Embed Size (px)
DESCRIPTION
www.phasecollective.com
Citation preview
FALL 2
00
602
COMM
UNITY
Well, here we are with our second offering, Phase02 - Community. A collection of art, design, photography, and some other stuff too. All sections are loosely or directly related to the creator’s personal sense of community; what it means, what it
should be, what it was, how it affects their lives and/or creativity. Or not, and that’s OK too. Thanks for taking the time to download issue #2, and we hope you enjoy it.
Our sophomore effort has taken longer than we hoped and anticipated, but we’re excited about the final product, and we hope you will be too. And we’re happy to cruise right through our self-imposed deadlines, because we
can, and because we have enough real deadlines to worry about at work every day.
Phase Magazine is the quarterly(ish) digital publication of the Phase Collective, produced in PDF format, and downloaded worldwide by people like you. We are designers with addictions to client-
free creativity, and we do our best to curate an interesting and imaginative batch of work for you with each new Phase Collective effort. Visit us online at www.PhaseCollective.com to find out
more, and we very much welcome your thoughts and feedback.
Thanks and enjoy!
– The Phase Collective
COMM
PHASECOLLECTIVE
THE
MUN Phase02 cover and info design: Brett Jorgensen | Phase Collective
Additional Phase02 design: Gabe Ruane | Phase Collective
A look at D. Oram’s 12’ x 8’ “The Last Wave” + thoughts on Community.
Myspace is the straightest line between you and quality new music from communities around the world.
Connecting her community with its artists. Paintings and community involvement through art from Austin, Texas.
Dave Burns, Matias Viegener and Austin Young are planting seeds. A simple, green, inspiring idea is spreading...
1234
V E N I C E I S S I N K I N G
N E W M U S I C C O M M U N I T Y
D AW N O K O R O
FA L L E N F R U I T
NITY
5678
All written and visual content Copyright ©2006 Phase Magazine and the Phase02 contributors. Phase Magazine is intended for free and unlimited
distribution and sharing in PDF format only. Please contact us with inquires regarding copyright-protected content, reproduction restrictions, and
so on at [email protected]
T H E W O R L D O U T S I D E I S P I X E L S Gabe Ruane’s take on the internet and the irony of modern interactivity.
R E A L D V P R O D Independent sound and video production a la Cédric Blaisbois. Commercial and experimental work from Marseille, France.
N I C K W O O D S Digital illustration.
E X P O S U R E P R O J E C T Photographic works from Ben Alper, Adam Marcinek, Anastasia Cazabon and Eric Watts out of Boston.
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
Venice is SinkingThe Artwork of D. Oram
Acrylic/latex on Birch Ply12’ wide x 8’ high
A look at D. Oram’s “The last wave”
This is the small town I grew up in awash by the big city. It’s the broken brick smiles over the quaint coastal cabins. As a child I had no perspective on the world outside, none of us ever did then. It was all just beach forts and endless days. I just always assumed that my backyard was what it was, it ran from that picket fence to where the big trees grew at the back. Guess I figured it would always just stay there. Sepia golden, it could just capture a time.
Now I’m grown up enough to see that it doesn’t work like that. The cabins stopped getting rented out when they needed too much work done on them. The pipes burst, never to be thawed again. Most of us moved to the city after those summers cause the rent was just more affordable and the work was simply easier. They built condos in concrete where the cabin used to stand. The new highway slices through the front yard where she painted her toes that old summer, where we sang stupid songs and where I started drawing again for the first time.
Community is a moment to be captured when everything works, and there is a sense of momentum caught up within a reason. Caught up
within lives. These days its the organic vegetables I trade paintings for, the kids that smile back in their daily travels. The days at the beach kicking this world around. The possibility of lives that will collide with mine. It’s this island in the middle of nowhere that I’m currently standing on, and that city I’m straining towards at times. Smiles, laughter and struggle.
The mural was a moment where I was standing. Two years in a relationship, helping to raise her two kids. A winter in the workshop to prepare for the spring show. It was my fear, uncertainty and stubborn smile to the future. Six months later and that’s all changed. The situations flipped. Single again and smiling at that summer sun, only my sketchbook in tow. Hyping to run. But that community, that thread that twines and feels like valid interaction, collaboration and a reason to continue... That hasn’t gone anywhere.
[email] [email protected][web] www.veniceissinking.com[journal] www.moonpiesformisfits.blogspot.com
Venice is SinkingThe Artwork of D. Oram
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
MUSICCOMMUNITY
NEWThe world’s at your desktop as Myspace emerges as the new music community. Enjoy the links. Share the love.
Click me to visit myspace.
MONSTERS ARE WAITING Sexy indie chick vocals in guitarist Jon Siebels’ (from Eve 6) new post grunge band out of Echo Park.
BLOOD ARMEntertainment Weekly named the Blood Arm the “Best Live Act” of the 2005 SXSW Music Conference.
THE COLOURProduced by Jacquire King (Kings of Leon, Modest Mouse, Tom Waits), The Colour’s kinetic, mood-inducing debut, Between Earth and Sky, has a way of displacing you in time, while simultaneously reassuring you you’re much closer to home than you’ve ever been. With an edgy through-line intersecting most of rock’s classic revolutionary movements, Between Earth and Sky remembers the best places it’s been and points to the direction it really ought to go next.-Steven Trachtenbroit at Big Hassle Media
SHINY TOY GUNSElectropop compared their sound to Oingo Boingo, Peaches and New Order.
SPANK ROCKSpank Rock is an American musical group, consisting of Armarni XXXchange (computer drums), Spankrock (cool disco mc), Chris Rockswell (on the 1’s & 2’s) and Ronnie Darko (cut creator), The Love Peace Project & the LP3 (the secret weapon). Spank Rock are currently signed to the Big Dada record label, but have released singles under the Money Studies record label Turntablelab, including a track produced by Diplo of Hollertronix. While Spank Rock’s style is not easily defined, it combines elements of hip-hop, Baltimore Club, electronica, and dance.
AUDIBLEAfter agreeing to fill a last minute opening slot at a local club (despite never having sung in public before), Mike implored his roommate and then-girlfriend Mary Garito to do the following things: help him finish the songs, sing backup, play the Casio sk-1 and egg shaker. She agreed. Their first show was opening for Bright Eyes.
HAIL SOCIALTheir self-titled debut is brand new to the world, though it feels old to them, of course. It all started with the chance workplace friendship of Dayve Hawk and Matt Maraldo. Hawk had been writing songs for years but was reluctant to share them. Eager to start a band, Maraldo kept on pestering. “We fought a lot because I didn’t want to be in a band,” says Hawk. “But eventually he won.”
Good thing, too. Otherwise we’d have missed out on Hail Social’s lithe, dance-damaged tunes. The same tunes that scored the band a prime opening slot on tour with Interpol and the Secret Machines. The same tunes that will haunt you more persistently with each spin of the band’s long-awaited proper debut.
Home of The Roots and Jill Scott
PHILADELPHIA
Home of Crystal Method and Red Hot Chili Peppers
LOS ANGELESUSA
USA
ILIKETRAINSiLiKETRAiNS seem to be to Explosions in the Sky and Mogwai what Hope Of The States are to Godspeed You! Black Emperor. Taking the longer instrumentals of the former, condensing them into a more consumer friendly length, and adding vocals.
THIS ET ALLThis Et Al take all the best aspects of bands like Placebo, Editors and Yourcodenameis: Milo, and polish it off with their own charismatic and soon to be unmistakable sound.
PIGEON DETECTIVESIf you haven’t heard this already, ‘I’m Not Sorry’ is as loud and excitable a kiss-off as your ex is ever likely to receive. Think The Cribs after six pints of Theakston’s Old Peculier and a chicken tikka mix from Kebabish and you’re on the right track.
THE ALIENSThese former members of The Beta Band have a more funk-based sound.
SUB FOCUS“I smoke about a pound of weed a month and I exceeded that for this record. I can’t imagine what I’d be capable of when I knock it off. I think if I knock it off I’m in danger of becoming a Republican senator. But if I keep it up I’m in danger of becoming a drum-and-bass DJ.”- Dave Sitek, TV On The Radio
VATICAN DC Vatican DC is a band , they play music together=a band. Steve (singer) started the band with Daniel (Rhythm Guitar) about 1 1/2 years ago then they added Chris (guitar) and Tal (drums). they got going quite quickly and got a few good support slots and then they decided to disappear to write their debut Album. Now they are finished and the album is called Dont Know Yet (due for release soon) they wanted to call it trampoline but some other shit country and western band already had a record out called that. The record sounds like.......fill in the blank.
LEEDS Home of The Kaiser Chiefs and
Nightmares on Wax.ENGLAND UK
LONDONHome of Zoot Woman and Herbaliser. ENGLAND UK
SHUT YOUR EYES AND BURST INTO FLAMESThis a unique brand of energetic post-punk hardcore skulduggery.
SERAFINSerafin are ex ‘Catherine Wheel’, ‘Stony Sleep’, ‘Dead Flowers’, ‘Razorlight’, ‘Spacesuit’ and ‘French Car and The Bulimic Wizards’. The latter are playing and releasing records.
THE KLAXONSwww.hmv.co.uk describes Klaxons as “acid-rave sci-fi punk-funk.”
LIFESAVASA hip hop trio from Portland, Oregon, Lifesavas are notable for what The Onion’s Nathan Rabin called their “self deprecating style.” Their creative and insightful songs are both approachable and complex.
VIVA VOCEPsychedelic-Classic-indie-Rock. The song “Lesson No. 1” from this album was featured in an ad for Motorola’s SLVR cellular phone.
MENOMENAThe first Menomena video directed by Jonnie Ross.http://www.coughcoughing.com/
MEN, WOMEN & CHILDRENThe self-titled debut album from new-wave/dance/punk/funk ensemble Men, Women & Children is an ambitious, infectious, over-the-top and liberating spectacle. Men, Women & Children is a reminder that rock can be fun.
THE RAPTUREThe Rapture are a New York indie rock band, sometimes referred to as The Disco Strokes.
DEAD COMBODead combo is currently working on new record with phil mossman (lcd, primal scream). Some of the titles are:owl, drunk bitch, rock ‘n’ roll gucci, lobotomy eyes, timemachine, my liver has a moustache, barry white moonbase, boogie heart, harder they come, bad jolt, wanted man, face that rocks, re-mix my arse.
Home of The Dandy Warhols and The Kingsmen
PORTLAND
Home of TV on the Radio and MF Doom
NEW YORK
USA
USA
GLASGOWHome of Jesus and Mary Chain and Mogwai
FUTURE KINGS OF SPAINFuture Kings Of Spain are from Dublin, Ireland. We are a four piece. Our names are Anton, Bryan, Joey and Karl.
HUMANZIThe War Cry of a thousand lost souls pleading with the DJ for one more tune at 7 o’ Clock in the morning at a gaff party on the wrong side of the tracks.
THE CHALETSThe Chalets are an alternative pop five piece from Dublin, Ireland, formed in 2001, by a group of friends from a design and fashion background.
DUBLINHome of U2 and My Bloody Valentine
SHIT DISCONow based in Glasgow, colluding euphorically in the Scottish art-pop-rock underground, Shit Disco were pursued by the cult indie label Fierce Panda, who stalked their progress for 11 months before releasing Disco Blood.
SCOTLAND UK
EL PRESIDENTEWith the success of disco rockers, The Scissor Sisters now being at a dominating level, closely following in their footsteps, El Presidente may well have election success in their sight, with quirky, disco rock, and dance floor appeal as their campaigns.
THE CINEMATICSThey’re well dressed and specialise in slightly gloomy, atmospheric and hook filled rock, with influences ranging from The Cure to Talking Heads to The Smashing Pumpkins.
IRELAND UK
BEDUIN SOUNDCLASHOriginating as a college band at Queen’s University in Kingston, Bedouin Soundclash’s sound can be described as a mix of reggae, rock, afrobeat, and Drum and Bass. The band, when asked, do not claim they are a ska band, despite what many fans say.
METRICThe big name of this year’s South By South West, opened for the Rolling Stones at Madison Square Garden, and have just been nominated for the Canadian Mercury-Music-like Polaris prize.
AM POPThe name of this Icelandic melodic-pop/rock of the band is actually the name of the first song they ever wrote, and is made from the words ambient and pop, which they thought defined the music they were making at that time.
Home of Esthero and Our Lady Peace
TORONTOCANADA
Home of Sigur Ros and Bjork
REYKJAVIKICELAND
EBERG“Like dipping your nads in ice cream when they’re on fire.” -BBC Radio 1 FM “Wonderfully chilled-out ambient atmospherics, a bit like Belle & Sebastian knobbing Sigur Ros with Nina Cardigan looking on voyeuristically.” -Rock Sound
MUGISONMugison “Mugimama takes Bjork’s skewed view of pop and turns it through another 90 degrees.” – The Times
controller.controllerForming in 2002, controller.controller’s rhythmic post-punk style has been compared by critics to Joy Division, The Slits and Public Image Ltd.
MSTRKRFT(read as “Masterkraft”) is an electronic music group consiting of Jesse F. Keeler of Death from Above 1979 and Al-P (Al Puodziukas) formerly of the Mississauga electropop group Girlsareshort. Al-P was also the producer for Death from Above 1979’s debut album You’re a Woman, I’m a Machine as well as several of (Jesse’s former band) Black Cat #13’s records.
Home of Jet and Something for Kate
MELBOURNEAUSTRALIA
CUT COPYCut Copy are a band from Melbourne, Australia. Their sound, per-haps best labeled as retro/electropop, is much in the vein of contem-poraries such as Daft Punk, and draws considerable influence from 80’s bands such as Fleetwood Mac and New Order.
GASLIGHT RADIOGaslight Radio is an Australian guitar pop band, originally from Brisbane and now based in Melbourne. The band was founded by two brothers, Martin and Rory Cooke, in their home town of Burleigh Heads on Queensland’s Gold Coast.
LOVE OF DIAGRAMS“Much of the record is so revelatory it is as close as we may now ever come to knowing the first carnally inspired performances of headstruck post-punk-rockers Sonic Youth, Swervedriver, PIL, Slint, Husker Du and Fugazi” (Beat magazine)
THE MORNING AFTER GIRLSAustralian psychedelic rock band.
ROCKET SCIENCERoman Tucker is the vocalist for Australian alternative rock band Rocket Science. He suffered a brain aneurysm in early 2004 after a fall at a Melbourne hotel, but recovered after a spending time in an induced coma.
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
Contemporary painter Dawn Okoro is connecting her community with its artists. Okoro’s third solo art exhibition “Creation,” opened at Gachet Gallery in Dallas, Texas on May 5, 2006. A portion of the proceeds and all donations from the show benefitted B.L.I.N.D. (Beautiful Love Incorporated Nonprofit Development). B.L.I.N.D. is headed by neo soul singer Erykah Badu—its mission is to improve communities and the world though art, love, education, caring, and sharing. The headquarters is located at the historic Black Forest Theater in south
Dallas where Badu grew up. The theater hosts first class shows and productions featuring local and world-renowned talent. Educational programs, culturally dynamic events, and forums are also held there.
In August 2005, Okoro held an art fundraiser for Thoughtful House Center for Children. The show was a success in that it helped bring awareness to the community and raised funds to aid a local family of an autistic child. Okoro herself knows the hardships of this disability first
hand. Her ten year old brother is a child of autism. Okoro plans to bring the same kind of awareness to the community for B.L.I.N.D.
The “Creation” exhibit consists of acrylic paintings inspired by fashion and American pop culture. Okoro is attempting to bring back the support for visual arts and artists everywhere. The community is encouraged to continue to come out and support this cause.
Phot
o by
Mic
hael
Sha
ne G
ordo
n
‘untitled 5‘
‘al ice‘
‘untitled 13‘
‘untitled 1 1 ‘
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
Fallen Fruita green and luscious community effort worth sampling
foliageandflowers,butnothingtoeat.Fruitcangrowalmostanywhere,andcanbeharvestedbyeveryone.Ourcitiesareplantedwithfrivolousanduglylandscaping,sadshrubsandneglectedtrees,whereastheyshouldburstwithripeproduce.Greatsumsofmoneyarespentonyoungtrees,waterandmaintenance.Whilethesetreesarebeautiful,theycouldbehealthy,fruitfulandbeautiful.
WE ASKallofyoutopetitionyourcitiesandtownstosupportcommunitygardensandonlyplantfruit-bearingtreesinpublicparks.Letourstreetsbelinedwithapplesandpears!Demandthatallparkinglotsbelandscapedwithfruittreeswhichprovideshade,cleantheairandfeedthepeople.
FALLEN FRUITisamappingandmanifestoforallthefreefruitwecanfind.Everydaythereisfoodsomewheregoingtowaste.Weencourageyoutofindit,tendandharvestit.Ifyouownproperty,plantfoodonyourperimeter.Sharewiththeworldandtheworldwillsharewithyou.Barter,don’tbuy!Givethingsaway!Youhavenothingtoloosebutyourhunger!
a specter is haunting our cities: barren landscapes with
THIS MAPisofourneighborhood.Itisforeveryonetoshare,butweaskthatyousamplewhatyoufindanddon’thoard.Ifyouhaveproperty,thinkaboutplantingafruittreeonthestreettosharewithyourneighbors.Mostofthefruityoubuycomesfromfarawayandmoreandmorecomesfromoverseas.Thiswastesenergyandfurtheralienatesusfromourfood.Eatlocal,thinkglobal.
MAKE A MAP–createafruitmapofyourownneighborhoodandsendittous.We’llputitonourwebsite.FirstLosAngeles,thenAmerica,thentheworld!
Fallen Fruit of silver lake
Find it, tend andharvest it.
Fallen Fruit of santa fe2nd street neighborhood
Principles of Fallen Fruit:
Thinkaboutwhohasfruitandotherresources,andwhodoesn’t.
Functionallandscaping:askcitiestoplantfruittreesinparks,parkinglots,andonstreets.
Opendialoguewithinneighborhoodsaboutpublicspaces.
Mappingitisawaytosharewitheveryone,learningyourneighborhoodbyfoot,ratherthanbycar.
Askpropertyownerstoplantfruittreesforeveryone.
Fresh fruit is a human right.
Dave BurnsDavidBurnsisanartistwhocurrentlyteachesatCalArtsandlivesandworksinLosAngeles.HeisagraduateofCaliforniaInstituteoftheArts1993andhasreceivedanMFAinStudioArtsfromtheUniversityofCalifornia,Irvinein2005.Hisrecentvideoworkhasshownaroundtheworldinfestivalsandgalleriesincluding;InsideOUT,ADD-TV,Pressplay,MixFestivalandNEWFEST.RecentartprojectshavebeenshownatTrack16BergamotStation,OTIS,ArtCenter,MachineGallery,WORKSgallery,REDCAT,MESSHALLinchicago,andatArtistsSpaceinNewYork.PublicationsabouthisrecentworkscanbeseeninFABmagazine,SCOOP!,TheJournalofAestheticsandProtest,SUPERSONICcata-logue,Rhizome.org,PLOTmagazineandMetropolisMagazine.
Matias ViegenerMatiasViegenerisaLosAngelesbasedwriterwhoteachesatCalArtsinCriticalStudiesandtheMFAWritingProgram.HiscriticismappearsintheanthologiesQueerLooks:Lesbian&GayExperimentalMedia(Routledge),andCampGrounds:Gay&LesbianStyle(UMass).HehasfictionintheanthologiesMenonMen3,SundaysatSeven,DearWorld,Abject,SuspectThoughts,andDiscontents,editedbyDennisCoo-per.HehasshownworkorperformedatArtCenter’sWindtunnelgallery,MessHallinChicago,TheSilverLakeFilmFestival,TheWhitneyMuseum,TheKitchen,andTheDrawingCenterinNewYork,LosAngelesContemporaryExhibitions,Highways,Sushi,BeyondBaroque,NewLangtonArtsinSanFrancisco,theL.A.MuseumofContemporaryArtandtheLaJollaMuseumofContemporaryArt.Heistheeditorandco-translatorofGeorgesBatailles’TheTrialofGillesdeRais.HehasmostrecentlypublishedfictionandcriticisminBomb,Artforum,ArtIssues,Artweek,ArtinAmerica,Afterimage,Cargo,CriticalQuarterly,HighPerformance,Framework,Oversight,AmericanBookReview,JacarandaReview,FictionInternational,Paragraph,Semiotext(e)andX-tra.
Austin YoungAustinYoung,photographerandvideographer,livesandworksinLosAngeles.HestudiedpaintingatParson’sSchoolofDesigninParisbeforelaunchingacareerinphotography.HisworkcanbeseenregularlyinAndyWarhol’sInterviewMagazine,andhasappearedinSurface,Flaunt,Vogue,Spin,RollingStone,Q,andmanyothers.HehascollaboratedwithartistsDiamandaGalas,MargaretCho,SkinnyPuppy,andTheVelvetHammerBurlesqueoncreatingtheirrecentimagery.HisportraitsincludephotosofLeighBowery,Lypsinka,SiouxsieSioux,NinaHagen,DebbieHarry,JimmyScott,JohnDoe,SandraBernhard,ZiyiZhang,MarkAlmond,AnnMagnuson,AmyPoehler,etc.Hisrecentvid-eoworkhasshownaroundtheworldinfestivalsandgalleriesincluding;MESSHALLinChicago,InsideOUT,MixFestival,Framline,Reeling,andTheSilverLakeFilmFestival.“TheStroke”wonbestshortof2003onADD-TV.Thefeaturelengthdocumentary,“QueenofTheBoogie”,abouttorchsinger,HaddaBrooks,willbeshownatfestivalsnextyear.Austinyoung.comisfeaturedinTaschen’s1000FavoriteWebsitesandreviewsabouthisworksarepublishedinTheJournalofAestheticsandProtest,Elegy,andPremonition.
www.fallenfruit.org
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
The internet and the irony of modern interactivity
pixelsthe world outside is
The internet is an amazing thing. The universe is so thoroughly represented—and easily accessed—through a steady stream of pixels on my screen. Beaming wirelessly. Showing me things that I have no business being able to see from my tiny corner of the planet. Through interactivity, I can see it all in 72 dpi, and it’s beautiful. It’s practically real.
But it’s so very not real. The irony of today’s online interactivity is that I’m not actually interacting with anything beyond my keyboard, my monitor, my mouse, my chair. I can read online about everything known to humans in 15 languages, and my computer is smart enough to recognize 15 different alphabets/character systems. I can see images, watch video, read someone
else’s blog—but this ‘experience’ online is completely synthetic. And as the hours of my life spent interacting with the world through the internet add up, I’m feeling more and more frustrated that the pixelated version of the universe is taking me over, and driving out the (harder to afford, harder to get time off for) real live actual experiences. I’m worried I’ll be less aggressive about getting out into the world because there’s such an annoyingly reasonable digital alternative.
The world outside is pixels. Just pixels. Totally pixelated when you look close enough. The online community is wonderful and massive and intriguing and informative, but I’m itching for the real thing.
Just pixels.
Just not the same.
That being said,it seems like my only option as a designer (with a young family to support) is to continue pushing pixels around at the agency and on freelance projects until I can make enough cash to get out into the real non-pixelated world. Or if anyone has a better idea | a shortcut to freedom | the meaning of life | or a private jet and an available apartment in Barcelona — drop me an email. You know I’ll be online.
thoughts + designby gabe ruane
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
independent sound and video production
“sequence“
“main d ’oeuvre“
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
NickWoodsisagraphicdesigner/artist,musician,EasternMichiganUniversitystudentcurrentlylivinginAnnArbor.HisillustrationsforPhase02weredrawnfromacombinationofreligiousimagery,simplegraphicsandform.TheChinesecharacterisasymbolforGod(intheChristiansense),andtheBuddhistsymboliscalledthe“DharmaWheel.”
For current work, please visit:
design: people.emich.edu/nwoods1music: www.vespasmusic.com
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
TheExposureProjectisacollectionofemergingphotographerstakinganactiveapproachinexposingandpromotingnewtalent.Thisgroupwasfoundedtoprovidesupportandinspirationtophotographersworkingonlong-termprojects.TheProject’smissionistocreateasustainingcommunitywhereeverymemberisanactiveparticipant,responsiblenotonlyforthemselvesbutfortheirfellowmembersaswell.Thismutuallysupportiveenvironmentenablesartiststobemoreintimatelyandartisticallyinvolvedwitheachothersprocesses.
The Exposure Projectwww.theexposureproject.com
Ben Alper + Adam Marcinek + Anastasia Cazabon + Eric Watts
The Identity Archives Project connects you with the premier keyword-searchable database of logos and brand identity designs from around the mundo. Logos are searchable by industry and nationality, as well as descriptive, subjective, conceptual, and otherwise design-related keywords. Help make this resource fantástico for your fellow diseñadores by uploading your designs and keywords today...
Uploads and usage of the site are always free, and there’s no need to register. Check it out at: www.identityarchives.com
P H A S E C O L L E C T I V E I N F O
Visit the Phase Collective online at PhaseCollective.com for information on upcoming issues, contribution guidelines, and the rest of it.
The Phase Collective and Phase Magazine were established in late 2005 by Gabe Ruane and Brett Jorgensen because it was time for something new. We hope you enjoyed Phase02, and we’re looking forward to bringing you something completely different the next time around.
Gabe Ruane | [email protected] Jorgensen | [email protected]
FALL 2
00
602The internet and the irony
of modern interactivitypixels
the world
outsid
e is
COMM
UNITY
