetition to improve Clapham State. Nowadays, the existing housing lacks of insulations or any sort of higienic facilities. The new proposal opens a central open space, and densifies this area of new centrality in the southern London.

S T O C K H O L M C I T Y L I B R A R YLevel 3M 1: 500

A R C H I T E C T O N I C Q U A L I T Y & U R B A N C O N T E X T

The site is placed at a unique location in the urban geometry of Stockholm where the oblique line of Odenplan, with its church and triangular public realm, intersects the orthogonal grid of the city. The energy of this oblique axis is carried deep into the building and signals the entrance from the west 1. It also informs the splay at upper levels of the main block, thereby preserving the iconic view of Asplund’s drum. But there is another crucial locational factor – the observatory hill. The sectional organisation of our scheme responds to this by providing a functional and ceremonial linkage between street level and the hill with its wonderful views of Asplund’s masterpiece and over Stockholm as a whole 2. The support block reaches up to embrace the hill and exploit its drama. Out of these extraordinary geometries of the site and its context – the man-made and the natural – we have forged the architectonic quality of our design. Our building thus aims not only to respond to the city, but also become a microcosm of it. It seeks an equivalent diversity of spaces – to meet, to be separate, to relax, to study, to reflect, to congregate, to explore. Just as a city may be thought of as a sort of giant library (a concentration of people, networks, resources and encounters) so we have tried to think of our library as a small city.

F U N C T I O N A L I T YOur proposal is configured as a dual entity – a principal building, containing all the main public functions, and a linked support building that accommodates the ancillary / administration and plant services which enable the main block to operate effectively. The main building is conceived as a framed structure of four ‘heavy’ floorplates at double storey height intervals, which relate to the datum levels of the Asplund library. These floorplates are penetrated by voids and light wells that bring natural light deep into the building and offer views out of it. The resulting ‘lost’ areas are then replaced by mezzanines, which may be ‘tuned’ in plan, area and ambiance as desired. The departmental requirements of the brief may thus be laid out in an almost infinite variety of ways within this ‘generic’ matrix 3. We have shown an initial iteration of floor uses and departmental locations – News Zone near the entrances, Nature by the roof garden, the Swedish Institute entered directly or via the main building, etc – but the proposal should really be read as a flexible system of opportunities, open for re-interpretation, both during later phases of this competition and then through the building’s future life 4. The support building takes delivery access for the complex from Gyldengaten and, being of narrower depth, has floors at every level. These may thus be linked with the main building at both primary and mezzanine floors. The floorplates themselves are zoned for public / departmental, staff and visitor orientation functions with consistent service spines and links at each level for staff movement and book management 5. And in all public areas and levels there is the childrens’ trail offering a voyage of discovery through the building.

F E A S I B I L I T YOur building design is conceived as a wholly realistic and feasible proposition without competition gimmicks or false rhetoric. Its drama derives from the way it accommodates and expresses its functionality and engages with its setting. It employs known technologies to achieve a sustainable concept, allowing ample capacity for new technology – especially in relation to IT – to redefine real and virtual relationships in the future. Each department may define its own identity within the building armature while remaining fully connected with the rest of the library community. Our scheme also lends itself easily to phased implementation 6 whereby the support building and west section are constructed first to provide decant space for continuity of functions from the annexes, thereby allowing clearance of the remaining annex and construction and connection of the principal building.

R E L A T I O N S H I P T O A S P L U N D L I B R A R Y

Honouring the Asplund library while providing the required new facilities demands choices to be made. Elements of the existing complex have to make way for the new. We believe the correct response is to remove and redevelop the annexes, which are less significant, and retain and refurbish the iconic main building. The relationship of the new with the old is then established in many ways. First, the main body of the new building is set apart from the old to create a top-glazed entrance courtyard that presents Asplund’s west façade as if still external. This courtyard with its informal café and meeting areas also preserves the view south to the hill and the shortcut link across the rear (south-west) corner 7. Meanwhile by virtue of the gradient of Odengaten, the west entrance allows level access to the Asplund at Reading Room level 8. An incision is made in this façade, where the fenestration rhythm changes, in order to insert a new stair and bridge connection. This intervention will reinstate the lightwell concept at the corner segment of Asplund’s plan and proclaim the new access to the Reading Room – its premier space. The old and new buildings are now securely connected, but further staff / service linkage is also provided via a basement tunnel and an upper bridge level. In volumetric terms the new building is stratified to align with Asplund’s main cornices. The 2nd floor cutback allows a splendid roof garden to be provided. Then the escalator that traverses the building north-south continues to the restaurant level with its link to the hill and its dramatic terrace affording panoramic views of Asplund, the park and the city 9.

L O O K I N G T O T H E F U T U R E As this is an ‘Ideas Competition’ we have thought deeply about how resilient our ideas may be in the evolution of the project. We believe the key strategies informing our scheme are inherently capable of assimilating change during the unfolding narrative of the project – not only through the next phases of the competition but in the future life of the building itself. The brief is dynamic, priorities will change, the unforeseen will occur – as it usually does. But by conceiving our proposal as a fusion of the permanent and the flexible we believe it can serve the future in both of the worlds we now inhabit – the real and the virtual – thereby becoming truly A L I B R A R Y F O R L I F E

A L I B R A R Y F O R L I F E

We entered this competition because we are inspired by the idea of Asplund’s library being a place of discovery and enlighten-ment for the people of Sweden, and by the potential of the project to enhance this role. We have sought to respond to all the aspirations of the brief – to create a design of high architectonic quality; to devise a functional, flexible facility that can provide all and more of the serv-ices that are required now and may be needed in the future; to stitch the new building securely into its urban context; to conceive it in an eminently buildable form, and – by its relationship to the original Asplund library building – to honour and re-present that building in such a way as to convey and intensify its meaning for new genera-tions of users, staff and visitors.

1

2

3

4

5

6

7

8

Site plan 1:1000

9

Level 1M 1 : 500

Level 2 1 : 500

A B

A B

Q U A M M A R T ET A M A R T E

N

N

N

Section

Elevation from Odenplan

Long Section

View from Odenplan Aerial view

Main entrance

Section A

Level 4MArt & Aesthetics

Level 4Art

Level 3MNature & TechnologyRestaurant and terrace

Level 3Nature & TechnologyRestaurantRoof gardens

Level 2MPeople & CountriesForeign Languages

Level 2People & CountriesForeign Languages

Level 1MCivic StudiesSwedish InstituteNews Zone

Level 1Civic StudiesLearning ZoneSwedish InstituteCafé

Level 0AuditoriumStudiosTeaching roomsDepositories

* Please note mezzanines can

be developed to produce

additional floor area for

each collection area as

desired

** 2000m2 on the lower two

floors of the Asplund

Building has been

proposed as storage /

depositories, but not

identified in the areas

shown opposite

Area schedule & key to 1:1250 plans(X) denotes existing Asplund Library

Floor plans 1:1250

Q U A M M A R T ET A M A R T E

Entrance and café court

View towards ecology gardenLevel 3 looking east showing mezzanine

Level Public areas M UA G I A

1M Entrances 580 7011M The News Zone 350 423 1 The Learning Zone 1600 19330 Studios 155 1870 Teaching 220 2660 Lecture Halls/Auditoriums 550 665 Subject areas / open media collections (Young People’s areas included in figures below)1M (X) Fiction 1900 1900 250 24541 (X) Children’s Fiction 880 880 200 11372/2M Foreign Languages 1829 1105 724 215 22104/4M The Arts 1900 1350 550 150 22964M Aesthetics 800 800 150 9671/1M Civic Studies 1555 985 570 100 18793/3M Nature and Technology 1650 1150 500 250 19942/2M People and Countries 1687 1235 452 153 2038

Visit-oriented activities/offices 1468 1774 Other public areas, toilets, etc 275 332

1 Café 380 4593/3M Restaurant 700 846

Depository media management

0 Depositories ** 1253 15661M Sorting machines 180 2182 Media management 860 10392 Logistics/loading platform 200 2422M Caretaker’s office and property services 500 604 Administration and staff

2M Management 200 2423 Marketing 300 3632M Virtual 200 2422M Outreach activities 100 1212M Regional library 300 3632 Staff areas 900 1088 1/1M The Swedish Institute of Children’s Books 1250 1510

G R A N D TOTA L 24722 30156

Combined

Main Mezzanine

VOA

Elevation from Sveavägen

Section B

See area schedule colour codes and larger scale plans and for detailed functional locations

Asplund Library Competition, Stockholm. Avanti architectsRefurbishment and new build of National library. The building brakes in 2 different volumes. The first offers its fassade to the city, the latter take the citizen to up the hill and public park

Section

Elevation from Odenplan

Long Section

View from Odenplan Aerial view

Main entrance

Section A

Level 4MArt & Aesthetics

Level 4Art

Level 3MNature & TechnologyRestaurant and terrace

Level 3Nature & TechnologyRestaurantRoof gardens

Level 2MPeople & CountriesForeign Languages

Level 2People & CountriesForeign Languages

Level 1MCivic StudiesSwedish InstituteNews Zone

Level 1Civic StudiesLearning ZoneSwedish InstituteCafé

Level 0AuditoriumStudiosTeaching roomsDepositories

* Please note mezzanines can

be developed to produce

additional floor area for

each collection area as

desired

** 2000m2 on the lower two

floors of the Asplund

Building has been

proposed as storage /

depositories, but not

identified in the areas

shown opposite

Area schedule & key to 1:1250 plans(X) denotes existing Asplund Library

Floor plans 1:1250

Q U A M M A R T ET A M A R T E

Entrance and café court

View towards ecology gardenLevel 3 looking east showing mezzanine

Level Public areas M UA G I A

1M Entrances 580 7011M The News Zone 350 423 1 The Learning Zone 1600 19330 Studios 155 1870 Teaching 220 2660 Lecture Halls/Auditoriums 550 665 Subject areas / open media collections (Young People’s areas included in figures below)1M (X) Fiction 1900 1900 250 24541 (X) Children’s Fiction 880 880 200 11372/2M Foreign Languages 1829 1105 724 215 22104/4M The Arts 1900 1350 550 150 22964M Aesthetics 800 800 150 9671/1M Civic Studies 1555 985 570 100 18793/3M Nature and Technology 1650 1150 500 250 19942/2M People and Countries 1687 1235 452 153 2038

Visit-oriented activities/offices 1468 1774 Other public areas, toilets, etc 275 332

1 Café 380 4593/3M Restaurant 700 846

Depository media management

0 Depositories ** 1253 15661M Sorting machines 180 2182 Media management 860 10392 Logistics/loading platform 200 2422M Caretaker’s office and property services 500 604 Administration and staff

2M Management 200 2423 Marketing 300 3632M Virtual 200 2422M Outreach activities 100 1212M Regional library 300 3632 Staff areas 900 1088 1/1M The Swedish Institute of Children’s Books 1250 1510

G R A N D TOTA L 24722 30156

Combined

Main Mezzanine

VOA

Elevation from Sveavägen

Section B

See area schedule colour codes and larger scale plans and for detailed functional locations

S T O C K H O L M C I T Y L I B R A R YLevel 3M 1: 500

A R C H I T E C T O N I C Q U A L I T Y & U R B A N C O N T E X T

The site is placed at a unique location in the urban geometry of Stockholm where the oblique line of Odenplan, with its church and triangular public realm, intersects the orthogonal grid of the city. The energy of this oblique axis is carried deep into the building and signals the entrance from the west 1. It also informs the splay at upper levels of the main block, thereby preserving the iconic view of Asplund’s drum. But there is another crucial locational factor – the observatory hill. The sectional organisation of our scheme responds to this by providing a functional and ceremonial linkage between street level and the hill with its wonderful views of Asplund’s masterpiece and over Stockholm as a whole 2. The support block reaches up to embrace the hill and exploit its drama. Out of these extraordinary geometries of the site and its context – the man-made and the natural – we have forged the architectonic quality of our design. Our building thus aims not only to respond to the city, but also become a microcosm of it. It seeks an equivalent diversity of spaces – to meet, to be separate, to relax, to study, to reflect, to congregate, to explore. Just as a city may be thought of as a sort of giant library (a concentration of people, networks, resources and encounters) so we have tried to think of our library as a small city.

F U N C T I O N A L I T YOur proposal is configured as a dual entity – a principal building, containing all the main public functions, and a linked support building that accommodates the ancillary / administration and plant services which enable the main block to operate effectively. The main building is conceived as a framed structure of four ‘heavy’ floorplates at double storey height intervals, which relate to the datum levels of the Asplund library. These floorplates are penetrated by voids and light wells that bring natural light deep into the building and offer views out of it. The resulting ‘lost’ areas are then replaced by mezzanines, which may be ‘tuned’ in plan, area and ambiance as desired. The departmental requirements of the brief may thus be laid out in an almost infinite variety of ways within this ‘generic’ matrix 3. We have shown an initial iteration of floor uses and departmental locations – News Zone near the entrances, Nature by the roof garden, the Swedish Institute entered directly or via the main building, etc – but the proposal should really be read as a flexible system of opportunities, open for re-interpretation, both during later phases of this competition and then through the building’s future life 4. The support building takes delivery access for the complex from Gyldengaten and, being of narrower depth, has floors at every level. These may thus be linked with the main building at both primary and mezzanine floors. The floorplates themselves are zoned for public / departmental, staff and visitor orientation functions with consistent service spines and links at each level for staff movement and book management 5. And in all public areas and levels there is the childrens’ trail offering a voyage of discovery through the building.

F E A S I B I L I T YOur building design is conceived as a wholly realistic and feasible proposition without competition gimmicks or false rhetoric. Its drama derives from the way it accommodates and expresses its functionality and engages with its setting. It employs known technologies to achieve a sustainable concept, allowing ample capacity for new technology – especially in relation to IT – to redefine real and virtual relationships in the future. Each department may define its own identity within the building armature while remaining fully connected with the rest of the library community. Our scheme also lends itself easily to phased implementation 6 whereby the support building and west section are constructed first to provide decant space for continuity of functions from the annexes, thereby allowing clearance of the remaining annex and construction and connection of the principal building.

R E L A T I O N S H I P T O A S P L U N D L I B R A R Y

Honouring the Asplund library while providing the required new facilities demands choices to be made. Elements of the existing complex have to make way for the new. We believe the correct response is to remove and redevelop the annexes, which are less significant, and retain and refurbish the iconic main building. The relationship of the new with the old is then established in many ways. First, the main body of the new building is set apart from the old to create a top-glazed entrance courtyard that presents Asplund’s west façade as if still external. This courtyard with its informal café and meeting areas also preserves the view south to the hill and the shortcut link across the rear (south-west) corner 7. Meanwhile by virtue of the gradient of Odengaten, the west entrance allows level access to the Asplund at Reading Room level 8. An incision is made in this façade, where the fenestration rhythm changes, in order to insert a new stair and bridge connection. This intervention will reinstate the lightwell concept at the corner segment of Asplund’s plan and proclaim the new access to the Reading Room – its premier space. The old and new buildings are now securely connected, but further staff / service linkage is also provided via a basement tunnel and an upper bridge level. In volumetric terms the new building is stratified to align with Asplund’s main cornices. The 2nd floor cutback allows a splendid roof garden to be provided. Then the escalator that traverses the building north-south continues to the restaurant level with its link to the hill and its dramatic terrace affording panoramic views of Asplund, the park and the city 9.

L O O K I N G T O T H E F U T U R E As this is an ‘Ideas Competition’ we have thought deeply about how resilient our ideas may be in the evolution of the project. We believe the key strategies informing our scheme are inherently capable of assimilating change during the unfolding narrative of the project – not only through the next phases of the competition but in the future life of the building itself. The brief is dynamic, priorities will change, the unforeseen will occur – as it usually does. But by conceiving our proposal as a fusion of the permanent and the flexible we believe it can serve the future in both of the worlds we now inhabit – the real and the virtual – thereby becoming truly A L I B R A R Y F O R L I F E

A L I B R A R Y F O R L I F E

We entered this competition because we are inspired by the idea of Asplund’s library being a place of discovery and enlighten-ment for the people of Sweden, and by the potential of the project to enhance this role. We have sought to respond to all the aspirations of the brief – to create a design of high architectonic quality; to devise a functional, flexible facility that can provide all and more of the serv-ices that are required now and may be needed in the future; to stitch the new building securely into its urban context; to conceive it in an eminently buildable form, and – by its relationship to the original Asplund library building – to honour and re-present that building in such a way as to convey and intensify its meaning for new genera-tions of users, staff and visitors.

1

2

3

4

5

6

7

8

Site plan 1:1000

9

Level 1M 1 : 500

Level 2 1 : 500

A B

A B

Q U A M M A R T ET A M A R T E

N

N

N

Section

Elevation from Odenplan

Long Section

View from Odenplan Aerial view

Main entrance

Section A

Level 4MArt & Aesthetics

Level 4Art

Level 3MNature & TechnologyRestaurant and terrace

Level 3Nature & TechnologyRestaurantRoof gardens

Level 2MPeople & CountriesForeign Languages

Level 2People & CountriesForeign Languages

Level 1MCivic StudiesSwedish InstituteNews Zone

Level 1Civic StudiesLearning ZoneSwedish InstituteCafé

Level 0AuditoriumStudiosTeaching roomsDepositories

* Please note mezzanines can

be developed to produce

additional floor area for

each collection area as

desired

** 2000m2 on the lower two

floors of the Asplund

Building has been

proposed as storage /

depositories, but not

identified in the areas

shown opposite

Area schedule & key to 1:1250 plans(X) denotes existing Asplund Library

Floor plans 1:1250

Q U A M M A R T ET A M A R T E

Entrance and café court

View towards ecology gardenLevel 3 looking east showing mezzanine

Level Public areas M UA G I A

1M Entrances 580 7011M The News Zone 350 423 1 The Learning Zone 1600 19330 Studios 155 1870 Teaching 220 2660 Lecture Halls/Auditoriums 550 665 Subject areas / open media collections (Young People’s areas included in figures below)1M (X) Fiction 1900 1900 250 24541 (X) Children’s Fiction 880 880 200 11372/2M Foreign Languages 1829 1105 724 215 22104/4M The Arts 1900 1350 550 150 22964M Aesthetics 800 800 150 9671/1M Civic Studies 1555 985 570 100 18793/3M Nature and Technology 1650 1150 500 250 19942/2M People and Countries 1687 1235 452 153 2038

Visit-oriented activities/offices 1468 1774 Other public areas, toilets, etc 275 332

1 Café 380 4593/3M Restaurant 700 846

Depository media management

0 Depositories ** 1253 15661M Sorting machines 180 2182 Media management 860 10392 Logistics/loading platform 200 2422M Caretaker’s office and property services 500 604 Administration and staff

2M Management 200 2423 Marketing 300 3632M Virtual 200 2422M Outreach activities 100 1212M Regional library 300 3632 Staff areas 900 1088 1/1M The Swedish Institute of Children’s Books 1250 1510

G R A N D TOTA L 24722 30156

Combined

Main Mezzanine

VOA

Elevation from Sveavägen

Section B

See area schedule colour codes and larger scale plans and for detailed functional locations

Section

Elevation from Odenplan

Long Section

View from Odenplan Aerial view

Main entrance

Section A

Level 4MArt & Aesthetics

Level 4Art

Level 3MNature & TechnologyRestaurant and terrace

Level 3Nature & TechnologyRestaurantRoof gardens

Level 2MPeople & CountriesForeign Languages

Level 2People & CountriesForeign Languages

Level 1MCivic StudiesSwedish InstituteNews Zone

Level 1Civic StudiesLearning ZoneSwedish InstituteCafé

Level 0AuditoriumStudiosTeaching roomsDepositories

* Please note mezzanines can

be developed to produce

additional floor area for

each collection area as

desired

** 2000m2 on the lower two

floors of the Asplund

Building has been

proposed as storage /

depositories, but not

identified in the areas

shown opposite

Area schedule & key to 1:1250 plans(X) denotes existing Asplund Library

Floor plans 1:1250

Q U A M M A R T ET A M A R T E

Entrance and café court

View towards ecology gardenLevel 3 looking east showing mezzanine

Level Public areas M UA G I A

1M Entrances 580 7011M The News Zone 350 423 1 The Learning Zone 1600 19330 Studios 155 1870 Teaching 220 2660 Lecture Halls/Auditoriums 550 665 Subject areas / open media collections (Young People’s areas included in figures below)1M (X) Fiction 1900 1900 250 24541 (X) Children’s Fiction 880 880 200 11372/2M Foreign Languages 1829 1105 724 215 22104/4M The Arts 1900 1350 550 150 22964M Aesthetics 800 800 150 9671/1M Civic Studies 1555 985 570 100 18793/3M Nature and Technology 1650 1150 500 250 19942/2M People and Countries 1687 1235 452 153 2038

Visit-oriented activities/offices 1468 1774 Other public areas, toilets, etc 275 332

1 Café 380 4593/3M Restaurant 700 846

Depository media management

0 Depositories ** 1253 15661M Sorting machines 180 2182 Media management 860 10392 Logistics/loading platform 200 2422M Caretaker’s office and property services 500 604 Administration and staff

2M Management 200 2423 Marketing 300 3632M Virtual 200 2422M Outreach activities 100 1212M Regional library 300 3632 Staff areas 900 1088 1/1M The Swedish Institute of Children’s Books 1250 1510

G R A N D TOTA L 24722 30156

Combined

Main Mezzanine

VOA

Elevation from Sveavägen

Section B

See area schedule colour codes and larger scale plans and for detailed functional locations

S T O C K H O L M C I T Y L I B R A R YLevel 3M 1: 500

A R C H I T E C T O N I C Q U A L I T Y & U R B A N C O N T E X T

The site is placed at a unique location in the urban geometry of Stockholm where the oblique line of Odenplan, with its church and triangular public realm, intersects the orthogonal grid of the city. The energy of this oblique axis is carried deep into the building and signals the entrance from the west 1. It also informs the splay at upper levels of the main block, thereby preserving the iconic view of Asplund’s drum. But there is another crucial locational factor – the observatory hill. The sectional organisation of our scheme responds to this by providing a functional and ceremonial linkage between street level and the hill with its wonderful views of Asplund’s masterpiece and over Stockholm as a whole 2. The support block reaches up to embrace the hill and exploit its drama. Out of these extraordinary geometries of the site and its context – the man-made and the natural – we have forged the architectonic quality of our design. Our building thus aims not only to respond to the city, but also become a microcosm of it. It seeks an equivalent diversity of spaces – to meet, to be separate, to relax, to study, to reflect, to congregate, to explore. Just as a city may be thought of as a sort of giant library (a concentration of people, networks, resources and encounters) so we have tried to think of our library as a small city.

F U N C T I O N A L I T YOur proposal is configured as a dual entity – a principal building, containing all the main public functions, and a linked support building that accommodates the ancillary / administration and plant services which enable the main block to operate effectively. The main building is conceived as a framed structure of four ‘heavy’ floorplates at double storey height intervals, which relate to the datum levels of the Asplund library. These floorplates are penetrated by voids and light wells that bring natural light deep into the building and offer views out of it. The resulting ‘lost’ areas are then replaced by mezzanines, which may be ‘tuned’ in plan, area and ambiance as desired. The departmental requirements of the brief may thus be laid out in an almost infinite variety of ways within this ‘generic’ matrix 3. We have shown an initial iteration of floor uses and departmental locations – News Zone near the entrances, Nature by the roof garden, the Swedish Institute entered directly or via the main building, etc – but the proposal should really be read as a flexible system of opportunities, open for re-interpretation, both during later phases of this competition and then through the building’s future life 4. The support building takes delivery access for the complex from Gyldengaten and, being of narrower depth, has floors at every level. These may thus be linked with the main building at both primary and mezzanine floors. The floorplates themselves are zoned for public / departmental, staff and visitor orientation functions with consistent service spines and links at each level for staff movement and book management 5. And in all public areas and levels there is the childrens’ trail offering a voyage of discovery through the building.

F E A S I B I L I T YOur building design is conceived as a wholly realistic and feasible proposition without competition gimmicks or false rhetoric. Its drama derives from the way it accommodates and expresses its functionality and engages with its setting. It employs known technologies to achieve a sustainable concept, allowing ample capacity for new technology – especially in relation to IT – to redefine real and virtual relationships in the future. Each department may define its own identity within the building armature while remaining fully connected with the rest of the library community. Our scheme also lends itself easily to phased implementation 6 whereby the support building and west section are constructed first to provide decant space for continuity of functions from the annexes, thereby allowing clearance of the remaining annex and construction and connection of the principal building.

R E L A T I O N S H I P T O A S P L U N D L I B R A R Y

Honouring the Asplund library while providing the required new facilities demands choices to be made. Elements of the existing complex have to make way for the new. We believe the correct response is to remove and redevelop the annexes, which are less significant, and retain and refurbish the iconic main building. The relationship of the new with the old is then established in many ways. First, the main body of the new building is set apart from the old to create a top-glazed entrance courtyard that presents Asplund’s west façade as if still external. This courtyard with its informal café and meeting areas also preserves the view south to the hill and the shortcut link across the rear (south-west) corner 7. Meanwhile by virtue of the gradient of Odengaten, the west entrance allows level access to the Asplund at Reading Room level 8. An incision is made in this façade, where the fenestration rhythm changes, in order to insert a new stair and bridge connection. This intervention will reinstate the lightwell concept at the corner segment of Asplund’s plan and proclaim the new access to the Reading Room – its premier space. The old and new buildings are now securely connected, but further staff / service linkage is also provided via a basement tunnel and an upper bridge level. In volumetric terms the new building is stratified to align with Asplund’s main cornices. The 2nd floor cutback allows a splendid roof garden to be provided. Then the escalator that traverses the building north-south continues to the restaurant level with its link to the hill and its dramatic terrace affording panoramic views of Asplund, the park and the city 9.

L O O K I N G T O T H E F U T U R E As this is an ‘Ideas Competition’ we have thought deeply about how resilient our ideas may be in the evolution of the project. We believe the key strategies informing our scheme are inherently capable of assimilating change during the unfolding narrative of the project – not only through the next phases of the competition but in the future life of the building itself. The brief is dynamic, priorities will change, the unforeseen will occur – as it usually does. But by conceiving our proposal as a fusion of the permanent and the flexible we believe it can serve the future in both of the worlds we now inhabit – the real and the virtual – thereby becoming truly A L I B R A R Y F O R L I F E

A L I B R A R Y F O R L I F E

We entered this competition because we are inspired by the idea of Asplund’s library being a place of discovery and enlighten-ment for the people of Sweden, and by the potential of the project to enhance this role. We have sought to respond to all the aspirations of the brief – to create a design of high architectonic quality; to devise a functional, flexible facility that can provide all and more of the serv-ices that are required now and may be needed in the future; to stitch the new building securely into its urban context; to conceive it in an eminently buildable form, and – by its relationship to the original Asplund library building – to honour and re-present that building in such a way as to convey and intensify its meaning for new genera-tions of users, staff and visitors.

1

2

3

4

5

6

7

8

Site plan 1:1000

9

Level 1M 1 : 500

Level 2 1 : 500

A B

A B

Q U A M M A R T ET A M A R T E

N

N

N

S T O C K H O L M C I T Y L I B R A R YLevel 3M 1: 500

A R C H I T E C T O N I C Q U A L I T Y & U R B A N C O N T E X T

The site is placed at a unique location in the urban geometry of Stockholm where the oblique line of Odenplan, with its church and triangular public realm, intersects the orthogonal grid of the city. The energy of this oblique axis is carried deep into the building and signals the entrance from the west 1. It also informs the splay at upper levels of the main block, thereby preserving the iconic view of Asplund’s drum. But there is another crucial locational factor – the observatory hill. The sectional organisation of our scheme responds to this by providing a functional and ceremonial linkage between street level and the hill with its wonderful views of Asplund’s masterpiece and over Stockholm as a whole 2. The support block reaches up to embrace the hill and exploit its drama. Out of these extraordinary geometries of the site and its context – the man-made and the natural – we have forged the architectonic quality of our design. Our building thus aims not only to respond to the city, but also become a microcosm of it. It seeks an equivalent diversity of spaces – to meet, to be separate, to relax, to study, to reflect, to congregate, to explore. Just as a city may be thought of as a sort of giant library (a concentration of people, networks, resources and encounters) so we have tried to think of our library as a small city.

F U N C T I O N A L I T YOur proposal is configured as a dual entity – a principal building, containing all the main public functions, and a linked support building that accommodates the ancillary / administration and plant services which enable the main block to operate effectively. The main building is conceived as a framed structure of four ‘heavy’ floorplates at double storey height intervals, which relate to the datum levels of the Asplund library. These floorplates are penetrated by voids and light wells that bring natural light deep into the building and offer views out of it. The resulting ‘lost’ areas are then replaced by mezzanines, which may be ‘tuned’ in plan, area and ambiance as desired. The departmental requirements of the brief may thus be laid out in an almost infinite variety of ways within this ‘generic’ matrix 3. We have shown an initial iteration of floor uses and departmental locations – News Zone near the entrances, Nature by the roof garden, the Swedish Institute entered directly or via the main building, etc – but the proposal should really be read as a flexible system of opportunities, open for re-interpretation, both during later phases of this competition and then through the building’s future life 4. The support building takes delivery access for the complex from Gyldengaten and, being of narrower depth, has floors at every level. These may thus be linked with the main building at both primary and mezzanine floors. The floorplates themselves are zoned for public / departmental, staff and visitor orientation functions with consistent service spines and links at each level for staff movement and book management 5. And in all public areas and levels there is the childrens’ trail offering a voyage of discovery through the building.

F E A S I B I L I T YOur building design is conceived as a wholly realistic and feasible proposition without competition gimmicks or false rhetoric. Its drama derives from the way it accommodates and expresses its functionality and engages with its setting. It employs known technologies to achieve a sustainable concept, allowing ample capacity for new technology – especially in relation to IT – to redefine real and virtual relationships in the future. Each department may define its own identity within the building armature while remaining fully connected with the rest of the library community. Our scheme also lends itself easily to phased implementation 6 whereby the support building and west section are constructed first to provide decant space for continuity of functions from the annexes, thereby allowing clearance of the remaining annex and construction and connection of the principal building.

R E L A T I O N S H I P T O A S P L U N D L I B R A R Y

Honouring the Asplund library while providing the required new facilities demands choices to be made. Elements of the existing complex have to make way for the new. We believe the correct response is to remove and redevelop the annexes, which are less significant, and retain and refurbish the iconic main building. The relationship of the new with the old is then established in many ways. First, the main body of the new building is set apart from the old to create a top-glazed entrance courtyard that presents Asplund’s west façade as if still external. This courtyard with its informal café and meeting areas also preserves the view south to the hill and the shortcut link across the rear (south-west) corner 7. Meanwhile by virtue of the gradient of Odengaten, the west entrance allows level access to the Asplund at Reading Room level 8. An incision is made in this façade, where the fenestration rhythm changes, in order to insert a new stair and bridge connection. This intervention will reinstate the lightwell concept at the corner segment of Asplund’s plan and proclaim the new access to the Reading Room – its premier space. The old and new buildings are now securely connected, but further staff / service linkage is also provided via a basement tunnel and an upper bridge level. In volumetric terms the new building is stratified to align with Asplund’s main cornices. The 2nd floor cutback allows a splendid roof garden to be provided. Then the escalator that traverses the building north-south continues to the restaurant level with its link to the hill and its dramatic terrace affording panoramic views of Asplund, the park and the city 9.

L O O K I N G T O T H E F U T U R E As this is an ‘Ideas Competition’ we have thought deeply about how resilient our ideas may be in the evolution of the project. We believe the key strategies informing our scheme are inherently capable of assimilating change during the unfolding narrative of the project – not only through the next phases of the competition but in the future life of the building itself. The brief is dynamic, priorities will change, the unforeseen will occur – as it usually does. But by conceiving our proposal as a fusion of the permanent and the flexible we believe it can serve the future in both of the worlds we now inhabit – the real and the virtual – thereby becoming truly A L I B R A R Y F O R L I F E

A L I B R A R Y F O R L I F E

We entered this competition because we are inspired by the idea of Asplund’s library being a place of discovery and enlighten-ment for the people of Sweden, and by the potential of the project to enhance this role. We have sought to respond to all the aspirations of the brief – to create a design of high architectonic quality; to devise a functional, flexible facility that can provide all and more of the serv-ices that are required now and may be needed in the future; to stitch the new building securely into its urban context; to conceive it in an eminently buildable form, and – by its relationship to the original Asplund library building – to honour and re-present that building in such a way as to convey and intensify its meaning for new genera-tions of users, staff and visitors.

1

2

3

4

5

6

7

8

Site plan 1:1000

9

Level 1M 1 : 500

Level 2 1 : 500

A B

A B

Q U A M M A R T ET A M A R T E

N

N

N

Section

Elevation from Odenplan

Long Section

View from Odenplan Aerial view

Main entrance

Section A

Level 4MArt & Aesthetics

Level 4Art

Level 3MNature & TechnologyRestaurant and terrace

Level 3Nature & TechnologyRestaurantRoof gardens

Level 2MPeople & CountriesForeign Languages

Level 2People & CountriesForeign Languages

Level 1MCivic StudiesSwedish InstituteNews Zone

Level 1Civic StudiesLearning ZoneSwedish InstituteCafé

Level 0AuditoriumStudiosTeaching roomsDepositories

* Please note mezzanines can

be developed to produce

additional floor area for

each collection area as

desired

** 2000m2 on the lower two

floors of the Asplund

Building has been

proposed as storage /

depositories, but not

identified in the areas

shown opposite

Area schedule & key to 1:1250 plans(X) denotes existing Asplund Library

Floor plans 1:1250

Q U A M M A R T ET A M A R T E

Entrance and café court

View towards ecology gardenLevel 3 looking east showing mezzanine

Level Public areas M UA G I A

1M Entrances 580 7011M The News Zone 350 423 1 The Learning Zone 1600 19330 Studios 155 1870 Teaching 220 2660 Lecture Halls/Auditoriums 550 665 Subject areas / open media collections (Young People’s areas included in figures below)1M (X) Fiction 1900 1900 250 24541 (X) Children’s Fiction 880 880 200 11372/2M Foreign Languages 1829 1105 724 215 22104/4M The Arts 1900 1350 550 150 22964M Aesthetics 800 800 150 9671/1M Civic Studies 1555 985 570 100 18793/3M Nature and Technology 1650 1150 500 250 19942/2M People and Countries 1687 1235 452 153 2038

Visit-oriented activities/offices 1468 1774 Other public areas, toilets, etc 275 332

1 Café 380 4593/3M Restaurant 700 846

Depository media management

0 Depositories ** 1253 15661M Sorting machines 180 2182 Media management 860 10392 Logistics/loading platform 200 2422M Caretaker’s office and property services 500 604 Administration and staff

2M Management 200 2423 Marketing 300 3632M Virtual 200 2422M Outreach activities 100 1212M Regional library 300 3632 Staff areas 900 1088 1/1M The Swedish Institute of Children’s Books 1250 1510

G R A N D TOTA L 24722 30156

Combined

Main Mezzanine

VOA

Elevation from Sveavägen

Section B

See area schedule colour codes and larger scale plans and for detailed functional locations

Section

Elevation from Odenplan

Long Section

View from Odenplan Aerial view

Main entrance

Section A

Level 4MArt & Aesthetics

Level 4Art

Level 3MNature & TechnologyRestaurant and terrace

Level 3Nature & TechnologyRestaurantRoof gardens

Level 2MPeople & CountriesForeign Languages

Level 2People & CountriesForeign Languages

Level 1MCivic StudiesSwedish InstituteNews Zone

Level 1Civic StudiesLearning ZoneSwedish InstituteCafé

Level 0AuditoriumStudiosTeaching roomsDepositories

* Please note mezzanines can

be developed to produce

additional floor area for

each collection area as

desired

** 2000m2 on the lower two

floors of the Asplund

Building has been

proposed as storage /

depositories, but not

identified in the areas

shown opposite

Area schedule & key to 1:1250 plans(X) denotes existing Asplund Library

Floor plans 1:1250

Q U A M M A R T ET A M A R T E

Entrance and café court

View towards ecology gardenLevel 3 looking east showing mezzanine

Level Public areas M UA G I A

1M Entrances 580 7011M The News Zone 350 423 1 The Learning Zone 1600 19330 Studios 155 1870 Teaching 220 2660 Lecture Halls/Auditoriums 550 665 Subject areas / open media collections (Young People’s areas included in figures below)1M (X) Fiction 1900 1900 250 24541 (X) Children’s Fiction 880 880 200 11372/2M Foreign Languages 1829 1105 724 215 22104/4M The Arts 1900 1350 550 150 22964M Aesthetics 800 800 150 9671/1M Civic Studies 1555 985 570 100 18793/3M Nature and Technology 1650 1150 500 250 19942/2M People and Countries 1687 1235 452 153 2038

Visit-oriented activities/offices 1468 1774 Other public areas, toilets, etc 275 332

1 Café 380 4593/3M Restaurant 700 846

Depository media management

0 Depositories ** 1253 15661M Sorting machines 180 2182 Media management 860 10392 Logistics/loading platform 200 2422M Caretaker’s office and property services 500 604 Administration and staff

2M Management 200 2423 Marketing 300 3632M Virtual 200 2422M Outreach activities 100 1212M Regional library 300 3632 Staff areas 900 1088 1/1M The Swedish Institute of Children’s Books 1250 1510

G R A N D TOTA L 24722 30156

Combined

Main Mezzanine

VOA

Elevation from Sveavägen

Section B

See area schedule colour codes and larger scale plans and for detailed functional locations

The Firs. House Extension in listed House Grade II. Avanti ArchitectsDesign and construction drawings for the house extension of this Lis-ted Building Grade II. Re-using and extending the old garden shed.Drawing project, meeting clients, engineers and consultants to dis-cuss and develop different construction options. Planning aplica-tion.

Forest Hill. Feasibility study. Avanti architects

Hereford 2 Academy. Feasibility study. Avanti architects

Ca La Mina. Extension. Montcada i Reixac. D’Aura arquitectura Extension of an existing building to hold a multipurpose hall to complement this Center for the elderly. The project was enti-rely developed just in 15 days and build in less than 2 months following regulations to take advantage of economic benefits in a State renovation plan for towns and cities

Ca La Mina. Extension. (cont.)

Casa Convalescència.Vic. Barcelona D’Aura arquitectura

Casa Convalescència.(cont.)

Fundació Jaume Bofill. Refurbishment. Barcelona. D’Aura arquitectura Refurbishment of a modernist building in central Barcelona. Adaptation into office of this originally dwelling block for the Bofill Foundation. It will to hold a conference room with a ca-pacity of 140 spectators. The complexity of the construction deeply marked the final proposal.

Fundació Jaume Bofill. (cont.)

SAU 01. Urbanism. La Senia. Daura Arquitectura

Thau school Theater. Daura Arquitectura

Vista Proposta

Participació

Col·laboració

Estat actual

Evolució de la malla en el temps

Localització – Vista aèria

Tensoestructura:

· Projecció malla: 415 m2

· Àrea coberta: 45% aprox· Mida de les cèl·lules: 1,2 x 1,2 m

Composició del conjunt:· Estructura de suport d’acer galvanitzat· Cables d’acer inoxidable·Membrana de polièster recobert amb PVC per ambdues cares.

Descripció de la Tensoestructura

Tensoestructura:

· Projecció malla: 415 m2

· Àrea coberta: 45% aprox· Mida de les cèl·lules: 1,2 x 1,2 m

Composició del conjunt:· Estructura de suport d’acer galvanitzat· Cables d’acer inoxidable·Membrana de polièster recobert amb PVC per ambdues cares.

Descripció de la Tensoestructura

ONA Quiropràctica_Barcelona

Bed and Breakfast. Can Masana. Sant Sadurni

Flat Refurbishment c/Paris_Barcelona

Flat Refurbishment. c/Emerita. Barcelona

Townhall. Arama. Basc Country. CompetitionBraking the building into two volumes allows to divide public/pri-vate activities. The central foyer is the new “outside” allowing public activities to go on in this rainy town in the north of Spain.

Can Sole. Sleep Box. Rural

First Aid Hospital_Campoamor_Sabadell_ Built. Urgell arquitectesFirst Aid hospital in suburbian town close to Barcelona. Worked on the project as student practicant from competition up to the final construc-tion drawings.

First Aid Hospital_Manresa_Competition. Urgell arquitectesFirst Aid hospital in Manresa. Competition drawings and submision boards.

Primary & Sec. Education School_Vic_Industrialised construction. Urgell arquitectesCompetition+ConstructionIndustrialised school made from precast concrete. Competition won with ConcretePujol. The school had to be built during the sum-mer holidays period, 3months.

Social Housing_L’Hospitalet Barcelona_Urgell arquitectes

Competition for the Plaza Europa in Hospitalet de Llobregat to complete urbanisation of 15 towers containing dwellings, offices and retail facilities.

Urbanism. Illa Raval. Historical centre Barcelona. Urgell arquitectesUrbanisation of the newly opened Rambla del Raval. This project opens the congested city center of Barcelona, offering public spa-ce and generating parking space in the citys underground. The project consisted in the aplication of the Barcelona metropolitan urban regulations and the study of street sections and completion

University Final Project_Badia del Vallès_Transformations

The injection of new uses is nee-ded in Badia but free plots of land are scarce.

The proposal develops a solution for the transformation of the exis-ting housing blocks.

Mixedused project consisting of library+Gym+Studios+dwelling is developed. Improvement of the thermic behaviour of the façade imple-menting the strategic use of sun and ventilation and the addition of thermal insulation.

espai públic

Joan Capdevila PuigProjecte Fi de Carrera. ETSAV

BADIA EN EL TEMPSPlànol 02Entrega: 27 de Juny 2006 Habitatge_Mediatèca_Tallers_Gimnàs_Residència

TRANSFORMACIÓ BADIA

parc públiczona verda pendentparc infantil

lloc de trobada

arbreda

vials principals

recorreguts peatonals

centre sociocultural

edifici religios

administració

comerç

centre educatiu

centre esportiu

L'espai públic a Badia del Vallès es caractaritza per la seva DISPERSIÓ en el territori, amb la conseqüent perdua de planificació futura.Qualsevol intent de perfeccionar la xarxa pública existent implicaria una millora substancial dels punts de conexió entre totes les zones verdes i públiques.

espai públic

Joan Capdevila PuigProjecte Fi de Carrera. ETSAV

BADIA EN EL TEMPSPlànol 02Entrega: 27 de Juny 2006 Habitatge_Mediatèca_Tallers_Gimnàs_Residència

TRANSFORMACIÓ BADIA

parc públiczona verda pendentparc infantil

lloc de trobada

arbreda

vials principals

recorreguts peatonals

centre sociocultural

edifici religios

administració

comerç

centre educatiu

centre esportiu

L'espai públic a Badia del Vallès es caractaritza per la seva DISPERSIÓ en el territori, amb la conseqüent perdua de planificació futura.Qualsevol intent de perfeccionar la xarxa pública existent implicaria una millora substancial dels punts de conexió entre totes les zones verdes i públiques.

"L'habitatge només es pot considerar com una part de la comunitat, on ambdos deuen interactuar entre si."

P. i A. Smithson

L'edifici prefabricat, per exigències en la velocitat d'execució, no té una voluntat socialitzadora. Més aviat s'imposa al terreny, amb un mínim esforç d'adaptació a la topografia.

Al s.XXI es busca una reciprocitat entre edifici i espai públic. Tot forma part de la comunitat. S'utilitzen i es necesiten un a l'altre.

A Badia del Vallès hi podem trobar 3 tipus d'habitatges. L'habitatge que es tracta en aquest PFC és el denominat T-H. Son agregables pels testers creant una pantalla edificatòria, i també pels núclis d'escales formant una H. Aquesta última opció crea uns patins interiors, que pel fet de ser comunitaris però inútils, queden abandonats a la seva sort. Estrella pb+4

Agregables pels tres testers.Blocs pantalla. PB+15No són agregablesBlocs T-H pb+10

Agregables pels tres testers.

Per què re-utilitzar un bloc existent?

Els blocs no s'adecuen a les necesitats socials. No cubreixen les expectatives de salubritat, i la seva flexibilitat és escasa.

"La Substitució no és la única ni última alternativa per canviar les coses. La Transformació té més sentit des d'una perspectiva econòmica, sostenible i de la memòria."

La posibilitat que ens ofereix el reaprofitament de l'estructura de murs i les plaques del forjat mereix si més no un estudi.

Cal fer un esforç en el camí de la sostenibilitat, per aprofitar el màxim del contruit, i estalviar enderrocs.Així es mantenen el màxim de forjats, només desestimant aquells que no ens donen les alçades o les llums mínimes per a un desenvolupament correctes d'algunes activitats.

Situant els nous núclis de comunicació verticals al perímetre dels forjats. I aquests núclis s'aniran adaptant i modificant per complir adeqüadament amb la seva funció variant on les circumstàncies ho requereixin.

Vida Feina

Oci

Vida Feina

Oci

Els nodes compactes d'ús mixt reduixen les demandes de viatges i creen veïnantges sostenibles

Separació d'activitat porta a la dependència del cotxe

Nodes compacte redueixen viatges en cotxe i permeten caminar i anar en bicicleta

Vida Feina

Oci

L'ús de sistemes de trànsit massiu disminueixen la dependència del trànsit privat

Badia '70 Vida Feina

Oci

Badia ara Badia futur

Sostenibilitat.Que satisfa les necesitats del present sense comprometre la capacitat de les generacions futures.

Satisfem les necesitats de la generació present, sense que ens comprometi el passat.

Accès principal de Badia

Eix social,cultural i administratiu

UABCerd

anyola

Eix resid

encial p

ur

UAB

(pea

tona

l)

Barberà del Vallès

Joan Capdevila PuigProjecte Fi de Carrera. ETSAV

IDEA_BADIAPlànol 05Entrega: 27 de Juny 2006 Habitatge_Mediatèca_Tallers_Gimnàs_Residència

TRANSFORMACIÓ BADIA

terreny

terreny

University Final Project_Badia del Vallès_Transformations. (cont.)

University Final Project_Badia del Vallès_Transformations. (cont.)

University Final Project_Badia del Vallès_Transformations. (cont.)

University Final Project_Badia del Vallès_Transformations. (cont.)

University Final Project_Badia del Vallès_Transformations. (cont.)

Biga

Alv

eola

da H

=60c

m

Biga

Alv

eola

da H

=60c

m

HEB 160 HEB 160

Biga

Alv

eola

da H

=60c

m

HEB 160HEB 160

HEB 160 HEB 160

HEB 160HEB 160

JA-4

0x70

JB-4

0x70

JA-4

0x70

JC-4

0x70

JP-40x200

JP-40x200

IPE 160

IPE 160

UPN 100

IPE 160

IPE 160

IPE 160

IPE 160

HEA

240

HEA

-220

HEA-220

HEA 200

IPE

140

HEA 200

Fonamentació

Sostre Planta Baixa i Primera

Sostre Planta Sisena

Sostre Planta 7, Sostre planta 8 i Badalot

Llosa massissa

e=20cm

Llosa massissa

e=20cm

Llosa massissa

e=20cm

s.x.

s.x.

Pantalla formigóForat escala

HEA

-220

IPE 200

02 04 06 08

01 03 05 07

08 11

10

09

HEA

-220

HEA-220

HEA 200

IPE

140

HEA 200

s.x.

s.x.

Pantalla formigó

Forat escala

HEA

-220

IPE 20008 11

10

09

HEA

240

HEA

-220

HEA-220

HEA 200

IPE

140

HEA 200

s.x.

s.x.

Pantalla formigóForat escala

HEA

-220

IPE 20008 11

10

09

02

01 07

Llosa de fonamentació existent

Edifici existent

Edifici existent

Fossat ascensor

Ampliar sabata

Repicar llosa existent per a l'execuciói posterior lligat del micropiló amb

Davant l'absència de geotècnic i dades fiables sobre com es va executar la fonamentació existent,

es suposa el reforç d'aquesta amb micropilots allà on arribaran les càrregues de l'obra nova.

08 11

10

09

02

01

07N= 182,5 T

N= 175,16 TN=295,99 T N= 27,40 T

N= 31,12 T

N= 25,06 T

N= 190.02 T

Destruir aquesta zona de llosaper reconstruir-la al nivell del fossat

Fon

Spb

Sp1

Sp2

Sp3

Sp4

Sp5

Sp6

Sp7

Sp8

Bad

NOTES D'ARMAT DE LLOSA MASSISSA

Sostre Planta Segona, Tercera, Quarta i cinquena

MATERIALS

Formigó: HA-25/B/20Ciment: Tipus I en general. Classe 45Àrids: Provinents de matxaca

Relació d/D 9'9/20mmAcer: B-500-S, de límit elàstic 500N/mm2, amb control normal

RESISTÈNCIA CARACTERÍSTICA

Als 7 dies: 16 N/mm2Als 28 dies: 25 N/mm2

RECOBRIMENTS

Interiors (ambient I) 2'5cmSoterranis i fonaments (ambient IIa) 3'0cmExteriors (ambient IIb) 3'5cm

CARACTERÍSTIQUES I ESPECIFICACIONS DEL FORMIGÓ

NORMATIVES D'OBLIGAT COMPLIMENT

NBE EA-95, i diverses UNELes soldadures a topall es realitzaran biselant per medis mecànics les

xapes o perfils a unir, rebutjant-se els materials entregats a obra que no compleixin aquest requisit.

El muntatge d'encavallades es realitzarà amb l'ajuda de perfils d'arriostrament suplementaris, que es retiraran posteriorment.

ACER

S-275JR (275 N/mm2)

CONTROL

Forma (1 de cada 5 bigues) tolerància < L/1500 < 10mmSoldadures: -En encavalcaments, una soldadura per unitat

-En peces compostes, una soldadura per peça

CARACTERÍSTIQUES I ESPECIFICACIONS DE L'ACER

Tipus del forjat: Col·laborant Cantell del forjat: 11cm Espessor xapa: 1'20mm

Estat de càrregues: Pes propi 200kg/m2 Càrregues permanents 80kg/m2 Sobrecàrrega d'ús 400kg/m2

TOTAL 680kg/m2

Tipus del forjat: Col·laborant Cantell del forjat: 11cm Espessor xapa: 1'20mm

Estat de càrregues: Pes propi 200kg/m2 Càrregues permanents 180kg/m2 Sobrecàrrega d'ús 300/400 kg/m2

TOTAL 680/780 kg/m2

Tipus del forjat: Col·laborant Cantell del forjat: 11cm Espessor xapa: 1'20mm

Estat de càrregues: Pes propi 200kg/m2 Càrregues permanents 80kg/m2 Sobrecàrrega d'ús 400kg/m2

TOTAL 680kg/m2

Tipus del forjat: Llosa massissa Cantell del forjat: 20cm

Armat bàsic: #1Ø8c/20 inferior #1Ø8c/20 superior

Estat de càrregues: Pes propi 500kg/m2 Càrregues permanents 1350kg/m2 (piscines) Sobrecàrrega d'ús 200kg/m2 Sobrecàrrega de neu 40Kg/m2

TOTAL 1040kg/m2

Tipus del forjat: Col·laborant Cantell del forjat: 11cm Espessor xapa: 1'20mm

Estat de càrregues: Pes propi 200kg/m2 Càrregues permanents 80kg/m2 Sobrecàrrega d'ús 400kg/m2

TOTAL 680kg/m2

Tipus del forjat: Col·laborant Cantell del forjat: 11cm Espessor xapa: 1'20mm

Estat de càrregues: Pes propi 200kg/m2 Càrregues permanents 240kg/m2 Sobrecàrrega d'ús 100kg/m2

TOTAL 540kg/m2

Sp7 i Sp8

Bad

Zona accés

Zona piscines

Sp2, 3, 4 i 5

Spb i Sp1

-Congrenys de vora i indicats en planta: 3 Ø12 inferior 3 Ø12 superior 1e Ø6c/12.5

-Els reforços d'armat necessaris es col·loquen cada 20cm, intercal·lats amb el bàsic.

DETALL FORJAT COL·LABORANT

04 06

03 05 07

ESQUEMA DE L'EDIFICI

HEA

240

HEA

-220

HEA-220

HEA 200

IPE

140

HEA 200

s.x.

s.x.

Pantalla formigó

Forat escala

HEA

-220

IPE 20008 11

10

0907

s.x.

s.x.

s.x.

s.x.

s.x.

s.x.

s.x.

s.x.

s.x.

la llosa per tal d'ésser solidaris

Ancoratge actiuAncoratge passiu

Tirant Tirant

Tirant Tirant

Tirant Tirant

ALÇAT JÀSSERES POSTESADES 40x200 EN SP6

Edifici existent

01/02 07/08

6Ø16

6Ø20

12Ø10 (pell)

1e4bØ10c/2003/04 05/06

Armat bàsic

Ampliar sabata

Ampliar sabata

02

01

TRANSFORMACIÓ BADIAJoan Capdevila PuigProjecte Fi de Carrera. ETSAV

ESTRUCTURAPlànol 27Entrega: 27 de Juny 2006 Habitatge_Mediatèca_Tallers_Gimnàs_Residència 1/100

UPN 100 UPN 100

UPN 100 UPN 100 UPN 100

TRANSFORMACIÓ BADIAJoan Capdevila PuigProjecte Fi de Carrera. ETSAV

ESTRUCT.AXOPlànol 28Entrega: 27 de Juny 2006 Habitatge_Mediatèca_Tallers_Gimnàs_Residència 1/100

University Final Project_Badia del Vallès_Transformations. (cont.)

Kupferdreh_RWTH_GermanyKupferdreh is pulled apart from the magnificent and calm river Rhine by the raillines and the old carbon sta-tion.The proposal pulls the river up the landscape, bringing its life to town, developing different grades of housing going from the single family housing, low/density dwelling and high density tower liberating space and amplifying the public realm.

CCC. Furniture

Foldable Chair. Furniture

Fridge+Free Sofa. Furniture

Workshops

Tensile structures. Cable bridge. Slovenia. Building anatomy. Catalan Vault. Sant Cugat.