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Projects from graduate and undergraduate studies that pertains to lighting design
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Catherine ChiaParsons The New School of DesignSecond year MFA [email protected]
Glare Analysis10am10am 2pm2pm 4pm4pm
Conceptual Diagram: Facade / Space Relationship / Inspiration
Catherine Chia & Junkyeong Park
2 1
3N
Objective: Explore daylight in relationship to the building’s form, and design the electrical lighting in consideration of daylight.Programs Used: AutoCAD, Photoshop, AGI32, Ecotect and Rhino
+ Located near Fashion institute of Technology, on 28th street, NYC.
Daylight Study/Analysis: Academic CenterMatthew Tanteri, Kimberley Ackert, Nelson Jenkins, Star Davis, Matthew Franks | Group Project with Junkyeong Park | Spring 2011
Shading and View Study+ Identified critical sun angle for specific month and time+ Purpose is to block out some low angle sunlight that would cause glare and discomfort but also let in some daylight to heat the building during colder seasons
View
Daylight
Daylight
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Daylight Penetration + Skylight and Sidelight influences programming + High window to wall ratio increases daylight penetration
2nd Floor Library: Daytime
2nd Floor Library: Evening 6th Floor Cafeteria
Waverly Pl.
R0.4
R0.7
R0.4
R0.7
Waverly Pl.
Christopher St.
PK.
N
Objective: Design for a cancer healing center that embodies the values set forth by the Maggie Center.Programs Used: Ecotect, AutoCAD, Photoshop, Illustrator, and Model Making
+ Located in Greenwich Village, NYC+ Daylight integration+ Consideration of a “home away from home” design approach
9am
Evening Rendering
12pm 3pm
Electric Lighting & Daylighting Study: Cancer Caring James Fischer & Scott Ritchie | Fall 2011
+
Daylighting Artificial Lighting Balance
General Lighting Concept
=
Limited Daylight Zone
Secondary Daylight Zone
Primary Daylight Zone
Sunlight
65FC
21FC
color reflecting outward
NN
A’
A
Programming Strategy
N
9am 12pm
3pm
9am
3pm
Shadow/ Transmittance
12PM
3PM
9AM
3PM
9AM
Reflectance
1st Floor Plan & Material Selection
BENJAMIN MOORElinen white
BENJAMIN MOOREcolorado gray
DESIGNTEXabex - grape slush
ARCHITEXarundel aubergine
BENJAMIN MOOREbubble te3a
BENJAMIN MOOREfair isle blue
PLYBOOedge grain amber
plywood
PLYBOOedge grain
natural plywood
Roof Floor Plan
N
A’
A1st Floor Lighting Plan & Fixture Selection
L4
opaque globe with 3 leds embedded inside to highlight the globe beneath itbamboo strips weaved
to incapsulate a com-pact fluorescent lamp
6 leds embedded inside for ambient lighting
frosted globe with leds embedded inside
absorb daylight during the day & transmit light out at night
L3 L5
3 inch diameter led path lighting
functions to light ground and call at-tention to sharp table corners
L17
Site Plan
N
Apple Store
Chelsea
Market
Objective: Design the lighting component for NYC LGBT Youth Center while meeting the IESNA lighting requirements.Programs Used: AutoCAD, Photoshop, AGI32, and Rhino
+ Located at Chelsea meatpacking district in Manhattan.+ Main street is 9th Ave
9th AVE
Lobby & Reception Desk Multi-functional Room Circulation Space
Repe
titio
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iagr
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Floor Plan
+ The lighting in the youth center functions not only to provide ample lighting but also to create a sense of unity within the architecture and community among people+ This is achieved in 2 ways: Repetition of architectural form Transparent materials
1st Floor
2nd Floor
Architectural lighting: Lighting for an Office BuildingCraig Bernecker, Glenn Shrum, Amer Maleh | Group Project with Junkyeong Park | Fall 2010
Interactive Spaceda
+ An interactive area that involves people from both the first and second floor+ Light passes through the colored glass on the second floor onto the first floor+ People walking on the second floor casts shadow onto the first floor+ Section shows light sandwiching and defining rooms and public space creating a dynamic and cozy environment
Section1F
2F
“Focused vision confronts us with the world whereas peripheral vision envelops us in the flesh of the world.”- Juhani Pallasmaa, The Eyes of the Skin: Architecture and the Senses
Objective: Create a visual experience that embodies the message of the following quote:
+ located at Focus Lighting, New York
Schematic Section
ENT.
Entrance Attraction Preparation Zone Grand Finale
Light Space and Art InstallationGlenn Shrum | Fall 2011
BeforeBefore
Hybrid (Agi + PS)Concept
AfterAfter
Objective: Develop an understanding of what light can do using actual lighting hardware in a limited full-scale environment.Program used: AGI32, AutoCAD, and Photoshop
+ Location: 25E 13th Street New York, 3rd Floor+ Goal is to direct students and guests through door 1+ Reason being the wall flushed against door 2 is often used as pin up space + Thus, circulation is a key part of the design+ Challenge involved numerous existing competing lights that led the viewer in a particular path.+ Solution was to create an opposing light source that caught viewer’s attention
Light as a Functional Medium: Human Scale InstallationCraig Bernecker, Glenn Shrum, Amer Maleh | Group Project with Sarah Kaplan | Fall 2010
Circulation Diagram
View 1
Column
View 2
Door 1
Door 2
View 1
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Philips 25W F32T8 Philips 26W/27/4PMR16 35W 12V Sylvania Tungsten Halogen
Sylvania Incandescent
+ Light Box creates a solid line on the floor, wall and ceiling, which acts as a directional component that points toward door 1
Light Box Components
Light Box Section
1'-10"
2'-8"2'-91
2"
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1"
1034"
1'-812"
CATHERINE CHIALUMINAIRE DESIGN
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1'-10"
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CATHERINE CHIALUMINAIRE DESIGN
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A. Light Box: Major design component
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Door 1
Door 2
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Floor Plan
Reveal texture
Original Inspiration 2-D representational drawings
Conceal texture
Objective: Explore light from a purely visual perspective, first through observation and then through communication and representation in both 2 and 3 dimensions.Exploration: Light can reveal or conceal the texture of a surface
+ The angle and intensity of light gives form to the edges of the texture, but the texture becomes concealed when light illuminates the surface uniformly+ Both light and shadow play an integral part in revealing or concealing the texture of a surface
Visual Effects of LightingCraig Bernecker, Glenn Shrum, Amer Maleh | Fall 2010
Fixture set-up
+ The angle of the fixture determines the degree at which the texture is revealed
Reveal
ConcealLight source
Textured surface
Black box
Light source
Mission: To foster the understanding of the design intersections between nature and technology and to support a heightened sense of responsibility for increasing the sustainability of built environmentsObjective: Propose a design for a self-sustaining playground that can generate its own power through human interventionPrograms Used: Photoshop and Rhino
+ Grant proposal: Michael Kalil Endowment for Smart Design+ Inspiration from PLANYC 2030, “dozen of high quality fields are rendered all but unusable after the sun sets.”
Evening Rendering
Research on Renewable Energy
Floor panel generates energy
The act of compression produces energy which is stored in a battery.
Jumping on the outer perimeter circles generates enough energy during the day to power the electric lights in the center
E-volve: Lighting Proposal for NYC Public ParksCollaboration with Paggy Chang, Lilian Lu, Genda Lin | Student Grant Proposal 2011
RCP
Scale: 3”=1’-0” Elevation Back
Objective: design an LED task lamp + competition entry at Light Fair, Las Vegas
Batman’s LightMichael Siminovitch | Fall 2010
Objective: design and built a model to better understand daylighting in an interior spaceClient: Spa treatment center
+ Used the heliodon to understand light distribution during different times of the year+ Experimented with various window types such as clerestory, light shelves, and sky lights + Tested two kinds of window treatments: diffused and clear + The diffused material obliterates the hot spot and discomfort seen in the image of the clear clerestory+ Experimented with daylighting during different times of day and orientation
Diffused Clerestory
Model Close-up
Daylight Study: Dream SpaKonstantinos Papamichael | Group Project with Jeanette Kim | Spring 2010
