72
POP ART ANDY WARHOL AND FRIENDS

POP ART

  • Upload
    barto

  • View
    35

  • Download
    0

Embed Size (px)

DESCRIPTION

POP ART. ANDY WARHOL AND FRIENDS. Abstract Expressionism. Pollock’s Legacy – Pictures of Nothing: Abstract Art Since Pollock by Kirk Varnedoe - PowerPoint PPT Presentation

Citation preview

Page 1: POP ART

POP ART

ANDY WARHOL AND FRIENDS

Page 2: POP ART

ABSTRACT EXPRESSIONISM

Pollock’s Legacy – Pictures of Nothing: Abstract Art Since Pollock by Kirk Varnedoe• Critic Clement Greenberg said that Pollock advanced

the line of abstraction’s logical progress toward its supposedly destined goal of expressing the essential visual qualities of painting without any extraneous literary content.

• Introduction of painting as an art object

Page 3: POP ART

ABSTRACT EXPRESSIONISM

A painting movement in which artists typically applied paint rapidly, and with force to their huge canvases in an effort to show feelings and emotions, painting gesturally, non-geometrically, sometimes applying paint with large brushes, sometimes dripping or even throwing it onto canvas. Their work is characterized by a strong dependence on what appears to be accident and chance, but which is actually highly planned. Some Abstract Expressionist artists were concerned with adopting a peaceful and mystical approach to a purely abstract image. Usually there was no effort to represent subject matter. Not all work was abstract, nor was all work expressive, but it was generally believed that the spontaneity of the artists' approach to their work would draw from and release the creativity of their unconscious minds. The expressive method of painting was often considered as important as the painting itself.

Page 4: POP ART

ABSTRACT EXPRESSIONISM

Very male

• Hard drinking men looking to find a way to express themselves through paint in a feminine world

1940s - WWII

Popular 1950s – Post-WWII

1958

• Jasper Johns and Robert Rauschenberg have a show in NYC

Page 5: POP ART

TERMSAvant-garde

•the advance group in any field, esp. in the visual, literary, or musical arts, whose works are characterized chiefly by unorthodox and experimental methods.

Vernacular

•using plain, everyday, ordinary language

Page 6: POP ART

POP ARTAn art movement and style that had its origins in England in the 1950s and made its way to the United States during the 1960s. Pop artists have focused attention upon familiar images of the popular culture such as billboards, comic strips, magazine advertisements, and supermarket products.

Page 7: POP ART

POP ART

In Britain 1950s

• The Independent Group• Sir Eduardo Paolozzi• John McHale

• Focused on popular culture images

Page 8: POP ART

POP ART

In the US 1960s

• Jasper Johns and Robert Rauschenberg• NYC show

Page 9: POP ART

POP ARTISTSJasper Johns

Page 10: POP ART
Page 11: POP ART
Page 12: POP ART

Robert Rauschenberg

Page 13: POP ART
Page 14: POP ART
Page 15: POP ART
Page 16: POP ART

WHITE FLAG

Page 17: POP ART

WHITE FLAG

Jasper Johns White Flag - Pictures of Nothing: Abstract Art Since Pollock by Kirk Varnedoe

• Started countercurrent to abstraction• Advent of pop art• New imagery or return to real• Revival of Duchamp and Dada

Page 18: POP ART

Roy Lichtenstein

Page 19: POP ART

Lichtenstein actually painted the dot patterns and speech balloons from comic books and newspaper reproductions, in large, meticulously rendered frames. He also introduced much needed humor, making fun of himself and the art world.

Page 20: POP ART
Page 21: POP ART
Page 22: POP ART
Page 23: POP ART
Page 24: POP ART

OTHER KEY PLAYERSIvan Carp and Leo Castelli

Page 25: POP ART

Irving Blum

Page 26: POP ART

Henry Geldzahler

Page 27: POP ART

ANDY WARHOL

Page 28: POP ART
Page 29: POP ART
Page 30: POP ART
Page 31: POP ART

Andy Warhol reveled in the indirect process of printmaking that simulated mass production. He frequently used photographic silkscreen techniques to give a mechanical look, removed from the personal touch of artist’s own hand. His studio, “The Factory,” as he referred to it, often included numerous assistants. His works present a sort of portrait of America in the sixties- products, people and symbols in a cool and detached view. The question never answered by Warhol is whether he was criticizing or celebrating popular culture.

Page 32: POP ART
Page 33: POP ART
Page 34: POP ART
Page 35: POP ART
Page 36: POP ART

CHILDHOOD CHURCH

Page 37: POP ART
Page 38: POP ART

BYZANTINE CATHOLIC ICONS

Page 39: POP ART
Page 40: POP ART

BYZANTINE CATHOLIC ICONS

Page 41: POP ART
Page 42: POP ART

BYZANTINE CATHOLIC ICONS

Page 43: POP ART
Page 44: POP ART
Page 45: POP ART
Page 47: POP ART

SILKSCREENING PROCESShttp://warhol.org/interactive/silkscreen/main.html

Page 48: POP ART

WARHOL FILMS

"IN THE FUTURE EVERYONE WILL BE FAMOUS FOR FIFTEEN MINUTES."

Page 49: POP ART

ELVIS & LIZANDJFK ASSASSINATION

Page 50: POP ART
Page 51: POP ART
Page 52: POP ART
Page 53: POP ART
Page 54: POP ART
Page 55: POP ART
Page 56: POP ART

DRELLAAndy Warhol’s public persona

Page 57: POP ART

THE FACTORY

Page 58: POP ART

THE FACTORYFirst studio outside of his home

An old firehouse

Became home to The Warhol Superstars

Page 59: POP ART

THE FACTORY

Page 60: POP ART

THE FACTORY

Page 61: POP ART

THE FACTORY

Page 62: POP ART

THE FACTORY

Page 63: POP ART

SUPERSTARSBilly Name

Page 64: POP ART

SUPERSTARSBaby Jane Holzer

Page 65: POP ART

SUPERSTARSBrigid Berlin

Page 66: POP ART

Edie Sedgwick

Page 67: POP ART

THE VELVET UNDERGROUND

Page 68: POP ART

THE VELVET UNDERGROUND

Page 69: POP ART

THE VELVET UNDERGROUND

Page 70: POP ART

THE VELVET UNDERGROUNDLou Reed

Page 71: POP ART

THE VELVET UNDERGROUND

Page 72: POP ART