Portafolio hugo valenzuela

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TEAM XX - HUGO VALENZUELA P. - PX - DOCUMENT

PORTFOLIOHUGO VALENZUELA

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Profile Hugo Valenzuela

Universidad de Chile Student

From Valparaíso, Chile

Interests: Architecture, Sociology, cinematog-raphy, philosophy, Environmental Activism.

B + V arquitectos

Ministerio de Planificación Social (MIDEPLAN), Santiago, Chile

ONG "Patagonia Sin Represas", Aysén, Chile

Fundación Pumalín, Puerto Varas, Chile

Fundación "Techo para Chile", Santiago Chile

ONG "Proyecto Minga", Valparaíso, Chile

ONG "Junto al Barrio", Valparaíso, Chile

Previous Employments

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PROYECTS

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The project is part of a master plan , which generates an edge of a public na-ture on extending between Bellavista and generally white cross, which comple-ments the residential activity . By a pe-destrian walkway that incorporates equip-ment to meet the needs of the residence.

University Extension module , Valparaiso, V Region , Chile .

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Social housing in Aysen , Chile

La vivienda nace de la relación de tres aspectos: la modulación, los usos libres y la sustentabilidad. Estos ámbitos son concentrados en una sola pieza central o “nú-cleo“ que se presenta como un elemento jerárquico dentro de la vivienda. Es en este elemento rotundo en donde se resuelven las estrategias energéticas, las instalaciones y las circulaciones.

Housing arises from the relation-ship of three aspects : modula-tion , free use and sustainability. These areas are concentrated in one central piece or "core" which is presented as a hierarchi-cal element within the housing. It is in this resounding element where energy strategies , facili-ties and circulations are solved.

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Collaboration in the proposal for the recon-struction of Valvapaíso, Chile .

Boza y Arquitectos Aso-ciados

On April 12, 2014 the worst fire broke out in the history of Valparaiso (Chile ) , destroy-ing more than 2,900 homes and leaving 12,500 homeless in the hills of the Chilean city . Once the fire under control, the tragedy led to the planning , negotiation and debate, making visible all architectural and ur-banistic problems of Valparaiso.

In this context, a housing solution for the affected families of the former camps Vergel Alto ( Cerro La Cruz) and Francisco Vergara (Cer-ro Mariposa) is proposed.

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Collaboration in the proposed social housing for the municipality of La Reina , Santiago, Chile

Gubbins Arquitectos

A group of 151 families in the commune of La Reina , in San-tiago de Chile , joined to pro-mote a housing project with the aim of obtaining housing in their neighborhood , because of their refugee status . After a series of failed and issues tenders for lack of resources, the project surfaced in 2014 , through the set called Habitacional Parque Las Perdices , developed by the association between Gubbins Architects, Antonio Polidura and Pablo Talhouk and the Munici-pality La Reina , who has man-aged all stages of the project.

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ATMOSPHERES REVERIES IMAGINERIES

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“Caminando bebido entre tantas concreciones divinas, comienzo a dar forma a la idea de una mitología en movimiento. La superación verdadera y creativa de la iluminación religiosa reside en la iluminación profana, una inspiración materialista y a la que el hachis , opio o lo que sea pueda ofrecer una lección introductoria”

“Walking among many divine concretions, half drunk, I begin to shape the idea of a mythology in motion. The real and creative overcoming of religious enlightenment lies in the profane illumination, a materialistic inspiration and to which hashish, opium or whatever, can offer an introductory lesson “

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“Las calles de la megalópolis ya no son lo mismo. El país progresa y con ello el sueño de una sociedad mejor florece. El sonido de las maquinas industriales se confunden con espadas desenfundadas para la lucha por el progreso so-cial. Todo hombre quiere ser libre, pero desde que vive en sociedad no ex-iste de facto la libertad, pues él ya no decide. Y quien se salga de ahí, sabrá lo que es la represión, pues hay instintos que es mejor que no afloren al exterior. Al calor de las revueltas se genera la verdadera Libertad”

The streets of the megalopolis are not the same. The country progresses and thus the dream of a better society flourishes. The sound of industrial machines unsheathed swords confused with the struggle for social prog-ress. Every man wants to be free, but since he lives in society does not ex-ist de facto freedom, as he no longer chooses. And who out there, you know what is repression, as there are instincts that it is better not to surface outside.In the heat of the riots true Freedom is generated

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ARCHITECTURAL REFERENTS

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Oscar Niemeyer, was a Brazilian architect who is considered to be one of the key figures in the de-velopment of modern architecture. Niemeyer was best known for his design of civic buildings for Bra-sília, a planned city that became Brazil's capital in 1960, as well as his collaboration with other architects on the United Nations Headquarters in New York City

Niterói Contemporary Art Museum

OSCAR NIEMEYER, BRASIL

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The São Paulo Museum of Art (MASP)

Lina Bo Bardi, née Achillina Bo (December 4, 1914 “ March 20, 1992) was an Italian-born Brazilian modernist architect. A prolific architect and de-signer, Lina Bo Bardi devoted her working life, most of it spent in Brazil, to promoting the social and cultural potential of architecture and design

LINA BO BARDI, ITALIA - BRASIL

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is an architect from Santiago, Chile. He is executive director of the firm Elemental S.A. He won the Pritzker Architecture Prize in 2016.He is also the director and curator of the Architecture Sec-tion of the Venice Biennale 2016.

Aravena designed the "Siamese Towers", school of architecture, and faculty buildings at the Uni-versidad Católica. He designed the Colegio Huelquen Montes-sori; the Casa para una Escul-tora (House for a Sculptor); Casa en el lago Pirehueico (House on Lake Pirehueico); Hunt, Le Mans and Johnson residential halls of St. Edward“s University in Aus-tin, Texas; art workshops on the Vitra campus at Weil am Rhein; Villa en Ordos Inner Mongolia (Villa in Ordos Inner Mongolia) and projects for the Elemental initiative. He also designed the Metropolitan Park of Santiago.

Torres Siamesas, Santiago, Chile

ALEJANDRO ARAVENA, CHILE

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bank london, Buenos Aires, Argentina

Testa was one of the leaders of the Argentine ra-tionalist movement and one of the pioneers of the brutalist movement in Argentina. His style as an architect has always been influenced by his artis-tic nature, with projects dominated by the effects of colour, tension, metaphors and plasticity; these aspects are well illustrated in his designs for the Biblioteca Nacional de la República Argentina and the Banco de Londres building in Buenos Aires.

CLORINDO TESTA, ITALIA - ARGENTINA

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Lipovetsky“s work focuses on the modern world from the latter 20th century to the present. His has divided this time period into three periods: “Marxist self criticism“ (1965-1983), post- modern (1983-1991) and the hyper modern period from 1991 on. This began with his 1983 book, which declared the world to be post-modern, characterized by extreme individualism and the dissolution of politics based on po-litical parties, turning its back on a strong sense of social duty on which democracy and socialism depend. However, by the end of the 2000s, he proposed that this term had be-come obsolete and unable to describe the world past 1991. He then proposed “hyper-modern,“ similar to post-modern but with a superlative and unstoppable meaning, focus-ing on new technologies, markets, and global culture.

JEAN BAUDRILLARD, FRANCIA (SOCIOLOGIST)was a French sociologist, philosopher, cultural theorist, politi-cal commentator, and photographer. His work is frequently as-sociated with postmodernism and specifically post-structuralism.His published work emerged as part of a generation of French thinkers including Gilles Deleuze, Jean-François Lyotard, Mi-chel Foucault, Jacques Derrida, and Jacques Lacan who all shared an interest in semiotics, and he is often seen as a part of the poststructuralist philosophical school.

GILLES LIPOVETSKY, FRANCIA (SOCIOLOGIST)

“CULTURA Y SIMULACRO” (1978)

“LA ERA DEL VACÍO” (1986)

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Portafolio hugo valenzuela