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Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

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Page 1: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Physics of Animation

(Art/Physics 123)

Prof. Alejandro Garcia

Spring 2012

Page 2: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

My Contact Info

• Office: Science Bldg. Room 245• Office Phone: (408) 924-5244• Office Hours: Tues / Thurs 3:00-5:00pm

Also available by appointment. • E-mail: [email protected]• WWW: www.algarcia.org• Course website:

http://artphysics123.pbworks.com

Page 3: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Course Website

ArtPhysics123.pbworks.com

Page 4: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Course OverviewPhysics of Animation is an introduction to the principles and concepts of physics relevant to animation and special effects.

Course Outline

• Basic Animation• Character Animation• Effects Animation• Lighting and Rendering

Page 5: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Prerequisites

Physics of Animation is an Area R course for SJSU Studies (upper-division GE)

Course prerequisites are completion of core GE, satisfaction of WST, and upper division standing.

For students who begin continuous enrollment Fall 2005 or later, courses used to satisfy Areas R, S, and V must be taken from three separate SJSU departments or other distinct academic units.

Note that these prerequisites apply to any "SJSU Studies" course

Page 6: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Who Should Take This Course?

This course is most interesting for: Animation / Illustration art majors (ideally concurrent with Ani 114); Film majors; non-science majors interested in animation and special-effects.

This course is less interesting for:Science and engineering majors will probably not find this course to be interesting because they cover the same physics in their required courses.

Page 7: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Grades

• Two Term Papers (100 points each)

• Homework (200 points)

• Class Participation (50 points)

• Final Exam (50 points)

There will also be several

opportunities for extra credit.

Points Grade

500 – 401 A

400 – 301 B

300 – 201 C

200 – 101 D

100 – 0 F

Page 8: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Extra Credit OpportunityVisit “Renegade Humor” exhibition at the San Jose Museum of Art.

Exhibition opens on February 3rd

Turn in proof of your visit (ticket receipt or photos) for 5 points extra credit. For info: www.sjmusart.org

Page 9: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Homework

• Homework will be assigned weekly; see course website for the schedule.

• Assignments will include: Shooting video reference; analyzing video using tracking software; creating stop-motion animation; and working with computer animation programs.

• You will “turn in” your homework by uploading it to your personal blog.

Page 10: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

First Homework Assignment

Your first assignment is to set up a personal blog for this course.

You may use any system you prefer but I recommend using Blogger or Tumblr.

If you already have a personal blog then set up a separate blog exclusively for this course.

Page 11: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

First Homework AssignmentPlease use your real name on the blog. It will also

be helpful to me if you include a recognizable photo of yourself in your profile.

This course blog will mainly be used for posting your homework assignments but you can also post other comments. It's your blog.

You are encouraged to read each others blogs, especially if you give each other helpful comments and advice.

Page 12: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

First Homework Assignment

Once your blog has been set up, create a post entitled "The First Post"; write anything in that first post, it's just a place holder showing me that you're able to use the blog.

When your blog is set up, send me an e-mail ([email protected]) with the link.

5 points (Double points if you complete this assignment by midnight tonight.)

Page 13: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Special Topics

Textbook / Supplies

No textbook. Need a digital camera that can shoot video for homework. Also need a computer on which you can install programs.

Disabilities

Contact me if you’ve any special needs.

Emergencies

If we need to leave the room, please take your stuff with you.

Page 14: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Cheating

• Don’t.

Page 15: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Demos

• Frequent in-class demos to illustrate physics and animation concepts.

• Welcome volunteers

• Safety comes first

• No magic tricks, just physics

Page 16: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Class Demo: Vampire Stake

Page 17: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Introduction to Animation

Three basic types of animation:

Traditional Computer Stop-motion

Page 18: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Animated Feature FilmsFour of the top 10 films (worldwide gross)

of 2011 were animated feature films.

Kung Fu Panda 2 grossed over $660 million (worldwide)

#4

#7

#8

#10

Page 19: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Live-Action FilmsAnimation is also important in creating

special effects for live action films.

Top three grossing movies of 2011 (worldwide)

Page 20: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

CompositingAnimation is blended into live action films by compositing, which combines two or more separate images into a frame of film.

For example, all the green pixels in the left image are replaced with a computer-generated weather map.

Page 21: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Sin City (2005)

http://www.youtube.com/watch?v=91SiTspiFoc

Page 22: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

King KongAnimation compositing has advanced enormously from the original King Kong to the remakes.

1933

1976

2005

Page 23: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Diversity in Animation

Animation is more than just Hollywood

CG blockbusters

Page 24: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Video GamesThe gaming industry is even bigger than

Hollywood and animation is very important.

Modern Warfare 3 grossed $400 million in first 24 hours.

Page 25: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Good Animation is Hard

Even with modern software tools it is difficult to create high quality animation.

Something as simple as a bouncing ball isn’t easy to animate believably.

Page 26: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Simple Ball Bounce Animation

This is an example of a good ball bounce animation.http://www.youtube.com/watch?v=AL6i_gHsC2E

Page 27: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Rotoscoping

Scene is filmed and animators trace the images.

Used when the motion is too difficult for animators to capture effectively.

Patent drawing for Max Fleischer's original rotoscope (1915).

Animation is hard so producers have tried alternatives, such as rotoscoping.

Page 28: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Rotoscoping in Films

Rotoscoped animation is very noticeable so typically it’s used sparingly in films.

Rotoscope painters in modern films are mainly used to “white out” elements in a frame so that CG animation can be composited in.

A Scanner Darkly (2006)Cinderella (1950)

Page 29: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Waking Life (2001)

http://www.youtube.com/watch?v=uk2DeTet98o

Page 30: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Motion Capture (MoCap)

Motion capture is a modern tool in animation.

Scene is acted out and data from sensor points is used to assist in creating computer graphics images.

Beowulf (2007)

Page 31: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

ILM’s motion capture system (iMoCap) was developed for the characters in the Pirates of the Caribbean sequel, Dead Man’s Chest.

Motion capture technology continues to advance because directors want to capture actors’ performances.

In-Camera Motion Capture (iMoCap)

Page 32: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Facial Animation in Avatar

http://www.youtube.com/watch?v=i3ght3rl8Co

Page 33: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Good News, Bad News

Although rotoscoping and motion capture are useful for things like facial animation, they simply can’t match the work of a good animator.That’s the good news.

Creating good animation is hard!That’s the bad news.

How could it be made easier and better?

Page 34: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Physics and AnimationTo create realistic animations, animators need to

understand principles of mechanics.

Page 35: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Real World & Animated World

Understanding the real world helps in creating interesting animated worlds.

"Animation follows the laws of physics — unless it is funnier otherwise.“Art Babbitt, Disney animator, director, and creator of Goofy

Page 36: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

NSF Science Nation

Click to Play

http://www.youtube.com/watch?v=h6iu7e7jS1o

Page 37: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Physics EnginesAnimation and gaming software, such as Maya, have

physics “engines” that can be used to compute motion.

Easier to use these software tools knowing physics.

Page 38: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Four ‘A’s of Animation

In his book, Animation, The Mechanics of Motion, Chris Webster lists the following four levels for animated motion:

•Activity (arbitrary movement)•Action (physical motion)•Animation (purposeful motion)•Acting (motion with personality)

These categories are best understood by considering specific examples.

Page 39: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Activity (Level 1)

Opening sequence in Star War’s movies is an example of activity, the first level of animated motion.

The motion is arbitrary, without constraint of physical laws.

Page 40: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

“Activity” (Level 1) Example

http://www.youtube.com/watch?v=usqyAx23AdQ

Page 41: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Action (Level 2)

Action is the level of animation when objects move according to physical laws, such as a falling brick or a waving flag.

A good “drop test” has this level of animation.

Page 42: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

“Action” (Level 2) Example

http://www.youtube.com/watch?v=zwHFJy8X3po

Page 43: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Animation (Level 3)

At the Animation level the motion not only follows the physical laws but is also intentional, such as a bird flapping its wings or a human jumping.

A walk cycle or a jump test are at this level.

Page 44: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

“Animation” (Level 3) Example

http://www.youtube.com/watch?v=jwerYsdE9Xs

Page 45: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Acting (Level 4)At this highest level, Acting, not only is the motion intentional but it also conveys personality.

Curiosity Surprise Panic

Page 46: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

“Acting” (Level 4) Example

http://www.youtube.com/watch?v=d2iqgf-YYtU

Page 47: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Four ‘A’s of Animation (again)

1 - Activity (arbitrary movement)2 - Action (physical motion)3 - Animation (purposeful motion)4 - Acting (motion with personality)

Understanding physics helps animators achieve the second and third levels.The highest level, “Acting”, cannot be achieved without first creating animated motion that’s believable.

Page 48: Physics of Animation (Art/Physics 123) Prof. Alejandro Garcia Spring 2012

Next LecturePhysics of Falling

By Tuesday:Complete the 1st homework

(Create a personal blog for the course)