Piezas Seleccionadas Por Grado de Dificultad

8/9/2019 Piezas Seleccionadas Por Grado de Dificultad

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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s1 Agay Mysterious Procession Left Hand Melody

Sight ReadingHand IndependenceExpressive Playing

This is for the total eginner! and can e taught on the very first lesson" RH play asteady even ostinato using only the note E! #hile the left hand plays the $elody #hichconsists only of A%& in different orders and si$ple rhyth$s" Excellent for sight'reading! for hand independence! fo r expressive playing and for ringing up a $elodyon the left hand" It can also e used as a seed for free i$provisation"

1 Alt Hot (oon in the Meado# Introduction to ho# chords develop e$o tSioi$n ilar in difficulty to the a ove! this set of pieces uses $odern har$onies to tellstories! so it is a very good introduction to ho# and #hy chords and intervals can elicitdifferent e$otions )for instance! *The spider+ uses tritons to uild up suspense! and*%ees and ,lies+ uses chro$atic intervals to e$ulate u--ing."

1 Alt The /cean Pattern Introduction A collection of 10 piec es for the co$plete eginner! $ost you can teach at the firstlesson" The interesting thing here is that they use the #hole ey oard and introducepatterns that fre2uently appear in the $ore advanced pieces! so they are excellentpreparatory pieces" Again very good recital $aterial for eginners"

1 %ach &horale Lord! do #ith $e as you #ill! %34 5161 %ach! 7"&" Air in ,! %34 Anh" 181! fro$ 9The Anna Magdalena %ach %oo of 1:;591 %ach! 7"&" Aria in A $inor 1 %art< &hildren at Play1 %art< =uasi Adagio no 8 fro$ 9,or &hildren9 vol 11 %art< T#o Little >ialogues1 %art< T#o Short Pieces and T#o Little >ances

1 %eethoven Ecossaise in E $a?or 3o/ @ These are one'page very easy pieces )grade 1. that %eethoven $ost li ely #rote aspedagogical $aterial for is pupils"

1 %eethoven Ecossaise in B $a?or 3o/ ;81 %urg$Cller Study in A$! /p" 100D0;1 &le$enti Arietta in &! /p 6;! Lesson 51 &le$enti Sonatina! /p 8 D8! n Poco Adagio1 Burlitt Allegretto gra-ioso in &! /p 11:D1 Burlitt Andantino in ,! /p 1@:D6@1 Burlitt Melodic Study1 Burlitt Moderato1 Burlitt Sonatina in &1 Burlitt 3alt- in ,! /p 1:FD;11 Handel Menuet in ,1 Handel Passepied in &! H34 55F1 Hen el Piano Piece for the Goung! no 181 Hovhaness S etch oo of Mr" Purple Poverty op" 80F Sleeping &at is a hauntingly eautiful piece extre$ely easy #ith great scope for

$usicality"1 Hovhaness Sleeping &at! fro$ 9S etch oo of Mr Purple91 a alevs y Ba$e1 a alevs y The$e and 4ariation 1 ,ro$ 5 Happy 4ariations on a Russian ,ol song! /p 51D11 hachaturian Scher-ino1 L Mo-art Menuet in &1 Le &ouppey Melody in &! no 16 fro$ 9A%& du Piano91 Le &ouppey Melody in &! no ;1 fro$ 9A%& du Piano91 Le &ouppey Study in &! /p" 1:D011 Mo-art Allegretto fro$ 9The London S etch oo 9! 4 15pp1 Mo-art Allegro in % flat! 81 Mo-art Menuett in ,! ;1 Mo-art Menuetto I! fro$ Sonata in &!1 Purcell Air in > $inor! J T :1 Purcell Riggadoon1 Ra$eau Minuet in &


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s1 Scarlatti Minuetto in & ,ro$ Sonata in & $inor! :8 L;1:1 Schu$ann Melody! /p @ (o" 011 Tchai ovs y Italian Song! /p 8F (o" 15 ,ro$ 9Al u$ for the Goung91 Tchai ovs y Russian Song ,ro$ 9Al u$ for the Goung91 Tchai ovs y The >oll9s ,uneral ,ro$ 9Al u$ for the Goung91 Tele$ann Bavotte in &1 Tele$ann Menuetto in B; Agay ,our popular diversions ,or$ K Rhyth$

%lues ScalesSyncopation

More difficult than the one a ove! they are also $ore $odern in idio$" Each can eused oth as repertory and as teaching $aterial" *Little prelude in 3alt- ti$e+ can eused to teach oth a out for$ and rhyth$! *%aro2ue ounce+ li e#ise can e used todiscuss #hat is *%aro2ue+! *Echoes of the lues+ introduces the lues scales! and

*Ragti$e doll+ is excellent for syncopation"

; Agay Petit Trianon suite These are ten easy pieces! each one covering a dance style on the 1@th century" Thisis excellent for rhyth$ develop$ent and to introduce the student to old dancepatterns )#hich eep recurring on the piano repertory." Excellent recital $aterial forthe eginners"

; Alderighi Signi Lieti 10 very easy! short pieces" The har$onies are traditional! the #riting is highlypianistic and they $a e up excellent recital $aterial"

; Alexandro# Pieces for &hildren The #hole collection consists of @ sets of short pieces for co$plete eginners" If youare fa$iliar #ith a alevs y s pieces for children! this is si$ilar"

; Alt 3here the pal$ tree gro#s Introduction to conte$porary $usic More difficult than the previous t#o! this is thoroughly conte$porary $usic ' and let

us face it! conte$porary $usic is not the $ost appealing to eginners ut this is agood introduction since it is not too radically conte$porary"

; Att#ood Sonatina (o" 1 in B $a?or Scale frag$ents Al erti patterns%ro en arpeggios4ery good for finger articulationDindependence"

This has to e the first sonatina to e learned" Bro#n ups $ay not find it so useful!ut for the elo# 10 is a great repertory" The second $ove$ent is the easiest! utalso dull" The first and third $ove$ents are excellent"

; %ach %ourr e fro$ /verture in ,; %ach March in E ! %34 Anh" II 1;: )anon". Intro to ;'voice inventions Another excellent preparation for ;'voice inventions"; %ach Minuet in A$! %34 Anh" II 1;0 )anon". Hand independence Another excellent ; voice canonic #or that #ill develop hand independe nce and yet

is easy enough for a eginner"; %ach Minuet in &$! %34 Anh" II 1;1 )Anon". Hauntingly eautiful slo# $inuet"; %ach Minuet in >$! %34 Anh" II 18; )anon". Hand independence Another very eautiful reflective $inuet! #hich #ill develop hand independence"

,ro$ A Little (ote oo for Anna Magdalena %ach

; %ach Minuet in B! )B" %oh$. Intro to counterpoint Another good intr oduction to counterpoint that is si$ple en ough for any eginner"

; %ach Minuet in B! %34 Anh" 116 )&" Pet-ol d/. rna$entation This $inuet is $eant to e played #ith the Minuet in B$ in A%A for$ )$inuet in B $inuet in B$ $inuet in B."

; %ach Minuet in B! %34 Anh" II 11 )anon". Intro to ;'voice inventions Excellent piece to introduce canon )round. #riting" It is a perfect introduction to ;voice inventions #hich are far too difficult for a eginner"

; %ach Minuet in B$! %34 Anh" 115 )&" Pet- o/ldr.na$entation %eautiful lyrical $inuet! reflective and slo#" This $inuet is $eant to e played #iththe previous one in A%A for$ )$inuet in B $inuet in B$ $inuet in B." ,oreginners o$it the orna$entation" ,or $ore advanced players there is a lot of scopefor learning the art of orna$entation #ith these t#o pieces"

; %ach Musette in >! %34 Anh" II 1; )anon". S ips,ast runs

Excellent piece for the virtuoso to e )very easy ut i$pressive.! #ith daring s ips onthe LH and fast runs on the RH" A favorite #ith ids"


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s; %ach /verture in ,! %34 @;0 5th $vt! %ourr e; %ach Polonaise in B $inor! %34 Anh 11F; %ach Prelude in &! %34 @6 DI /ne of the fe# pieces in the note oo that is actually y %ach! this prelude is the first

prelude in the 3T& oo I"; %ach Prelude in &! %34 F;6 A eautiful prelude ased on ro en triads! this is very easy ) ut not as effective. if

you o$it the several orna$ents" These can added later on #hen the student hasprogressed enough"

; %ach Prelude in &! %34 F8F Arpeggios An excellent study in arpeggios for oth RH and LH and a great introduction to2uestion and ans#er #riting" /nly 1 ars long

; %ach Prelude in B$! %34 FFF %ro en Triads ,or the udding virtuoso" 4ery effective at a fast speed! ut e2ually eautiful at a$uch slo#er te$po" The repetitive figuration in ro en triads $a e it an excellentexercise as #ell"

; %ach! &"P"E" March in >! H" 1"1 plifting and full of ?oy"; %ach! 7"&" Aria in , /nly 1 ars long! this eautiful aria can e easily learned y a eginner and then e

used at a later stage to teach i$provised orna$entation"

; %art< Ro$anian &hrist$as &arol (o 6 fro$ 9Ro$anian &hrist$as &arols9! Series 1; %each &hildren &arnival op" ;5 3alt-

ArpeggioE2uali-ing Hand Tone

Pierrot K Pierrette )fro$ op" ;5. is a #onderful #alt- #ith a eautiful $elody andunusual har$ony! very easy and yet it sounds very *professional+"My favourite though is *Secrets+ )also fro$ op" ;5. #here arpeggio figurations aredivided et#een the hands so that they are )al$ost. never together" Excellentexercise in e2uali-ing the hands tone! and an ex2uisite piece of $usic"

; %each &hildren s Al u$ op" 8 They are pro a ly $ore suited to the later eginner ) $onths one year of lessons.

; %eethoven Sonatina in B Anh 5D1! ;nd $vt! Ro$an-e; %loch Enfantines %loch co$posed a set of ten very interesting pieces called Enfantines! for his

daughters" They are not for eginners though! except the first one! #hich $ay etac led y a late eginner ) $onths 1 year of lessons.N

; %loch Lulla y Legato playing&anta ile

I$pressionistic #riting! this is a very expressive piece that allo#s for the introductionof several conceptsN Modes )the piece is #ritten in the Aeolian $ode.! legato playing)the piece re2uires that one finger e held #hile the other fingers of the sa$e handplay the $elody a ove it.! canta ile"

; %o#les ,ol preludes Paul ,rederic %o#lesN These are really for inter$ediate students! ut I could notresist including it" These are excellent arrange$ents of classical A$erican fo l tunes"

Truly enchanting pieces"

; %urg$Cller >ouce Plainte )Sighing.! /p" 100D1; %urg$Cller Study in B $inor! /p" 100D1; &ouperin La %our onnaise; &-erny Study in % $inor! /p 18FDF@; &-erny Study in B! /p 18FD;5; >ia elli Andantino! /p 1;5D11; Burlitt A song #ithout #ords! op" 11: no" 86 %ro en &hords A study in ro en chords very effective in perfor$ance"; Burlitt In the garden! op" 160 no" 6 LH $elody voicing The $elody is in the LH #hile the RH acco$panies #ith syncopated chords" Excellent

for teaching ho# to voice et#een the hands"

; Burlitt Lulla y Prep for 6'5 finger $elody %eautiful piece #ith the acco$pani$ent e2ually divided et#een oth hands and the$elody played #ith fingers 6'5 of the RH" Excellent preparation for si$ilar figuration

in the $ore advanced repertory )e"g" Mendelssohn s Song #ithout #ords op" 1F no"1." Although easy! it is for the late eginner"


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s; Burlitt Morning prayer! /p" 101 no" ; %eautiful chorale in three voices! #ill prepare for four voice chorales" 4ery easy" ,ro$

here! go to the one elo#"; Burlitt Serenade in % flat (o 1@ fro$ 9Al u$ for the Goung9! /p 160; Burlitt Sonatina in B 1st and 8rd $vts; Burlitt Sunday! /p" 101 no" 1@ ,our'part Har$ony

%ring out upper voice,our part chorale" Excellent to learn four part har$ony and ring up the top voice ineach chord"

; Burlitt The ,air! op" 101 no" @ >evelop inflection of short $elodic $otif s4ery light! #ith a fast RH going through a circular se$i2uaver pattern" 4ery good todevelop the inflection of short $elodic $otifs" ,or the udding virtuoso"

; Burlitt The Hurdy Burdy Man! /p;10D1F

; Burlitt ndis$ayed! /p 1F:D:; Burlitt 4alse (o le op" 101 no" 16 &ontrast gra-ioso #D scher-o A very n ice #alt- #ith ?ust 1 ars )t#o @' ar phrases." Bood for learning ho# to

contrast the gra-ioso section #ith the scher-o section"

; Burlitt 3ild Mignonette; Handel &hanson 9Sans y penser9; Handel ,uga in B! %1:5D81; a alevs y A Little Song! fr o$ /p ;:; a alevs y Balop! /p 8FD1@; a alevs y (ights on the River ,ro$ 9&hildren9s Pieces9! /p ;:D6; a alevs y 3alt- in > $inor! /p 8FD18; uhlau Sonatina in ,! /p 55D06 Andantino con espressione; L Mo-art Allegro in B ,ro$ 9(annerl (ote oo; Le &ouppey Study in A $inor! /p ;1; Le &ouppey Study in % flat! /p ;6D@

; Le &ouppey Study in &! /p" ;6D0; Le &ouppey Study in &! /p" ;6D10; Mac>o#ell To a 3ild Rose Expressive Playing Lovely piece very easy technically! ut de$anding the greatest expressivity in

playing" Pro a ly etter suited to older students" Bood for a#a ening the s ills forexpression in one s playing"

; Mo-art Andante in E ! 15$$ ,ro$ 9The London (ote oo 9; Mo-art Minuet and Trio 5@5; Mo-art Minuet in % flat! 15pp; /esten Mayflo#ers op" 1 &hords ;5 easy pieces very ro$antic! $ost less than a page long" I li e no" 10 *Spanish

dance+! $elody on the RH! LH rhyth$ic repeated chords" As you no# eginnershave difficulty #ith chords! so this is a good one"

; Purcell Hornpipe in E $inor ; Purcell Minuet

; Purcell Minuet in B; Purcell Rigadoon in > $inor J >;;:; Schu ert LOndler in E ! > :FD;; Schu$ann >oll9s &radle Song! /p @D; Schu$ann StCc chen! /p @ (o" 05; Schu$ann The Poor /rphan! /p @ (o"0; Stravins y Les &in2 >oights; Tchai ovs y Al u$ for the Goung /p" 8F (ot all pieces are for eginners" The easier are no" 1 *Morning prayer+ a four voice

chorale! no": *The sic doll+ #hich is very easy! ut the $elody is on the second eatof the ar! so it re2uires attention to voicing! no" @ *The doll s urial+ very slo# andheavyQ no" ;1 *>aydrea$+! very good to learn ho# to do off eat chord acco$pani$entand no" ;6 *In &hurch+! again a 6D5 voice chorale! ut easier ecause of repeatedchords" Excellent to learn syncopated pedaling"

; Tchai ovs y Ma-ur a! /p" 8F (o" 10 ,ro$ 9Al u$ for the Goung9; Tchai ovs y S#eet >rea$s; Tele$ann ,antasia (o 10 in > 8rd >o-en! ;nd $vt! >olce


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s8 %ach ,rench Suite (o" ' Menuet8 %ach ,rench Suite! (o in E Minuet8 %ach Little Prelude! %34 FFF8 %ach Prelude in & $inor! %34 FFF8 %ach Prelude! no 10 Eighteen Little Preludes98 %ach! &"P"E" Allegro in & $inor 8 %ach! &"P"E" Allegro in B! H8;@ 3 11 D568 %ach! &"P"E" MenuetN La Pott! 3 11:D1@ (o ; fro$ 9&PE %ach! ;8 Pi ces &haracteristi2ues98 %ach! &"P"E" Sonata in & Allegretto8 %ach! &"P"E" Sonata in , Allegretto

8 %art< &horalN (o ;@ fro$ 9,or &hildren9 vol 18 %art< eringo8 %art< LentoN (o 11! fro$ 9,or &hildren!9 vol 18 %art< Peasant9s ,luteN (o ; fro$ 9,or &hildren9 vol ;8 %art< Round >anceN (o 1:! fro$ 9,or &hildren!9 vol 18 %urg$Cller Bracefulness8 %urg$Cller Innocence! /p" 100D058 %urg$Cller Study in & $inor! /p" 100D158 &le$enti Brand 3alt-8 &ouperin Rondo8 &-erny Study in A flat! /p 18FD518 &-erny Study in B! /p ; 1D1:8 >ac2uin Le &oucou8 >ia elli Sonatina in ,! /p 1 @D1 ! ;nd $vt! Andante8 Burlitt I$pro$ptu! /p ;;6D5

8 Burlitt Little ,lo#er 8 Burlitt Sonatina in , Allegro Scher-ando8 Burlitt The >eserted &hild! /p :6D8 Handel Air in % flat! H34 6:18 Handel Air! %1:5D6;8 Handel Bavotte in B! H34 6F18 Handel Minuet in ,8 Handel Sonatina in % flat8 Haydn Arietta c on 4aria-ione8 Heller Prelude! /p 11FD1:8 Heller Study in >! /p 1;5D:8 Hu$$el Allegro in , (o 5 fro$ 9 lavierschule98 Hu$$el Menuetto! /p 6;D88 a alevs y &lo#ning! /p ;:D108 a alevs y &lo#ns! /p 8FD;0

8 a alevs y Soldiers9 March8 uhlau Sonatina! /p 55D018 L Mo-art Menuet in A8 Mo-art Andantino in E flat ;88 Pro ofiev Music for &hildren /p" 5 (o" 06 Tarantella ,ast and rhyth$ical #ith a $elodic $iddle section" Sounds $uch $ore

difficult than it actually is"8 Purcell Hornpipe in % flat8 Scarlatti Sonata 08; InterpretationDExpression )> $inor Aria. Lyrical sonata $uch easier than it sounds" Slo# and $elancholic"

Although ?ust one page long it re2uires so$e $usical $aturity to e truly effective"This is an ideal piece to open a recital! since it is slo# and introspective it #ill cal$you do#n" This is a real ge$" /nly ;6 ars long! technically unchallenging )grade 8.!and yet one of the $ost eautiful sonatas" Slo# paced and exuding tran2uillity! thisreflective piece is the est of the four"

8 Scarlatti Sonata 060 A nice $inuet o nly a page long );6 ars. a$ongst the easiest of Scarlatti pieces


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s8 Scarlatti Sonata 681 A delightful * aro2ue prelude+ style piece #ith a fast right hand in arpeggio triplet

figurations #hile the left hand provides a $elody in $ini$s and crochets" Althoughthis should e played fast! it is still effective if use a slo#er te$po" 7ust 1 ars"

8 Schu$ann The 3ild Horse$an! )3ilder Reiter.! /p @ (o"0@8 Tchai ovs y March of the 3ooden Soldiers! /p 8F (o" 05 ,ro$ 9Al u$ for the Goung98 Tchai ovs y /ld ,rench Song ,ro$ 9Al u$ for the Goung98 Tchai ovs y Pol a! /p 8F (o 16 ,ro$ 9Al u$ for the Goung98 Tchai ovs y The 3itch8 Tele$ann Allegro in E $inor (o 6 fro$ 9,ugues leg res et petits ?eux9! T34 80N;5

8 Tele$ann ,antasia (o 0F in E $inor ;nd >o-en! T34 88N;1! 8rd $vt! Tr s vite6 Att#ood Sonatina (o" ; in & ;nd $vt! Minuetto and 8 variations6 %ach English Suite (o" 1 ' %ouree ;6 %ach English Suite (o" ; ' %ouree 16 %ach English Suite (o" ; ' %ouree ;6 %ach English Suite (o" 6 ' Menuet 16 %ach English Suite (o" 6 ' Menuet ;6 %ach English Suite (o" 5 ' Passepied ;6 %ach ,rench Suite (o" 1 ' Menuet ;6 %ach ,rench Suite (o" ; ' Menuet6 %ach ,rench Suite (o" 8 ' Menuet6 %ach ,rench Suite (o" ' Polonaise6 %ach March in E flat! %34 Anh 1;: The Anna Magdalena %ach %oo of 1:;5.6 %ach Minuet no 1 in % $inor 6 %ach Prelude in , (o @ of 9T#elve Little Preludes9

6 %ach! &"P"E" ,antasia in > $inor ,ro$ 9 ur-e und leichte &lavierstCc e9! 32 118D86 %ach! 7"&"," Musical Leisure Hours! no ; ' Menuet and Trio in ,6 %art< ,or &hildren! vol 1 no 8; ' 7eering Song6 %art< ,or &hildren! vol ; no 1@ ' Teasing Song6 %eethoven %agatelle in ,! /p 88D86 %eethoven %agatelle! /p 88D06 %eethoven ,ur Elise6 %eethoven Merry and Sad! %agatelle in A $inor! /p 11FD0F6 %eethoven Sonatina in ,6 %enda Sonata in A$ 8rd $vt! Presto6 %enda Sonatina in ,6 %enda Sonatina (o" 8 in A$ Arpeggios

Hand crossingExhilarating and athletic piece #ith fast arpeggios divided et#een the hands andhand crossings on the second part" This is a one'$ove$ent sonatina )only 6F arslong. that sounds $uch $ore difficult than it actually is"

6 %erens Study in ,! /p 1D66 %erens Study in ,! /p @@D1@6 %urg$Cller %arcarolle! /p" 100D;;6 &hopin &anta ile in % $a?or 6 &hopin ,euille d al u$6 &hopin Ma-ur a in & $a?or! op" : no" 56 &hopin Ma-ur a in , $a?or! op" posth" @ no" 86 &hopin Ma-ur a in , $inor! op" posth" @ no" 66 &hopin Preludes /p" ;@" no" 066 &hopin Preludes /p" ;@" no" 0:6 &hopin Preludes /p" ;@" no" ;06 &hopin 3alt- no" 1: in A $inor 6 &hopin 3alt- no" 1@ in E $a?or 6 &le$enti Sonatina in B! /p 8 D; 1st $vt! Allegretto6 &le$enti Sonatina in B! /p 8 D6 ;nd $vt! Andante con espressione6 & ou per in All e$a nd e6 &ouperin Le Moucheron6 ,ranc L9/rganiste9 vol 1 no ;8 ' =uasi Lento


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s6 Branados %ocetos (o 6 ' The Evening %ell6 Branados >edicat ion *>edication+ is ?ust one page long and very eautiful"6 Brieg Arietta6 Brieg Lyric Pieces /p" 1;D1 )Arietta.6 Brieg Lyric Pieces /p" 1;D; )3alt-.6 Brieg Lyric Pieces /p" 1;D8 )3atch$an9s song.6 Brieg Lyric Pieces /p" 1;D5 ),ol song.6 Brieg Lyric Pieces /p" 1;D: )Al u$ leaf.6 Brieg Lyric Pieces /p" 1;D@ )(ational song.

6 Brieg Lyric Pieces /p" 8@D; ),ol song.6 Brieg Lyric Pieces /p" 8@D: )3alt-.6 Brieg Lyric Pieces /p" 68D; )Solitary traveller.6 Brieg Lyric Pieces /p" 68D8 )In $y native country.6 Brieg Lyric Pieces /p" 6:D8 )$elody.6 Brieg Lyric Pieces /p" 6:D: )Elegy.6 Brieg Lyric Pieces /p" 56D )%ell ringing.6 Brieg Lyric Pieces /p" 5D5 )%allad.6 Brieg Lyric Pieces /p" @D; )Brand$other9s $enuet.6 Brieg Lyric Pieces /p" :1D )gone.6 Brieg Lyric Pieces /p" :1D: )re$e$ rance.6 Brieg Lyric Pieces! /p 1;D6 Elves9 >ance6 Burlitt leine %lu$en! /p ;05D08 Allegretto6 Handel &ourante in ,! % 0D;66 Handel &ourante in ,! H34 6@@

6 Handel Bigue! fro$ Suite in B $inor! % 0D1F6 Handel Sonata in &! % 0D;F 8rd $vt6 Handel Sonatina in % flat! H34 5@5 %aro2ue ey oard Pieces! oo ;! pu " Assoc" %oard.6 Haydn Sonata 4ID05 in A $a?or Allegro ):. Menuet and trio );D8. ,inaleN Presto ) .6 Haydn Sonata 4ID0 in B $a?or Allegro ):. Menuet and Trio ) . Adagio )5. ,inale ) .6 Heller A Strange Story6 Heller Melody in B6 Heller Prelude! /p 11FD6 Heller Study in A flat! /p 6:D;86 Heller Study in % $inor! /p 6:D1;6 Heller Study in >! /p 6 D@6 Heller Study in >! /p 6:D1;6 Heller Study in E! /p 1;5D1@6 Hu$$el Allegretto in ,6 Hu$$el Bigue

6 a alevs y 80 Pieces for &hildren! /p 80D ' Sad Story6 a alevs y Rondo in >! /p 0D;6 Mendelssohn &hrist$as Piece! /p :;D;6 Mo-art Minuetto ,ro$ >iverti$ento II6 P" >" =" %ach Prelude and fugue no" 1 in & fro$ the *Short'te$pered clavier+" A hilarious fugue #ith chopstic s on the RH and

very fast scales over t#o octaves on the LH" An excellent encore"

6 Pro ofiev Music for &hildren /p" 5 (o" 0; Pro$enade 7oyful and ouncy6 Purcell Air! J 616 Purcell Moffat T#o %ourr es6 Scarlatti Sonata 086 A slo# thoughtful piece! only ;@ ars long6 Scarlatti

Sonata 606)A $a?or. %eautiful lyrical sonata and technically unde$anding"

6 Schu ert Ecossaise in %$6 Schu ert Scher-o in % ! > 5F8D16 Schu$ann A out Strange Lands and People


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s6 Schu$ann Al u$ for the young op" @ There are over 60 exceptional pieces in this set! ut only the first ten or so are really

for eginners" *The cycle is a totally shattering profile of spiritual develop$ent!eginning #ith the innocently na ve and childish nos" 1 5! #here no shado#s areyet to e found" 3ith no" co$es the first s$all cloud )The poor orphan.UVW #ith nos1; and 18 the cycle leaves ehind UVW the child s #orld" UVW in the second section!the tone changes! #ith a contrast et#een the friendly A $a?or of nos" ;0! ;;! ;6! and;@ and the intervening pieces li e the sad no" 1F! the $agnificently inspired nos" ;1and ; the sinister no" ;8 the excited no" ;5" UVW Uthe lastW ten nu$ ers are #onderfulexa$ples of the uni2uely introverted #orlds of late Schu$ann"X

6 Schu$ann Reaper9s Song! /p @ (o" 1@6 Schu$ann Sonata in B! /p 11@ (o" 01 Allegro! ;nd $vt6 Shosta ovich &loc #or >oll6 Tchai ovs y >aydrea$! /p" 8F (o" ;1 ,ro$ 9Al u$ for the Goung96 Tchai ovs y The Toy Soldiers9 March6 Tele$ann ,antaisie (o 1; in % flat ;nd $vt6 Tele$ann Partita in B ,ro$ 9>er getreu Musi $eister9! Aria5 Al an L9Ho$$e aux Sa ots /p" 8 (o";85 Arne Sonata in > $inor Andante5 Arne Sonata in B $inor 1st $vt5 Arne Sonata (o" 5 Bavotte in % flat5 %ach English Suite (o" 1 ' %ouree 15 %ach English Suite (o" 1 ' >ou le ;

5 %ach English Suite (o" ; ' &ourante5 %ach English Suite (o" 8 ' &ourante5 %ach English Suite (o" 8 ' Bavotte ;5 %ach English Suite (o" 5 ' Passepied 15 %ach English Suite (o" 5 ' Sara ande5 %ach English Suite (o" ' &ourante5 %ach English Suite (o" ' >ou le5 %ach ,rench Suite (o" 1 ' Menuet 15 %ach ,rench Suite (o" ; ' Air 5 %ach ,rench Suite (o" ; ' &ourante5 %ach ,rench Suite (o" 8 ' Sara ande5 %ach ,rench Suite (o" 8 ' Trio5 %ach ,rench Suite (o" 6 ' Air 5 %ach ,rench Suite (o" 5 ' %ouree 15 %ach ,rench Suite (o" 5 ' Bavotte

5 %ach ,rench Suite (o" ' %ouree5 %ach ,rench Suite (o" ' Bavotte5 %ach Invention 015 %ach Invention 0;5 %ach Invention 065 %ach Invention 0@5 %ach Invention 105 %ach Invention 185 %ach Invention 165 %ach! &"P"E" Presto in & $inor! 3 116D85 %ach! &"P"E" Solo per il &e$ alo! 3" 5D: ,ro$ Anna Magdalena5 %ach! 7"&"," Musical Leisure Hours ' Allegretto in ,5 %ach! 7"&"," Sonata in B /p" 05 (o" 08 The$e and 4ariations5 %ar er Three S etches )no" 1 ' Love Song is a eautiful song #ithout #ords. and his very lyrical and nostalgic

(octurne #hich is #ritten #ith $odern har$onies ut follo#ing 7ohn ,ield9s $odel"

5 %art< Mi ro os$os! 4ol 6 (o" 10; ' Har$onics5 %art< Ten Easy Piano Pieces ' Evening in the &ountry


9/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s5 %art< Ten Easy Piano Pieces ' Hungarian ,ol song5 %eethoven %agatelle in >! /p 11FD085 %eethoven %agatelle in B$! /p 11FD015 %eethoven Six Ecossaises in E $a?or 3o/ @8 These are actually to e played as a single piece" This is a t#o page affair )8 pages

depending on the edition.! and $ore advanced than the other t#o )around grade 6D5."It sounds far $ore difficult"

5 %eethoven Sonatina in & ;nd $ove$ent5 %enda Sonatina in B$5 %rah$s 3alt- in > $inor! /p"8F (o"F5 %ritten 3alt- in > $inor! /p"8 (o"1

5 %urg$Cller L9Hirondelle! /p" 100D;65 %urg$Cller /rage! /p"10FD185 &le$enti Sonata in >! /p ;5D ;nd $ove$ent! n poco andante5 &le$enti Sonata in >! /p ; D8 Andante5 &le$enti Sonata in ,! /p 6D 1st $vt5 &le$enti Sonatina in &! /p 8 D8 Spiritoso5 &ouperin Alle$ande in > $inor 5 &ouperin Bigue in B $inor! 9La Milordine95 >e%ussy La ,ille aux &heveux de Lin5 >ia elli Sonatina in % flat! /p 1 @D6 1st $vt5 >vorY Brandpa >ances #ith Brand$aN no ; fro$ 9; Little Pearls95 ,ield (octurne in % flat! no 55 ,ranc Little Piece )Poco Allegro. in &Z $inor! fro$ 9L9/rganiste95 Branados &uentos de la 7uventud9! /p 1 no F ' The /rphan Birl5 Brieg ,ol Song! /p 1;D5

5 Brieg Brand$other9s Minuet! /p @D;5 Brieg Poetic Tone Picture! /p 8D55 Brieg Rigaudon! (o 5 of the 9Hol erg Suite95 Burlitt Serenade in A /p 1:; (o 55 Handel Minuet and 4ariations! fro$ Suite no 105 Handel Minuet in B $inor! fro$ Suite no 1 in % flat5 Handel Partita in B H34 650 5th Movt Bigue5 Handel Suite in % flat! % 0D15 &orrant5 Handel Suite in B % 0D1 ;nd Movt Allegro5 Handel Suite in B $inor! H34 65; 1st $vt! Alle$ande5 Handel Suite (o 10 Minuet and 4ariations5 Handel Suite no 18 &ourante5 Handel Suite no :! H34 68; Passacaglia5 Haydn Sonata 4ID01 in & $a?or Allegro )5. Adagio )6. Menuet and Trio );D8.5 Haydn Sonata 4ID08 in & $a?or Allegretto )5. Andante )5. ,inaleN Presto )6.

5 Haydn Sonata 4ID06 in > $a?or Moderato )5. Menuet and Trio )6.5 Haydn Sonata 4ID0: in & $a?or Allegro $oderato )6. Menuet and trio )6. ,inaleN Allegro )5.5 Haydn Sonata 4ID0@ in B $a?or nexpected s ips )8rd Mv$t.

,orear$ rotation )6th $v$t.%ass Melody )6th $v$t.Hand S#aps )6th $v$t.

Allegro )5. Menuet );D8. Andan te );D8.' A #onderful slo# and lyrical $ove$ent" /$itthe orna$ents for the early eginners" 4ery easy! ut due to the unexpected s ips itteaches one to thin ahead" ,inalleN Allegro );D8 or less. This is a fast exhilarating$ove$ent! very short! very repetitive in its ro en chord figurations" Excellent forforear$ rotation and ringing the ass $elody over the $ist of sound created y thevery fast RH" Hands s#ap figurations occasionally! so oth hands get a #or out" Ifyou hear this piece! you #ill not elieve ho# easy it is )around grade 1D;."

5 Haydn Sonata 4ID0F in , $a?or Speed )8rd $v$t. Accuracy )8rd $v$dt.

Allegro )5. Menuet and Trio )6. Scher-o );. ,or the udding virtuoso" %eginners caneasily $aster this $ove$ent at slo# speed" More advanced eginners can start#or ing on speed" Lots of learningDpracticing tric s can e learned as one studies thispiece" )Ho# to #or for speed! ho# to get accuracy! etc".


10/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s5 Haydn Sonata 4ID10 in & $a?or Moderato )5. Menuet and Trio )6. ,inaleN Presto )5.5 Haydn Sonata 4ID11 in B $a?or Presto )5. Andante )6. Menuet and trio )5.5 Haydn Sonata 4ID18 in E $a?or Moderato )5. Menuet and trio )6. ,inaleN Presto )5.5 Haydn Sonata 4ID>1 in > $a?or Moderato )5. Menuet )8 or less. ,inaleN Allegro )5.5 Haydn Sonata 4IDB1 in B $a?or Allegro )5. Menueto );D8. ,inaleN Presto )5.5 Heller Bipsy >ance! /p 18 D1F5 Heller Prelude in &Z $inor! /p @1D105 Heller Prelude in ,! /p 11FD15 Heller Reverie in A flat! /p 1;;DF ' 3alt-5 Heller Sleepless (ights /p @: (o 85 Heller Study in % flat! /p 65D15 Heller Study in & /p 6 (o 15 Heller Study in ,! /p 65D1F5 Heller 3alt- in A $inor! /p 165D85 Heller 3alt- in A $inor! /p F:D5 a alevs y (ovelette! /p ;:D;55 a alevs y Scher-o in % $inor /p ;: (o 165 a alevs y Song of the &avalry! /p ;:D;F5 uhlau Sonatina in &! /p 55D08 ;nd $vt! Allegro gra-ioso5 uhlau Sonatina in ,! /p @@D06 Allegra Molto! Andante con $oto5 L Mo-art Allegro Moderato in , ,ro$ 9(annerl (ote oo5 Lis-t &onsolations! S" 1:; no" 15 Lis-t Etude /p" 1 (o" 65 Lis-t ,ive Hungarian ,ol Songs S" ;655 Lis-t ,ive piano pieces S" 1F;5 Lis-t (uages gris S" 1FF5 Lis-t Sancta >orothea S" 1@:5 Lis-t The &hrist$as Tree S" 1@5 Lis-t The Shephards at the Manger s" 1@5 Lis-t 3iegenlied 1:65 Mac>o#ell Hunting Song! no 1 of 9T#elve Studies95 Mac>o#ell Ro$an-e /p 8F (o 85 Mendelssohn Songs 3ithout 3ords /p" 10; no"5 Mendelssohn Songs 3ithout 3ords /p" 80 no" 85 Mo-art Adagio in &! 855 Mo-art Sonata & $a?or! 5655 Mo-art Sonata in & $a?or! 5655 Mo-art 4ariations on Ah vous dirai ?e $a$an 4ariations ;! 6! and 1; are excellent for the LH"5 Pro ofiev Atrappe 2ui peut! /p 5DF fro$ 9Musi2ues d9Enfants95 Pro ofiev Brand$other Tales /p" 81 (o" ; Andantino5 Pro ofiev Brand$other Tales /p" 81 (o" 8 Andante Assai5 Pro ofiev Music for &hildren /p" 5 (o" 08 Historiette5 Pro ofiev Music for &hildren /p" 5 (o" 0 3alt- ' A nice little #alt- #ith unexpected turns of the har$ony" 3onderfully tonal

and yet very $odern"5 Pro ofiev Music for &hildren /p" 5 (o" 1; The $oon strolls in the Meado#s This is $y top favourite A eautiful! $elodic

piece of great delicacy #ith the $elody played alternatively in the right and left hand"

5 Pro ofiev 4isions ,ugitives /p" ;; (o" 01 Lenta$ente ' Slo# and $elancholic5 Scarlatti &apriccio in B! p 85 Scarlatti

Sonata 0;5

),Z $inor Allegro. A not too fast! eautiful t#o voice invention that $oves in arelentless #ay #ith one of the $ost eautiful $otifs of all sonatas" &rossing hands"%ro en chords figuration in oth hands" Har$onically adventurous and $ood setting"

A $asterpiece"

5 Scarlatti Sonata 0 8 )B $a?or Allegro. Also no#n as &apriccio! this is cele ratory! ?oyful and uplifting

$usic that is $uch easier to play than it sounds" An all ti$e favourite" 3ide s ips!echo effects! ut fits the hand surprisingly #ell"


11/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s5 Scarlatti Sonata 0 : ),Z $inor Allegro. Toccatta li e! this is a fast! da--ling sonata ideal for an encore"

/ne of $y favourites"5 Scarlatti Sonata 0:0 )% $a?or ' Allegro . A t#o voice invention )#ith a third voice intruding on the last t#o

ars of the first part.! this is excellent for finger and hand independence"

5 Scarlatti Sonata 11; )% $a?or ' Allegro. A eautiful! lyrical sonata" &rossing hands"

5 Scarlatti Sonata 1:5 )A $inor Allegro. A vigorous i$pulsive sonata #ith $ost of the finger #or on theright hand" The left hand )#hich de$ands a hand span covering at least an octave.plays sonorous chords and tone clusters #ith up to ten notes[ i$itating thestru$$ing of a guitar" This Sonata #as co$posed in 1:5;" Here Scarlatti succeedsin $a ing conventional har$onies #ith slight changes sound 2uite extraordinary forthe period" The Sonata has real Spanish character #ith vitality and ravura"Musically! the guitar'li e sounds of the left hand chords are particularly fascinating"

5 Scarlatti

Sonata ;08

)E $inor 8D@. %eautiful sonata #ith $ost of the figurations on one hand at a ti$e" An insistent and catchy $otif eeps ringing the sonata together" nusualsyncopations" Re2uires a si-ea le hand span and accurate s ips in so$e of thefigurations"

5 Scarlatti Sonata ;0@ )A $a?or Andante e canta ile. Lyrical sonata! #ith a hauntingly eautiful $elodyand co$pelling har$onic progressions" Tran2uil and lu$inous! this is a $asterpiece"

5 Scarlatti Sonata ;18 )> $inor ' Andante . Another of $y favourites a$ongst the lyrical sonatas" A slo#!full'of'longing $elody increases gradually in intensity up to an unusual har$oniccli$ax" Breat to play and to listen to"

5 Scarlatti Sonata 86; )A $a?or Allegro. >a--ling and fast! this * aro2ue prelude+ style sonata has $ostof its i$pressive finger #or in the right hand" Excellent for finger control and co'ordination! it is actually $uch easier than it sounds" Breat fun to play"

5 Scarlatti Sonata 8:8 )B $inor Presto a fugato. 3onderful sonata #ith scales )so$e chro$atic.alternating hands over the #hole extent of the ey oard"

5 Scarlatti Sonata 8@1 )E $a?or Allegro. This eautiful t#o'voice invention is excellent for finger andhand co'ordination and independence" A $ost eautiful $elody on the second part"

5 Scarlatti Sonata 60; )E $inor Andante. /ne of $y favourites slo# sonatas" Har$onically advanced andela orate at seven pages is one of the longest sonatas ' this is a $asterful sonata#ith a super central $elody" Reflective and spiritual"

5 Scarlatti Sonata 605 )A $a?or Allegro. %ased on a Spanish %uleria )a ind of Tarantella." Technicallyunde$anding"

5 Scarlatti Sonata 656 )B $a?or Andante spirituoso. After a cal$ opening and nice little fol 'li e tune thissonata goes onto a reathless se2uence of scurrying scales and ro en chords overthe entire length of the ey oard on oth hands" nexpected changes" Bood &-ernyreplace$ent and #ar$'up piece"

5 Scarlatti

Sonata 6 1

)& $a?or Allegro. A eautiful sonata full of guitar sounds and Spanish nostalgia" Afast introduction is follo#ed y a $ost evocative second part"

5 Scarlatti

Sonata 566

)% $a?or &anta ile. A eautiful aria! this lyrical sonata is a real ge$" 3ith

occasional 6'voice couterpoint it has dignified! overlapping phrases"


12/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s5 Scarlatti Sonata 56: )B $a?or Allegro. Lively and i$posing sonata #ith a eautiful recurring $otif" T#o

voice invention )#ith an occasional third voice. e2ually shared et#een hands"Effective at a slo#er te$po" Breat #ar$ up"

5 Schu$ann A Strange Story5 Schu$ann A endlied! /p 11@! no ;D85 Schu$ann BlCc es genug! /p 15 (o" 055 Schu$ann ind i$ Einschlu$$ern! fro$ 9 inderscenen9! /p 155 Schu$ann Lento! fro$ 9Al u$ for the Goung9 /p @D5 Schu$ann ReiterstCc ! fro$ 9Al u$ for the Goung9 /p @ (o" ;85 Schu$ann Slu$ er Song! /p 1;6 (o" 1

5 Scria in Prelude /p" 11 no" 155 Shosta ovich Bavotte (o ; fro$ 9>ance of the >olls95 Si elius The Harpist! /p 86 (o" 0@5 S$etana Pisen /p" ; (o" ;5 Tchai ovs y &hanson Triste! /p" 60 (o" 0;5 Tchai ovs y &hant de l9Alouette! /p" 8F (o" ;; ,ro$ 9Al u$ for the Goung95 Tele$ann ,antaisie (o 0 in % flat! ;nd >o-en! T34 88N1@ 1st $vt! Tendre$ent5 Tele$ann ,antaisie (o 10 in A $inor! 1st >o-en! T34 88N10 1st $vt! Allegro5 Tele$ann ,antasia (o 0 in & $inor 1st Movt Bratioso

Arne Sonata (o" ; in E $inor Andante Arne Sonata (o" : in A 1st $vt! Presto

%ach English Suite (o" 1 ' &ourante 1 %ach English Suite (o" 1 ' &ourante ; %ach English Suite (o" 1 ' >ou le 1 %ach English Suite (o" 1 ' Bigue

%ach English Suite (o" 1 ' Sara ande %ach English Suite (o" ; ' Bigue %ach English Suite (o" ; ' Sara ande %ach English Suite (o" 8 ' Alle$ande %ach English Suite (o" 8 ' Bavotte 1 %ach English Suite (o" 6 ' &ourante %ach English Suite (o" 6 ' Sara ande %ach English Suite (o" 5 ' &ourante %ach English Suite (o" ' Bavotte 1 %ach English Suite (o" ' Bavotte ; %ach English Suite (o" ' Sara ande %ach ,rench Suite (o" 1 ' &ourante %ach ,rench Suite (o" 1 ' Sara ande %ach ,rench Suite (o" ; ' Sara ande %ach ,rench Suite (o" 8 ' &ourante

%ach ,rench Suite (o" 8 ' Bavotte %ach ,rench Suite (o" 6 ' Sara ande %ach ,rench Suite (o" 5 ' %ouree ; %ach ,rench Suite (o" 5 ' &ourante %ach ,rench Suite (o" ' Alle$ande %ach ,rench Suite (o" ' Sara ande %ach Invention 08 %ach Invention 05 %ach Invention 0 %ach Invention 0: %ach Invention 0F %ach Polonaise (o 6 in > $inor

%ach Sinfonia 01 %ach Sinfonia 08 %ach Sinfonia 0 %ach Sinfonia 10 %ach Sinfonia 11 %ach Sinfonia 1;


13/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s %ach Sinfonia 18 %ach Biga fro$ Partita no" 1

%ach! &"P"E" Solfeggietto %art< >ance #ith Stic sN no 1 fro$ \ Ro$anian ,ol >ances %art< (o 8F fro$ \,or &hildren ! 4ol 1 %art< RevelryN no ;; fro$ \,or &hildren ! 4ol ; %art< 4illage 7o eN no 180 fro$ \Mi ro os$os vol 5 %eethoven %agatelle in A! /p 88 (o" 6 %eethoven %agatelle in &! /p 11FD0; %eethoven %agatelle in E ! /p 88D1 %eethoven Six 4ariations on \(el cor pi] non $i sento 3o/ :0

%eethoven Sonata 01" /p" 6F no" ; )Easy. Ho#ever I find this sonata a it dull )%eethoven thought so too %eethoven Sonata 0;" /p" 6F no" 1 /p" 6FD1 eing far $ore $usical )the rondo is a real ge$." It is a it $ore difficultthough" %oth of these ho#ever are not 2uite full'fledged sonatas )they #ere $ostli ely co$posed as exercises for his students."

%eethoven Sonata 06" /p" 16 no" ; %eethoven Sonata 05" /p" 16 no" 1 %eethoven Sonata 0 " /p" ; no" 1 %eethoven Sonata 8" /p" :F )Alla Tedesca. 3hy not stretch a it and try /p" :F! #hich is a real sonata! and 2uite eautiful )the

second $ove$ent is #onderful." It is considered to e around grade :! ut if you can$anage grade 5 pieces! you can $anage grade :"

%rah$s 3alt- in &Z $inor! /p 8FD: %rah$s 3alt- in E! /p 8FD; %rah$s 3alt-! /p 8FD8

%ritten Holiday >iary %ritten (otturno %eautiful and haunting %ritten Three &haracter Pieces Range fro$ the fast and fun Michael to the eautiful >aphne &ha rier %our e ,antas2ue &hopin &ontradanse &hopin Largo in E $a?or &hopin Ma-ur a in A $inor! op" : no" ; &hopin Ma-ur a in A $inor! op" posth" : no" 6 &hopin Ma-ur a in A $inor! op" posth" @ no" ; &hopin Ma-ur a in A $a?or! op" ;6 no" 8 &hopin Ma-ur a in % $inor! op" 80 no" ; &hopin Ma-ur a in % $a?or no" 51 &hopin Ma-ur a in % $a?or! op" : no" 1 &hopin Ma-ur a in & $a?or! op" ;6 no" ; &hopin Ma-ur a in & $a?or! op" 88 no" 8

&hopin Ma-ur a in & $a?or! op" posth" : no" 8 &hopin Ma-ur a in & $inor! op" 80 no" 1 &hopin Ma-ur a in E $inor! op" 1: no" ; &hopin Ma-ur a in , $inor! op" 8 no" ; &hopin Ma-ur a in B $a?or no" 50 &hopin Ma-ur a in B $inor! op" ;6 no" 1 &hopin Ma-ur a in B $inor! op" posth" : no" ; &hopin Ma-ur a in BZ $inor! op" 88 no" 1 &hopin (octurne in & $inor! no" ;1 &hopin Polonaise in % $a?or no" 1; &hopin Polonaise in B $inor no" 11 &hopin Polonaise no" 11 in B$ &hopin Polonaise no" 1; in % &hopin Preludes /p" ;@" no" 0 &hopin Preludes /p" ;@" no" 0F

&hopin 3alt- (o" 08 )A$! /p" 86 no" ;. &hopin 3alt- (o" 10 )%$! /p" Posth" F no" ;. &hopin 3alt- (o" 1; ),$! /p" Posth" :0 no" ;.


14/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s &hopin 3alt- (o" 16 )A . &hopin 3alt- (o" 15 )E. &hopin Polonaise /p" 60 no" 1 in A &le$enti Sonata in ,Z $inor! /p ;5D5 ;nd $vt! Lento e patetico &le$enti Sonatina in >! /p 8 D 1st $vt &ouperin L Atalante! fro$ \Pi ces de &lave^in ! %oo ; /rdre 1; &ouperin La Lutine! fro$ \Pi ces de &lave^in ! %oo 1 /rdre 8 &ouperin Le %avolet ,lottant &ouperin Les Petits Moulins _ 4ent

>e ussy > un cahier d es2uisses >e ussy I$ages I ; ' Ho$$age a Ra$eau

>e ussy I$ages II 8 ' Et la lune descend sur le te$ple 2ui fut >e ussy Pour le piano ; ' Sara ande >e ussy Reverie >e ussy Ara es2ue 1 >e ussy >r" Bradus ad Parnassu$ >oni-etti La ricordan-a >vorY Silhouette! /p @D11

,aur (octurnes op" 88 no" 1 ,aur (octurnes op" 88 no" ; ,aur (octurnes op" 88 no" 8 ,aur (octurnes op" 8 ,aur (octurnes op" 8: ,aur Ro$ances sans paroles /p" 1: not exactly nocturnes! ut very eautiful and lyric ,ield (octurne no 18 in > $inor! H 5F

Brieg Lyric Pieces /p" 1;D6 ),airy dance.

Brieg Lyric Pieces /p" 1;D )nor#egian dance. Brieg Lyric Pieces /p" 8@D8 )Melody. Brieg Lyric Pieces /p" 8@D6 )Halling. Brieg Lyric Pieces /p" 8@D )Elegy. Brieg Lyric Pieces /p" 6:D1 )4alse'I$pro$ptu. Brieg Lyric Pieces /p" 6:D6 )Halling. Brieg Lyric Pieces /p" 6:D5 )Melancholy. Brieg Lyric Pieces /p" 5:D8 )Illusion. Brieg Lyric Pieces /p" 5:D6 )Secret. Brieg Lyric Pieces /p" ;D; )Bratitude. Brieg Lyric Pieces /p" ;D8 ),rench Serenade. Brieg Lyric Pieces /p" ;D5 )Phanto$. Brieg Lyric Pieces /p" 5D; )Peasant9s song. Brieg Lyric Pieces /p" @D8 )At your feet. Brieg Lyric Pieces /p" @D6 )Evening in the $ountain.

Brieg Lyric Pieces /p" @D5 )At the cradle. Brieg Lyric Pieces /p" :1D8 )Puc . Brieg Lyric Pieces /p" :1D6 )Peace of the 3oods." Brieg Poetic Tone Picture! /p 8D1 Brieg Poetic Tone Picture! /p 8D Brieg 4`glein )Little %ird. /p 68D6

Brieg Hol erg suite Handel Suite in > $inor! % 0D1@ Alle$ande Handel Suite in B $inor! H34 658 ;nd $vt! Entr e Handel Suite in B! H34 661 &ourante

Handel Suite no 5 in E $a?or Haydn Adagio in ,! Ho 4IIDF Haydn >iverti$ento in E ;nd $vt

Haydn Sonata 4ID0; in % $a?or Moderato ) . Largo ) . Menuet and trio )5. Haydn Sonata 4ID05 in > $a?or Moderato )inco$plete. Menuet and trio ) .

Haydn Sonata 4ID1; in A $a?or Andante ) . Menuet and Trio )5. ,inaleN Allegro $olto )5. Haydn Sonata 4ID;: no" 6; in B $a?or Allegro con %rio ) . Menuet )5. ,inaleN Presto )5. Haydn Sonata 4ID6: is in E $inor Adagio ) . Allegro ) . ,inaleN Te$po di Minuetto ) .


15/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s Heller Etude in >! /p 6 D@

Heller Melodius Etudes I9ll ?ust list $y favourites ) ut they are all pretty good.""""op 6: 8! 10! 15! ;1! ;8N op 66! :! 11" There are plenty of goodies fro$ op 1;5 and 65

Heller Study in % $inor! /p 6 D11 Heller Study in & $inor! /p 6 D; uhlau Sonatina in B! /p @@D0;

Lis-t A schied S" ;51 Lis-t &onsolations! S" 1:; no" ;

Lis-t &onsolations! S" 1:; no" 8 Lis-t &onsolations! S" 1:; no" 6 Lis-t (o 1 of \,our Short Piano Pieces ! S 1F;

Mendelssohn Songs 3ithout 3ords /p" 10; no" ; Mendelssohn Songs 3ithout 3ords /p" 10; no" 6 Mendelssohn Songs 3ithout 3ords /p" 10; no" 5 Mendelssohn Songs 3ithout 3ords /p" 1F no" ; Mendelssohn Songs 3ithout 3ords /p" 1F no" 6 Mendelssohn Songs 3ithout 3ords /p" 1F no" Mendelssohn Songs 3ithout 3ords /p" 80 no" Mendelssohn Songs 3ithout 3ords /p" 8@ no" 6 Mendelssohn Songs 3ithout 3ords /p" 58 no" ; Mendelssohn Songs 3ithout 3ords /p" 58 no" 6 Mendelssohn Songs 3ithout 3ords /p" 58 no" 5 Mendelssohn Songs 3ithout 3ords /p" ; no" 1

Mendelssohn Songs 3ithout 3ords /p" ; no" ; Mendelssohn Songs 3ithout 3ords /p" ; no" 8 Mendelssohn Songs 3ithout 3ords /p" ; no" 6 Mendelssohn Songs 3ithout 3ords /p" : no" 8 Mendelssohn Songs 3ithout 3ords /p" : no" 5 Mendelssohn Songs 3ithout 3ords /p" @5 no" 1 Mendelssohn Songs 3ithout 3ords /p" @5 no" ; Mendelssohn Songs 3ithout 3ords /p" @5 no" 5 Mendelssohn 4ivace in ,! /p :;D

Mendelssohn &appriccio in A $inor! op" 88 no" 1 Mo-art Alla Turca fro$ Sonata "881 Mo-art Allegro in B $inor! 81;

Mo-art ,antasia in & $inor 6:5 argua ly the dar est and $oodiest of all Mo-art s co$positions"

Mo-art ,antasy in > $inor "8F:

Mo-art Sonata in % $a?or! 5:0 Mo-art Sonata in E $a?or! ;@; Mo-art Sonata in , $a?or! ;@0

Padere#s y Minuet op" 16 no" 1 Poulenc Mouve$ents Perpetuels no 1 Pro ofiev &ort ge de Sauterelles! /p 5D:

Pro ofiev Brand$other Tales /p" 81 (o" 1 Moderato Lots of crossing hands" Main difficulty is pedal use"

Pro ofiev Brand$other Tales /p" 81 (o" 6 Sostenuto the $ost difficult of the lot" The $elody is in the left hand #hile the righthand plays a repeated ) ut co$plex. dotted rhyth$ pattern"

Pro ofiev Music for &hildren /p" 5 (o" 0F Playing tag a fast $oto perpetuo re2uiring good finger agility"

Purcell T#o %ourr es )pu " Augener. Satie By$nopedies

Scarlatti Pastorale! p 66 ! L 688


16/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s Scarlatti Sonata 001 )> $inor ' Allegro. This is actually a t#o voice invention" ,ast and delicate #ith lots of

thirds and scale runs on the right hand! ut no difficulty at all in the left hand" >ifficultto play at full speed ut easy if played slo#ly )and still effective. Recorded y IvoPogorelich for >B" );N80."

Scarlatti Sonata 018 )B $a?or Presto. ,ast and rilliant #ith a catchy! rhyth$ical the$e on repeatednotes" /ne of $y favourites"

Scarlatti Sonata 0;0 )E $a?or Presto. 4irtuosistic sonata that is the sort of *expected+ ScarlattiN guitari$itation! Spanish rhyth$s! fast scales in thirds! repeated notes and lots oforna$ents" Breat sho# off piece" If you #ant to develop a certain ind of techni2ue!urn the &-erny and play this sonata instead"

Scarlatti Sonata 056 )A $inor Allegro. After a typical plaintive start in A $inor! it suddenly displays a$ost ro$antic the$e" 4ery unusual sonata" The $ain difficulty is to e found in theseveral ars #here the hands cross" There are so$e thirds and sixths ut they areeasily negotia le"

Scarlatti Sonata 0 6 )> $inor Allegro. A deter$ined and energetic gavotte! one of Scarlatti s $ostplayed and #ell no#n pieces"

Scarlatti Sonata 0FF )& $inor ' . A eautiful ! tran2uil and lyrical sonata that gro#s in e$otional intensityas it develops"

Scarlatti Sonata 10F )A $inor Adagio. %eautiful lyrical #riting in three and four part couterpoint"Excellent as a study in voicing" Recital $aterial for the inter$ediate player"

Scarlatti Sonata 11F )> $a?or Allegro. Another sonata ideally suited to replace so$e of the co$$ontechnical studies" ,ast repeated notes! ro en chords! arpeggios! leaps! crossing

hands! scale runs" This unusual! percussive #atch out for the castanet sounds[ 'sonata has a very catchy! dancing $otif" /ne of $y favourites"

Scarlatti Sonata 1;5 )B $a?or 4ivo. This non'stop sonata #ill not allo# you to catch your reath[ Breatfun to play and an excellent virtuosistic pie ce to end a recital on a high note" If youare loo ing for a &-erny alternative loo no furtherN it is a study for the left hand plusrepeated notes! ro en thirds! sixths and octaves" Also good practice for 2uicad?ust$ents"

Scarlatti Sonata 18; )& $a?or &anta ile .A slo# )#ell! sort of. A lyrical sonata #ith eautiful lushhar$onies! haunting dissonances and arpeggios that are suddenly interrupted y aheart #renching delicate $elody ased on repeated notes" /ne of $y all ti$efavourites"

Scarlatti Sonata 16 )B $a?or Allegretto. 8D@ A nice little $enuet full of hu$our and light" Although itsounds da--ling and virtuosic it is $uch easier than it sounds" Main difficulty are thefast alternating hands"

Scarlatti Sonata 16: )E $inor Lento. A eautiful lyrical and reflective sonata" Scarlatti Sonata 1F8 )E flat $a?or ' Allegretto. A eautiful! lyrical sonata not too slo#"

Scarlatti Sonata 1F@ )E $inor Allegro. A $asterpiece" >ra$atic and po#erful! this ; voice invention)#ith a third voice intruding on 6 ars near the start of the second part. is still effectiveat a slo#er te$po" /ne of $y favourites"

Scarlatti Sonata ;0F )A $a?or Allegro. plifiting sonata! not too fast" Scarlatti Sonata ;8F ), $inor ' Allegro . An excellent *dance+ piece full of Spanish rhyth$s"

Scarlatti

Sonata ;6:

)&Z $inor Allegro. %eautiful lyrical sonata )slightly re$iniscent of F. #ith a

#eaving three voice counterpoint" Enhar$onic $odulations and $ove$ent intore$ote eys" A $asterpiece"


17/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s Scarlatti Sonata 8;; )A$a?or ' Allegro . A delicate! ?oyful sonata #ith a Mo-artian flavour"

Scarlatti Sonata 8@ ), $inor ' . Another sonata full of rilliance! #ith fast scales and co$pelling har$onicprogressions"

Scarlatti Sonata 60 )& $a?or Allegro." This is ?oyful $usic that $a es you #ant to s ip and ?u$p anddance[ This is the ind of $usic that $a es you s$ile for hours after listening to it"This cures depression! serious[ Breat for your trills and glissando'li e scales"

Scarlatti Sonata 6;1 )& $a?or Allegro. /ne of $y favourites! this is a rilliant and da--ling sonata #ithplenty of repeated notes" It is said to represent children running through the streets of

Madrid" Scarlatti Sonata 6;F )A $a?or ' Allegro. Lyrical and gently lilting sonata" &ounterpo int in three and fourparts"

Scarlatti Sonata 66 ), $a?or ' PastoraleN Allegrissi$o. In spite of the te$po direction this is a relativelyslo# sonata! lyrical and reflexive"

Scarlatti Sonata 6:0 )B $a?or Allegretto. Starts #ith deter$ined! percussive chords! #hich arefollo#ed y a fast figuration of great delicacy e2ually shared et#een the hands"Bood &-erny replace$ent and #ar$ up" ,ast and da--ling this sonata exudesconfidence"

Scarlatti Sonata 6@1 ), $inor Andante e canta ile. Introspectiv e! delic ate and lyrical this could e anideal choice for opening a recital" And if you need a study in phrasing and legato thissonata is for you[

Scarlatti Sonata 6F1 )> $a?or Allegro. Rhyth$ical percussive eginning follo#ed y a ro$antic

arpeggiated section )not unli e a Schu ert i$pro$ptu. #ith a $ost pleasing $elody" A $asterpiece"

Scarlatti Sonata 50; )& $a?or Allegro. Inventive sonata #ith $any original $usical ideas" Starts lively in8D@ and $odulates to B $inor to end the first half in B $a?or" /n the second partchanges $eter to ;D6 and returns to 8D@ at the end" >otted figuration! including dottedrests"

Scarlatti Sonata 511 )> $a?or Allegro. A $asterpiece" This is a ; voice invention #ith the figurationse2ually distri uted et#een the hands" rgent and dra$atic it #ill still e effective at aslo#er te$po" Technical pro le$s are $ini$al"

Schu ert Adagio in B! >1:@ Schu ert Andante in &! >;F Schu ert Menuett in A! >886

Schu$ann ) ntitled piece. /p @D80 Schu$ann Ara es2ue /p" 1@ %eautiful haunting $elody #ith 1 th note aco$panying figure split et#een the

hands! so$e#hat li e so$e of Mendelsohnn9s S33s"

Schu$ann &atch Me if Gou &an! inderscenen! /p 15 (o" 08 Schu$ann >rea$ing Schu$ann Einsa$e %lu$en )Lonely ,lo#ers.! fro$ \3aldscenen ! /p @; Schu$ann The Entreating &hild! inderscenen! /p 15 (o" 06 Schu$ann 3alt-! /p 1;6 (o" 15 Schu$ann The 3ayside Inn! 3aldscenen! /p @; (o" 0

Scria in Prelude /p" 0; no" 0; Scria in Prelude /p" 11 no" ;; Scria in Prelude /p" 1 no" 08 Shosta ovich >ance! no : fro$ \>ances of the >olls S$etana Souvenir )4-po$in a.! /p" 6 (o" 08

Tchai ovs y AvrilN Perce'neige ! /p" 8:a (o" 06 Tchai ovs y %a a'Gaga! /p" 8F (o" ;0 ,ro$ 9Al u$ for the Goung9 Tchai ovs y 4alse in A flat


18/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s Tcherepnin %agatelle in B flat! /p" 5 (o" 0 Tele$ann ,antasia (o 0F in A! 1st >o-en! T34 88NF 1st $vt! Allegro Tele$ann Suite in A

4illa'Lo os &irandas (o" 6 3e ern inderstCc )&hild s Piece.

: Al ni- Ru$ores de la &aleta! /p :1D: Al ni- Serenata! fro$ 9Espaba9! /p 1 5: Arens y &onsolation /p" 8 (o" 5: Arens y Elegie /p" 8 (o" 1: Arens y Le &oucou: Arens y Prelude in E $a?or! /p" 8 (o" 0:

: Arne Sonata (o" 1 in , 8rd $vt

: Arne Sonata (o" 8 in B ;nd $vt! Allegro: %ach 01 (o 15 in B %; ' Preludes K ,ugues: %ach 0; (o in >$ ' Preludes K ,ugues: %ach 08 (o ;1 in % ' Preludes K ,ugues: %ach 06 (o 10 in E$ ' Preludes K ,ugues: %ach 05 (o ;0 in A$ %; ' Preludes K ,ugues: %ach 0 (o 11 in , ' Preludes K ,ugues: %ach 0: (o ; in &$ ' Preludes K ,ugues: %ach 0@ (o F in E ' Preludes K ,ugues: %ach 0F (o 18 in ,Z ' Preludes K ,ugues: %ach 10 (o ;1 in % %; ' Preludes K ,ugues: %ach 11 (o in >$ %; ' Preludes K ,ugues: %ach 1; (o 1F in A %; ' Preludes K ,ugues: %ach 18 (o 11 in , %; ' Preludes K ,ugues

: %ach 16 (o 1F in A ' Preludes K ,ugues: %ach 15 (o 16 in ,Z$ ' Preludes K ,ugues: %ach 1 (o 1@ in BZ$ ' Preludes K ,ugues: %ach 1: (o ; in &$ %; ' Preludes K ,ugues: %ach 1@ (o 5 in > ' Preludes K ,ugues: %ach 1F (o : in E ' Preludes K ,ugues: %ach ;0 (o 16 in ,Z$ %; ' Preludes K ,ugues: %ach ;1 (o : in E %; ' Preludes K ,ugues: %ach ;; (o 1 in & ' Preludes K ,ugues: %ach ;8 (o 1: in A ' Preludes K ,ugues: %ach ;6 (o 18 in ,Z %; ' Preludes K ,ugues: %ach ;5 (o 15 in B ' Preludes K ,ugues: %ach ; (o 1; in ,$ %; ' Preludes K ,ugues: %ach ;: (o 1 in & %; ' Preludes K ,ugues: %ach ;@ (o ;6 in %$ %; ' Preludes K ,ugues

: %ach ;F (o 10 in E$ %; ' Preludes K ,ugues: %ach 80 (o 1 in B$ ' Preludes K ,ugues: %ach 81 (o 5 in > %; ' Preludes K ,ugues: %ach 8; (o 1@ in BZ$ %; ' Preludes K ,ugues: %ach 88 (o ;6 in %$ ' Preludes K ,ugues: %ach 86 (o F in E %; ' Preludes K ,ugues: %ach 85 (o 6 in &Z$ ' %; Preludes K ,ugues: %ach 8 (o ;8 in % ' Preludes K ,ugues: %ach 8: (o 8 in &Z ' %; Preludes K ,ugues: %ach 8@ (o 1; in ,$ ' Preludes K ,ugues: %ach 8F (o 8 in &Z ' Preludes K ,ugues: %ach 60 (o @ in >Z$ ' %; Preludes K ,ugues: %ach 61 (o ;; in % $ ' Preludes K ,ugues: %ach 6; (o 1: in A %; ' Preludes K ,ugues: %ach 68 no 6 in &Z$ ' Preludes K ,ugues

: %ach 66 (o @ in >Z$ ' Preludes K ,ugues: %ach 65 (o ;0 in A$ ' Preludes K ,ugues: %ach 6 (o ;; in % $ %; ' Preludes K ,ugues


19/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s: %ach 6: (o 1 in B$ %; ' Preludes K ,ugues: %ach 6@ (o ;8 in % %; ' Preludes K ,ugues: %ach English Suite (o" 1 ' Prelude: %ach English Suite (o" ; ' Alle$ande: %ach English Suite (o" 8 ' Bigue: %ach English Suite (o" 8 ' Sara ande: %ach English Suite (o" 6 ' Alle$ande: %ach English Suite (o" 6 ' Bigue: %ach English Suite (o" 5 ' Bigue: %ach ,rench Suite (o" 1 ' Alle$ande: %ach ,rench Suite (o" ; ' Alle$ande

: %ach ,rench Suite (o" ; ' Bigue: %ach ,rench Suite (o" 8 ' Bigue: %ach ,rench Suite (o" 6 ' Alle$ande: %ach ,rench Suite (o" 6 ' &ourante: %ach ,rench Suite (o" 5 ' Sara ande: %ach ,rench Suite (o" ' &ourante: %ach Invention 11: %ach Invention 1;: %ach Invention 15: %ach Partita (o" 5! %34 @;F &orrente: %ach Sinfonia 0;: %ach Sinfonia 06: %ach Sinfonia 05: %ach Sinfonia 0:: %ach Sinfonia 0@

: %ach Sinfonia 0F: %ach Sinfonia 16: %ach Sinfonia 15: %ach! &"P"E" Allegro in A! 3 11 D1: %ach! &"P"E" Sinfonia (o"15 in % $inor! %34 @01: %ach! &"P"E" Sonata in & $inor! 3 0 1st $vt! Allegretto: %ach! &"P"E" Sonata in &! 3 55D1! 8rd $vt: %ach! &"P"E" Sonata in > $inor! 3 5:D6 8rd $vt! Allegro: %ach! &"P"E" Sonata in , $inor! 3 5:D ;nd $vt: %ach! &"P"E" Sonatas Al$ost forgotten these days and al$ost never p layed! his sonatas are real ge$s"

Again! all of the sonatas are around grade :'@! so you should e a le to $anage" Iparticularly li e # ; in B"

: %art< 16 %agatelles! /p no ;: %art< Mi ro os$os 4ol 5 (o"18F ' Merry Andre#

: %eethoven %agatelle in A ! /p" 88 (o":: %eethoven %agatelle! /p 1; D06: %eethoven Rondo in A! 3o/ 6F: %eethoven Rondo! /p 51D1: %eethoven Sonata 0:" /p" 10 no" 1: %eethoven Sonata 0@" /p" 10 no" ;: %eethoven Sonata 0F" /p" ;" no" ;: %eethoven Sonata 10" /p" ; no" 8: %eethoven Sonata 11" /p" 10 no" 8: %eethoven Sonata 1;" /p" 18 )Patheti2ue.: %eethoven Sonata 18" /p" ;;: %eethoven Sonata 16" /p" ;@ )Pastorale.: %eethoven Sonata 15" /p" : )Brand.: %eethoven Sonata 1 " /p" :@ ),or Therese.: %eethoven Sonata 1:" /p" ; ),uneral March.

: %eethoven Sonata 1@" /p" 81 no" 8 )The Hunt.: %eethoven Sonatina in B! /p :F 8rd $vt! 4ivace: %enda Sonata in % 8rd $vt


20/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s: %enda Sonata in , 8rd $vt: %orodin Petite Suite no 6' Ma-ur a: %rah$s Inter$e--o in E! /p 11 D: &ha rier Pieces Pitores2ues Idylle ' the RH is al$ost as usy as the LH in this delightful piece" The LH $ostly

plays ro en octaves! s ipping over t#o octaves" Excellent for s ip accuracy" And it isa #onderful! hauntingly eautiful piece"

: &hopin Ecossaise no" ; in B$ /p" posth :; no" 8: &hopin ,ugue in A$: &hopin ,uneral $arch in &$ )/p" posth" no" ;.: &hopin Ma-ur a no" 0; in &Z$ )op" no" ;.

: &hopin Ma-ur a no" 08 in E )op" no" 8.: &hopin Ma-ur a no" 06 in E $ )op" no" 6.: &hopin Ma-ur a no" 0: in ,$ )op" : no" 8.: &hopin Ma-ur a no" 0@ in A )op" : no" 6.: &hopin Ma-ur a no" 1; in A )op" 1: no" 8.: &hopin Ma-ur a no" 18 in A$ )op" 1: no" 6.: &hopin Ma-ur a no" ; in E$ )op" 61 no" 1.: &hopin Ma-ur a no" ;@ in A )op" 61 no" 8.: &hopin Ma-ur a no" 81 in A )op" 50 no" ;.: &hopin Ma-ur a no" 61 in &Z$ )op" 8 no" 8.: &hopin Ma-ur a no" 5; in A$: &hopin Ma-ur a no" 55 in %: &hopin Ma-ur a no" 5: in A: &hopin (octurne no" 0; in E )/p" F no" ;.: &hopin (octurne no" 0 in B$ )/p" 15 no" 8.

: &hopin (octurne no" 11 in B$ )/p" 8: no" 1.: &hopin (octurne no" 15 in ,$ )/p" 55 no" 1.: &hopin (octurne no" 15 in ,$ )/p" 55 no" 1.: &hopin (octurne no" 1F in E$ )/p" posth! :; no" 1.: &hopin (octurne no" ;0 in &Z$: &hopin (octurne no" 11 in B$ )/p" 8: no" 1.: &hopin (ouvelles Etudes no" ; in A: &hopin Polonaise no" 18 in A: &hopin Preludes /p" ;@" (o" 0;: &hopin Preludes /p" ;@" (o" 18: &hopin Preludes /p" ;@" (o" 16: &hopin Preludes /p" ;@" (o" 15: &hopin Preludes /p" ;@" (o" ;1: &hopin Soanta no" ; in % $ )/p" 85. 8rd $ov" Marche ,une re: &hopin Sonata no" 1 in &$ )op" 6. 8rd $ov" Larghetto"

: &hopin Sonata no" 8 in %$ )/p" 5@. 8rd $ov" Largo: &hopin 4ariations in E on %ellini s I Puritani": &hopin 3alt- (o" 0 )> ! /p" 6 no" 1.: &hopin 3alt- (o" 0: )&Z$! /p" 6 no" ;.: &hopin 3alt- (o" 0F )A ! /p" Posth" F no" 1.: &hopin 3alt- (o" 18 )> ! /p" Posth" :0 no" 8.: &hopin 3alt- (o" @0 )A ! /p" 6 no" 8.: &le$enti Sonata in A $a?or! /p 10D1 1st $vt! Allegro con spirito: &le$enti Sonata in % flat! /p 6:D; 1st $vt: &ra$er Etude no 88 in >: &ra$er Study in ,Z $inor! (o ;; of 9@6 Studies9: &-erny Study in > $inor! /p :60D8:: >e ussy Ara es2ue ;: >e ussy %al lade: >e%ussy &lair de Lune

: >e ussy >anse: >e ussy Esta$pes ; ' Soirees dans Brenade: >e ussy Mas2ues


21/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s: >e ussy Ma-ur a: >e ussy Suite %erga$as2ue 1 ' Prelude: >e ussy Suite %erga$as2ue ; ' Menuet: >e ussy Suite %erga$as2ue 8 ' &lair de lune: >e ussy Suite %erga$as2ue 6 ' Passepied: >e ussy 4alse Ro$anti2ue: >oni-etti Larghetto in A $inor A nocturne'li e version for piano of the fa$ous aria * na furtiva lacri$a+

: ,ield (octurne no 1 in ,: Bersh#in Three Preludes I" Allegro en rit$ato e preciso Bersh#in called this prelude *Spanish+" This is a fast virtuoso piece! very good as an

encore"

: Bersh#in Three Preludes II" Andante con $oto e poco ru ato Bersh#in called this prelude a * lues lulla y+" Slo# and slightly lugu rious! it #ould$a e 2uite a good piece to play efore an inter$ission"

: Bersh#in Three Preludes III" Allegro en rit$ato e preciso This is $y favourite of the three )and the $ost difficult.": Branados >an-a de la Rosa! no 8 fro$ 9Escenas Po ticas9: Branados >an-a Balante! fro$ 9>an-as Espabolas9: Branados 4iniendo de la fuente! /p 1D5: Brieg Al u$ Leaf in A ,lat! /p";@ (o"1: Brieg Lyric Pieces /p" 8@D1 )%erceuse.: Brieg Lyric Pieces /p" 8@D5 )Springdans.: Brieg Lyric Pieces /p" 8@D@ )&anon.: Brieg Lyric Pieces /p" 68D1 )%utterfly.: Brieg Lyric Pieces /p" 68D6 )Little ird.: Brieg Lyric Pieces /p" 68D5 )Eroty on.: Brieg Lyric Pieces /p" 56D1 )Shepherd9s oy.

: Brieg Lyric Pieces /p" 56D6 )(otturno. *(otturno+ is haunting and yet not the usual nocturne pattern )Lyric pieces! /p" 56D6."

: Brieg Lyric Pieces /p" 56D5 )Scher-o.: Brieg Lyric Pieces /p" 5:D; )Bade.: Brieg Lyric Pieces /p" 5:D )Ho$e sic ness.: Brieg Lyric Pieces /p" ;D1 )Sylphe.: Brieg Lyric Pieces /p" 5D8 )Melancholy.: Brieg Lyric Pieces /p" 5D6 )Salon.: Brieg Lyric Pieces /p" @D1 )Sailor9s song.: Brieg Lyric Pieces /p" @D )4alse Melancholi2ue.: Brieg Lyric Pieces /p" :1D1 )/nce upon a ti$e.: Brieg Lyric Pieces /p" :1D; )Su$$er9s eve.: Brieg Prelude fro$ Hol erg Suite /p"60: Brieg Scher-o I$pro$ptu in % ,lat /p"5 (o"8: Handel Allegro in > $inor

: Handel ,antasia in &! %" 0D;1: Handel Bigue fro$ Suite (o"1: Handel Suite no 6 in E $inor! 1:;0 &ollection! H34 6;F ;nd $vt! Alle$ande: Handel Suite no @ in , $inor! 1:;0 &ollection! H34 688 Bigue! 8rd $vt Alle$ande: Haydn Sonata 4ID16 in > $a?or Allegro $oderato ):. Menuet and Trio )5. ,inaleN Allegro ) .: Haydn Sonata 4ID;1 in & $a?or Allegro ):. Adagio ) . Presto ) .: Haydn Sonata 4ID;; in E $a?or Allegro $oderato ):. Andante ) . ,inaleN Te$po di $enuet ) .

: Haydn Sonata 4ID;8 in , $a?or Moderato ):. Adagio )5. ,inaleN Presto ) .: Haydn Sonata 4ID;6 in > $a?or Allegro ):. Adagio ) . ,inaleN presto ):.: Haydn Sonata 4ID80 in A $a?or Allegro ):. Te$po di $enuet ):.: Haydn Sonata 4ID81 in E $a?or Moderato ):. Allegretto ) . ,inaleN Presto ) .: Haydn Sonata 4ID88 in > $a?or Allegro ):. Adagio ) . Te$po di $enuet )5.: Haydn Sonata 4ID86 in E $inor Presto ):. Adagio ) . ,inaleN 4ivace $olto ) .: Haydn Sonata 4ID85 in & $a?or Allegro con rio ):. Adagio )5. Allegro ) .

: Haydn Sonata 4ID60 in B $a?or Allegretto innocente ):. Presto ):.: Haydn Sonata 4ID68 in A $a?or Moderato ):. Menuetto );D8. RondoN Presto ):.: Haydn Sonata 4ID65 in E $a?or Moderato ):. Andante ):. ,inaleN Allegro di Molto )@ .


22/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s: Haydn Sonata 4ID51 in > $a?or Andante ):. Presto ):.: Heller (uits lanches )Sleepless (ights.! /p @;D:: Heller Study in E! /p"65 (o"F: Heller Study in E! /p"6: (o"1: a alevs y Prelude! /p 8@D;: al renner Etude in & Sharp $inor! /p"168 % ; (o"1: Lis-t &onsolations! S" 1:; no" 5: Lis-t &onsolations! S" 1:; no": Lis-t (o ; of 9,ive Hungarian ,ol songs9! S ;65: Lis-t Gears of Pilgri$ageN 1yr S#it-erland (o" ;: Lis-t Gears of Pilgri$ageN ;yr Italy (o" ;: Lis-t Gears of Pilgri$ageN ;yr Italy (o" 8: Macdo#ell Starlight! /p 55D6: Macdo#ell 3aldfahrt )In the ,orest.! /p 85D5: Mendelssohn Presto agitato! (o ; of 9T#o Musical S etches9: Mendelssohn Songs 3ithout 3ords /p" 10; no" 8: Mendelssohn Songs 3ithout 3ords /p" 1F no" 8: Mendelssohn Songs 3ithout 3ords /p" 80 no" 1: Mendelssohn Songs 3ithout 3ords /p" 80 no" ;: Mendelssohn Songs 3ithout 3ords /p" 58 no" 1: Mendelssohn Songs 3ithout 3ords /p" 58 no" 8 4ery fast arpeggio figurations on LH #ith a po#erful $elody in chords on the RH"

Bood preparation for &hopin /p" 10 no" 1; )Revolutionary.! #hich it re$inds one of"

: Mendelssohn Songs 3ithout 3ords /p" ; no" 5: Mendelssohn Songs 3ithout 3ords /p" ; no": Mendelssohn Songs 3ithout 3ords /p" : no" 1

: Mendelssohn Songs 3ithout 3ords /p" : no" ;: Mendelssohn Songs 3ithout 3ords /p" : no": Mendelssohn Songs 3ithout 3ords /p" @5 no" 8: Mendelssohn Songs 3ithout 3ords /p" @5 no" 6: Mendelssohn Songs 3ithout 3ords /p" @5 no": Moscheles Prelude! op :0D;6: Mos- o#s i &al$e du Soir! /p F6D;: Mos- o#s i Melodie /p":: (o"F: Mo-art Bigue in B! "5:6: Mo-art Minuet in >! 855: Mo-art Rondo in > 6@5: Mo-art Sonata in A $a?or! 881: Mo-art Sonata in & $a?or! ;:F: Mo-art Sonata in > $a?or! 811: Mo-art Sonata in ,! Anh 185

: Mo-art Sonata in B $a?or! ;@8: Mussorgs y Bopa: Poulenc &oda no fro$ 94illageois9: Poulenc (ovelette in & $a?or! no 1: Poulenc Sta ccato (o"; fro$ 94illageoises9: Pro ofiev 10 Pieces /p" 1; (o" 0; (o" ; Bavotte re2uires a large hand span": Pro ofiev Bavotta! /p 8;D8: Pro ofiev 4ision ,ugitive in % ,lat $inor! /p";; (o"10: Pro ofiev 4isions ,ugitives /p" ;; (o" 0F Allegretto tran2uilo this is $y favourite of the set: Pro ofiev 4isions ,ugitives /p" ;; (o" 11 &on vivacita: Rach$aninoff Ro$ance: Ravel Menuet sur le no$ d9Haydn: Ravel Prelude: Ravel 4alse (o le et Senti$ental (o" 05: Res pi gh i ( ottu rn o 3onderful! lyrical piece! $uch closer to Brieg s *(otturno+ in for$ and feeling than to

&hopin s or ,ield s": Scarlatti Sonata 00@ )B $inor Allegro. In spite of the te$po indication this is a slo#! lyrical sonata"

Melancholic and intense"


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s: Scarlatti Sonata 016 )B $a?or Presto. Loo ing for fast )very fast. scale runs inters persed #ith a eautiful

staccato $elody Loo no further than this spar ling gigue"

: Scarlatti Sonata 08F )A $a?or Allegro. ,ast and furious! full of nervous energy" Excellent for #a ing upthe audience[ ,igurations are shared e2ually y oth hands" Excellent &-ernyreplace$ent and superior #ar$ up piece" E2ually effective at a slo#er te$po"

: Scarlatti Sonata 068 )B $inor Allegrissi$o. ,erocious and virtuosistic sonata": Scarlatti

Sonata 05;

)> $inor Andante $oderato. 3onderful sonata! lyrical and devotional! upliftingand tran2uil" 3ritten )$ostly. in 8'voice counterpoint" Another $asterpiece"

: Scarlatti Sonata 0 F ), $inor. My favourite a$ongst the slo#! lyrical sonatas! this is a hauntingly eautifulpiece #ith a co$plex polyphonic texture difficult to read ut easy to play" Spendso$eti$e analysing its structure efore tac ilng it at the piano" A $asterpiece"

: Scarlatti Sonata 0:: )> $inor Moderato e canta ile $inuet. Painfully nostalgic and evocative lyricalsonata follo#ed y a lively $inuet" A $asterpiece"

: Scarlatti

Sonata 0@:

)% $inor ' Andante . Intensely lyrical #or of great $usical depth" &outerpoint in threeand four parts" Said to e Horo#it- favourite Scarlatti sonata"

: Scarlatti Sonata 0F@ )E $inor Alegrissi$o. 3onderful study in rhyth$ #ith unexpected develop$ents!suspensions and syncopations"

: Scarlatti Sonata 1;8 )E $a?or Allegro. 7oyful and uplifting": Scarlatti Sonata 1;6 )B $a?or Allegro. Tired of practising arpeggios Try this sonata instead" A ree-y

arpeggio study #ith very fast triplet se$i2uavers" plifting and extroverted" Bo and ?u$p on a la e! Hanon["

: Scarlatti Sonata 185 )E $a?or Allegro. >a--ling finger #or alternating #ith slo# episodes in 6'voicecounterpoint" &atchy and uplifiting"

: ScarlattiSonata 1F:

)% $inor ' Andante. Sonata in a lyric! canta ile style! $oderately flo#ing"Expansive! sonorous 2ualities"

: Scarlatti Sonata ;01 ArpeggiosThirds

;01 is also excellent to replace technical exercises dealing #ith arpeggions andthirds

: Scarlatti Sonata ;15 )E $a?or Andante. Sudden shifts of ey a ound in this sonata"

: Scarlatti Sonata ;5F )B $a?or Andante. A t#o and three voice invention" Lyrical and tran2uil" Slightlyre$iniscent of ;0@"

: Scarlatti Sonata 81@ ),Z $a?or Andante. An unusual ey that suggests that Scarlatti #as fa$iliar #ithe2ual te$pera$ent tuning" A lyrical and cal$ sonata"

: Scarlatti

Sonata 668

)> $a?or ' Allegro . /ne of $y all ti$e favourites! After a rhyth$ic introductioncharacteristic of Spanish dances! a $ost gentle and evocative $elody develops"Repeated notes"

: Scarlatti Sonata 6@: )& $a?or Allegro. A percussive sonata! full of -est and unresolved dissonances that$a e it sound rittle and sharp" >ifficult octave leaps on the left hand"

: Scarlatti Sonata 56 )B $inor. 3ritten in ; and 8 parts! this is another lyrical! $elancholic sonata #ith aeautiful! flo#ing $elody" Recorded y %en?a$in ,rith for (axos"

: Schu ert ,Cnf lavierstCc e! (o" 8: Schu ert Mo$ent Musical in A ! /p F6 (o" 0: Schu ert Mo$ent Musical in &Z$! /p"F6 (o"6! >:@0D6: Schu ert Scher-o in > ! >5F8D;: Schu ert Sonata in A ! >"55: 1st $vt! Allegro $oderato

: Schu ert Sonata in A$! >"@65 8rd $vt: Schu ert Sonata in E ! /p"1;;! >"5 @: Schu ert Sonata in E! > 65F 8rd $vt


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s: Schu$ann &anon! fro$ Sonata! /p 11@ (o" 0;: Schu$ann &har$ing Landscape! /p @; (o" 05: Schu$ann >avids undlertOn-! /p ! no ;: Schu$ann I$pro$ptu! /p 1;6 (o" 01: Schu$ann (ovelette in % $inor! /p FF (o" 0F: Schu$ann Ro$ance in ,Z! /p ;@ (o" 0;: Schu$ann Sonata in >! /p"11@ (o"; ;nd $vt! &anon: Schu$ann Al u$ lOtter III! /p FF (o" 0: Schu$ann (ovelette in >! /p ;1 (o" 06: Scria in Prelude /p" 11 no" 06: Scria in Prelude /p" 11 no" 05: Scria in Prelude /p" 11 no" 0F: Scria in Prelude /p" ;: no" 0;: Scria in Study in &Z $inor! /p ; (o" 01: Shosta ovich Prelude /p" 86 (o" 1@: Shosta ovich Prelude /p" 86 (o" ;1: S$etana Idyll! /p" 6 (o" ;: S$etana Souvenir de %oh $e! /p 18 (o" 01: Tchai ovs y Hu$ores2ue: Tchai ovs y 7une )%arcarolle.! /p 8:a (o" 0: Tchai ovs y (octurne: Tele$ann ,antasia in B $inor : 4illa'Lo os Minti a fro$ As tres Marias@ Al ni- &Ydi- )saeta. 6th $vt fro$ \Suite Espabola no 1 ! /p 6:@ Al ni- En la Playa no : fro$ \Recuerdos de 4ia?e ! /p :1@ Al ni - Evocation ,ro$ \I eria

@ %ach &apriccio in % flat! %34 FF;\on the >eparture of his $ost %eloved %rother

@ %ach English Suite (o" 1 ' Alle$ande@ %ach English Suite (o" ; ' Prelude@ %ach English Suite (o" 8 ' Prelude@ %ach English Suite (o" 6 ' Prelude@ %ach English Suite (o" 5 ' Alle$ande@ %ach English Suite (o" 5 ' Prelude@ %ach English Suite (o" ' Alle$ande@ %ach English Suite (o" ' Bigue@ %ach English Suite (o" ' Prelude@ %ach ,antasia in & $inor! %34 F0@ %ach ,rench /verture )Partita. in % $inor %34 @81 :th and 10th $vts! Sara ande and Bigue@ %ach ,rench Suite (o" 1 ' Bigue@ %ach ,rench Suite (o" 8 ' Alle$ande@ %ach ,rench Suite (o" 6 ' Bigue

@ %ach ,rench Suite (o" 5 ' Alle$ande@ %ach ,rench Suite (o" 5 ' Bigue@ %ach ,rench Suite (o" ' Bigue@ %ach Partita (o" 8 in A $inor! %34 @;: 1st and th $vts! ,antasia and Scher-o@ %ach Partita (o" 6 in >! %34 @;@ Menuett and Bigue@%ach! &"P"E" Sonata in A flat! 3 6FD;@%ach! &"P"E" Sonata in A! H 1@ 3 55D6 1st $vt! Allegro assai@%ach! 7"&" Sonata in % flat! /p 1:D@ %art< >ance in %ulgarian Rhyth$ no 5 no 15; fro$ \Mi ro os$os vol@ %art< Rondo no 1 fro$ \8 Rondos on ,ol Tunes@ %art< Suite! /p 16! 1st $vt Allegretto@ %eethoven Andante ,avori! 3o/ 5:@ %eethoven Sonata 1F" /p" 81 no" 1@ %eethoven Sonata ;0" /p" F0@ %eethoven Sonata ;1" /p" ;: no" 1

@ %eethoven Sonata ;;" /p" ;: no" ; )Moonlight.@ %eethoven Sonata ;8" /p" 56@ %eethoven Sonata ;6" /p" 81 no" ; )Te$pest.


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s@ %eethoven Sonata ;5" /p" 58 )3aldstein.@ %eethoven Sonata ; " /p" @1 )Les Adieux.@ %eethoven Sonata ;:" /p" 5: )Appasionata.@ %eethoven Sonata ;@" /p" 101@ %eethoven Sonata ;F" /p" 110@ %eethoven Sonata 80" /p" 10F@ %eethoven Sonata 81" /p" 111@ %eethoven Sonata 8;" /p" 10 )Ha$$er lavier.@ %rah$s %allade in > $inor! /p 10D1@ %rah$s Inter$e--o in A $inor! /p : D:@ %rah$s Inter$e--o in % $inor! /p 11FD1@ %rah$s Inter$e--o in E flat! /p 11:D1@ %rah$s Inter$e--o! /p 11 D6@ &ha rier >anse 4illageoise )fro$ \10 Pi ces Pittores2ues .@ &ha ri er Idyll e )fro$ \10 Pi ces Pittores2ues .@ &hopin Andante Spianatto )prelude to Brande Polonaise %rillante op" ;;.@ &hopin Ecossaise no" 1 in > )/p" posth! :; no" 8.@ &hopin Ecossaise no" 8 in > )/p" posth! :; no" 8.@ &hopin Etude /p" 10 no" 08@ &hopin Etude /p" 10 no" 0@ &hopin Etude /p" 10 no" 0F@ &hopin Etude /p" 10 no" 1;@ &hopin Etude /p" ;5 no" 01@ &hopin Etude /p" ;5 no" 0;@ &hopin Etude /p" ;5 no" 0:@ &hopin Etude /p" ;5 no" 0F

@ &hopin ,antaise I$pro$ptu op" posth"@ &hopin I$pro$ptu no" 1 in A )/p" ;F.@ &hopin Ma-ur a no" 01 in ,Z$ )op" no" 1.@ &hopin Ma-ur a no" 10 in % )op" 1: no" 1.@ &hopin Ma-ur a no" 1: in % $ )op" ;6 no" 6.@ &hopin Ma-ur a no" ;0 in > )op" 80 no" 8.@ &hopin Ma-ur a no" ;1 in &Z$ )op" 80 no" 6.@ &hopin Ma-ur a no" ;8 in > )op" 88 no" ;.@ &hopin Ma-ur a no" ;5 in %$ )op" 88 no" 6.@ &hopin Ma-ur a no" ;: in % )op" 61 no" ;.@ &hopin Ma-ur a no" ;F in &Z$ )op" 61 no" 6.@ &hopin Ma-ur a no" 80 in B )op" 50 no" 1.@ &hopin Ma-ur a no" 8; in &Z$ )op" 50 no" 8.@ &hopin Ma-ur a no" 88 in % )op" 5 no"1.@ &hopin Ma-ur a no" 86 in & )op" 5 no" ;.

@ &hopin Ma-ur a no" 85 in &$ )op" 5 no" 8.@ &hopin Ma-ur a no" 8 in A$ )op" 5F no" 1.@ &hopin Ma-ur a no" 8: in A )op" 5F no" ;.@ &hopin Ma-ur a no" 8@ in ,Z$ )op" 5F no" 8.@ &hopin Ma-ur a no" 8F in % )op" 8 no" 1.@ &hopin Ma-ur a no" 6; in B )op"posth" : no" 1.@ &hopin Ma-ur a no" 6 in & )op" posth" @ no" 1.@ &hopin Ma-ur a no" 58 in A$@ &hopin Ma-ur a no" 56 in >@ &hopin Ma-ur a no" 5 in &@ &hopin (octurne no" 01 in % $ )/p" F no" 1.@ &hopin (octurne (o" 06 in , )/p" 15 no" 1.@ &hopin (octurne no" 05 in ,Z )/p" 15 no" ;.@ &hopin (octurne (o" 0: in &Z$ )/p" ;: no" 1.@ &hopin (octurne no" 0@ in > )/p" ;: no";.

@ &hopin (octurne no" 0F in % )/p" 8; no" 1@ &hopin (octurne no" 10 in A )/p" 8; no" ;.@ &hopin (octurne (o" 1; in B )/p" 8: no" ;.


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s@ &hopin (octurne (o" 18 in &$ )/p" 6@ no" 1.@ &hopin (octurne no" 16 in ,Z )/p" 6@ no" ;.@ &hopin (octurne (o" 1 in E )/p" 55 no" ;.@ &hopin (octurne (o" 1: in % )/p" ; no" 1.@ &hopin (octurne (o" 1@ in E )/p" ; no" ;.@ &hopin (ouvelle Etude no" 1 in ,$@ &hopin (ouvelle etude no" 8 in >@ &hopin Polonaise no" 01 in &Z$ /p" ; no" 1@ &hopin Polonaise no" 0; in E $ /p" ; no";@ &hopin Polonaise no" 08 in A /p" 60 no" 1@ &hopin Polonaise no" 06 in &$ /p" 60 no" ;@ &hopin Polonaise no" 0@ in >$ /p" Posth" (o" 1@ &hopin Polonaise no" 0F in % /p" Posth" (o" ;@ &hopin Polonaise no" 10 in ,$ /p" Posth :1 no" 8@ &hopin Polonaise no" 15 in % $@ &hopin Preludes /p" ;@" (o" 01@ &hopin Preludes /p" ;@" (o" 08@ &hopin Preludes /p" ;@" (o" 0@@ &hopin Preludes /p" ;@" (o" 10@ &hopin Preludes /p" ;@" (o" 11@ &hopin Preludes /p" ;@" (o" 1:@ &hopin Preludes /p" ;@" (o" ;;@ &hopin Preludes /p" ;@" (o" ;8@ &hopin Sonata in &$ )/p" 6. ;nd $ov" Menuetto@ &hopin Souvenir de Paganini"@ &hopin 4ariations on a Ber$an (ational air

@ &hopin 3alt- (o" 01 )E ! op" 1@ .@ &hopin 3alt- (o" 0; )A ! /p" 86 no" 1.@ &hopin 3alt- (o" 06 ),! /p" 86 no" 8.@ &hopin 3alt- (o" 05 )A ! /p" 6;.@ &hopin 3alt- (o" 11 )B /p" Posth" :0 no" 1.@ &hopin 3alt- (o" 1 )E$.@ &hopin 3alt- (o" 1F )E .@ &le$enti Sonata in > $inorD$a?or! /p 60D8 1st $vt! Adagio $olto Allegro@ >e ussy Esta$pes 1 ' Pagodes@ >e ussy Esta$pes 8 ' 7ardins sous la pluie@ >e ussy Bardens in the rain@ >e ussy I$ages I 1 ' Reflets dans l9eau@ >e ussy I$ages I 8 ' Mouve$ent@ >e ussy I$ages II 1 ' &loches a travers les feuilles@ >e ussy I$ages II 8 ' Poissons d9or

@ >e ussy L9isle ?oyeuse@ >e ussy Pour le piano 1 ' Prelude@ >e ussy Pour le piano 8 ' Toccata@ >e ussy Pr lude no ! %oo ; \B n ral Lavine'eccentric@ >e ussy Serenade of the >oll fro$ \&hildren s &orner Suite@ ,aur %arcarolle no 6 in A flat! /p 66@ ,aur ,ugue in E $inor! /p @6D@ ,aur (octurne in A flat! /p 88D8@ ,ield (octurne (o 6 in A@ Branados >an-a Espabola (o N 7ota \Rondalla Aragonesa@ Brieg Bade! /p 5:D;@ Brieg Lyric Pieces /p" 68D )To Spring.@ Brieg Lyric Pieces /p" 6:D; )Al u$ leaf.@ Brieg Lyric Pieces /p" 6:D )Springdans.@ Brieg Lyric Pieces /p" 56D; )Bangar.

@ Brieg Lyric Pieces /p" 56D8 )March of the d#arfs.@ Brieg Lyric Pieces /p" 5:D1 )4anished days.@ Brieg Lyric Pieces /p" 5:D5 )She dances.


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Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s@ Brieg Lyric Pieces /p" ;D6 )%roo let.@ Brieg Lyric Pieces /p" ;D )Ho$e#ard.@ Brieg Lyric Pieces /p" 5D1 ),ro$ early years.@ Brieg Lyric Pieces /p" 5D )3edding day at Troldhaugen.@ Brieg Lyric Pieces /p" :1D5 )Halling.@ Handel ,ugue no 8 in % flat! H34 0:@ Handel ,ugue no in & $inor! H34 10@ Handel Suite no 8 in > $inor! 1:;0 &ollection! H34 6;@@ Handel Suite no in ,Z $inor! 1:;0 &ollection! H34 681! % 0D 8rd $vt Allegro@ Haydn Sonata 4ID1@ in % $a?or Allegro $oderato )@ . Moderato ):.@ Haydn Sonata 4ID1F in > $a?or Moderato )@ . Andante ) . Allegro Assai ):.@ Haydn Sonata 4ID;0 in & $inor Moderato )@ . Andante co$ $oto ):. Allegro )@ .@ Haydn Sonata 4ID;5 in E $a?or Moderato )@ . Te$po di $enuet ) .@ Haydn Sonata 4ID; in A $a?or Allegro $oderato )@ . Menuet and trio )al rovescio. )6. ,inaleN Presto )5.

@ Haydn Sonata 4ID;@ in E $a?or Allegro $oderato )@ . Menuet and trio )5. ,inaleN Presto ) .@ Haydn Sonata 4ID;F in , $a?or Moderato )@ . Adagio ) . Te$po di $enuet ) .@ Haydn Sonata 4ID8; in % $inor Allegro $oderato ):. Menuet )5. ,inaleN Presto )@ .@ Haydn Sonata 4ID8 in &Z $inor Moderato )@ . Scher-andoN allegro con rio ) . Menuet and trioN $oderato ) .

@ Haydn Sonata 4ID8: in > $a?or Allegro con rio )@ . Largo e sostenuto )5. ,inaleN Presto $a non troppo ) .

@ Haydn Sonata 4ID8@ no" 51 in E $a?or Allegro $oderato )@ . Adagio ) . ,inaleN Allegro )5.@ Haydn Sonata 4ID8F in B $a?or Allegro con rio ):. Adagio ) . Prestissi$o )@ .@ Haydn Sonata 4ID61 in % $a?or Allegro )@ . Allegro di $olto ):.@ Haydn Sonata 4ID6; in > $a?or Andante con espr essione )@ . 4ivace assai ):.

@ Haydn Sonata 4ID66 in B $inor Moderato )@ . Allegretto ) .@ Haydn Sonata 4ID6 in A $a?or Allegro $oderato )@ . Adagio)@ . ,inaleN Presto ):.@ Haydn Sonata 4ID6: in , $a?or Moderato )@ . Larghetto ) . ,inaleN allegro ) .@ Haydn Sonata 4ID6@ in & $a?or Andante con espr essione )@ . RondoN presto )@ .@ Haydn Sonata 4ID6F in E $a?or Allegro )@ . Adagio e canta ile )@ . ,inaleN Te$po di $enuet ) .

@ Haydn Sonata 4ID50 in & $a?or Allegro )@ . Adagio ):. ,inaleN Allegro $olto ):.@ Haydn Sonata 4ID5; in E $a?or Allegro )@ . Adagio )@ . ,inaleN Presto )@ .@ a alevs y Sonatina /p 18! no ; )revised edition.@ Lis-t %agatelle #ithout Tonality S" ;1 a@ Lis-t EglogueN no : fro$ \Ann es de P lerinageN 1 re Ann e! Suisse ! S 1 0@ Lis-t 4alse ou li e )no 1 in A $inor! S ;15D1.@ Lis-t 4alses /u liees S" ;15@ Mendelssohn Andante #ith 4ariations in E flat! /p @;@ Mendelssohn Etude in , $inor

@ Mendelssohn Prelude and ,ugue in % flat! /p 85D@ Mendelssohn Prelude and ,ugue in >! /p 85D;@ Mendelssohn Songs 3ithout 3ords /p" 10; no" 1@ Mendelssohn Songs 3ithout 3ords /p" 1F no" 1@ Mendelssohn Songs 3ithout 3ords /p" 1F no" 5@ Mendelssohn Songs 3ithout 3ords /p" 80 no" 6@ Mendelssohn Songs 3ithout 3ords /p" 80 no" 5 ,ast LH runs throughout the #hole piece"@ Mendelssohn Songs 3ithout 3ords /p" 8@ no" 1@ Mendelssohn Songs 3ithout 3ords /p" 8@ no" ;@ Mendelssohn Songs 3ithout 3ords /p" 8@ no" 8@ Mendelssohn Songs 3ithout 3ords /p" 8@ no" 5@ Mendelssohn Songs 3ithout 3ords /p" 8@ no"@ Mendelssohn Songs 3ithout 3ords /p" 58 no"@ Mendelssohn Songs 3ithout 3ords /p" : no" 6@ Messiaen Pr lude no 1 \La colu$ e fro$ \@ Preludes

@ Messiaen Pr lude no : \Plainte cal$e fro$ \@ Preludes@ Messiaen 4ingt regards sur L enfant 7esus Gou cannot get $uch $ore co$plex )or $odern. than this"@ Mo-art 10 4ariations on \Les Ho$$es pieuse$ent ) nser du$$er P` el $eint. 655


28/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s@ Mo-art F 4ariations on a Menuett y >uport! 5:8@ Mo-art Sonata ),antasia. in & $inor! 6:5@ Mo-art Sonata in A $inor! 810@ Mo-art Sonata in % $a?or! ;@1@ Mo-art Sonata in % $a?or! 888@ Mo-art Sonata in & $a?or! 80F@ Mo-art Sonata in & $a?or! 880@ Mo-art Sonata in & $inor! 65:@ Mo-art Sonata in > $a?or! ;@6@ Mo-art Sonata in > $a?or! 5:@ Mo-art Sonata in , $a?or! 88;@ Mo-art Sonata in , $a?or! 588D 6F6@ Poulenc I$provisation no 18 in A $inor @ Poulenc Le coeur sur la $ain no ; fro$ \Les Soir es de (a-elles@ Poulenc Presto@ Poulenc Toccata in & fro$ \Trois Pi ces@ Pro ofiev 10 Pieces /p" 1; (o" 0 (o" Legende Slo#! lyrical piece! slightly re$iniscent of Scria in

@ Pro ofiev 10 Pieces /p" 1; (o" 0: (o" : Prelude My favourite" A eautiful! $agical piece #ith a fast ro en chordacco$pani$ent creating a $ist of sound around the right hand $elody" 4eryi$pressive )#atch out for the glissandi[." This piece #as originally #ritten for harp"

@ Pro ofiev 10 Pieces /p" 1; (o" 10 (o" 10 Scher-o A #onderful sho#'off piece )pro a ly too difficult! ut #hat thehec ! I love it[. full of tension and nervous energy ?u$ping all over the ey oard"

@ Pro ofiev Prelude in &! /p 1;D:

@ Pro ofiev 4isions ,ugitives /p" ;; (o" 1: Poetico@ Pro ofiev 4isions ,ugitives /p" ;; (o" 1@ &on una dol-e lente--a@ Rach$aninoff Elegie in E $ ! /p" 08 (o" 01@ Rach$aninoff M lodie in E! /p 8D8@ Rach$aninoff Prelude in ,! /p 8;D:@ Rach$aninoff Prelude in BZ $inor! /p 8;D1;@ Rach$aninoff Prelude in B! /p 8;D5@ Ravel ,ugue );nd $vt. fro$ \Le To$ eau de &ouperin@ Ravel Menuet fro$ \Le To$ eau de &ouperin@ Ravel Sonatine in ,Z $inor @ Ravel 4alse (o le et Senti$ental (o" 08@ Scarlatti Sonata 008 )A $inor ' Presto. Electrical piece #ith ultra fast scale rushes" Loo s easy on the

page! ut #ait until you try to play it up to te$po

@ Scarlatti Sonata 0;6 )A $a?or ' Allegro. 4irtuoso piece alternating relatively cal$ sections #ith da--lingscale runs"@ Scarlatti

Sonata 0;:

)% $inor Allegro. This is $y all ti$e favourite Scarlatti sonata" A $asterpiece"Surprisingly ro$antic! could very #ell have een co$posed y so$eone li eSchu ert" 4ery untypical Scarlatti" Achingly eautiful $elody" Arpeggio figurationsand lots of crossing hands"

@ Scarlatti Sonata 080 )B $inor ' Moderato. A eautiful and co$plex fugue"@ Scarlatti Sonata 06 )E $a?or Presto. This one of $y favourite fast sonatas" As the &heyene Indians

found of saying * it $a es $y heart soar li e a ha# +" /ne of the $ost catchy $otifsa$ongst all sonatas it $a es one #ish to dance and ?u$p for ?oy" This is a$a-ing$usic"

@ Scarlatti Sonata 0F )> $a?or Allegro. Another *typical+ Scarlatti sonata )si$ilar to the overplayed8@0." Richly textured" It has everything in itN Horn calls! fast repeated notes! trills!

suspensions! cross relations! parallel fifths! ig leaps! scale runs and guitari$itations"


29/31

Grade Composer Co m pos i t ion Main Technical Difficulty or B e n e f i t Other Notes & Co mm e n t s@ Scarlatti Sonata 1;0 )> $inor Allegro. A fast sonata full of nervous energy! this is the cross hand piece

to end all cross hand pieces[ Leaping ass figures! dou le notes in oth hands"nusual and difficult"

@ Scarlatti Sonata 161 )> $inor Allegro. A $asterpiece" A fast toccata #ith lots of repeated notes overlong stretches" %ro en chords and s ips" 4irtuosic #ith dissonant guitar stru$$ing inthe left hand and lots of cross hands" Excellent as a study replace$ent"

@ Scarlatti Sonata 1 ; )E $a?or ' Andante. After a slo#! lyrical eginning all hell rea s loose! and a fast!da--ling sonata ensues #ith occasional returns to the slo# the$e"

@ Scarlatti Sonata 6; )B $inor Andante. Another eautiful lyrical sonata! deeply reflective and tran2uil!and not at all $elancholic" Rich textures and highly $usical" 4ery good as a study inlong phrases" Sudden dra$atic silences"

@ Scarlatti Sonata 6;: )B $a?or Prestissi$o. 3onderfully exhilarating sonata! oth to play and to listen to"The te$po direction )*as fast as possi le+. gives you an idea of #hat to expect" A reallyelectric and uplifting #or re2uiring pianis$ of the ut$ost degree" Has a recurring $otif that is incredi ly ?oyful and catchy" My favourite fast sonata" )%ut only if you play it attop speed" It is still effective at lo#er speeds."

@ Scarlatti Sonata 6 ), $inor Andante $oderato. ' A $asterpiece" %eautiful! slo# lyrical sonata" As it isoften the case #ith the lyrical sonatas! this one elicits tran2uillity and peacefulnessrather than $elancholy and grief" Excellent for developing rhyth$ a#areness oftriplets versus 2uavers" It also has 8 against ;"

@ ScarlattiSonata 6:@

)> $a?or Andante canta ile. %eautiful lyrical sonata )and one of the longest."ses the #hole ey oard"

@ Scarlatti Sonata 518 )& $a?or PastoraleN Moderato Molto allegro Presto. /ne of the fe# sonatas#ritten in different $ove$ents )te$pos." Shepherd pipes and agpipes drones arei$itated" The final $ove$ent )presto. is exhilarating and virtuosic" This Pastorale #asco$posed in 1:5 during Scarlatti9s late period" It recalls the piping of the shepherds#ho ca$e do#n into Ro$e fro$ the surrounding hills at &hrist$as ti$e"

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