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Photographs & Photobooks including Works From the Avon Collection 09/10/13

Photographs & Photobooks

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The September auction of Photographs & Photobooks featuring the works from the Avon Collection.

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Page 1: Photographs & Photobooks

Photographs & Photobooksincluding Works From theAvon Collection09/10/13

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Photographs & Photobooks includingWorks From the Avon Collection09/10/13

Exhibition:Friday September 6 10am-5pmSaturday September 7 12pm-5pmMonday September 910am-5pm

Catalogue: $25 in the gallery

Inside Front Cover: Lot 160 (detail)Inside Back Cover: Lot 162 (detail)

Color images of every lot are available atwww.freemansauction.com

Bidding:Bridgette Bonner267.414.1208fax: [email protected]

Auction:Sale 1467Tuesday September 10, 2013 at 11am

Inquiries:Aimee Pflieger267.414.1221 [email protected]

Fred Frederick267.414.1231 [email protected]

Printing by Brilliant Studio

Exton, Pennsylvania

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Important Information for BuyersRegistrationAll potential buyers must register for the sale prior toplacing a bid. Registration information may besubmitted in person at our reception desk, by fax orthrough our website at www.freemansauction.com.We will require proof of identification and residenceand may require a credit card and/or a bank reference.By registering for the sale, the buyer acknowledgesthat he or she has read, understood and acceptedFreeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bidprice and is payable by the buyer as part of the totalpurchase price. The Buyer’s Premium shall be: 25% onthe first $50,000 of the hammer price of each lot,20% on the portion from $50,001 through$1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8%Pennsylvania and Philadelphia sales tax. Dealerspurchasing for resale must register their tax numberson current PA forms. Forms should be submitted to ourClient Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates areprovided for guidance only. It is the buyer’sresponsibility to inspect all lots prior to bidding toensure that the condition is to their satisfaction. Ifpotential buyers are unable to inspect lots in person,our specialists will be happy to prepare detailedCondition Reports on individual lots as quickly aspossible. These are for guidance only, and all lots willbe sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned abidder number and given a paddle for use at the sale.Once the first bid has been placed, the auctioneer asksfor higher bids in increments determined by theauctioneer. To place your bid, simply raise your paddleuntil the auctioneer acknowledges you. The auctioneerwill not mistake a random gesture for a bid.

By phone A limited number of telephone lines areavailable for bidding by phone through a Freeman’srepresentative. Phone lines must be reserved inadvance. Requests must be submitted no later than 24hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room andat the back of the catalogue. These should besubmitted in person, by mail or by fax no later thanone hour prior to the scheduled start of the sale. Theauctioneer will bid on your behalf up to the limit.

On the internet A fully-illustrated catalogue isavailable on-line at www.freemansauction.com.Registered bidders may leave absentee bids throughthe web site and will receive email confirmation oftheir bid. Freeman’s is not responsible for errors orfailure to execute bids.

PaymentPayment is due within ten (10) working days of thesale. Lots purchased will not be released until we havereceived full payment. Payment may be made in cash,by check, money order, or debit card. Payments bycheck must clear the bank before goods will bereleased.

Removal of PurchasesDeliveries will not be made during the time of the saleunless otherwise indicated by the auctioneer. All itemsmust be paid for and removed within ten (10) workingdays of the sale. Purchases not so removed may beturned over to a licensed warehouse at the expenseand risk of the purchaser.

Shipping and PackingResponsibility for packing, shipping and insurance shallbe exclusively that of the purchaser. Upon request,Freeman’s will provide the purchaser with names ofprofessional packers and shippers known to us.

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Works from the Avon Collectionlots 1–87

Avon, with its well known, popular beauty products and long history of empowering women with ameans for financial independence, began compiling an art collection in the late 1990s with a focusalmost entirely on photographs. The collection was quickly recognized as an exemplary model ofcorporate citizenship for supporting female artists and displaying the collection in their globalheadquarters in New York for staff and clients to enjoy. Curated by prominent photographer SandiFellman and art historian and critic, Shelly Rice, it was built around the thesis of beauty through theeyes of women, and contains significant pieces by some of the most important female artists of thetwentieth century.

The Avon Collection consists of over ninety works by female photographers and was exhibited atthe International Center for photography in 1997. The artists represented come from diversebackgrounds and philosophical approaches, with work covering a range of photographic processesand styles. Although the group was assembled and curated to fit the objectives of Avon’s corporatemission, it must be regarded objectively as a cohesive, carefully considered collection thatshowcases some of the most striking examples of photographs of the twentieth century.

A portion of the proceeds from the sale of The Avon Collection will benefit the Avon Foundation forWomen, the world’s largest corporate-affiliated philanthropy focused on issues that matter most towomen including breast cancer research and access to care through the Avon Breast CancerCrusade, and efforts to reduce domestic and gender violence through its Speak Out AgainstDomestic Violence program.

Please note that all lots from the Avon Collectionnoted with a red bullet point ( ) after the lotnumber will be sold without reserve.

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4 www.freemansauction.com

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2BARBARA MORGAN(american, 1900-1992)“SPRING ON MADISON SQUARE”1938, printed later, signed and dated bottom right corner andtitled bottom left corner. Gelatin silver print.18 1/8 x 22 1/4 in. (46 x 56.5cm)provenance:Howard Greenberg Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$2,500-3,500

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1BERENICE ABBOTT(american, 1898-1991)“NIGHTVIEW, NEW YORK”1932, printed later, signed bottom right and with artist’sstamp verso. Gelatin silver print.13 1/8 x 10 3/8 in. (33.3 x 26.4cm)provenance:Howard Greenberg Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.literature:Berenice Abbott, Volume II: New York, Steidl, Göttingen, 2008,illustrated on frontispiece and on p. 35.$6,000-8,000

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3LOIS GREENFIELD(american, b. 1949)“DANIEL EZRALOW & ASHLEY ROLAND, ISO DANCE CO.”1986. Gelatin silver print.14 1/2 x 14 1/2 in. (36.8 x 36.8cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$600-800

6 www.freemansauction.com

This lot sold without reserve

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4INGE MORATH(austrian/american, 1923-2002)“CLASS IN LENINGRAD,STATE BALLET SCHOOL”1965. Gelatin silver print.sight: 12 1/2 x 8 3/8 in.(31.8 x 21.3cm)provenance:Howard Greenberg Gallery,New York, New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$800-1,200

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5OLIVIA PARKER(american, b. 1941)“FORM AND SUBSTANCE”1993. Gelatin silver print.sight: 15 x 19 in. (38.1 x 48.3cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

6LOTTE JACOBI(german/american, 1896-1990)“ABSTRACTION (PHOTOGENIC)”Ca. 1946, inscribed ‘original photogenic’ verso. Gelatin silverprint.14 x 11 in. (35.6 x 27.9cm)provenance:Howard Greenberg Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$1,500-2,500

8 www.freemansauction.com

This lot sold without reserve

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7CLARA SIPRELL(american/canadian, 1885-1975)“FLOATING ROSE”Ca. 1920, signed on mount. Gelatin silver print.9 1/4 x 7 1/4 in. (23.5 x 18.4cm)provenance:Howard Greenberg Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$600-800

8WYNN RICHARDS(american, 1888-1960)“GLASSWARE”Ca. 1930. Gelatin silver print.9 5/8 x 7 5/8 in. (24.4 x 19.4cm)provenance:Howard Greenberg Gallery, New York, New York.The Avon Collection, New York, New Yorkexhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$800-1,200

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9DOROTHY NORMAN(american, 1905-1997)“TARA AND RITA PAUDIT, WOODS HOLE”1943, inscribed with title and date on mount verso and withartist’s stamp. Gelatin silver print.3 5/8 x 2 7/8 in. (9.2 x 7.3cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$1,000-1,500

10 www.freemansauction.com

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10IMOGEN CUNNINGHAM(american, 1883-1976)“DATURA”Ca. 1940, printed later. Gelatin silver print.10 x 12 7/8 in. (25.4 x 32.7cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$4,000-6,000

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11LOUISE DAHL-WOLFE(american, 1895-1989)“NUDE IN DESERT”1948, printed later, signed verso. Gelatin silver print.10 1/2 x 10 in. (26.7 x 25.4cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$5,000-7,000

12 www.freemansauction.com

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12LOUISE DAHL-WOLFE(american, 1895-1989)“JAPANESE BATH”1954/1985, signed verso. Gelatin silver print.19 x 15 in. (48.3 x 38.1cm)provenance:Staley-Wise Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$5,000-7,000

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13SARAH MOON(french, b. 1941)“SASHA FOR THE NEW YORK TIMES”1995, signed, titled and numbered 1/30 verso. Color pigmenttransfer print.image: 13 7/8 x 10 5/8 in. (35.2 x 27cm)sheet: 15 x 12 in. (38.1 x 30.5cm)provenance:Staley-Wise Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$4,000-6,000

14 www.freemansauction.com

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14LILLIAN BASSMAN(american, 1917-2012)“DORIAN LEIGH, HARPER’S BAZAAR”1948/1992, signed, titled, dated, and inscribed ‘Archival Print/ series of 25 print no. 4’ verso. Gelatin silver print.12 x 12 in. (30.5 x 30.5cm)provenance:Howard Greenberg Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$5,000-7,000

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15COLLEEN KENYON(american, b. 1951)“COLLEEN, SHADY, NEW YORK”1984/1997. Gelatin silver print and oil paint.15 x 22 in. (38.1 x 55.9cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$800-1,200

16 www.freemansauction.com

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16DEBORAH TURBEVILLE(american, b. 1938)“FASHION”Ca. 1980. Polaroid transferprint.sight: 7 1/2 x 9 1/2 in.(19 x 24.1cm)provenance:Staley-Wise Gallery, New York,New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$800-1,200

17JOYCE TENNESON(american, b. 1945)“SUZANNE”1986. Silver dye bleach print.sight: 19 3/4 x 15 1/2 in.(50.2 x 39.4cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.see:Joyce Tenneson and VickiGoldberg, Joyce Tenneson: ALife in Photography, 1968-2008,Bullfinch Press, New York,2008, illus. p. 73.$800-1,200

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18four photographsLILO RAYMOND(american, b. 1922)“CUP ON MANTLE”,“OYSTERS”, “UNMADE BED,ROXBURY” AND “DRESS”1971. Gelatin silver prints.Various sizes, largest:13 x 8 5/8 in. (33 x 21.9cm)(4)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$1,000-1,500

18 www.freemansauction.com

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19KUNIÉ SUGIURA(japanese, b. 1942)“4 NECKS POSITIVE”1995. Toned gelatin silver print.sight: 40 x 30 in. (101.6 x 76.2cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$800-1,200

20 www.freemansauction.com

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20two photographsAMANDA MEANS(american, b. 1945)“FLOWER #33” AND“CHRYSANTHEMUM #1”1995. Gelatin silver prints.sight: 16 1/2 x 14 1/2 in.(41.9 x 36.8cm) and17 1/2 x 17 1/2 in.(44.5 x 44.5cm)(2)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$600-800

www.freemansauction.com 21

This lot sold without reserve

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21RUTH THORNE-THOMSEN(american, b. 1943)“MESSENGER #4”Gelatin silver print.sight: 40 x 28 in. (101.6 x 71.1cm)provenance:Laurence Miller Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$800-1,200

22ELLEN CAREY(american, b. 1952)UNTITLED1990/91, signed, titled, dated and numbered 1/3 onmount. Gelatin silver print.22 3/4 x 17 1/8 in. (57.8 x 43.5cm)provenance:Ricco/Maresca Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eyeof the Beholder: Photographs from the AvonCollection,” September 12-November 16, 1997.$600-800

22 www.freemansauction.com

This lot sold without reserve

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23SUSAN DERGES(british, b. 1955)“THE OBSERVER AND THE OBSERVED, #12”1991. Gelatin silver print.37 1/2 x 30 in. (94.3 x 76.2cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$10,000-15,000

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24PETAH COYNE(american, b. 1953)UNTITLED #8331995. Gelatin silver print.35 1/2 x 23 1/4 in.(90.2 x 59.1cm)provenance:Laurence Miller Gallery, NewYork, New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$1,500-2,500

24 www.freemansauction.com

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25three photographsJEANNETTE MONTGOMERY BARRON(american, b. 1956)“THE HOT DAY”Gelatin silver print.sight: 13 x 13 in. (33 x 33cm)and“TULIP LEAVES”1996. Gelatin silver print.sight: 13 x 13 in. (33 x 33cm)and“WIRES”Gelatin silver print.sight: 13 x 13 in. (33 x 33cm)provenance:Staley-Wise Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$600-800

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This lot sold without reserve

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26SHEILA METZNER(american, b. 1939)“GALVANO”1988/1991, signed, dated and inscribed‘ONE OF A KIND’ verso. Unique directcarbon print.sight: 24 1/2 x 16 in. (62.2 x 40.6cm)provenance:The Avon Collection, New York, NewYork.exhibited:International Center of Photography,New York, “Eye of the Beholder:Photographs from the Avon Collection,”September 12-November 16, 1997.$2,000-3,000

26 www.freemansauction.com

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27two printsDIANA SCHOENFELD(american, b. 1949)“RHYTHMIC ARRANGEMENT:WITHERED IRIS AND TEETH” AND“RHYTHMIC ARRANGEMENT:LUMINOUS PODS”1979, signed, titled and dated verso.Gelatin silver prints.(each): 7 x 5 in. (17.8 x 12.7cm)(2)provenance:The Avon Collection, New York, NewYork.exhibited:International Center of Photography,New York, “Eye of the Beholder:Photographs from the Avon Collection,”September 12-November 16, 1997.$600-800

www.freemansauction.com 27

This lot sold without reserve

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28JAN GROOVER(american, b. 1943)UNTITLED1979. C-print.sight: 18 1/4 x 14 1/2 in.(46.4 x 36.8cm)provenance:The Avon Collection, New York, NewYork.exhibited:International Center of Photography,New York, “Eye of the Beholder:Photographs from the Avon Collection,”September 12-November 16, 1997.$1,500-2,500

29JAN GROOVER(american, b. 1943)UNTITLED1980. C-print.sight: 17 7/8 x 13 3/4 in.(45.4 x 34.9cm)provenance:Janet Borden, New York, New York.The Avon Collection, New York, NewYork.exhibited:International Center of Photography,New York, “Eye of the Beholder:Photographs from the Avon Collection,”September 12-November 16, 1997.$1,500-2,500

28 www.freemansauction.com

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30JOANN CALLIS(american, b. 1940)“GOLDFISH AND STRINGBEANS”1980. C-print.sight: 17 x 21 3/4 in. (43.2 x 55.3cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

www.freemansauction.com 29

This lot sold without reserve

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31two photographsDIANE COOK

(american, b. 1954)“COLUMNAR BASALT,LATOURELL FALLS”Gelatin silver print.sight: 14 3/4 x 21 1/2 in.(37.5 x 54.6cm)and“MOONRISE OVER FISHINGCONE, YELLOWSTONENATIONAL PARK,WYOMING”Gelatin silver print.sight: 14 3/4 x 21 1/2 in.(37.5 x 54.6cm)(2)provenance:Yancey Richardson, New York,New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$500-800

30 www.freemansauction.com

This lot sold without reserve

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32LYNN DAVIS(american, b. 1944)“ICEBERG 20, DISKO BAY, GREENLAND, 1988”1988, signed, dated 1997, numbered 8/10 in ink and with credit reproduction limitationstamp and printer’s mark on the reverse of the flush-mount. Gelatin silver print.28 x 28 in. (71.1 x 71.1cm)provenance:Houk Friedman, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of the Beholder: Photographs fromthe Avon Collection,” September 12-November 16, 1997.$4,000-6,000

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33MARILYN BRIDGES(american, b. 1948)“YIN YANG POOL, CALEDONIA, NY”1981. Gelatin silver print.sight: 14 5/8 x 18 1/2 in. (37.2 x 47cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$300-500

32 www.freemansauction.com

This lot sold without reserve

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34MARILYN BRIDGES(american, b. 1948)“OASIS, HUACACHINA, PERU”1989. Gelatin silver print.sight: 14 1/2 x 18 1/2 in. (36.8 x 47cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$300-500

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35LINDA CONNOR(american, b. 1944)“ENTWINED BUDDHA,AYUTHAYA, THAILAND”1988. Gelatin silver print onprinting-out paper.sight: 17 3/4 x 22 1/2 in.(45.9 x 57.2cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$300-500

36GAIL SKOFF(american, b. 1949)“BALINESE DANCERS”Hand colored gelatin silverprint.sight: 12 1/2 x 12 1/4 in.(31.8 x 31.1cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$800-1,200

34 www.freemansauction.com

This lot sold without reserve

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37ROSAMOND PURCELL(american, b. 1942)“VOLUTES ON A BOOK”1996. Silver dye bleach print.sight: 14 1/2 x 16 3/4 in.(36.8 x 42.5cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$500-800

38ELAINE MAYES(american, 1938-2011)“RAINBOW AND CANE,OLOWALU, MAUI”1990. C-print.sight: 14 3/4 x 22 in.(37.5 x 55.9cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$600-800

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39KAREN TWEEDY-HOLMES(american, b. 1942)“PAUL AND MATTHIAS”1967. Gelatin silver print.sight: 12 1/8 x 8 3/8 in.(30.8 x 21.3cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

40GAIL SKOFF(american, b. 1949)“TONIO”1991. Gelatin silver print withoil paint.18 1/2 x 18 1/2 in. (47 x 47cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$800-1,200

36 www.freemansauction.com

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41SABINE WEISS(swiss, b. 1924)“LITTLE GIRL, LITTLE TREE,SPAIN”1981. Gelatin silver print.sight: 11 3/4 x 7 3/4 in.(29.8 x 19.7cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$800-1,200

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42MARY ELLEN MARK(american, b. 1941)“ACROBATS REHEARSING THEIR ACT AT THE GREATGOLDEN CIRCUS, AHMEDABAD, INDIA”1989, signed, titled, dated and numbered 15/25 verso.Platinum print.19 x 19 in. (48.3 x 48.3cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$3,000-5,000

38 www.freemansauction.com

This lot sold without reserve

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43SABINE WEISS(swiss, b. 1924)UNTITLED (GIRL IN CHAIR)1954. Gelatin silver print.sight: 11 1/2 x 7 3/4 in. (29.2 x 19.7cm)provenance:Howard Greenberg Gallery, New York, NewYork.The Avon Collection, New York, New York.exhibited:International Center of Photography, NewYork, “Eye of the Beholder: Photographs fromthe Avon Collection,” September 12-November16, 1997.$800-1,200

44CHERYL YOUNGER(american, b. 1946)“MY DAUGHER IS THE ONE IN THE TUTUWITHOUT SEQUINS”1980. Gelatin silver print.sight: 11 1/2 x 17 3/4 in. (29.2 x 45.1cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, NewYork, “Eye of the Beholder: Photographs fromthe Avon Collection,” September 12-November16, 1997.$400-600

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45two photographsKATHERINE TURCZAN(american, b. 1965)“CHILD AT CAMP FORCHILDREN OF CHERNOBYL”1991, signed, dated, titled andnumbered 2/15 verso. Gelatinsilver print.22 3/4 x 18 in.(57.8 x 45.7cm)and“CHILDREN AT CAMP FORCHILDREN OF CHERNOBYL”1991. Gelatin silver print.sight: 17 1/2 x 22 1/2 in.(44.5 x 57.2cm)(2)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$600-1,000

40 www.freemansauction.com

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46ANDREA MODICA(american, b. 1960)“TREADWELL, NEW YORK”1992. Platinum/palladiumprint.sight: 9 1/8 x 7 1/4 in.(23.2 x 18.4cm)provenance:Houk Friedman Gallery, NewYork, New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$800-1,200

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47ABIGAIL HEYMAN(american, 1942-2013)THREE PORTRAITSfrom “dreams & schemes”1979-82/1997. Gelatin silverprints.sight (each): 10 1/2 x 16 in.(26.7 x 40.6cm)(3)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$600-800

42 www.freemansauction.com

This lot sold without reserve

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48SALLY MANN(american, b. 1951)“THE VIRTUOUS GIRL”1994, signed, titled, dated and numbered 5/25 verso. Gelatinsilver print.18 3/8 x 22 3/4 in. (46.7 x 57.8cm)provenance:Houk Friedman Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$8,000-12,000

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49TERESA CASELLE HACK(american, 1912-2002)“MARCELLE LABAUDT”1995. C-print with acrylicpaint.sight: 9 1/2 x 13 3/8 in.(24.1 x 34cm)provenance:Julie Saul Gallery, New York,New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

50BECKY YOUNG(american, b. 1939)“MYRA AND MOTHER”1979. C-print.sight: 10 1/4 x 10 1/4 in.(26 x 26cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

44 www.freemansauction.com

This lot sold without reserve

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51two photographsMARY FREY(american, b. 1948)“MAN FASTENING PEARLS”1979-1983. Gelatin silver print.sight: 14 1/2 x 18 in.(36.8 x 45.7cm)and“GIRLS FIXING HAIR ONBEACH”from “domestic rituals”1979-83, signed, titled anddated verso. Gelatin silverprint.14 1/2 x 19 1/4 in.(36.8 x 48.9cm)(2)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

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52ABIGAIL HEYMAN(american, 1942-2013)UNTITLEDfrom “growing up female”1971/1997. Gelatin silver print.15 3/4 x 10 1/2 in. (40 x 26.7cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

53JUDY DATER(american, b. 1941)“LAURA MAE”1973. Gelatin silver print.sight: 17 1/2 x 14 in. (44.5 x 35.6cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$600-800

46 www.freemansauction.com

This lot sold without reserve

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54MARSHA BURNS(american, 20th century)“HELEN, FIREFIGHTER”1992. Gelatin silver print.sight: 19 1/4 x 15 1/4 in. (48.9 x 38.7cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$300-500

55ANNE NOGGLE(american, 1922-2007)“ALMOST A LADY- A SELF-PORTRAIT”1996, signed, titled and dated verso. Gelatin silver print.17 1/2 x 11 5/8 in. (44.5 x 29.5cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

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56JOANNE LEONARD(american, b. 1940)“IN MY MOTHER’S GARDEN”1991, signed center right.Mixed media collage.sight: 8 1/4 x 11 in.(21 x 27.9cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$600-800

57ERICA UHLENBECK(indonesian/dutch, b. 1947)“INTERIOR WITH BIRD”1994. C-print.sight: 23 3/4 x 16 3/4 in.(60.3 x 42.5cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

48 www.freemansauction.com

This lot sold without reserve

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58TOMIE ARAI(american, 2oth century)“LAUNDRYMAN’S DAUGHTER”1988. Color screenprint.27 x 20 in. (68.6 x 50.8cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$200-400

59JOYCE NEIMANAS(american, b. 1944)“BABY TALE”1995. Ink jet print.sight: 18 1/2 x 12 3/4 in. (47 x 32.4cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$200-400

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60DEBORAH WILLIS(american, 20th century)“CHRISTMAS 1995”Mixed media.overall: 69 x 42 in.(175.3 x 106.7cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$1,000-1,500

50 www.freemansauction.com

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61three collagesELAINE LUSTIG-COHEN(american, b. 1927)“ESPANA”, “CONFIRM BY TELEGRAM” AND “CORTINA”1994-1996. Mixed media collages.Various sizes, largest: 9 1/4 x 7 1/4 in. (23.5 x 18.4cm)(3)provenance:Julie Saul Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$600-1,000

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62two photographsSANDI FELLMAN(american, b. 1952)“LA DORMEUSE”C-print.24 x 20 in. (61 x 50.8cm)and“THE WHITE HOTEL”C-print.24 x 20 in. (61 x 50.8cm)(2)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

52 www.freemansauction.com

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63MARCIA LIPPMAN(american, b. 1944)“SIRENETTA”1993. Toned gelatin silver print.sight: 11 1/4 x 17 in. (28.6 x 43.2cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$600-800

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64NANCY GOLDRING(american, b. 1945)“THE OCULAR PROOF: SLEEP”1995. Silver dye bleach print.23 1/4 x 18 3/4 in. (59.1 x 47.6cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

65CHERYL YOUNGER(american, b. 1946)“MERCEDES AS ‘FLAMING JUNE’”1996. C-print and mixed media.overall: 23 x 19 in. (58.4 x 48.3cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

54 www.freemansauction.com

This lot sold without reserve

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66EILEEN COWIN(american, b. 1947)“MIRROR OF VENUS”1988. Silver dye bleach print.39 x 47 in. (99 x 119.4cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$1,000-1,500

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67MARIE COSINDAS(american, b. 1925)“VIVIENNE”1966, signed bottom right. Silver dye bleach print.sight: 19 1/4 x 15 in. (48.9 x 38.1cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

68MARIE COSINDAS(american, b. 1925)“NICOLE”1966, signed bottom right. Silver dye bleach print.sight: 19 1/4 x 15 in. (48.9 x 38.1cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

56 www.freemansauction.com

This lot sold without reserve

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69BEA NETTLES(american, b. 1946)“BUTTERFLY”1980. Unique gum bichromateprint on vinyl.sight: 23 1/2 x 19 1/2 in.(59.7 x 49.5cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

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71CARRIE MAE WEEMS(american, b. 1953)“GOD BLESS THE CHILD”from the series “from here isaw what happened and icried”1996, signed, dated andnumbered 6/10 verso.Monochrome c-print withsandblasted text on glass.overall: 23 3/8 x 16 1/2 in.(59.4 x 41.9cm)provenance:P.P.O.W. Gallery, New York,New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$8,000-12,000

70LORRAINE O’GRADY(american, b. 1934)“A MOTHER’S KISS”from “miscegenated familyalbum”1980/1994, titled and signedon mount verso. Silver dyebleach print.sight (each): 13 x 19 1/4 in.(33 x 48.9cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$500-800

58 www.freemansauction.com

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72MARTHA ROSLER(american, b. 1943)“NEW YORK”1996. C-print.26 x 39 in. (66 x 99.1cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$4,000-6,000

60 www.freemansauction.com

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73DIANE TANI(american, b. 1965)“COMMUNIQUÉ”1989. C-print.approx. 15 1/2 x 19 1/2 in.(39.37 x 49.5cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$400-600

74JUDITH GOLDEN(american, b. 1934)“HELLO FRESH FACE”from “magazine makeoverseries”1976, signed and dated verso.Unique mixed media collage.14 x 11 in. (35.6 x 27.9cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$1,000-1,500

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75LORNA SIMPSON(american, b. 1960)“DETAILS”1996, a portfolio of 21 photogravures on Somerset with text,14/40 (there were 9 artist’s proofs); published by Sean Kelly,New York, New York and Karen McCready Fine Art, NewYork, New York. Title page signed by artist.each sheet: 10 x 8 in. (25.4 x 20.3cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$4,000-6,000

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76KATHY GROVE(american, b. 1948)“THE OTHER SERIES: AFTERLANGE”1989. Gelatin silver print.19 x 18 in. (48.3 x 45.7cm)provenance:The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$800-1,200

66 www.freemansauction.com

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77two photographsNANCY BURSON(american, b. 1949)“FIRST AND SECONDBEAUTY COMPOSITES”1982, each titled, signed,dated, numbered 9/15 andinscribed “with R.C. & D.K.”Gelatin silver prints.7 15/16 x 8 7/8 in.(20.2 x 22.5cm)(2)provenance:Richard Carling and DavidKramlich.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.

note:First Beauty Composite depictsBetty Davis, Audrey Hepburn,Grace Kelly, Sophia Loren andMarilyn Monroe.Second Beauty Compositedepicts Jane Fonda, JacquelineBisset, Diane Keaton, BrookeShields and Maryl Streep.$4,000-6,000

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78three photographsMARY BETH EDELSON(american, b. 1933)“LIGHT FEET: THE BURNED ONE PRAYS FOR LIGHT FEET”1977, titled and with artist’s stamp verso. Gelatin silver printsmounted to board.each: 20 x 20 in. (50.8 x 50.8cm)(3)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$1,500-2,500

68 www.freemansauction.com

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79MARINA ABRAMOVIC(serbian, b. 1946)“THE LOVERS”1988. C-print with ink drawing.overall: 24 x 24 in. (61 x 61cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$3,000-5,000

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70 www.freemansauction.com

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81SOPHIE RIVERA(american, 20th century)“BLIZZARD”Ca. 1980. Gelatin silver print.sight: 14 3/4 x 14 3/4 in. (37.5 x 37.5cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

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80ELLEN BROOKS(american, b. 1946)UNTITLED (RED BALLS)1987. Silver dye bleach print.38 1/2 x 25 in. (97.8 x 63.5cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

This lot sold without reserve

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83PENELOPE UMBRICO(american, b. 1980)UNTITLED (OBJECT COLLECTION #2)30 collaged 4 x 6 in. c-prints.overall: 23 1/2 x 29 in. (59.7 x 73.7cm)provenance:Julie Saul Gallery, New York, New York.The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$500-800

82LORIE NOVAK(american, 20th century)UNTITLED1990. C-print.28 1/2 x 38 in. (72.4 x 96.5cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

72 www.freemansauction.com

This lot sold without reserve

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84BARBARA KARANT(american, b. 1952)UNTITLED1983. C-print.sight: 19 1/4 x 14 3/4 in. (48.9 x 37.5cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$400-600

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85BARBARA ESS(american, b. 1948)UNTITLED1991. C-print.39 1/2 x 29 1/4 in.(100.3 x 74.3cm)provenance:Curt Marcus Gallery, NewYork, New York.The Avon Collection, NewYork, New York.exhibited:International Center ofPhotography, New York, “Eyeof the Beholder: Photographsfrom the Avon Collection,”September 12-November 16,1997.$500-800

74 www.freemansauction.com

This lot sold without reserve

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86SANDY SKOGLUND(american, b. 1946)“THE GREEN HOUSE”1990. Silver dye bleach print.46 1/2 x 58 1/2 in. (118.1 x 149.9cm)provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$20,000-25,000

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87CINDY SHERMAN(american, b. 1954)UNTITLED FILM STILL1978/1993, from the edition of 30, signed and dated verso.Gelatin silver print.7 3/8 x 9 3/8 in. (18.7 x 23.8cm)note:This print was part of a benefit portfolio for October magazinein 1993.provenance:The Avon Collection, New York, New York.exhibited:International Center of Photography, New York, “Eye of theBeholder: Photographs from the Avon Collection,” September12-November 16, 1997.$8,000-12,000

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Photographslots 88–238

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88UNKNOWN ARTISTMILLSTEAD HOME, GERMANTOWN, PHILADELPHIAQuarter plate daguerreotype in embossed mat with roundedcorners, missing cover.$200-400

8925 CASED IMAGESNinth to whole plate tintypes and ambrotypes depicting men,women, and children in various poses, including one post-mortem portrait. Some with handcoloring. Some with partialcases.(25)$150-250

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90FIFTEEN CASED IMAGESQuarter (3), ninth (3), and sixth (8) plate daguerreotypes,tintypes and ambrotypes depicting men and women invarious poses. Most cased but some missing covers.Including works by Keely, Philadelphia and Jacob Shew,Sacramento.(15)$200-400

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91three large format tintypesUNKNOWN ARTISTPORTRAITS7 x 4 1/2 in. (17.8 x 11.4cm), 6 1/2 x 4 1/2 in. (16.5 x 11.4cm),7 x 5 in. (17.8 x 12.7cm)(3)$400-600

92two large format tintypesUNKNOWN ARTISTPORTRAITS8 1/2 x 6 1/2 in. (21.6 x 16.5cm)(2)$600-800

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93four tintypesCIVIL WAR SOLDIERSQuarter and sixth plate uncased tintypes.(4)$300-500

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94TINTYPE COLLECTIONApproximately 75 tintypes ranging from stamp size to wholeplate, depicting children, couples, families, horse drawnwagons, and seaside scenes. Some handcolored.$600-800

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95TINTYPE COLLECTIONApproximately 75 tintypes ranging from stamp size to wholeplate, depicting children, couples, families, horse drawnwagons and seaside scenes. Some handcolored.$600-800

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96HENRI LE SECQ(french, 1818-1882)PORTRAIT OF A YOUNG BOYCa. 1850. Salt print.9 5/8 x 6 7/8 in.(24.4 x 17.5cm)$1,500-2,500

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97twenty six photographsBEDFORD, FRITH, ROSLING,RICHARDS AND OTHERSVIEWS OF WALES ANDENGLANDCa. 1880. Albumen andwoodburytypes, somemounted to card.6 3/8 x 8 1/4 in. (17.1 x 21cm)Unframed(26)$1,000-1,500

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98three albumen printsBISSON FRÈRES(french, 1814-1876 and 1826-1900)ALPINE VIEWSCa. 1860, each with red‘Bisson Freres’ stamp onmount, embossed artist’sstamp on photograph bottomleft, and titled in pencil bottomright. Albumen prints.including:“Vallée de Chamonix vue duChapeau”: 13 1/8 x 17 3/4 in.(33.3 x 45cm)“Vue de l’Arveyron”(titled“source du l’Arveyron”inpencil): 9 1/2 x 15 5/8 in.(24.1 x 39.7cm)“Le serac du géant”:9 3/8 x 15 5/8 in.(9 3/8 x 39.7cm)each sheet: 17 3/4 x 24 3/8 in.(45.1 x 61.9cm)Unframed(3)$3,000-5,000

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99four albumen printsBISSON FRÈRES(french, 1814-1876 and 1826-1900)ALPINE VIEWSCa. 1860, each with red artist’s stamp on mount, embossedartist’s stamp in photograph bottom left and titled in pencilbottom right. Albumen prints.including:“Le Mont-Blanc et glacier des Bossons”: 11 x 17 1/2 in.(27.9 x 44.5cm)“Mt. Blanc, Vue du Jardin”: 11 5/8 x 16 3/4 in.(29.5 x 42.5cm)“Mer de Glace vue de la Flégère et Château de Chillon”:12 1/4 x 17 5/8 (31.1 x 44.8cm)Trees and Mont Blanc (titled indistinctly): 14 7/8 x 9 1/8 in.(37.8 x 23.2cm)Unframed(4)$3,000-5,000

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100sixty photographsSOMMER, BROGI, PONTI, CAPITOLINO AND OTHERSITALIAN VIEWSCa. 1880, some inscribed and embossed with photographer’sname. Albumen prints mounted to card.each (approx): 7 x 9 in. (17.8 x 22.9cm)Unframed(60)$1,500-2,500

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101“PANORAMAS DES ALPES-MARITIMES”Album of 23 albumen panoramic views of La Corniche, Nice,Monaco, Cannes, and Menton bound within red cover withgold embossed letters.each image approx. 5 1/2 x 11 in. (14 x 27.94cm)$400-600

102“POMPEI”Album of approximately 50 albumen prints of Pompei boundwithin red leather cover with embossed decoration and goldletters on cover and spine.each image approx. 8 x 10 in. (20.3 x 25.4cm)$400-600

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104FRANCIS FRITH(british, 1822-1898)“SINAI AND PALESTINE”volume oneCa. 1862. 37 mounted albumen prints (including smaller5 3/4 x 4 1/2 in. (14.6 x 11.4cm) mounted frontispiecephotograph) bound within olive colored cloth boards with giltlettering on cover and spine. London: William Mackenzie andCompany, publisher.each: 6 1/2 x 9 in. (16.5 x 22.9cm)$4,000-6,000

103FRANCIS FRITH(british, 1822-1898)“THE PYRAMIDS OF SAKKARAH FROM THE NORTH EAST”Ca. 1857. Mammoth plate albumen print mounted to card.15 1/4 x 19 1/4 in. (38.7 x 48.9cm)see:Richard Lunn, Francis Frith’s Egypt and the Holy Land, TheFrancis Frith Collection, Salisbury, 2005, p. 143.$15,000-25,000

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105twenty six photographsBONFILS, BECHARD, SEBAH,DUMAS AND OTHERSMIDDLE EASTERN VIEWSCa. 1880. Albumen printsmounted to card.each (approx.): 7 x 9 in.(17.8 x 22.9cm)Unframed(26)$1,000-1,500

106two photograph albumsBEATO, GARZON, BONFILS,ALINARI AND OTHERSTwo photograph albums withapproximately 150 albumenprints, 9 gelatin prints, 8 colorphotomechanicalreproductions and 14 ofunknown medium featuringscenes from Spain, Germany,Italy, Egypt, Greece, Syria,Jerusalem, and Bethlehem.Photographers include RafaelGarzon (2), Purger & Co. (8),Fabiani (1), Felix Bonfils (47),Antoine Beato (24), A. Reber(2), Fratelli Alinari (41),George und ConstantineZangaki (1), Fabiani (1),Unknown (58).(2).provenance:By family descent.Private Collection.note:This lot will be accompaniedby a postcard dated Feb. 2,1905.$2,000-3,000

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107thirteen photographsATTRIBUTED TO TANCRÈDE R. DUMAS(italian, 1830-1905)PORTRAITS (SYRIA, DAMASCUS, JERUSALEM)Ca. 1860s-1880s. Albumen prints mounted to card.Various sizes, each approx. 9 x 6 in. (22.9 x 15.24cm)Unframed(13)$1,000-1,500

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108five albumsSÉBAH, BEATO, BONFILS AND OTHERSCAIRO, EGYPT VOL. I, THE NILE, EGYPT, VOL. II,PALESTINE, VOL. I & II, PALESTINE & SYRIA VOL. III5 albums contaning 128 albumen prints and collotypes, somehandcolored.each image approx. 10 x 12 in. (25.4 x 30.5cm)(5)including:CAIRO, EGYPT VOL. I, J.P. Sebah, G. Sommer 22 photographsThe NILE, EGYPT, VOL. II, J.P. Sebah, A. Beato, Zanganaki: 31photographsPALESTINE, VOL. I, Bonfils (and possibly anotherphotographer), 26 photographsPALESTINE, VOL. II, Bonfils (and possibly anotherphotographer), 24 photographsPALESTINE & SYRIA VOL. III, Bonfils, 24 photographsnote:This lot will be sold to benefit the Doylestown HistoricalSociety.$4,000-6,000

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109five travel albumsFRITH, ZANGAKI BROTHERSAND OTHERS5 albums containingphotographs of the UnitedKingdom, France, Switzerland,Belgium, Malta, Australia andEgypt by variousphotographers.(5)$600-1,000

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110fourty two photographsVARIOUS PHOTOGRAPHERSVIEWS OF INDIACa. 1880. Albumen printsmounted to card.each (approx): 7 x 9 in.(17.8 x 22.9cm)Unframed(42)$1,500-2,500

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111KUSAKABE KIMBEI(japanese, 1841-1934)JAPANESE SCENESCa. 1880. 23 hand colored albumen prints mounted to cardand bound within coverless album.each approx.: 8 1/4 x 10 1/2 in. (21 x 26.7cm)(23)$1,500-2,500

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112eight printsKUSAKABE KIMBEI(japanese, 1841-1934)JAPANESE SCENESCa. 1880. Handcolored albumen prints mounted to card.each approx.: 8 x 10 1/2 in. (20.3 x 26.7cm)Unframedincluding:Miyanoshita (2)Atami (2)Tonosawa (2)andHakone (2)$1,000-1,500

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113KEYSTONE VIEW CO.“TOUR OF THE WORLD” STEREOGRAPH SET WITH VIEWERComplete set of volumes I-XII contained within navy blue fauxbook spine boxes. Includes the electrified “telebinocular”stereoviewer.$400-600

114MAISON DE LA BONNE PRESSE180 STEREOVIEWS OF ROMECa. 1900. 15 sets of gelatin silver stereoviews of Rome.Including Series 124, 125, 128, 132-134, 136, 142-146, 148-150(180)$400-600

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115PERIER ÉDITEUR, PARIS85 CABINET CARDSAlbumen prints of Paris andenvirons mounted to card.(85)$300-500

116GROUP OF STERESCOPIC VIEWERS AND CARDS(19th century)Walnut, rosewood and birds-eye maple tabletop stereoscopicviewer by NEGRETTI & ZAMBRA with multiple hinged,folding parts, fretwork decoration and ivory company tag.Together with three additional handheld stereoscopes, 7Napolean stereoviews by G. Sommer, a group of 29stereoviews by various artists, a set of views of Salt Lake City,and a set of 67 stereoviews of Egypt.$400-600

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11741 cartes-de-visitesVARIOUS ARTISTSNOTABLE AMERICAN STATESMEN AND SCHOLARSAlbumen prints mounted to card.3 3/4 x 2 1/4 in. (9.5 x 5.7cm)(41)including:Dwight Lyman (Ryther) Moody, Leonidas Polk, Andrew GreggCurtin, Nathaniel Prentiss Banks, Charles Sumner, JamesHenry Lane, Abraham Oakey Hall, Lyman Trumbull, OliverPerry Morton, Philip Paul Bliss, James McCosh, WilliamCassaday Cattell, Benjamin Tredwell Onderdonk, EdwinHubbell Chapin, John McCloskey, Jonathan MayhewWainright, Charles O’Conor, Henry and Lucretia Clay, ThurlowWeed, Evangelinus Apostolides Sophocles, Cornelius ConwayFelton, Julius Hawley Seelye, Theodore Dwight Woolsey,Lemuel Shaw, Leonard Bacon, Rufus Choate, StephenHiggingson Tyng, Clement Laird Vallandigham, SolonRobinson, James Murray Mason, George Hunt Pendleton,Charles Slaughter Morehead, John Letcher, James TophamBrady, Daniel Webster, John Worth Edmonds, Stephen ArnoldDouglas, John Minor Botts, Theodore Tilton, Benjamin GratzBrown, Charles Elliott, and Frederick Augustus Tallmadge.$1,500-2,500

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118VARIOUS ARTISTSINCLUDING CHARLESDUDLEY ARNOLD(late 19th century)PHOTO ALBUM: CANADA,ALASKA, NEW YORK,CHICAGOCa. 1892. Album containing 62albumen prints of Banff,Canada, Alaska, YellowstonePark, Fishers Island, New Yorkand the Chicago World’s Fair.$400-600

119FAIRMAN R. DICK(american, 1886-1976)VIEWS OF THE PACIFICCOAST1909. Album containingapproximately 175photographs created foremployees of Lee, Higginson &Co. documenting a trip to theAmerican Pacific coast.Fairman R. Dick was asuccessful investmentcounselor and an expert inrailroad regulations. Born inPhiladelphia, he rose toprominence while workingwith a number of investmentfirms (including Lee, Higginson& Co.) on Wall Street beforeorganizing his own firm in1915. This album documentsthe trip west for severalmembers of Lee, Higginson &Co. and includes manyphotographs documentingrailroad travel at the turn ofthe century, as well asdocumentation of dams, falls,pumping stations and mines inthe Pacific Northwest region.$100-200

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120J. ZYBACH, WILLIAM NOTMAN, I.W. TABER, FRANK J.HAYNES, BAILEY AND NEELANDS AND OTHERS(19th century)PHOTO ALBUM: CANADA, ALASKA, PACIFIC NORTHWEST1888-89. Photo album containing approximately 75 albumenphotographs of Niagara Falls, Quebec, Montreal, Vancouver,Alaska and Pacific Northwest.print sizes ranging from 2 x 4 in. to 10 x 13 in. (5 x 10.2cm to25.4 x 33cm)$1,000-1,500

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121seventeen glass stereoscopic negativesJAMES CREMER(american, 1821-1893)EARLY VIEWS OF PHILADELPHIACa. 1871-1875. A group of 17 glass stereoscopic negatives and several matching stereoviews.each negative approx. 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm)including:N. E. From Sixth and Chestnut, #846Continental Hotel, #C25Independence Hall, Interior, #97Independence Hall Interior, #99Farmer’s Market, #101Spring Garden Street, Fairmount (Ellet) Bridge, #112Independence Hall, Chamber, #375Pennsylvania Hospital, #402 and 403Philadelphia School for the Deaf, Broad Street and Pine (Currently University of the Arts Dorrance Hamilton Hall), #439Merchant’s Exchange, Walnut and 3rd Streets, #637Northeast from 6th and Chestnut Streets, #846Quaker Almshouse, #923Bank, Spring Garden & 12th StreetCity Hall ConstructionBirds eye view from Independence HallIndependence Hall interior (missing plate)Independence Hall, back(17)note:This lot will be accompanied by the photographer’s wooden storage box, two stereoscopic viewers and a contact printer.provenance:Private Collection.note:Images illustrated are inverted from the negatives.$2,000-3,000

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James Cremer began his career selling supplies for Holmes, Booth and Haydens, a photographic supplymanufacturer in New York City, becoming a partner in the firm in 1854. In 1855 he established his ownphotographic supply house in Philadelphia. In 1860 he opened a portrait studio on 8th Street, where healso sold stereoviews of Philadelphia. By 1872 he was the largest publisher of stereoviews in the city,and among the largest in the country. He documented the construction of City Hall from 1873-1875and won the bronze medal at the Franklin Institute Industrial Exhibition for his views of Fairmount Park.At the Centennial Exhibition, he won a medal for his Graphoscope, an instrument for viewingphotographs, which he patented in 1875. In 1882 he sold the stereoview business to John WanamakerDepartment store and retired to Brooklyn, NY.

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122ten glass stereoscopic negativesJAMES CREMER(american, 1821-1893)THE CENTENNIAL INTERNATIONAL EXPOSITION, PHILADELPHIA1876. A group of 10 glass stereoscopic negatives documenting the Centennial International Exposition, held in Fairmount Park,Philadelphia, Pennsylvania.each negative approx. 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm)including:Main building- South Entrance, #C5Machinery Hall, #771Birds eye view of Grounds, #C44South from George’s Hill, #C42 (two views)Main Hall (non stereo)Operti’s Garden, #C28 and C29Agricultural Hall (non stereo)Statue, #118-6(10)provenance:Private Collection.note:Images illustrated are inverted from the negatives.$1,500-2,500

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123twenty glass stereoscopic negativesJAMES CREMER(american, 1821-1893)FAIRMOUNT PARK, PHILADELPHIACa. 1873-1875. A group of 20 glass stereoscopic negatives and several matching stereoviews (some handcolored).each negative approx. 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm)including:Lover’s Walk, #16Graff Mounument in Old Park, #121Wissahickon at the Mouth, #139Point Lookout, #22Fairmount Park Brown Street Entrance, #32General View of Old Park, #116Boat on the Schuykill near Wissahickon Creek, #137View in Old Park, #168North from River Drive, #208Rocky Path at Reservoir, #268Belmont Dining Hall, #249Turbine Wheel House, #238Waterworks Engine House and Forebay, #496Lookout Mountain East Park, #497Summer House Near Fairmount Reservoir, #751 (2 similar views)Waterworks DamThe Solitude House (now part of the Philadephia Zoo)Edward Kerney’s Hudson Bay Wolves Statue, The Philadelphia ZooStatue in Fairmount Park(20)provenance:Private Collection.note:Images illustrated are inverted from the negatives.$2,000-3,000

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124fourteen glass stereoscopic negativesJAMES CREMER(american, 1821-1893)MAUCH CHUNK (JIM THORPE), WILMINGTON, WASHINGTON, D.C., NIAGARA FALLS, SAN FRANCISCOCa. 1873-1875. A group of 14 glass stereoscopic negatives and several matching stereoviews (some handcolored).each negative approx 4 x 6 1/2 in. (10.2 x 16.5cm), mounted to another piece of glass measuring 5 x 8 in. (12.7 x 20.3cm)including:Mauch Chunk, Broadway, #133 and 136Mauch Chunk, Second Old Courthouse, #137Mauch Chunk, Bridge and RiverMauch Chunk, Mt. Jefferson PlaneWashington, D.C., General Winfield Scott Statue, #150Washington, D.C., Senate Front, U.S. Capitol Building, #2482Washington, D.C., U.S. Treasury Building, #2304Niagara Falls, Suspension Bridge, #2318Wilmington, Old Swedes Church, #364 and 410San Francisco, Metropolitan TheaterWaterfall, #312 (unknown location)Rural town scene (unknown location)(14)provenance:Private Collection.note:Images illustrated are inverted from the negatives.$1,500-2,500

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125EADWEARD MUYBRIDGE(american/british, 1830-1904)PLATE 63from “animal locomotion”Collotype.19 x 24 in. (48.3 x 61cm)Unframed$800-1,200

126EADWEARD MUYBRIDGE(american/british, 1830-1904)PLATE 599from “animal locomotion”Collotype.19 x 24 in. (48.3 x 61cm)Unframed$800-1,200

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127EADWEARD MUYBRIDGE(american/british, 1830-1904)PLATE 520from “animal locomotion”Collotype.19 x 24 in. (48.3 x 61cm)Unframed$800-1,200

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128UNKNOWN ARTIST(french, 19th century)ROSES BARONNE DE ROTHSCHILDCa. 1870’s. Albumen print mounted on blue card stock.10 3/4 x 8 1/4 in. (27.3 x 21cm)Unframed$1,500-2,500

129UNKNOWN ARTIST(french, 19th century)ROSES BARONNE DE ROTHSCHILDCa. 1870’s. Albumen print mounted on blue card stock.10 3/4 x 8 1/4 in. (27.3 x 21cm)Unframed$1,500-2,500

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130five photographsVICTORIAN NUDESCa. 1900. Albumen and silverbromide prints.largest: 8 3/4 x 5 1/2 in.(22.2 x 14cm)(5)$600-1,000

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131six printsEUGENE ATGET(french, 1857-1927)VERSAILLESCa. 1904. Each titled and numbered 6521 (2), 6471, 6477, 6490, 6469 verso.Albumen prints.each: 7 x 8 1/2 in. (17.8 x 21.6cm)Unframed(6)provenance:Julien LevyPhiladelphia Museum of Art, Philadelphia, Pennsylvania.see:John Szarkowski, Atget, Museum of Modern Art, New York, 2000, appendix.Peter Barbarie, Looking at Atget, Philadelphia Museum of Art, 2005, similarexamples illustrated p. 41-52.$2,000-3,000

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The following four lots of Atget prints were once owned by Julien Levy, the legendary New York artdealer who championed Atget's photography in the 1930s and who helped photographer BereniceAbbott bring a large group of Atget's pictures to the United States.

Lots 131-134 will be sold to benefit the Philadelphia Museum of Art.

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132nine printsEUGENE ATGET(french, 1857-1927)TUILERIES GARDENSCa. 1907. Each titled and numbered 5483, 5484, 5485,5486 (3), 5478 and 29_7 verso. Albumen prints.each: 7 x 8 1/2 in. (17.8 x 21.6cm)Unframed(9)provenance:Julien LevyPhiladelphia Museum of Art, Philadelphia, Pennsylvania.see:John Szarkowski, Atget, Museum of Modern Art, New York,2000, appendix.Peter Barbarie, Looking at Atget, Philadelphia Museum ofArt, 2005, another example of 5485 illustrated p. 16.$2,500-3,500

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133eight printsEUGENE ATGET(french, 1857-1927)INTERIORS1910-14. Each titled and numbered 709, 728, 758, 763, 745(2), 765, 768 verso and one with Collection Berenice Abbottinkstamp verso. Albumen prints.each: 7 x 8 1/2 in. (17.8 x 21.6cm)Unframed(8)provenance:Julien LevyPhiladelphia Museum of Art, Philadelphia, Pennsylvania.see:John Szarkowski, Atget, Museum of Modern Art, New York,2000, similar examples illustrated p. 122, 124, and 125.Peter Barbarie, Looking at Atget, Philadelphia Museum of Art,2005, other examples illustrated p. 24-25 and 36.$2,500-3,500

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135EUGÈNE ATGET(french, 1857-1927)“VERSAILLES LE PARC”1904. With Atget’s stamp and handwritten title and inventorynumber (6459) in pencil verso. Albumen print.7 x 8 1/2 in. (17.8 x 21.6cm)see:John Szarkowski, Atget, Museum of Modern Art, New York,2000, appendix.$4,000-6,000

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134five printsEUGENE ATGET(french, 1857-1927)VIEWS OF LUXEMBOURG GARDENS AND THE PALAISROYALCa 1910. Each titled and numbered 4434, 4918, 1587 (2), and487 verso and one with artist’s ink stamp verso. Albumen andbaryta clay-coated silver prints.each: 7 x 8 1/2 in. (17.8 x 21.6cm)Unframed(5)provenance:Julien LevyPhiladelphia Museum of Art, Philadelphia, Pennsylvania.$2,000-3,000

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136four copies of “camera work”EDITED BY ALFRED STIEGLITZNUMBERS 2, 5, 37 AND 39NUMBER 2 (1903): Missing front cover and spine. Includes Edward Steichen’s “Rodin,” “The Pool,” “Self-portrait,” “Bartholomé,”“Dolor,” “Lenbach,” “Besnard” (halftone), “Portrait” (halftone), “Nude with Cat” (halftone), and “Judgment of Paris—ALandscape Arrangement” (halftone).

NUMBER 5 (JANUARY 1904): Missing back cover and spine. Includes Robert Demachy’s “In Brittany,” “Street in Mentone,”“Severity” (halftone), “On the Lake” (halftone), “Contrasts,” “Struggle” (halftone), and Prescott Adamson’s “Smoke.”

NUMBER 37 (JANUARY 1912): Missing back cover and spine. Includes David Octavius Hill’s “Sir Francis Grand, P.R.A,” “Lady inFlowered Dress,” “Girl in Straw Hat,” and “Mr. Rintoul, Editor “Spectator.”

NUMBER 31 (JANUARY 1904)Cover intact but damaged. Includes Paul Haviland’s “The Spanish Shawl,” “The Japanese Lantern,” “Miss Doris Keane,” “Totote,”“Mr. Christian Brinton,” and “Passing Steamer.” Also includes John Marin’s “In the Tirol- No. 23” , Manolo’s “Reproduction of aDrawing” (halftone), H. Mortimer Lamb’s “Portrait Group” and M. De Zayas’ “L’Accoucheur d’Idées.”(4)$3,000-5,000

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137seven printsEDWARD STEICHEN(american, 1879-1973)CARL SANDBERGGroup of gelatin silver prints of various sizes (largest:7 1/2 x 9 1/2 in. (19.1 x 24.1cm), one gelatin silver print byJohn Vachon and one by unknown photographer. Severalinscribed with sitter’s and photographer’s names as well asstamps from Harcourt and Brace Publishers.(9)$6,000-10,000

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138EMIL OTTO HOPPÉ(british, 1878-1972)WOMAN IN PATTERNEDDRESSCa. 1920, signed in ink bottomleft on image and with artist’sstamp verso. Gelatin silverprint.8 x 4 3/4 in. (20.3 x 12.1cm)Unframed$1,000-1,500

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139ANNE W. BRIGMAN(american, 1869-1950)FATHER AND DAUGHTER1930, signed and dated bottom right. Double mounted gelatinsilver print.7 5/8 x 9 5/8 in. (19.4 x 24.4cm)Unframed$1,500-2,500

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140LENI RIEFENSTAHL(german, 1902-2003)“IN DER SAUNA”1936, printed later, signed and titled recto, numbered 8/25and with artist’s inkstamp verso. Gelatin silver print.8 7/8 x 11 1/2 in. (22.5 x 29.2cm)Unframed$2,500-3,500

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141LENI RIEFENSTAHL(german, 1902-2003)“APHRODITE UND FAUN”1936, printed later, titled andsigned on mount, numbered5/25 and with arist stampverso. Gelatin silver print.10 1/8 x 8 3/4 in.(25.7 x 22.2cm)Unframedprovenance:Wessel + O’Connor Gallery,New York, New York.$1,500-2,500

142LENI RIEFENSTAHL(german, 1902-2003)“LEBENDIGE ANTIKE”1936, signed and titled recto,numbered 9/25 and with artiststamp verso. Silver gelatinprint.8 7/8 x 10 1/8 in.(22.5 x 25.7cm)Unframed$1,500-2,500

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143HERBERT LIST(german, 1903-1975)“GIPSABGÜSSE IN DERAKADEMIE I (PLASTERCASTS, ACADEMY I)”1946, titled, inscribed withexposure notations and ‘à droit,enversée,’ and with artist’scopyright stamp verso. Vintagegelatin silver print.11 3/4 x 9 in. (29.8 x 22.9cm)Unframedsee:Max Scheler, “Herbert List: TheMonograph,” The MonacelliPress, New York, 2000, similarexample illustrated on p. 114and 141.provenance:Robert Miller Gallery, NewYork, New York.$4,000-6,000

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144HERBERT LIST(german, 1903-1975)“MATROSE 2 (SAILOR 2), VIAREGGIO, 1936”1936, estate stamped and signed by Max Scheler verso.Vintage gelatin silver print.6 7/8 x 9 in. (17.3 x 22.9cm)Unframedprovenance:Robert Miller Gallery, New York, New York.$4,000-6,000

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145GEORGE PLATT LYNES(american, 1907-1955)“TED STARKOWSKI”1954, with artist’s ink stampverso. Vintage gelatin silverprint.9 1/8 x 7 3/8 in.(23.2 x 18.7cm)Unframedprovenance:Wessel O’Connor Gallery, NewYork, New York.$1,500-2,500

146GEORGE PLATT LYNES(american, 1907-1955)“CHARLES ‘TEX’ SMUTNEYAND CHARLES ‘BUDDY’STANLEY”1941, stamped by artist verso.Vintage gelatin silver print.8 x 10 in. (20.3 x 25.4cm)provenance:Wessel + O’Connor Gallery,New York, New York.$1,000-1,500

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147GEORGE PLATT LYNES(american, 1907-1955)“NUDE, CALIFORNIA”Ca. 1947, with Paul Cadmusand Jon Anderson ink stampsverso. Vintage gelatin silverprint.7 1/2 x 7 in. (19 x 17.8cm)provenance:DC Moore Gallery, New York,New York.Jon Anderson.Paul Cadmus.$1,000-1,500

148GEORGE PLATT LYNES(american, 1907-1955)“TONY SANSONE”1932. Gelatin silver print.6 3/4 x 4 7/8 in.(17.1 x 12.4cm)Unframed$800-1,200

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149AKBAR PADAMSEE(indian, b. 1928)“NUDE STUDY 12 (L)”2006, signed, dated andnumbered 9/20. Digital gelatinsilver print.31 x 19 1/8 in. (78.7 x 48.6cm)provenance:Private Collection, New York.$1,500-2,500

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150AKBAR PADAMSEE(indian, b. 1928)“NUDE STUDY 11”2006, signed, dated and numbered 11/20. Digital gelatinsilver print.25 x 32 in. (63.5 x 81.3cm)provenance:Private Collection, New York.$1,500-2,500

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151EDWARD WESTON(american, 1886-1958)“SHELL (NAUTILUS)”1927, printed later, titled, dated and signed by Cole Westonverso. Gelatin silver print.9 3/8 x 7 1/4 in. (23.8 x 18.4cm)see:Gilles Mora, Edward Weston: Forms of Passion, Harry Abrams,New York,1995, p. 151.$5,000-7,000

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152EDWARD WESTON(american, 1886-1958)NUDE1934, printed later, titled, dated and signed by Cole Westonverso. Gelatin silver print.3 1/2 x 4 1/2 in. (8.9 x 10.2cm)$4,000-6,000

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153ARTHUR ROTHSTEIN(american, 1915-1985)“FLOOD REFUGEE”1937, printed later, signed bottom right, titled and dated verso.Gelatin silver print.12 x 9 in. (30.5 x 22.9cm)Unframedprovenance:Grace Rothstein.$2,000-3,000

154MIKE DISFARMER(american, 1884-1959)SAILOR AND FRIENDfrom “heber springs portraits”Ca. 1939-46, printed later, with artist’s embossed statedstamp bottom right, and ink stamped twice and numbered23/75 verso. Gelatin silver print.image: 7 x 11 3/4 in. (17.8 x 29.9cm)Unframed$1,000-1,500

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155two printsWALKER EVANS(american, 1903-1975)“KENTUCKY”1961, titled, dated and withartists’s stamp on mountverso. Gelatin silver print.7 3/4 x 11 1/2 in.(19.7 x 29.2cm).andUNTITLEDCa. 1960. Gelatin silver print.6 7/8 x 7 3/4 in.(17.5 x 19.7cm)each unframed(2)$1,000-1,500

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156ANSEL ADAMS(american, 1902-1984)“MOONRISE FROM GLACIERPOINT”1948/ca. 1965, signed bottomright in ink on mount recto,with artist’s “Special Edition ofFine Prints/Photographs ofYosemite” ink stamp, inscribedtitle, and numbering 173 ofS.E.Y. no. 18 verso. Gelatinsilver print.9 3/4 x 7 1/2 in. (24.8 x 19cm)$3,000-5,000

157ANSEL ADAMS(american, 1902-1984)“JEFFREY PINE, SENTINELDOME, YOSEMITE”1940/ca. 1965, signed bottomright in ink on mount recto,with artist’s “Special Edition ofFine Prints/Photographs ofYosemite” ink stamp, inscribedtitle, and numbering 501 ofS.E.Y. no. 7 verso. Gelatin silverprint.7 3/4 x 9 3/4 in.(19.7 x 24.8cm)$3,000-6,000

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158IMOGEN CUNNINGHAM(american, 1883-1976)“RON AND MY FATHER, ISAAC BURNS CUNNINGHAM”1936, with inscription presumably by artist verso ‘October1936 / Ron & Father / 19-91’. Vintage gelatin silver print.4 3/4 x 3 5/8 in. (12.1 x 9.2cm)Unframednote:This lot will be accompanied by a letter signed and dated byRondal Partridge from the Imogen Cunningham trust.$1,500-2,500

159ANSEL ADAMS(american, 1902-1984)FERNSCa. 1945/ca. 1965, signed bottom right in ink on mount recto,with artist’s “Special Edition of Fine Prints/Photographs ofYosemite” ink stamp, inscribed title, and numbering 162 ofS.E.Y. no. 14 verso. Gelatin silver print.7 3/4 x 9 3/4 in. (19.7 x 24.8cm)$1,500-2,500

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160IRVING PENN(american, 1917-2009)CUZCO PORTERS IN WOOLLEN MASKS1948, with photographer’s and Conde Nast stamps verso.Vintage gelatin silver print.10 5/8 x 10 in. (27 x 25.4cm)Unframed$10,000-15,000

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161LOUIS FAURER(american, 1916-2001)“BARNUM AND BAILEY DRESSING ROOMS, NYC”1950/printed ca. 1981, signed and dated. Gelatin silver print.8 1/8 x 12 1/8 in. (20.6 x 30.8cm)Unframedsee:Anne Wilkes Tucker, “Louis Faurer,” Merrell PublishersLimited, London, England, in association with The Museum ofFine Arts, Houston, Texas, 2002, p. 138.provenance:The artist.Private Collection.$2,000-3,000

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162LOUIS FAURER(american, 1916-2001)“RAT RACE (42ND STCOLLAGE)”1946-49/1980, signed anddated, inscribed, signed anddated again verso. Gelatinsilver print.9 7/8 x 7 3/8 in.(25.1 x 18.7cm)Unframedsee:Anne Wilkes Tucker, “LouisFaurer,” Merrell PublishersLimited, London, England, inassociation with The Museumof Fine Arts, Houston, Texas,2002, p. 87.provenance:The artist.Private Collection.$1,500-2,500

163ELLIOT ERWITT(american, b. 1928)BRITISH RAILWAYS1952, printed later, withprinted signature recto, andtitled, dated, signed andnumbered 42/30 verso.Gelatin silver print.12 1/4 x 18 in. (31.1 x 45.7cm)provenance:The artist.Private Collection.$800-1,200

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164LOUIS FAURER(american, 1916-2001)“14TH STREET HORN & HARDART, NY, NY”1947/1981, signed and dated. Gelatin silver print.8 1/4 x 11 15/16 in. (21 x 30.3cm)Unframedsee:Anne Wilkes Tucker, “Louis Faurer,” Merrell PublishersLimited, London, England, in association with The Museum ofFine Arts, Houston, Texas, 2002, p. 90.provenance:The artist.Private Collection.$2,500-3,500

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165LARRY CLARK(american, b. 1943)UNTITLEDfrom “tulsa”1979, signed, dated andinscribed ‘TL 74’ in pencilverso. Gelatin silver print.8 x 12 in. (20.3 x 30.5cm)Unframed$1,000-1,500

166LISETTE MODEL(american, 1901-1983)“SAMMY’S, NEW YORK”1940-44, printed later, signedin ink verso. Gelatin silverprint.19 3/4 x 15 7/8 in.(50.2 x 40.3cm)Unframed$1,500-2,500

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167DIANE ARBUS(american, 1923-1971)“THE HOUSE OF HORRORS, CONEY ISLAND, NY, 1962”1962/1978, titled, signed by Doon Arbus, numbered 3/75 anddated verso. Gelatin silver print.20 x 16 in. (50.8 x 40.6cm)provenance:Robert Miller Gallery, New York, New York.$6,000-10,000

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168portfolio of twelve printsHERMAN LEONARD(american, 1923-2010)“IN MEMORIUM (SIC)”1948-91, published 1992. A portfolio of 12 halftone prints,each titled and signed. Title page signed, dated, numbered38/300 and dedicated by the photographer. Each printwrapped in glassine sleeve and contained within black silkmoire bound clamshell case with gilt title as issued.each sheet: 14 x 11 in. (35.6 x 27.9cm)$2,000-3,000

169four photographsOLE BRASK(danish, 1935-2009)RAY CHARLES, DUKE ELLINGTON, LOUIS ARMSTRONG &BUDDY TATE AND ROY ELDRIDGEGelatin silver prints.each approx: 13 1/4 x 9 in. (33.7 x 22.9cm)Unframed(4)Accompanied by first edition copy of “Jazz People” with textby Dan Morgenstern and photographs by Ole Brask, Harry N.Abrams, Inc., New York, 1976.$1,000-1,500

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170LOUIS FAURER(american, 1916-2001)OSCAR PETERSON1950, signed, dated andinscribed ‘NYC’ and signed,dated, inscribed and stampedwith date and artist’s nameverso. Vintage gelatin silverprint.9 1/2 x 7 1/2 in. (24.1 x 19cm)Unframed$5,000-7,000

171ROBIN CARSON(american, 20th century)BILLIE HOLIDAYCa. 1936, signed on mount.Vintage gelatin silver print.13 1/2 x 10 3/4 in.(34.3 x 27.3cm)Unframed$500-800

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172HORST P. HORST(american/german, 1906-1999)RITA HAYWORTH1941, signed in red crayon onmat recto, signed and datedverso. Gelatin silver print.14 x 11 in. (35.6 x 27.9cm)$3,000-5,000

173EDWARD PFIZENMAIER(american, b. 1926)KATHERINE HEPBURN,TURTLE BAY, N.Y.C.1967, signed, dated, inscribedand with artist’s stamp verso.Vintage gelatin silver print.13 5/8 x 10 5/8 in.(34.6 x 27cm)Unframed$1,500-2,500

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174ROBERT RIGER(american, 1924-1995)WILLIE MAYS, NEW YORKGIANTS, TRIPLES IN EBBETSFIELD1955, printed later, signed,dated and numbered 4/24.Gelatin silver print.10 1/4 x 13 1/2 in.(26 x 34.3cm)$800-1,200

175KASHIO AOKI(japanese, 20th century)MARILYN MONROE AND JOEDIMAGGIO ONHONEYMOON1954/1998, dated 1998 andwith Edward WestonCollection inkstamp verso.Gelatin silver print.sheet: 8 x 10 in.(20.3 x 25.4cm)$400-600

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176MILTON GREENE(american, 1922-1985)MARILYN MONROE1956/1979, signed, dated and with photographer’s stampverso. Gelatin silver print.16 x 20 in. (40.6 x 50.8cm)$500-700

177BRUNO BERNARD (BERNARD OF HOLLYWOOD)(german, 1912-1987)NORMA JEAN, FIRST SITTING1946/1993, numbered 30/300 bottom left, signed by SusanBernard and dated 6/29/93 verso. Gelatin silver print.sheet: 14 x 11 in. (35.6 x 27.9cm)$400-600

178GEORGE BARRIS(american, b. 1928)“WHITE ROBE AT BEACH”from “the last pictures”1962/1987, signed bottom right in black ink, stamped‘COPYRIGHT 1987 GEORGE BARRIS / MARILYNMONROE/WESTON EDITIONS LTD.’ verso in red ink. C-print.sheet: 14 x 11 in. (35.6 x 27.9cm)$800-1,200

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179BERT STERN(american, 1929-2013)THE LAST SITTINGWith gray cloth cover and pictorial dustjacket. Signed by artiston title page. William Morrow and Company, Inc., New York,1982.$100-150

180TOM KELLEY(american, 1914-1984)“MARILYN MONROE ON RED VELVET, POSE #10”1949/1990, initialed by Hugh Hefner, numbered 198/300. C-print.38 1/2 x 30 in. (97.8 x 76.2cm)$2,500-3,500

181TOM KELLEY(american, 1914-1984)“MARILYN MONROE, POSE #2”1949/1980, signed bottom right and numbered 133/300bottom left. C- print.37 x 29 in. (94 x 73.7cm)sheet: 39 1/2 x 30 in. (100.3 x 76.2cm)$2,500-3,500

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182BERT STERN(american, b. 1929)“MARILYN MONROE: THE LAST SITTING”the complete set of ten photographs1962, each signed and numbered 170/250 (there were 20 artist’s proofs), each signed and dated verso;New York: Shorewood Atelier for Woodbine Books Inc., publisher. The complete set of ten color couplerprints, accompanied by portfolio case with signed and numbered colophon.each approx. 19 x 19 in. (48.3 x 48.3 cm)(10)see:Bert Stern, The Last Sitting, William Morrow and Company, Inc., New York, 1982, p. 30, 76, 77, 138, 139.$10,000-15,000

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183three printsWILLIAM CHRISTENBERRY(american, b. 1936)ALABAMA AND MISSISSIPPI, 1964-19761964-1976/2006-2007, each signed, titled, dated andnumbered verso. Digital c-prints.each image approx.: 12 x 18 in. (30.5 x 45.7cm)Unframed(3)including:Magenta Car, Havana, Alabama, 1967/2006, 5/25“Do You Believe In Jesus, I Do,” Stephen Sykes Place, NearAberdeen, Mississippi, 1996/2007, 9/25Guinea Church, near Moundville, Alabama, 1964/2006, 3/25$6,000-8,000

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184DANNY LYON(american, b. 1942)“THE COTTON PICKERS,TEXAS”1968/1987, signed, titled anddated bottom right and withthe printer’s stamp and dateverso. Gelatin silver print.12 1/4 x 18 1/4 in.(31.1 x 46.4cm)Unframed$4,000-6,000

185WILLIAM EGGLESTON(american, b. 1939)UNTITLED (TWO BOYSWALKING ON RAILROADTRACKS)1970’s. Unique C-print.5 3/8 x 8 1/4 in. (13.7 x 21cm)Unframedprovenance:Fay Gold Gallery, Atlanta,Georgia.$2,000-4,000

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186EDWARD PFIZENMAIER(american, b. 1926)“SALVADOR DALI, ST. REGIS, N.Y.C.”1964, signed, titled, dated and with artist’s stamp verso.Vintage gelatin silver print.10 7/8 x 9 3/8 in. (27.6 x 23.8cm)Unframed$1,500-2,500

187PHILLIP HALSMAN(american, 1906-1979)“DALI’S LEOPARD SKULL”1951/1978, signed, numbered 12/500, titled and with artist’sstamp verso. Gelatin silver print.13 x 10 1/4 in. (33 x 26cm)$400-600

188DUANE MICHALS(american, b. 1932)“MAGRITTE”1979, titled, signed and numbered 9/100; Insitute ofContemporary Art, Philadelphia, publisher. Gelatin silver print.image: 4 7/8 x 7 1/4 in. (12.4 x 18.4cm)Unframed$1,000-1,500

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189JEAN JACQUES BUGAT(french, b. 1948)ANDY WARHOL ANDRABBIT, RUE PRINCESSE1966, later impression, signed,titled, dated and with GalerieGrace Radziwill and artist’sstamp verso. Gelatin silverprint.18 3/4 x 13 in. (47.6 x 33cm)Unframed$400-600

190EDWARD PFIZENMAIER(american, b. 1926)ANDY WARHOL1960, signed, dated, and withartist’s stamp verso. Vintagegelatin silver print.13 3/4 x 10 1/2 in.(34.9 x 26.7cm)Unframed$1,500-2,500

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191PAUL FUSCO(american, b. 1930)“JANIS JOPLIN SAN FRANCISCO CONCERT, NOVEMBER 21,1969”1969, signed, titled and stamp-dated November 21, 1969twice verso. Dye transfer print.13 1/4 x 18 1/2 in. (33.7 x 47cm)Unframed$1,000-1,500

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192JEAN-PIERRE FIZET(french, b. 1942)JOHN LENNON AND YOKOONO1971, printed later, signed andnumbered 14/20, and with theGalerie Grace Radziwill inkstamp and signed again verso.Gelatin silver print.15 7/8 x 11 7/8 in.(40.3 x 30.2cm)Unframed$800-1,200

193GERARD MALANGA(american, b. 1943)WILLIAM S. BURROUGHS1975, with artist’s embossedstamp at bottom right inmargin. Gelatin silver print.7 7/8 x 11 1/2 in.(20 x 29.2cm)$600-800

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194five portraitsARTHUR MONES(american, 1919-1998)STEPHEN ANTONAKOS, BRUCE NAUMAN, ROBERTSTACKHOUSE, JUDY PFAFF, HEIDI FASNACHT1979-1989, each signed, titled and dated. Gelatin silver print.each: 13 1/2 x 10 1/2 in. (34.3 x 26.7cm)Unframed(5)note:This lot is being sold for the benefit of the Brooklyn Museum.$600-1,000

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195four portraitsARTHUR MONES(american, 1919-1998)KENZO OKADA, OSAMU NOGUCHI, RAOUL HAGUE (2)1980-81, each signed, titled and dated. Gelatin silver print.each: 13 1/2 x 10 1/2 in. (34.3 x 26.7cm)Unframed(4)note:This lot is being sold for the benefit of the Brooklyn Museum.$400-600

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196four portraitsARTHUR MONES(american, 1919-1998)WILLIAM DE KOONING, REUBEN NAKIAN, ESTEBANVICENTE, GIORGIO CAVALLON1980-81, each signed, titled and dated. Gelatin silver print.each: 13 1/2 x 10 1/2 in. (34.3 x 26.7cm)Unframed(4)note:This lot is being sold for the benefit of the Brooklyn Museum.$600-1,000

166 www.freemansauction.com

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197RUDOLPHE (RUDY) BURKHARDT(swiss/american, 1869-1950)RODIN SCULPTURE BEFORE A KLINE PAINTING (FOR ARTSYEARBOOK)Artist’s stamp verso. Gelatin silver print.6 x 9 3/8 in. (15.2 x 23.8cm)Unframed$1,000-2,000

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198JERRY UELSMAN(american, b. 1934)“THE PHOTOGRAPHER’SEYE”1967, signed, titled and datedverso. Gelatin silver print.14 x 11 in. (35.6 x 27.9cm)$1,000-1,500

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199JERRY UELSMAN(american, b. 1934)UNTITLED1982, signed, titled, dated and with the artist’s copyright inkstamp verso. Gelatin silver print. 19 3/8 x 15 1/2 in.(49.2 x 39.4cm)Unframed$1,000-1,500

200JERRY UELSMAN(american, b. 1934)UNTITLED1983, signed, titled, dated and with the artist’s copyright inkstamp verso. Gelatin silver print. 19 5/8 x 14 3/8 in.(49.8 x 36.5cm)Unframed$1,000-1,500

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201EIKOH HOSOE(japanese, b. 1933)“MAN ON ROCK TOP”1975, signed and dated 1976recto and titled, signed anddated 1975 verso. Gelatinsilver print.9 x 9 in. (22.9 x 22.9cm)Unframed$1,000-1,500

202EIKOH HOSOE(japanese, b. 1933)“BA-RA-KEI: ORDEAL BYROSES #25”1962, signed in pencil rectoand dated, titled and signedagain verso. Gelatin silverprint.11 1/2 x 8 in. (29.2 x 20.3cm)Unframed$1,000-1,500

170 www.freemansauction.com

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203EIKOH HOSOE(japanese, b. 1933)“BA-RA-KEI: ORDEAL BYROSES”Ca.1962, with artist stampverso. Gelatin silver print.11 7/8 x 8 7/8 in.(30.2 x 22.5cm)Unframed$1,000-1,500

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204PAUL CAPONIGRO(american, b. 1932)“DEATH VALLEY, CA.”1985, signed on mat and titled,dated, numbered #10 andsigned again verso. C-print.10 1/8 x 15 1/8 in.(25.7 x 38.4cm)$1,500-2,500

205MARTINE FRANCK(belgian, 1938-2012)“THE JEAN GIONO SUITE”1999. Suite of 5 signed prints,each numbered 3/45; LimitedEditions Club, New York, NewYork, publisher. Photogravureson Arches, contained withinrusset cloth covered portfoliobox as issued.each sheet: 19 x 15 in.(48.3 x 38.1cm)including:“Col De L’Homme Mort: Alpesde Haute Provence,” “LeContadour: Near Banon, Alpesde Haute Provence,” “ChapelNotre Dame De Lure: Alpes deHaute Provence,” “Roots-Montjustin: Alpes de HauteProvence,” and “Le Contadour:Overlooking the Jabron Valley,Alpes de Haute Provence”$1,000-1,500

172 www.freemansauction.com

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206ELIOT PORTER(american, 1901-1990)“MAPLE AND BIRCH TRUNKSAND OAK LEAVES,PASSACONAWAY ROAD,NEW HAMPSHIRE, OCTOBER7, 1956”1956/1979, signed on mount,with the Daniel Wolf Press,Inc. and Eliot Porter stampsverso, from the edition of 230.Dye transfer print containedwithin wove paper folio printedwith title.13 3/8 x 10 5/8 in.(34 x 27cm)Unframed$4,000-6,000

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207DUANE MICHALS(american, b. 1932)UNTITLED (WRAPPED TORSO)from “eros and thanatos”1985, signed bottom right, platinum print mounted to ricepaper and mounted to board.image: 11 1/4 x 16 5/8 in. (28.6 x 42.2cm)mount: 22 x 28 in. (55.9 x 71.1cm)Unframed$2,000-4,000

208JOCK STURGES(american, b. 1947)“EVA, LA JENNY, FRANCE”2003, signed, dated and numbered 11/25 verso. Gelatin silverprint.13 x 9 15/16 in. (33 x 25.2cm)Unframed$1,500-2,500

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209ROBERT MAPPLETHORPE(american, 1946-1989)“ORCHID”1982, numbered 2/10 and with artist’s estate stamp signedand dated by Michael Ward Stout verso. Gelatin silver print.15 1/4 x 15 1/4 in. (38.7 x 38.7cm)Unframedprovenance:Fay Gold Gallery, Atlanta, Georgia.literature:Mapplethorpe: The Complete Flowers, TeNeues, Kempen,Germany 2006, pl. 49.$5,000-7,000

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210MICHAEL KENNA(american/british, b. 1953)“STORM WARNING,BARDSEY ISLAND, WALES”1996, signed, dated andnumbered 6/45, with artist’sstamp verso. Sepia tonedgelatin silver print.8 x 7 1/2 in. (20.3 x 19cm)provenance:The Ralls Collection,Washington, D.C.$1,000-1,500

211MICHAEL KENNA(american/british, b. 1953)“TEMPUS FUGIT, DEERFIELDBEACH, FLORIDA, USA”1996, signed, dated andnumbered 31/45, with artist’sstamp verso. Sepia tonedgelatin silver print.7 1/2 x 7 1/2 in. (19 x 19cm)provenance:The Ralls Collection,Washington, D.C.$1,000-1,500

176 www.freemansauction.com

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212MICHAEL KENNA(american/british, b. 1953)“RAINBOWS FOR WILLIAM,PENDINE SANDS, WALES”1996, signed, dated andnumbered 18/45, with artist’sstamp verso. Sepia tonedgelatin silver print.7 1/2 x 7 1/2 in. (19 x 19cm)provenance:The Ralls Collection,Washington, D.C.$1,000-1,500

213MICHAEL KENNA(american/british, b. 1953)“DESERT CLOUDS,MERZOUGH, SAHARA,MOROCCO”1996, signed, dated andnumbered 42/45, with artist’sstamp verso. Sepia tonedgelatin silver print.8 x 7 1/2 in. (20.3 x 19cm)provenance:The Ralls Collection,Washington, D.C.$1,000-1,500

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214JOHN DUGDALE(american, b. 1960)“LA CAMERA DI LETTO DIANDREA DORIA”1997, edition 1/10, signed onartist’s label verso. Cyanotype.8 x 10 in. (20.32 x 25.4cm)provenance:Wessel + O’Connor Gallery,New York, New York.$1,500-2,500

215JOHN DUGDALE(american, b. 1960)“PASCAL”1995, with artist’s label verso.Cyanotype.8 x 10 in. (20.3 x 25.4cm)provenance:Wessel + O’Connor Gallery,New York, New York.$1,500-2,500

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216JOHN DUGDALE(american, b. 1960)“ROMAN HALL OFMIRRORS”1997, edition 1/10, signed onartist’s label verso. Cyanotype.8 x 10 in. (20.3 x 25.4cm)provenance:Wessel + O’Connor Gallery,New York, New York$1,500-2,500

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217JOHN DUGDALE(american, b. 1960)“SERAPHIM”2005, signed, titled, dated,and numbered 1/6 verso.Mammoth plate albumenprint.image: 23 1/2 x 19 3/4 in.(59.7 x 50.2cm)Unframed$1,500-2,500

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218GUY MARINEAU(french, b. 1947)KATE MOSSCa. 1995, signed, numbered24/30 and with the GalerieGrace Radziwill ink stampverso. Gelatin silver print.20 3/4 x 13 7/8 in.(52.7 x 35.2cm)Unframed$600-1,000

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219HELMUT NEWTON(german, 1920-2004)COUPLE (FOR VOGUE)1975. Kodachrome print.5 1/4 x 3 1/2 in. (8.9 x 13.3cm)$400-600

220HELMUT NEWTON(german, 1920-2004)POOLSIDE SCENE (VOGUE U.K., OCTOBER 1973)1973/1975. Kodachrome print.3 1/2 x 5 1/4 in. (8.9 x 13.3cm)$400-600

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221JOEL-PETER WITKIN(american, b. 1939)“VON GLOEDEN IN ASIEN,NYC”1984, apart from the edition of15, signed, initialed, titled,dated, inscribed ‘to BaldwinFong’ and ‘Gift to model. Thisprint is not in the edition’ inpencil verso. Toned gelatinsilver print.14 3/4 x 14 7/8 in.(37.5 x 37.8cm)provenance:The artist.Gifted to the sitter.Wessel + O’Connor, New York,New York.$1,500-2,500

222JAVIER SILVA MEINEL(peruvian, b. 1949)“EL HOMBRE Y EL MAR, LARAYA, LURIN, LIMA, PERU”1993, signed, titled, datedverso. Gelatin silver print.10 1/8 x 10 1/4 in.(25.7 x 26cm)Unframed$800-1,200

182 www.freemansauction.com

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223LUIS GONZÁLEZ PALMA(guatemalan, b. 1957)“LA SOMBRAS DE SU NIÑEZ(THE SHADOWS OF HISYOUTH)”from the series “jerarquíasde intimidad, la separación”2004, signed verso, from theedition of 10. Mixed mediacollage diptych with Kodalithfilm, gold leaf and red paperembedded in resin.Each panel: 20 1/2 x 20 1/2 in.(52.1 x 52.1 cm)Unframed$6,000-8,000

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224DAVID LACHAPELLE(american, b. 1964)“FAIR LIKENESS”2001, signed on artist’s label verso, edition 1/3. Digital C-print.50 x 60 in. (127 x 152.4cm)provenance:Tony Shafrazi Gallery, New York, New York.Private Collection, New York.$25,000-35,000

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225ERWIN OLAF(dutch, b. 1959)“RAIN, THE BEDROOM”2004, numbered 4/12. Lambda print on Kodak Endura.27 1/2 x 27 1/2 in. (69.9 x 69.9cm)provenance:Hasted Hunt Gallery, New York, New York.see:L. A. Martin, ed., Erwin Olaf, New York: Aperture, 2008.$3,000-5,000

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226CINDY SHERMAN(american, b. 1954)DOLL WITH MASK1987, signed and numbered52/125 verso. C-print.24 x 17 1/2 in. (61 x 44.5cm)$1,500-2,500

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227CINDY SHERMAN(american, b. 1954)UNTITLED (BATHING SUIT)1983/2000, signed, dated andnumbered 81/100 verso. Colorcoupler print.22 x 14 5/8 in. (55.9 x 37.1cm)Unframed$2,500-3,500

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229LORETTA LUX(german, b. 1969)“TROLL 2”2000, signed, titled, dated andnumbered ‘2/7’ in ink on alabel affixed to the reverse ofthe flush-mount. Dye-bleachprint.19 5/8 x 19 5/8 in.(50 x 50cm)provenance:Yossi Milo Gallery, New York,New York.$4,000-6,000

228two printsLORETTA LUX(german, b. 1969)“PHILIPP 1 & 2”2000, signed, titled, numbered4/7 and dated verso.Ilfochrome print.each: 25 5/8 x 19 5/8 in(65.1 x 49.8cm)(2)provenance:Yossi Milo Gallery, New York,New York.$8,000-12,000

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230ACHIM LIPPOTH(german, b. 1968)“WÖLFLINGE #9 (CUB SCOUTS)”2003/2005, signed, titled, dated and numbered 2/7 verso.Chromogenic dye print.14 1/8 x 18 1/8 in. (35.9 x 57.5cm)Unframedprovenance:John Stevenson Gallery, New York, New York.$800-1,200

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231THOMAS RUFF(german, b. 1958)UNTITLED2000, signed, dated and numbered 40/50 verso. C-print.15 3/4 x 11 3/4 in. (40 x 29.8cm)$1,500-2,500

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232THOMAS RUFF(german, b. 1958)“D.P.B. 08”2000/2002, signed and numbered 91/250. C-print.9 x 13 3/4 in. (23 x 35 cm)provenance:The Whitechapel Art Gallery, London, England.note:This is a limited edition photograph produced by Thomas Ruffto support the Whitechapel Art Gallery on the occasion of theexhibition “Mies van der Rohe 1903-1938” from December 10,2002- March 3, 2003. This lot will be accompanied by acertfificate from The Whitechapel Art Gallery.$2,000-3,000

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233BERND & HILLA BECHER(german, 1931-2007 and b. 1934)“KÜHLTURM, STAHLWERK HAGEN-HASPE, 1969”2002, signed and numbered 4/60; Schellmann, New York,New York, publisher. Triplex offset print on Ikonorex board.16 x 13 in. (40.6 x 33cm)Unframed$800-1,200

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234LOUISE LAWLOR(american, b. 1947)“ASSEMBLED”2010/2011, signed, dated andnumbered 37/50. DigitalDuraflex print.7 1/8 x 5 1/2 in. (18.1 x 14cm)$2,500-3,500

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235GREGORY CREWDSON(american, b. 1962)“PRODUCTION STILL (BRIGHTVIEW #3)”2005, signed and dated verso, from the edition of 30; KaiserWilhelm Museum, Krefeld, publisher. Digital C-print.12 x 16 in. (30.5 x 40.6cm)Unframed$2,000-3,000

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236GREGORY CREWDSON(american, b. 1962)“PRODUCTION STILL B”2005, signed, dated and numbered 19/30. Digital C-print.16 x 12 in. (40.6 x 30.5cm)Unframed$2,000-3,000

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237LEIF SKOOGFORS(swedish/american, b. 1940)“MIDNIGHT IN SARAJEVO”1997/2013, signed andnumbered 2/10. Inkjet print.6 1/2 x 8 in. (16.5 x 20.3cm)Unframed$300-500

238EILEEN NEFF(american, b. 1945)“WITH ORWITHOUT YOU”2006, signed and numbered57/100 verso; Institute ofContemporary Art,Philadelphia, publisher. C-print.12 7/8 x 20 in.(32.7 x 50.8cm)Unframed$1,000-1,500

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Photobookslots 239–255

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239S.D. HUMPHREY(american, 19th century)AMERICAN HAND BOOK OF THE DAGUERREOTYPEFirst edition, 214 pages. S. D. Humphrey, New York, 1858.$60-80

198 www.freemansauction.com

240VARIOUS ARTISTSPHOTO ALBUM OF THE PRINCETON GRADUATING CLASSOF 1868Albumen and tintype portraits of the class of 1868, togetherwith several portraits presumably of faculty and familycontained within a leather bound album decorated with blacktrefoils. A gold inscription on the cover identifies the originalowner as Abraham Pollock Chalker, originally from Hyde Park,New York and a Princeton graduate in 1868.$300-500

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241UNKNOWN ARTISTALBUM DOCUMENTING CONSTRUCTION OF THEBENJAMIN FRANKLIN BRIDGE1926. 106 gelatin silver prints contained within a faux leatherbound two ring binder stamped ‘Leon S. Moisseiff’ in gold onthe cover. Each print variously dated ranging from 1-19-26 to6-14-26, each print identified with subject and numbered.Each image: 8 x 6 in. (20.3 x 15.2cm)note:Leon Moisseiff (1872-1943) was a leading suspension bridgeengineer who began his career as one of the designers of theMahattan Bridge over the East River. With Ralph Madjeski, hedesigned the Benjamin Franklin Bridge across the DelawareRiver (completed in 1926). At its completion it was theworld’s longest suspension bridge.This rare album includes images during all stages of thebridge’s construction, including demolition, setting beams andsupports, paving, inspection, and building of the toll booth, aswell as several street scenes and city views of both Camdenand Philadelphia. The only other known copy of an album ofthis type documenting the bridge construction exists in thearchives of the Smithsonian.provenance:Leon S. Moisseiff.$1,000-1,500

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242BERENICE ABBOTT(american, 1898-1991)CHANGING NEW YORKFirst edition. E.P. Dutton & Company, Inc., New York, 1939.see:Martin Parr and Gerry Badger, The Photobook: A History(Volume I), Phaidon Press, London, 2004, p. 141.$600-800

243WEEGEE (ARTHUR FELLIG)(american, 1899-1968)WEEGEE’S PEOPLEFirst edition, signed on title page. New York, EssentialBooks/Duell, Sloan & Pearce, Inc., 1946.$500-700

200 www.freemansauction.com

244WILLIAM KLEIN(american, b. 1928)NEW YORKFirst edition, signed and dated on title page. Éditions du Seuil,Album Petite Planéte, Paris, 1956.see:Martin Parr and Gerry Badger, The Photobook: A History(Volume I), Phaidon Press, London, 2004, p. 243.$1,000-1,500

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245two photobooksDAVID MARTIN HEATH(american, b. 1931)KOREA: PHOTOGRAPHS 1953-1954Handbound book in Japanese Asahi bookcloth and Bugrablack and gold paper. Numbered 29/200 on colophon.Lumiere Press, Toronto, 2004.andDIALOGUE WITH SOLITUDEGray cloth cover with pictorial dustjacket. Signed by artist ontitle page. Lumiere Press, Toronto, 2000.(2)$500-800

246KEN HEYMAN(american, b. 1930)THIS AMERICASigned by Lyndon B. Johnson and dedicated to publisher JerryMason on title page. Includes original shipping sleeve fromthe White House. Random House, New York, 1966.$400-600

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247ROBERT FRANK(american, 1924)THE LINES OF MY HANDFirst edition, signed and dated on title page. New York:Lustrum Press, 1972.$800-1,200

248ROMAN VISHNIAC(american, 1897-1990)A VANISHED WORLDLarge square quarto first edition, with original burgundypaper-covered boards and original photographic dust jacket.Signed by artist, with foreward by Elie Wiesel. Farrar, Straus &Giroux, New York, 1983.$150-250

202 www.freemansauction.com

249two photobooksPHILIPPE HALSMAN(american, 1906-1979)HALSMAN © 79Signed, inscribed and dated by Halsman on inside cover. Softcover, 53 reproductions. International Center for Photography,New York, 1979.andPHILIPPE HALSMAN’S JUMP BOOKSigned, inscribed and dated by Halsman on inside cover.Hardcover with pictorial dust jacket, 95 pages. Simon andSchuster, New York, 1959.(2)$500-700

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250LEE FRIEDLANDER(american, b. 1934)THE AMERICANMONUMENTFirst edition, one of 2000copies. Oblong folio in blue-green cloth with triple screwpost binding. 77 pages with213 black and whitereproductions. Eakins PressFoundation, New York, 1976.see:Martin Parr and Gerry Badger,The Photobook: A History(Volume II), Phaidon Press,London, 2004, p. 28.$400-600

251LEWIS BALTZ(american, b. 1945)THE NEW INDUSTRIALPARKS NEAR IRVINE,CALIFORNIAFirst edition. Black stampedgray cloth with pictorial dustjacket, illustrated with 51reproductions of Baltz’photographs. LeoCastelli/Castelli Graphics,New York, 1974.$800-1,200

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252SIX PHOTOBOOKSJERRY UELSMANN, Silver Meditations. First edition. Morgan &Morgan, Inc., Dobbs Ferry, New York, 1975. Bookaccompanied by signed postcard by the artist and an 8 x 10self portrait with typed message verso.STEVE FITCH, Diesels and Dinosaurs. First edition. Berkeley,California: Long Run Press, 1976. Book accompanied by twoprints: 9 1/2 x 11 in. gelatin silver print of Deadwood Motel bySteve Fitch, inscribed ‘For Review Purposes’ verso and5 1/2 x 6 1/2 in. print of Chalk Hill Drive-In, inscribed ‘ForReview Purposes’ verso.ARTHUR TRESS, Shadow. First edition, signed by the artist.Avon Books, New York, 1975.ALFRED EISENSTAEDT, People. First Edition, signed on insidecover page by artist. New York, The Viking Press, 1973.DAVID DOUGLAS DUNCAN, War Without Heroes. Firstedition, signed and inscribed by artist on inside cover. Harper& Row, New York, 1970.J. ROSS BAUGHMAN, Graven Images: A Thematic Portfolio.First edition, signed and inscribed on inside cover by artist.Henry Regnery Company, Chicago, 1973.(6)$400-600

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253FIVE SIGNED PHOTOBOOKSRUTH BERHARD, The EternalBody, Signed on title page.Photography West Graphics,Carmel, California, 1986.andCARL ACKERMAN, GeorgeEastman, Signed, inscribed anddated by Eastman on insidecover. Houghton MifflinCompany, New York, 1930.andANDRÉ KERTÉSZ, AndréKértesz, Signed on title page.Aperture, New York, 1977.andBARBARA MORGAN, BarbaraMorgan: Photomontage, Signedon title page. Morgan &Morgan, Dobbs Ferry, NewYork, 1980.andAPERTURE, Signed on titlepage by Walter Chappell,number 82. Aperture, NewYork, 1979.(5)$100-200

254EVA KLASSON(swedish, b. 1947)LE TROISIÈME ANGLEBlack cloth covered book withwhite cloth binding andpictorial cover containedwithin faux fur lined, blackcloth portfolio case. BirthÉditions, France, 1976.$600-800

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255HIROSHI SUGIMOTO(japanese, b. 1948)PHOTOGRAPHS BY HIROSHI SUGIMOTO: DIORAMAS,THEATERS, SEASCAPESFirst edition soft cover with matching jacket. Signed by artiston title page. Sonnabend Gallery, New York and SagachoExhibit Space, Kyoto, 1988.$600-1,000

end of sale

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www.freemansauction.com 207IndexBy lot number

Abott, B., 1, 242

Abramovic, M., 79

Adams, A., 156, 157, 159

Aoki, K., 175

Arai, T., 58

Arbus, D., 167

Arnold, C., 118

Atget, E., 131-135

Baltz, L., 251

Barris, G., 178

Barron, J., 25

Bassman, L., 14

Becher, B. & H., 233

Bernard, B., 177

Bisson Frères, 98, 99

Brask, O., 169

Bridges, M., 33, 34

Brigman, A., 139

Brooks, E., 80

Bugat, J., 189

Burkhardt, R., 197

Burns, M., 54

Burson, N., 77

Callis, J., 30

Carey, E., 22

Carson, R., 171

Caponigro, P., 204

Christenberry, W., 183

Clark, L., 165

Connor, L., 35

Cook, D., 31

Cosindas, M., 67, 68

Cowin, E., 66

Coyne, P., 24

Cremer, J., 121-124

Crewdson, G., 235, 236

Cunningham, I., 10, 158

Dater, J., 53

Davis, L., 32

Dahl-Wolfe, L., 11, 12

Derges, S., 23

Dick, F., 119

Disfarmer, M., 154

Dugdale, J., 214-217

Dumas, T., 107, 130

Edelson, M., 78

Eggleston, W., 185

Erwitt, E., 163

Ess, B., 85

Evans, W., 155

Faurer, L., 161, 162, 164, 170

Fellman, S., 62

Fizet, J., 192

Friedlander, L., 250

Frank, R., 247

Frey, M., 51

Frank, M., 205

Frith, F., 103, 104

Fusco, P., 191

Golden, J., 74

Goldring, N., 64

Green, M., 176

Greenfield, L., 3

Groover, J., 28, 29

Grove, K., 76

Hack, T., 49

Heath, D., 245

Heyman, A., 47, 52

Heyman, K., 246

Halsman, P., 187, 249

Hoppé, E., 138

Horst, H., 172

Hosoe, E., 201-203

Humphrey, S., 239

Jacobi, L., 6

Karant, B., 84

Kelly, T., 180, 181

Kenna, M., 210-213

Kenyon, C., 15

Keystone View Co., 113

Kusakabe, K., 111, 112

Klasson, E., 254

Klein, W., 244

Lachapelle, D., 224

Lawlor, L., 234

Leonard, H., 168

Leonard, J., 56

Le Secq, H., 96

Lippman, M., 63

Lippoth, A., 230

List, H., 143, 144

Lustig-Cohen, E., 61

Lux, L., 228, 229

Lynes, G., 145-148

Lyon, D., 184

Maison De La Bonne Presse, 114

Malanga, G., 193

Mann, S., 48

Mapplethorpe, R., 209

Marineau, G., 218

Mark, M., 42

Mayes, E., 38

Means, A., 20

Meinel, J., 222

Metzner, S., 26

Michals, D., 188, 207

Model, L., 166

Modica, A., 46

Mones, A., 194-196

Moon, S., 13

Morath, I., 4

Morgan, B., 2

Muybridge, E., 125-127

Neff, E., 238

Neimanas, J., 59

Nettles, B., 69

Newton, H., 219, 220

Noggle, A., 55

Norman, D., 9

Novak, L., 82

O’Grady, L., 70

Olaf, E., 225

Padamsee, A., 149, 150

Palma, L., 223

Parker, O., 5

Pfizenmaier, E., 173, 186, 190

Perier Éditeur, 115

Penn, I., 160

Porter, E., 206

Purcell, R., 37

Raymond, L., 18

Richards, W., 8

Riefenstahl, L., 140-142

Riger, R., 174

Rivera, S., 81

Rosler, M., 72

Rothstein, A., 153

Ruff, T., 231, 232

Schoenfeld, D., 27

Sherman, C., 87, 226, 227

Simpson, L., 75

Siprell, C., 7

Skoff, G., 36, 40

Skoglund, S., 86

Skoogfors, L., 237

Steichen, E., 137

Stern, B., 179, 182

Stieglitz, A., 136

Sturges, J., 208

Sugimoto, H., 255

Sugiura, K., 19

Tani, D., 73

Tenneson, J., 17

Thorne-Thomsen, R., 21

Turbeville, D., 16

Turczan, K., 45

Tweedy-Holmes, K., 39

Uelsman, J., 198-200

Uhlenbeck, E., 57

Umbrico, P., 83

Vishniac, R., 248

Weegee, 243

Weems, C., 71

Weiss, S., 41, 43

Weston, E., 151, 152

Willis, D., 60

Witkin, J., 221

Young, B., 50

Younger, C., 44, 65

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Terms & Conditionsall property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on theterms and conditions set forth below which constitutes the complete statement of the terms and conditions on whichall property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid,telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1Unless otherwise indicated, all Property will beoffered by Freeman’s as agent for theConsignor.

2Freeman’s reserves the right to vary the termsof sale and any such variance shall becomepart of these Conditions of Sale.

3Buyer acknowledges that it had the right tomake a full inspection of all Property prior tosale to determine the condition, size, repair orrestoration of any Property. Therefore, allproperty is sold “AS-IS”. Freeman’s is actingsolely as an auction broker, and unlessotherwise stated, does not own the Propertyoffered for sale and has made no independentinvestigation of the Property. Freeman’s makesno warranty of title, merchantability or fitnessfor a particular purpose, or any other warrantyor representation regarding the description,genuineness, attribution, provenance orcondition to the Property of any kind or naturewith respect to the Property.

4Freeman’s in its sole and exclusive discretion,reserves the right to withdraw any property, atany time, before the fall of the hammer.

5Unless otherwise announced by theauctioneer at the time of sale, all bids are perlot as numbered in the printed catalogue.Freeman’s reserves the right to determine anyand all matters regarding the order,precedence or appropriate increment of bidsor the constitution of lots.

6The highest bidder acknowledged by theauctioneer shall be the buyer. The auctioneerhas the right to reject any bid, to advance thebidding at his absolute discretion and in theevent of any dispute between bidders, theauctioneer shall have the sole and finaldiscretion either to determine the successfulbidder or to re- offer and resell the article indispute. If any dispute arises after sale, theFreeman’s sale record shall be conclusive in allrespects.

7If the auctioneer determines that any openingor later bid or any advance bid is notcommensurate with the value of the Propertyoffered, he may reject the same and withdrawthe Property from sale.

8Upon the fall of the hammer, title to anyoffered lot or article will immediately pass tothe highest bidder as determined in theexclusive discretion of the auctioneer, subjectto compliance by the buyer with theseConditions of Sale. Buyer thereupon assumesfull risk and responsibility of the property sold,agrees to sign any requested confirmation ofpurchase, and agrees to pay the full price, plusBuyer’s Premium, therefore or such part, uponsuch terms as Freeman’s may require.

9No lot may be removed from Freeman’spremises until the buyer has paid in full thepurchase price therefor including Buyer’sPremium or has satisfied such terms thatFreeman’s, in its sole discretion, shall require.

11No “buy” bids shall be accepted at any timefor any purpose.

12Any pre-sale bids must be submitted inwriting to Freeman’s prior to commencementof the offer of the first lot of any sale.Freeman’s copy of any such bid shallconclusively be deemed to be the soleevidence of same, and while Freeman’saccepts these bids for the convenience ofbidders not present at the auction, Freeman’sshall not be responsible for the failure toexecute, or, to execute properly, any pre-salebid.

13A Buyer’s Premium will be added to thesuccessful bid price and is payable by thebuyer as part of the total purchase price. TheBuyer’s Premium shall be: 25% on the first$50,000 of the hammer price of each lot,20% on the portion from $50,001 through$1,000,000, and 12% thereafter.

14Unless exempted by law from the paymentthereof, the buyer will be required to pay anyand all federal excise tax and any state and/orlocal sales taxes, including where deliveriesare to be made outside the state where a saleis conducted, which may be subject to acorresponding or compensating tax in anotherstate.

15Freeman’s may, as a service to buyer arrangeto have purchased property posted andshipped at the buyer’s expense. Freeman’s isnot responsible for any acts or omissions inpacking or shipping of purchased lots whetheror not such carrier recommended byFreeman’s. Packing and handling of purchasedlots is at the responsibility of the buyer and isat the entire risk of the buyer.

16In no event shall any liability of Freeman’s tothe buyer exceed the purchase price actuallypaid.

17 No claimed modification or amendment ofthis Agreement on the part of any party shallbe deemed extant, enforceable or provableunless it is in writing that has been signed bythe parties to this Agreement. No course ofdealing and no delay or omission on the partof Freeman’s in exercising any right under thisAgreement shall operate as a waiver of suchright or any other right and waiver on any oneor more occasions shall not be construed as abar to or waiver of any right or remedy ofFreeman’s on any future occasion.

18These Conditions of Sale and the buyer’s, theConsignor’s and Freeman’s rights under theseConditions of Sale shall be governed by,construed and enforced in accordance withthe laws of the Commonwealth ofPennsylvania and Consignor and Buyer agreeto the exclusive jurisdiction of the Philadelphia,Pennsylvania Court of Common Pleas and theUnited States District Court for the EasternDistrict of Pennsylvania.

Subject to the foregoing, all Property shall bepaid for and removed by the buyer at his/herexpense within ten (10) days of sale and, if notso removed, may be sold by Freeman’s, or sentby Freeman’s to a public warehouse, at thesole risk and charge of the buyer(s), andFreeman’s may prohibit the buyer fromparticipating, directly or indirectly, as a bidderor buyer in any future sale or sales. In additionto other remedies available to Freeman’s bylaw, Freeman’s reserves the right to impose alate charge of 1.5% per month of the totalpurchase price on any balance remaining ten(10) days after the day of sale. If Property isnot removed by the buyer within ten (10)days, a handling charge of 1% of the totalpurchase price per month from the tenth dayafter the sale until removal by the buyer shallbe payable to Freeman’s by the buyer;Freeman’s shall charge 1.5% of the totalpurchase price per month for any property notso removed within 60 days after the sale.Freeman’s will not be responsible for any loss,damage, theft, or otherwise responsible forany goods left in Freeman’s possession afterten (10) days. If the foregoing conditions orany applicable provisions of law are notcomplied with, in addition to other remediesavailable to Freeman’s and the Consignor(including without limitation the right to holdthe buyer(s) liable for the bid price)Freeman’s, at its option, may either cancel thesale, retaining as liquidated damages allpayments made by the buyer(s), or resell theproperty. In such event, the buyer(s) shallremain liable for any deficiency in the originalpurchase price and will also be responsible forall costs, including warehousing, the expenseof the ultimate sale, and Freeman’scommission at its regular rates together withall related and incidental charges, includinglegal fees. Payment is a precondition toremoval. Payment shall be by cash, certifiedcheck or similar bank draft, or any othermethod approved by Freeman’s. Checks willnot be deemed to constitute payment untilcleared. Any exceptions must be made uponFreeman’s written approval of credit prior tosale. In addition, a defaulting buyer will bedeemed to have granted and assigned toFreeman’s, a continuing security interest offirst priority in any property or money of, orowing to such buyer in Freeman’s possession,and Freeman’s may retain and apply suchproperty or money as collateral security forthe obligations due to due to Freeman’s.Freeman’s shall have all of the rights accordeda secured party under the PennsylvaniaUniform Commercial Code.

10Unless the sale is advertised and announcedas “without reserve”, each lot is offeredsubject to a reserve and Freeman’s mayimplement such reserves by bidding throughits representatives on behalf of theConsignors. In certain instances, theConsignor may pay less than the standardcommission rate where Freeman’s or itsrepresentative is a successful bidder on behalfof the Consignor. Where the Consignor isindebted to Freeman’s, Freeman’s may have aninterest in the offered lots and the proceedstherefrom, other than the broker’sCommissions, and all sales are subject to anysuch interest.

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Purchase removal, shipping andoffsite storage informationTo ensure the safety of your lot(s) Freeman’s requests payment in full and removal of propertywithin 10 business days of the sale date. Collection hours are Monday - Friday, 9:30 - 4:30pm. Forlarger items, please email [email protected] to schedule a loading dock appointment.For purchase release to persons not listed on your invoice, 3rd party authorization is required.Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rdparty collecting property. Freeman’s does not handle packing or shipping. The shippers listed belowhave worked with Freeman’s clients in the past and will be happy to provide you with quotes for thepacking and shipping of your property.

VG Packaging LLCContact: Gordon G Murray II12 Salem RoadSchwenksville, PA 19473Tel: 484-552-8741Fax: [email protected]

UPS StoreContact: John Bohach51 North 3rd StreetPhiladelphia, PA 19106Tel: 215.629.4990Fax: 215.629.4992Email: [email protected]

Mr. C’sContact: Charles CohenTel: 267.977.9567Email: [email protected]

Cadogan Tate Fine ArtCadogan House, 41-20 39th StreetSunnyside, New York 11104Tel: 718.706.7999Fax: 718.707.2847Email: [email protected]

Mastrocco Jr. Moving & StorageContact: Roseanne1060 Louis DriveWarminster, PA 18991Tel: 215.491.0346Fax: 215.444.9327Email: [email protected]

Aiston Fine Art ServiceP.O. Box 3434Grand Central StationNew York, NY 10163Tel: 212.715.0629Fax: 718.361.8569Email: [email protected]

Atelier Art Services103 East Sharpnack StreetPhiladelphia, PA 19144215.842.3500

The Packaging StoreContact: Duane Freed2333 West Main StreetLansdale, PA 19446Tel: 215.361.6940Fax: 215.361.6941Email: [email protected]

FURNITURE & LARGER ITEMS:For larger pieces where delivery time is not the primaryconcern, we suggest getting your itemsfreighted:www.plyconvanlines.comwww.nwdelivery.comwww.freightquote.com.

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Freeman’s 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: [email protected] www.freemansauction.com

sale no bidder no

name business name

address

city state

zip code e-mail

phone (h) phone (w) fax

resale / tax identification state

25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.All lots must be paid for and removed within 10 days.

lot no description maximum bid

bank reference

bank name account n0

contact name telephone

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s), the auctioneer is not responsible for errors and omissions.

signed

(signature required to execute your bids)

absentee bidding form

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Modern & Contemporary ArtAuction 11/03/13

www.freemansauction.com

TOM WESSELMANN“MAQUETTE FOR SEASCAPEWITH CUMULUS CLOUDS”$10,000-15,000(detail)

Please call 267.414.1256 to order acatalogue or subscription.

Exhibition opensWednesday, October 30 at 10am

Anne Henry [email protected]

Aimee Pflieger [email protected]

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specialist departments

American Furniture, Decorative & Folk Artlynda a cainsamuel ≤ free≤an iiwhitney bountytim lambert

American Silversamuel ≤ free≤an ii

Asian Artsrichard cervantesrobert waterhouse

(consulting specialist)tianhan gaoandrew zajack

English & ContinentalFurniture & Decorative Artsdavid walkersarah blattnertim lambert

Silver & Objet de Vertudavid walkersarah blattner

Fine Jewelrysamuel ≤ free≤an iimadeline mccauleyallia dhodynatalie prusich

American Artalasdair nichol david weissandrew hubercandace vivian

Printsanne henrydavid weissaimee pfliegerandrew hubercandace vivianfred frederick

European Art & Old Mastersalasdair nicholdavid weissandrew hubercandace vivianfred frederick

Photographs & Photobooksaimee pfliegercandace vivianfred frederick

Modern & Contemporary Artanne henryalasdair nichol david weissaimee pfliegercandace vivianfred frederick

Oriental Rugs & Tapestriesrichard cervantesdavid weiss

Books, Manuscripts, Maps & Ephemeradavid j bloomchristiana scavuzzo

depart≤ents

Appraisalssa≤uel ≤ free≤an iijames e buckleydonald e walteramy parentilaura cox

Consignmentssamuel h cooperjames e buckleyjeff miller

≤useum Servicesthomas b. mccabe ivlynda a cain

Client Servicesmary maguire carrolljessica carterbethany mobbsbridgette bonnermarianne pagejlauren carpinellisusannah mcgovern

Operationsnathan norleygerald lightfootherbert draytongerald davisdarryll byram

Financemark beckermankaren bajczyk

Business Development & ≤arketingtara theune davismelissa gellerthomas b mccabe ivchristopher browne

Trusts & Estatessamuel t freeman iiithomas b. mccabe ivmatthew wilcoxholen miles lewisamy parentilaura coxjeffrey miller

Photographyelizabeth fieldelizabeth schultzthom clarkryan buckwalter

officers

chair≤ansamuel ≤ freeman ii

vice chair≤anmargaret d freeman

vice chair≤analasdair nichol

presidentpaul roberts

chief operating officerhanna dougher

executive vice presidentja≤es e buckley

senior vice presidentdavid weisstara theune-davis

chief financial officereric a smith

vice presidentsdavid j bloom lynda a cainanne henrysamuel t. freeman iiitom mccabematthew wilcox

representativesdavid weissWashington, [email protected]: 202.412.8345

colin clarkeCharlottesville, [email protected]: 434.296.4096

kelly wrightBoston, [email protected]: 617.367.3400

robert waterhouseAnnapolis, [email protected]: 267.414.1226

katherine oldigesWayne, [email protected]: 610.254.9700

Directory

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www.freemansauction.com1808 Chestnut Street Philadelphia Pennsylvania 19103Tel-215.563.9275 Fax-215.563.8236