Playlist July 31st, 2016 - Breakfast with the Beatles · 2016. 8. 1. · 7 When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles

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Playlist July 31st, 2016

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9AM

The Beatles - All I’ve Got to Do – With The Beatles

(Lennon-McCartney) Lead vocal: John

Written entirely by John Lennon and introduced to the other Beatles at the session at which it was recorded, The Beatles never played the song again. Lennon has said this

soulful ballad was his attempt at making a Smokey Robinson song. Recorded on September 11, 1963 in 14 takes with an overdub (presumably George’s introductory

guitar chord) becoming “take 15” and the finished version. “All I’ve Got to Do” marked a rare instance in which John’s lead vocal was not double-tracked.

On U.S. album: Meet The Beatles! - Capitol LP

The Beatles - Money (That’s What I Want) – With The Beatles (Bradford-Gordy) Lead vocal: John

Originally recorded by Barrett Strong and released as a single on Motown’s Tamla and Anna labels in 1959 and 1960 respectively, peaking at #23 in 1960. It was a part of The

Beatles’ live repertoire from 1960 to 1964. On July 18, 1963, the group, with George Martin on piano, performed the song live in the studio -- vocals and all -- for six full

takes, the final take being deemed the best. Although The Beatles involvement with the

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recorded track lasted this one day, George Martin continued to add overdubs and tinker with his piano part until the song was completed to his satisfaction on September 30,

1963. On U.S. album:

The Beatles’ Second Album - Capitol LP

The Beatles - I Should Have Known Better - A Hard Day’s Night (Lennon-McCartney)

Lead vocal: John Following their triumphant visit to America The Beatles were thrust back to work. On February 25, 1964 they dove into new songs slated for their film. On this day they

recorded “You Can’t Do That” and began work on Paul’s “And I Love Her” and John’s “I Should Have Known Better.” In the film “I Should Have Known Better” was performed in

the train compartment scene, which in reality was the interior of a van with crew members rocking the van to fake the train in motion. Used as the flip side of the U.S. “A Hard Day’s Night” single. Paul’s “Things We Said Today” was the UK b-side. Recorded

Feb. 25-26, 1964. On U.S. album:

A Hard Day’s Night - United Artists LP Hey Jude - Apple LP (1970)

The Beatles - Ticket To Ride - Help!

(Lennon-McCartney)

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Lead vocals: John and Paul The Beatles’ ninth single release for EMI’s Parlophone label.

Issued nearly four months prior to the “Help!” album’s release on July 19, 1965 in the U.S. and four days later in the UK. Recorded on February 15, 1965 and featuring a

blistering lead guitar performance by Paul McCartney. John and Paul composed the song together based primarily on John’s idea. The song’s distinctive drum pattern was

conceived by Paul. The complex song arrangement was highly innovative for the time, and certainly unlike anything being played on top 40 radio. John Lennon in 1970: “

‘Ticket To Ride was slightly a new sound at the time. It was pretty heavy for then, if you go and look in the charts for what other music people were making. It's a heavy record and the drums are heavy too. That's why I like it.” McCartney said, “It was quite radical

at the time.” Capitol Records printed “From the United Artists release ‘Eight Arms To Hold You’ ” on both sides of the single.

On U.S. album: Help! - Capitol LP

The Beatles - What You’re Doing - Beatles For Sale

(Lennon-McCartney) Lead vocal: Paul

Recorded in seven takes on October 26, 1964. The most problematic song in the sessions for ”Beatles For Sale.” The Beatles tried different arrangements over three days

and finally hit upon one they liked on the last day of recording for the album. Written primarily by Paul between August 31 and September 1, 1964 in Atlantic City during days

off on the Beatles’ North American Tour. Paul provides the double-tracked lead vocal.

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On U.S. album: Beatles VI - Capitol LP

Flip coin - BREAK

The Beatles - Things We Said Today - A Hard Day’s Night


Written in May 1964 on board a yacht called Happy Days during Paul McCartney's holiday in the Virgin Islands with his girlfriend Jane Asher, plus Ringo Starr and his

future wife Maureen. Recorded in three takes on June 2, 1964. In his 1980 interview with Playboy magazine John Lennon remembered this being one of Paul’s better songs. McCartney double tracked his vocals. John Lennon's piano part was meant to be omitted

from the final mix, but lack of separation between instruments meant that its sound leaked into other microphones during recording. As a result it can be heard on the

released version. The b-side of the UK “A Hard Day’s Night” single. On U.S. album:

Something New - Capitol LP

George Harrison – If Not For You - All Things Must Pass

‘70 This track was retrieved from the session George did with Bob Dylan earlier in the year. Dylan was to release the track himself the following year on his New

Morning LP, but George’s take definitely has the edge over Dylan’s lackadaisical reading.

The Beatles - Don’t Let Me Down - Non-LP B-Side

(Lennon-McCartney) Lead vocal: John with Paul

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The Beatles’ nineteenth single release for EMI, and second on the Apple Records label.

The “Get Back” sessions, as the January 1969 recording sessions were now known, produced about 475 hours of film and 141 hours of audio tape that had to be sifted

through. But proper multi-track recordings weren’t made until the band was recording in the basement of the Beatles’ Apple headquarters between January 21-31, 1969.

Producer/Engineer Glyn Johns attempted to construct an album entitled “Get Back” from the tapes but his versions were rejected. The tapes would be left dormant in the vault

for a year, with the exception of a single (“Get Back”/“Don’t Let Me Down”). John Lennon’s “Don’t Let Me Down” was a love song for Yoko Ono and was the first song

given a full run-through by the group when sessions for the new album began at Twickenham Studios on January 2, 1969. But proper multi-track recording takes were not done until the band changed location to the basement recording studio at their

Apple headquarters. On U.S. album:

Hey Jude - Capitol LP (1970)

9.26 BREAK

OK…pay attention to the next 20 minute set as there will be a QUIZ for big prizes following

its completion.

The Beatles – Mean Mr. Mustard - Abbey Road

Recorded July 24th. Written in India as we heard on the White LP demos from Esher.

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When the band is playing it during the Let It Be sessions Pam was then a Shirley.

Lennon 1.00

The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969.

Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00

The Beatles – Polythene Pam - Abbey Road

Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in

polythene (but not jack boots or kilts). Written in India, demoed for the White LP.

Lennon 1.00

The Beatles – She Came In Through The Bathroom Window -

Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. John’s Wood. Paul wrote w/ Joe Cocker in mind…who later coved it as he did

with most Beatle songs. McCartney 1.00

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Paul McCartney – The Lovely Linda – McCartney ‘70 The recording Paul first used to test his new home recording set-up. It is the shortest song in McCartney's catalogue at 42 seconds long.

The Beatles - Why Don’t We Do It In The Road? - The Beatles


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Excepting a drum track played by Ringo Starr and added as an overdub a day later, “Why Don’t We Do It In The Road?” is a Paul McCartney solo performance, recorded in

five takes on October 9, 1968. Playing an acoustic guitar, Paul started off each track tapping out the beat on the sounding board of his guitar. By the fifth and final take,

Paul’s ditty had turned into a raunchy rocker, showcasing McCartney’s gritty, top-flight voice. The “Anthology 3” album features a more restrained performance of the song. On

October 10, while John and George were involved in Studio Two with George Martin’s string overdubs for “Piggies” and “Glass Onion,” Paul invited Ringo to join him in Studio Three and lay down a drum track. Other overdubs included handclaps, additional vocals, and Paul playing his Rickenbacker bass guitar and an electric guitar part on his Epiphone

Casino.

“Long Tall Sally” (Johnson-Penniman-Blackwell)

Lead vocal: Paul Paul McCartney recorded this Little Richard screecher in just one take on March 1, 1964.

Prior to being properly recorded, the Beatles performed the song for an American audience during the Beatles’ first concert appearance, in Washington D.C. on February

11, 1964. In a rare instance, two of the songs from the “Long Tall Sally” EP were issued first in America (“Long Tall Sally” on “The Beatles’ Second Album” and “I Call Your

Name” on “Something New”). The initial pressings of the “Long Tall Sally” EP credited only Enotris Johnson as the writer of “Long Tall Sally.” Johnson was a little girl that had written some original lyrics for a song she hoped Little Richard would record. She gave a

popular local radio disc jockey a note with the lyrics to give to Little Richard. The DJ gave the note to Little Richard’s producer and a hit was born. The “Penniman” that is

credited is Richard Penniman, aka Little Richard. Little Richard’s recording was released in March 1956 and hit #1 on the Billboard R&B sales chart, becoming the best-selling 45 of the history of Specialty Records. Originally recorded by Little Richard with the working

title “The Thing.” On U.S. album:

The Beatles’ Second Album - Capitol LP

U.K.: Non-album track (EP song)

The Beatles Ooh! My Soul Penniman "Pop Go The Beatles" - 27th August 1963 1:36

The Beatles

From Us To You

Lennon-McCartney

"From Us To You" signature tune, Broadcast :

Boxing day 1963 Easter Monday 1964 (30th March)

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Whitsun Bank Holiday 1964 (18th May)

August Bank Holiday 1964 (3rd August)

The Beatles - Wild Honey Pie - The Beatles


The second of two Paul McCartney solo performances recorded on August 20, 1968, for the “White Album,” the first being “Mother Nature’s Son.” George Harrison had taken a

week-long trip to Greece and on this particular day John and Ringo were in Abbey Road’s Studio Three recording a very short edit piece for “Yer Blues” (specifically, a

“two, three…” count-in shouted by Ringo) and supervising the mono mix of “Revolution 9.” This left Paul alone in Studio Two to record and, in the case of “Wild Honey Pie,”

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experiment a little. Paul plays bass, electric and acoustic guitars, harpsichord, and drums. He also provides three vocal tracks. Running just 52 seconds, it is the shortest

track on “The Beatles.”

George Harrison – It’s Johnny’s Birthday - All Things Must Pass ‘70

Recorded in commemoration of John Lennon’s 30th birthday on October 9th. It was a little too close to Cliff Richards, “Congratulations,” which was the UK

Eurovision Song Contest entry that year.

John Lennon – Hold On - Plastic Ono Band ‘70 This is an ode to self-help for himself, Yoko and the world in general. It is one of

the lighter tracks on the album.

The Beatles - Maggie Mae - Let It Be

(Trad. arr. Lennon-McCartney-Harrison-Starkey) Lead vocal: John

During the casual “Get Back” sessions in January 1969, the Beatles would veer unexpectedly into different songs while trying to find their groove. Usually the

impromptu jamming took them through old rock ‘n roll songs (“Shake Rattle and Roll,” “Blue Suede Shoes,” “Bye Bye Love,” and the like). In between takes of Paul’s “Two Of Us,” on January 24, 1969, the group performed a traditional Liverpool folk song about a

prostitute who robbed a sailor.

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The Beatles - I Me Mine - Let It Be (Harrison)

Lead vocal: George It should be noted that none of the Beatles’ rehearsals at Twickenham Studios in

January 1969 were recorded on multi-track. Those official recordings took place at Apple headquarters, either in the studio set up in the basement or on the rooftop during their

concert. In the “Let It Be” film George can be heard playing his song “I Me Mine” to Ringo while John and Yoko dance a waltz. He had composed the song the night before in five minutes flat. Unfortunately, George’s song was not one the group recorded when they went to Apple Studios to record the new album tracks. Because the song was being used in the film it needed to be recorded for the soundtrack album, prompting George, Paul and Ringo to return to Abbey Road Studios on January 3, 1970, to record the song. John was on vacation in Denmark. Had he been in London it is doubtful he would have attended the session because he had quit the band in September 1969. Sixteen basic

tracks were recorded with George playing acoustic guitar, Paul on bass guitar and Ringo on drums. Overdubs recorded that day were electric piano, electric guitar, new lead and backing vocals and a second acoustic guitar part. The original running time was 1:53. To

flesh out the song for the “Let It Be” album, producer Phil Spector cleverly edited the song to repeat a section and extend it by 51 seconds. At the 1:53 mark, just after the line “flowing more freely than wine,” the song jumps back to the :32 mark to the line “all through the day.” This leads back into the hard-rocking “I me me mine” segment

and continues past “flowing more freely than wine” until the song ends. He also added orchestration. The original shorter version of the song can be heard on the “Anthology

3” album.

The Beatles - I Will - The Beatles


One of Paul McCartney’s most cherished ballads, “I Will” was recorded in 67 takes on September 16, 1968, with Paul on acoustic guitar, Ringo playing maracas and cymbals, and John on temple blocks, tapping out a beat with wood on metal. George Harrison

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was not at this session. Not all 67 takes were complete run-throughs, and as Paul was still putting the finishing touches on the song, he would drift into other songs during the

numerous takes. Of particular note was take 19, which included a 2:21 untitled song with lyrics along the lines of “Can you take me back where I came from, can you take me back?” Twenty-eight seconds of this song were used as a link between “Cry Baby Cry” and “Good Night” on Side 4 of the “White Album.” The song fragment is unlisted and uncredited. It was determined that take 65 was the best version of “I Will,” and overdubbing began. Paul added additional vocals, hummed his bass guitar part and

played a 12-string guitar. Paul has said he had the tune before he traveled to India and there he recruited folk singer Donovan to help him with the lyrics, but was not satisfied

with what they came up with.

The Beatles - Matchbox (Perkins) – Long Tall Sally EP / Something New/ Past Masters * flip of Slow Down in US Capitol 5255 (US)

August 24, 1964 Recorded: 1st June 1964

"Matchbox" is sung by Ringo, and was recorded on 1st June. It's writer Carl Perkins was present at the sessions, although he did not participate. Carl had originally released "Matchbox" on the legendary Sun label on

11th February 1957, but failed to chart anywhere

QUIZ

All those songs we just played were under 2 mins. long. How many songs did we just play in that 20-‐

minute set? 800-‐955-‐KLOS Take calls LIVE

9.56 BREAK

In this hour Jackie DeShannon will give us Beatles News…and in the 11 o’clock hour Terry Sylvester former member of The Hollies, Swinging Blue Jeans ands The Escorts who opened for the Beatles…but

before all that… we’ve got this.

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The Beatles - It’s Only Love- Help!


Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being

written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called

“It’s Only Love” “the one song I really hate of mine.” On U.S. album:

Rubber Soul - Capitol LP

Paul & Linda McCartney - Another Day Also written around the “Let it Be” sessions, this was a similar narrative to

Eleanor Rigby, again dealing with a lonely woman. This was specifically referenced in John’s “How Do You Sleep” in the Imagine album.

The Beatles - Yes It Is - Single

(Lennon-McCartney) Lead vocals: John, Paul and George

Recorded over five hours on February 16, 1965, the rhythm track of “Yes It Is” was completed in 14 takes. John, Paul and George then spent three hours recording the

vocals live, the best version being laid on top of Take 14 as an overdub. Starting in 1965 this was the new way they would record. Previously, every edit piece or overdub would have been numbered. Now they just recorded until they got it right and placed that on

top of a numbered take, the ”best” rhythm track. Written primarily by John Lennon. John: “That's me trying a rewrite of ‘This Boy,’ but it didn't work.” “Yes It Is” is notable for its lush harmonies and George Harrison’s 12-string Rickenbacker played through a foot-controlled volume pedal, what is now known as a “wah-wah pedal.” The B-side of the “Ticket To Ride” single, issued April 9, 1965 in the UK and April 19, 1965 in the U.S. Capitol Records printed “From the United Artists release ‘Eight Arms To Hold You’ ” on both sides of the single. The wrong film title and this song was not included in the film.

On U.S. album:

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Beatles VI - Capitol LP

UK: Non-album single (B-side)

The Beatles - Do You Want To Know A Secret – Please Please Me

(McCartney-Lennon) Lead vocal: George

Recorded February 11, 1963. Written primarily by John Lennon for George Harrison to sing. The song was given to another Brian Epstein-managed act, Billy J. Kramer with the Dakotas, to cover. Their version topped the British charts in late spring 1963. Inspired by "I'm Wishing," a song from Walt Disney’s 1937 animated film “Snow White and the

Seven Dwarfs” that Lennon’s mother used to sing to him when he was a child. On U.S. albums:

Introducing… The Beatles - Vee-Jay LP The Early Beatles - Capitol LP

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HELP /

John Lennon – Jealous Guy – Imagine ‘71 Originally written as “Child of Nature,” which was taken from a lecture from

Marahashi Mahesh Yogi, which also inspired the Paul McCartney tune, “Mother Nature’s Son.” The musicians included are Klaus Voorman (bass), Nicky Hopkins (who played on “Revolution”) John Barham and Moody Blues keyboardist Mike

Pinder (to play Mellotron).

NEWS BREAK HERE

Sean Lennon – Wait For Me – Friendly Fire

10.26 BREAK

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Bumper/Paul Stanley/ The Beatles - Revolution - Non-LP Track


The Beatles’ eighteenth single release for EMI, their first on the Apple Records label.

John Lennon lobbied hard to get his magnificent rocker on the A-side of the band’s summer 1968 single, but by any standard, Paul’s “Hey Jude” was an unbeatable choice for the A-side. There are three versions of John’s “Revolution.” The first one recorded was the slower version which opens the fourth side of “The Beatles” and was released under the title “Revolution 1.” That track was the first song to be recorded for what

would be known as the “White Album.” Ultimately, the song ran over 10 minutes. Much of it was cut out and used to create the sound collage entitled “Revolution 9,” which

would also appear on side four of the new album. Shortly before his death in 1980, John explained the reason for the song’s remake into a fast rocker: Paul and George refused to allow the original slower recording to be released as the next Beatles single, fearing it was not upbeat enough. So Lennon decided they would record the song fast and loud. Recording began on the fast and loud single version of “Revolution” on July 10, 1968.

Additional overdubs were added on July 11 and 12, and the final mix was completed on July 15. The single was issued on August 30, 1968, in the UK, and on August 26 in the U.S. The “Hey Jude”/“Revolution” single would go on to sell nearly five million copies in

the U.S. and eight million copies worldwide. On U.S. album:

Hey Jude - Capitol LP

The Concert For Bangladesh took place 45 years

ago tomorrow in 1971.

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In 1985 George Harrison, Ringo Starr & Eric Clapton appeared doing a parody of Concert

Bangaledesh in a film? Name that film…(Water)

While yer trying to figure that out lets go back

to MSG NYC 45 years ago tomorrow!

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George Harrison – Here Comes The Sun - The Concert for Bangla Desh ‘71

George Harrison – Awaiting On You All - The Concert for Bangla Desh ‘71

George Harrison – While My Guitar Gently Weeps - The Concert for Bangla Desh ‘71

George Harrison – Beware Of Darkness - The Concert for Bangla Desh ‘71

George Harrison – Bangla Desh - The Concert for Bangla Desh ‘71

Winner Here…Back w/ Terry Slyvester

10.56 BREAK

Play a Beatles song out of Break …

The Hippy Hippy Shake Romero "Pop Go The Beatles" - 30th July 1963

/ Terry Sylvester

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Opened for the Beatles last show Cavern Club?

The Escorts – Dizzy Miss Lizzy `64

The Escorts – Come On Home `65 Fontana

Sing here __________

The Beatles - When I’m Sixty-Four - Sgt. Pepper’s Lonely Hearts

Club Band (Lennon-McCartney)

Lead vocal: Paul One of the oldest songs in the Beatles catalog, it was written by Paul McCartney when

he was 15 or 16 and the Beatles had performed a variation of it in their pre-fame Cavern Club days whenever the amplifiers broke down. It was the second song recorded for the “Sgt. Pepper” LP (following “Strawberry Fields Forever”), but when “Strawberry Fields Forever” was pulled for release as a single, Paul’s “When I’m Sixty-Four” became the

first song recorded for the album that ended up on the album. The initial rhythm track was finished in two takes on December 6, 1966, and consisted of Paul on guide vocal,

bass and piano, John on guitar, and Ringo on drums with brushes. On December 8, Paul recorded his lead vocal, on December 20, John, Paul and George recorded backing vocals and Ringo played bells. Although John helped with a few lyrics for the official

recording of Paul’s childhood song, he was later quoted as saying, “I would never even dream of writing a song like that.”

11.26 BREAK

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The Beatles - Love Me Do – Please Please Me

(McCartney-Lennon) Lead vocal: John and Paul

The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best

(June 6, 1962, EMI), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as

Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company.

Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood,

which took the two songs “Love Me Do” and “P.S. I Love You.” Decades later McCartney and Ono were able to purchase the songs for their respective companies, MPL

Communications and Lenono Music. Fun fact: John Lennon shoplifted the harmonica he played on the song from a shop in Holland.

On U.S. albums: Introducing… The Beatles (Version 1) - Vee-Jay LP

The Early Beatles - Capitol LP

The Beatles - This Boy – Meet The Beatles US EP Four By The Beatles /Past Masters I

flip of I Want To Hold You Hand in UK

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The Beatles - The Long And Winding Road - Let It Be (Lennon-McCartney)

Lead vocal: Paul Paul’s lush ballad is most famous for the Phil Spector augmentations thrust upon it.

McCartney was said to be angry about the heavy-handed inclusion of strings, brass and a choir to his otherwise sparse arrangement. Spector, famous for his “wall of sound”

production style, added 18 violins, four violas, four cellos, a harp, three trumpets, three trombones, two guitars, a choir of 14 female singers, and Ringo Starr re-recording a drum part. Paul’s classic ballad was recorded on January 26, 1969 with Paul on piano

and lead vocal, John on bass, George on guitar and Ringo on drums.

Documents

Playlist July 31st, 2016 - Breakfast with the Beatles · 2016. 8. 1. · 7 When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles