Plans and Volume , Elements of the Vissuble Structure 2

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    PLAN and VOLUME

    ELEMENTS of THE VISIBLE STRUCTURE

    THE INVISIBLE & VISIBLE STRUCTURE

    Men begin to create shelter by

    surrounding space with materials.

    Space itself is indefinable and

    intangible and has no limits.

    Yet when it is enclosed with stone

    and steel according to accepted

    rules of composition, the result is

    called architecture.

    In providing shelter it is to be observed

    that buildings have walls and roofs, doors

    and windows, and that these elements

    are assembled in simple or complex

    manner.

    Whatever the type or character of the

    building, parts of it are more evident to

    the observer than others - the exterior or

    more readily seen and understood than in

    the arrangement of the rooms, which iscalled the plan .

    Thus, there exist the invisible and the

    visible structure, or the plan pattern and

    the apparent volume.

    STRUCTURAL

    ELEMENTS

    WALLS

    COLUMNS

    BEAMS

    TRUSSES

    FRAMEWORK

    STRUCTURAL

    ELEMENTS FORMS

    SOLID

    SURFACE

    SKELETAL

    MEMBRANE

    HYBRID

    Structural Elements

    Walls

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    Shells

    Columns

    Beams

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    Evolution of lightweight structural

    elements

    Planar

    Trusses

    Prismatic (space framing)

    Frameworks

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    Bracing

    Membrane

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    Hybrid

    II. PROTECTIVE ELEMENTS

    ROOF- pyramidal, gambrel, conical,

    gable, hipped, combinations

    DOMES- high, low, pointed,

    hemispherical, flat/saucer- like, onion-

    shaped, melon shaped

    VAULTING- barrel, rib and panel, groined

    vault, stellar, fan or conoidal

    BALLUSTRADES

    Roof

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    CIRCULATORY ELEMENTS

    (movement of light and air)

    OPENINGS to

    permit passage from the

    exterior to the interior orfrom one room to another

    CORRIDORS

    to allow travel from one part

    of the building to another

    STAIRS, RAMPS,

    ELEVATORS, ESCALATORS

    make possible the

    communication between the

    various floors

    DECORATIVE ELEMENTS

    MOULDINGS classified according to

    their purpose

    Terminate the ones which

    crown a group of

    moldings or a

    cornice (direction is

    usually horizontal)

    Support moldings more

    sturdy in character

    (direction is vertical)

    Separate these concave,

    convex and flat

    surfaces which give

    interest to a

    composition by

    reasons of

    introducing a change

    in direction between

    2 or more important

    elements.

    Translate usually have an

    outward and

    downward direction

    to their contours. (ex.

    Base of column and

    wall)

    DECORATIVE ELEMENTS

    TWO FORMS OF

    DECORATIONS

    TWO-

    DIMENSI

    ONAL:

    PAINTING Painted

    Decoration

    Mosaic

    Frescoes

    MOSAIC- tiles, marbles

    INLAYS metals, woods, etc.

    - THREE-

    DIMENSI

    ONAL:

    ORNAMENT (carved orhammered) low or high relief

    SCULPTURE low-relief, in

    the round, free standing

    BASIC ELEMENT IN ORGANIZING

    DECORATIVE FORMS

    ORIGIN: Straight Line- fret,

    zig-zag, diaper, square,

    triangle, etc.

    COMPOSITION: Arrangement

    within a border, within an

    area, all over pattern

    TREATMENT: Variation of

    Size, Shape, Tone

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    Informal

    Formal-

    repetition, alternation,

    gradiation

    Radiation

    , balance, emphasis,

    etc.

    CHARACTERISTICS OF LINES:

    STRAIGHT LINE sturdy, masculine, it

    belongs to architecture, it has its moods:

    VERTICAL expresses the spirit of the

    Gothic, it is proud and exalted, it is

    inspiration

    HORIZONTAL represents the horizon of

    the seascape, it is calm and peaceful, it is

    repose

    DIAGONAL symbolizes the flight of

    geese; it is vigorous or even angry, it is

    action

    CURVED LINE more subtle than the

    straight line. It is more graceful andsensitive. It is feminine and represents

    architecture which caters to the

    emotional rather than the physical.

    Concept Sourcebook

    Microsoft Encarta Premium Suite

    2003

    Pickering, Edward, Architectural

    Design

    Tony Hunts Structure Notebook

    From the power point presentation of

    Ar. Willa Solomon