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Visual Storytelling & Documentary Photography Part 2 Ida C. Benedetto Addis Ababa University Jan 28, 2010

Photojournalism & Visual Storytelling AAU Part 2

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Page 1: Photojournalism & Visual Storytelling AAU Part 2

Visual Storytelling & ��� Documentary Photography���

Part 2 Ida C. Benedetto Addis Ababa University Jan 28, 2010

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Photo  Edi)ng  

  Photo  edi)ng  is  the  cra1  of  selec)ng  either  one  photograph  for  a  story  or  grouping  a  series  of  photographs  to  work  together.    Photo  edi)ng  is  as  important  to  good  visual  storytelling  as  shoo)ng  pictures.      

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Things  As  They  Are:  Photojournalism  in  Context  Since  1955  Mary  Panzer  &  Chris)an  Caujolle  

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Things  As  They  Are:  Photojournalism  in  Context  Since  1955  Mary  Panzer  &  Chris)an  Caujolle  

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Words  &  Pictures  

  Photographers  o1en  debate  what  words  can  and  can’t  do  for  photographs  and  vice  versa.    Cap)ons  should  add  to  the  photograph  rather  than  simply  repeat  it  in  words.  Cap)ons  are  only  one  way  words  and  images  work  together.          

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Women  sort  coffee  beans  for  roas)ng.  Vilma,  right,  had  le1  the    guerrilla  army  to  find  safety  in  Mexico  when  she  became  pregnant    with  Maria,  leaning  over  her  shoulder  in  the  picture.  Vilma’s  lover  died    in  combat  shortly  a1erward.

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Late one night, Martha lay in pain with a stab wound in her Leg in the emergency room of a Philadelphia hospital. She said, “He didn’t mean it. You have to believe that the person you love wouldn’t intentionally do this kind of thing.” 1987

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The  Bowery  in  two  inadequate  descrip4ve  systems,  Martha  Rosler,    1974–75  

“The  Bowery,  in  New  York,  is  an  archetypal  skid  row.  It  has  been  much  photographed,  in  works  veering  between  outraged  moral  sensi)vity  and  sheer  slumming  spectacle.  Why  is  the  Bowery  so  magne)c  to  documentarians?  It  is  no  longer  possible  to  evoke  the  camouflaging  impulses  to  “help”  drunks  and  down-­‐and-­‐outers  or  “expose”  their  dangerous  existence.”  

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Installa)on  view.  

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Rich  and  Poor  Jim  Goldberg,  1985  

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Print  is  Dead  

  Well,  maybe  not,  but  some)mes  it’s  fun  to  pretend.    Here  are  three  projects  that  present  photos  differently.        

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In  Silence  Susan  Meiselas  with  Human  Rights  Watch,  2009  

“Each  year  half  a  million  women  around  the  world  die  in  childbirth.  Twenty  percent  of  those  deaths  are  in  India.  Most  of  the  deaths  are  preventable  with  access  to  proper  healthcare.”

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http://inmotion.magnumphotos.com/essay/silent-maternal-mortality-india

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Abul  Thona  Baraka  Eric  Godesman  and  Hope  For  Children,    Ethiopia  -­‐  2006  

“I have often seen images from these projects that undercut the good intentions of the projects’ initiators by falling back into the old stereotypes and power dynamics that the collaborative process intends to avoid.  There are questions like: Who is editing this material?  Where is it being shown?  For what purpose? ”

http://www.ericgottesman.net/abulthonabaraka/abulthonabaraka1.html

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The  Whale  Hunt  Jonathan  Harris,2007    

  “I  documented  the  en)re  experience  with  a  plodding  sequence  of  3,214  photographs...  The  photographs  were  taken  at  five-­‐minute  intervals,  even  while  sleeping…  establishing  a  constant  'photographic  heartbeat'.  In  moments  of  high  adrenaline,  this  photographic  heartbeat  would  …  mimicking  the  changing  pace  of  my  own  heartbeat.”  

  hdp://thewhalehunt.org  

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http://thewhalehunt.org

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Visual  Poli)cs  &  Ethics  

Who  can  see  what  and  how?  

Why  do  certain  images  come  to  mind  around  certain  people  and  issues?  

What  do  we  consider  acceptable  behavior  for  making  journalis)c  photographs?  

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Carlos  Garcia  Rawlins/Reuters         Jan  Grarup  /Noor  Images  

Port  au  Prince  Hai)  -­‐  Tuesday  19.  In  the  central  part  of  the  capital  loo)ng    is  gelng  worse.  Desperate  people  roob  all  the  stores  and  warehouses    they  can  get  close  to.  Police  try  maintain  law  and  order  but  can  not  control    the  increasing  crows.  15  year  old  Fabienne  lies  dead  on  the  roof  of  a  building    shoot  in  the  head  by  Police  while  loo)ng  a  warehouse.  she  stole  some  frames    with  pictures  of  flowers.  (cap)on  from  Noor  Images)  

Was  her  body  moved?  

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Chris  Hondros/Gedy  Images                 US  Soldier  

Samar  Hassan  screams  moments  a1er  her  parents    Were  killed  when  American  soldiers  fired  on  their    car  as  they  were  driving  home  January  18,  2005  in    Tal  Afar,  Iraq.  Samar  and  four  siblings  survived  the    accidental  shoo)ng,  though  her  brother  Racan  was    seriously  wounded  and  later  would  be  flown  to  the    U.S.  for  treatment.    2006  (Cap)on  from  World  Press    Photo)      

Beginning  in  2004,  accounts  of  physical,    psychological,  and  sexual  abuse,  including    Torture,  rape,  sodomy,  and  homicide  of    prisoners  held  in  the  Abu  Ghraib  prison  in  Iraq  came  to  public  aden)on.  These  acts    were  commided  by  personnel  of  the  372nd    Military  Police  Company  of  the  United  States    Army  together  with  addi)onal  US  governmental    Agencies.  Source:  Wikipedia  

Embedded  Photography                      Personal  Snapshots  

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            Anthony  Suau  

ARBAYA,  GONDOR,  ETHIOPIA  -­‐  September  1983:  World    Vision,  a  chris)an  relief  organiza)on  delivers  food  by    small  plane  to  a  remote  region  of  Ethiopia's  Gondor    province.  A  famine  begins  in  Northern  Ethiopia  at  this    )me  that  will  eventually  kill  as  many  as  1  million  people    within  the  next  12  months  due  to  drought  and  civil  war.  

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     Aizo(s)h!  

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  Ira  Glass  on  Storytelling  –  taste,  talent     and  how  long  it  takes  to  get  good.  

           hdp://www.youtube.com/watch?v=-­‐hidvElQ0xE  

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Ida  C.  Benededo  www.idaimages.com  [email protected]      

This presentation is licensed Creative Commons.