Embed Size (px)
Citation preview
Pewter Live 2 0 1 1
THE WORSHIPFUL COMPANY OF PEWTERERS
COPYRIGHT 2011The Worshipful Company of Pewterers
No part of t his work may be reproduced, stored in a retrieval system or transmitted in any form or by any means, including copyrighting and recording, without written permission from the copyright owner, application for which should be addressed to The Worshipful Company of Pewterers – Pewter Live. Whilst every effort has been made to verify statements of fact by contributors, including the Stu-dents and professional designer entering the competition, no responsibility is accepted for errors or omissions by them.
Editor - The Clerk, Captain Paddy Watson RN
Designed and produced by -Eleanor Mason Brown - [email protected]
Printed by Splash Printing - www.splashprinting.co.uk
Front cover: ‘Geo Light Sconce’ by Yoyala Luiklham. 2nd place - Open Competition, Pewter Live 2009
CORRESPONDENCEThe Worshipful Company of Pewterers, Pewterers’ Hall, Oat Lane, London, EC2V 7DE
Property Management Experts
705 High Road, North FinchleyLondon , N12 0BT
Tel: 020 8492 7770
Wish The Worshipful Company of Pewterers every success for
Pewter Live 2011
CF DAY Ltd.
Contact the National Association of Goldsmiths on:
Email: [email protected]: 020 7613 4445Web: www.jewellers-online.org
Introduction 4Sponsors 6Master and Company 7Shop at Pewter Live 11Judges 13The Open Competition 15Student Competition:
Past Winners 41Association of British Pewter Craftsmen 45Statement of Design Rights & Entrants Index 49
Contents
Pewter Live 2 0 1 1
Interior, Architectural & Furniture 22Decorative Arts 26Fashion 35
Delivering the Future of Tin global co-operation for long term success www.itri.co.uk
ITRI Ltd wish the Worshipful Company of Pewterers every success for
Pewter Live 2011
Introduction
Buckinghamshire Chilterns University College www.bcuc.ac.uk Tutor: Andreas Fabian
South Devon College www.southdevon.ac.uk Tutor: Trish Woods
University College Falmouth www.falmouth.ac.uk Tutor: Jason Cleverly
University College for the Creative Arts at Farnham www.ucreative.ac.uk Tutor: Rebecca Skeels
Sussex Coast College Hastings www.hastings.ac.uk Tutor: Ashley Heminway
Faculty of Art & Design - Manchester Metropolitan University www.artdes.mmu.ac.uk Tutor: David Grimshaw
London Metropolitan University www.londonmet.ac.uk Tutor: Beaulagh Chapman Brooks
University College for the Creative Arts at Rochester www.ucreative.ac.uk Tutor: Brian Hill
Staffordshire University www.staffs.ac.uk Tutor: John Grayson
Truro College www.trurocollege.ac.uk Tutor: Martin Page
Camberwell College of Arts www.camberwell.arts.ac.uk Tutor: Karen Richmond
Central St Martins www.csm.arts.ac.uk Tutor: Caroline Broadhead
The Worshipful Company of Pewterers has been actively involved with the pewter trade since the Middle Ages. Today, one of the principal examples of this involvement is Pewter Live, which has become a noted and influential event held in the very heart of the City in the impressive surroundings of Pewterers’ Hall.
Pewter Live showcases exciting and innovative work of both established and student designers. This year we are delighted to announce that Sheriffs of the City of London, Alderman and Sheriff Fiona Woolf and Sheriff Richard Sermon will formally open Pewter Live on Tuesday 7 June and that David Nicholls, Design Editor for the Daily Telegraph, will present the Prizes on Thursday 9 June.
There are two competitions: the Student and the Open. The Student competition has three categories: Decorative Arts, Interior, Architectural and Furniture and Fashion - the Total Look. With almost 80 students and 19 professionals (7 going through to the final) the standard has been extremely high. This year, for the Open competition, the Company is looking for a piece of fine pewter to be presented to the Royal Scots Dragoon Guards, who have recently become affiliated to the Company. This is a fantastic opportunity for aspiring designers to gain not only a valuable commission but a huge amount of publicity.
Pewter Live is all about encouraging innovation in design in order to exploit pewter to its fullest potential and to produce ideas which will stretch the boundaries of this marvellous metal. We wanted the entrants to bring pewter alive; to demonstrate an understanding of its inherent qualities and contemporary appeal to consumers of all ages and tastes.
The Pewter Live Committee works closely with the Association of British Pewter Craftsmen and its members to achieve a high standard that will inspire designers and manufacturers to produce the very best of British pewter.
Pewter Live could not be run without the colleges and universities which take part. Once again, our thanks go to the tutors and students for their support and the tremendous effort and enthusiasm that goes into the competition.
Pewter Live 2 0 1 1
Pewter Live 2 0 1 1
www.leighcarr.co.uk Working with you to achieve growth
Quite simply, we are committed to helping you grow your business and improve your bottom line. At Leigh Carr we believe the way forward for a business is to identify its positive potentials and develop strategies to realise them.
Leigh Carr, 72 New Cavendish Street, London W1G 8AU tel: 020 7580 7788 fax: 020 7580 8877
email: [email protected]
LEIGH CARRWishes the Worshipful Company of
Pewterers every success for Pewter Live 2011
accounting for individuality
Specialist advice froma team you can talk to…Ranked in the top 10 private client practices in the world, our Private Client team provides advice to UK and international individuals, families, trustees, private banks and trust companies.
With a distinctive reputation for its ‘joined-up’ approach, Speechly Bircham’s 22 private client partners and over 60 fee earners focus exclusively on all aspects of wealth protection; tax and succession planning; charities and philanthropy; family; property and related corporate issues.
…lawyers of choice for individuals and corporates.
For more information, please contactJohn Ward - Head of Private ClientTel: +44 (0)20 7427 6643 [email protected] visit our website at www.speechlys.com/private_client
Speechly Bircham
Sponsors
- www.cadmanfinewines.co.uk
- www.cityandguilds.com
- www.ga-uk.org
www.itri.co.uk
- www.leighcarr.co.uk
- www.jewellers-online.org
- www.procom.uk.com
- www.rathbones.com
- www.richmondcaterers.com
- www.speechlys.com
- www.splashprinting.co.uk
- www.teamworkexhibitions.co.uk
- www.utilityfunding.ocm
The Worshipful Company of Pewterers would like to thank
CADMANFINE WINES
Master &It is a great pleasure to welcome you to Pewter Live and to show you the great variety and versatility of pewter.
The earliest examples of use of the alloy date from ancient Egypt in about 1500BC, but it only became popular in Britain during the late Roman period. With the collapse of Roman Britain and the ensuing chaos, pewter production virtually ceased and was not revived until the Ninth Century when it was confined mainly to ecclesiastical articles and jewellery. After the Norman conquest and with the general increase in wealth during the Middle Ages, the use of pewter steadily became widespread throughout English society.
Although gradually eclipsed by the introduction of porcelain in the Eighteenth Century, pewter remained in use as domestic ware and by craftsmen and designers, notably during the Arts & Crafts and Art Nouveau periods.
Professor John DonaldsonMaster of the Worshipful Company of Pewterers
Pewter Live 2 0 1 1
The beauty and wide utility of pewter has an enduring appeal and it is a privilege to show you the work of the designers and craftsmen of today.
CompanyThe Pewterers’ Company is an ancient and continually evolving foundation with medieval origins as a City Guild. The earliest documented reference to it is in the records of the Corporation dated 1348. The Company’s own records date from 1451. It is ranked sixteenth in the order of civic precedence among over a hundred Livery Companies.
The first charter, granted by King Edward IV in 1473, empowered the Company to regulate the trade throughout the kingdom, unlike the powers granted to the majority of other companies, whose jurisdiction was limited to the City and its environs. It could seize and destroy pewter below a certain standard, and also impose fines and other penalties on its members for failing to uphold the Craft. From 1503, an Act of Parliament required Members of the Company to register their ‘Touchmarks’, which were ‘to be recorded on Tablets of Pewter’ and kept at the Hall of the Company. The use of a Maker’s Touchmark served not only to safeguard the Craftsman, but also to enable the public to have confidence in the quality of the product.
.Today, the Company has an active and diverse membership, drawn from a wide range of backgrounds. The Company’s principal activities are the support of the pewter trade in this country, the management of its charities, supporting the government of the City of London and the Armed Forces of the Crown and maintaining a lively and enjoyable corporate social life, meeting regularly in Pewterers’ Hall.
The first Hall, completed in 1496, was destroyed in the Great Fire. The secondHall, on the same site in Lime Street, which is still owned by the Company, was demolished in 1932. The present Hall was opened in 1961.
Pewter Live 2 0 1 1
Glover & Smith
Inspired by nature, created by us!
www.gloverandsmith.co.uk
All of our tableware, jewellery and gift designs are handmade by us in our
Wiltshire studios.
Shop @There will be an impressive range of contemporary pewter
for sale at pewter Live 2011.
Glover and [email protected]
Fleur [email protected]
Gill [email protected]
Pewter Live 2 0 1 1
Pewterlive
Public opening times: 10.00 - 17.00 Wednesday 8 Junego to www.pewterers.org.uk for more details
Steve Corless
Partners in Pewter www.partnersinpewter.com
AE Williams [email protected] www. pewtergiftware.com
Pewter Live 2 0 1 1
.
Guest of Honour
.
Judges
Sebastian Conran’s career began in 1977 working as a designer for The Clash, designing record sleeves, posters, stage sets, and clothing. In 1979, Sebastian joined leading branding consultancy Wolff Olins; and in 1981 became Head of Merchandise Design at Mothercare; before setting up his own design studio in 1986.
With specific focus on innovative merchandise development and user experience design, Sebastian Conran Associates is known for ingenious and elegant design solutions. The studio’s work has received many design and innovation awards as well as dozens of patents in a variety of industries.
The Worshipful Company of Pewterers is delighted to welcome David Nicholls as guest of honour and presenter of prizes for Pewter Live 2011. He will be accompanied by past judge Annabel Freyberg.
David Nicholls is the design editor of the Telegraph Magazine where he has worked for the last seven years. Although Canadian has lived in London since 1994 and since then has developed a great passion for the preservation of British craft and manufacture. David writes a weekly ‘Made in Britain’ column in the Telegraph Magazine and in 2010 he curated the Britain (can still) Make It exhibition at Liberty London where he teamed together British designers and manufacturers to produce an original body of work. He works with Clarion Events for whom he has devised the Product GB Trail, which highlights exhibitors who
manufacture their collection in the United Kingdom. Over the course of his career, David has written for publications including Elle Decoration, GQ, the Independent, Crafts magazine and Livingetc and served as a judge at events including 100% Design and New Designers.
Sebastian is also visiting Professor of Design Against Crime at Central St Martins; Leader of the UK Home Office ‘Design and Technology Alliance against Crime’; Chairman of the ‘Creative Industries Knowledge Transfer Network’ for the Technology Strategy Board; founding Trustee of the Design Museum; ‘Designer in Residence at Sheffield University Science Faculty’ ;Member of the Design Council, Britain’s strategic body for design.
Sue Bonham graduated with Distinction at the London College of Fashion in 1981 and her graduation collection was purchased by Harrods. In the 1980s Sue worked with Simon Napier-Bell making clothes for his bands such as Wham! and Japan as well as with Terence Donovan styling for some of his photo shoots. Following this, She was also a part time lecturer at the London College of Fashion as well as showing both at London Fashion Week and Paris Fashion Week under her own label. Since the late 1990s Sue has been a couture designer for both women and men with her own shows in London’s West End. She has an expanding list of high profile clients, including HRH the Countess of Wessex, designing and making stylish outfits for all occasions.
.
Mark Bond is currently Head of Design for Home & Furniture at Tesco. Graduat-ing from the RCA in 1994, Mark established his own design consultancy working with high profile companies such as Hermes fashion house, the Design Museum, the Barbican Centre, the Design Council, the British Council, WGSN and Habitat UK. Mark has curated exhibitions, co-authored books, lectured internationally, trend forecasted, and judged design competitions.
Mark has also worked with the Home Retail Group, Marks & Spencer, ran the design team at Conran & Partners and designed for SCA. He has travelled extensively and collaborated with manufacturers globally, developing designs in most product areas.
.
.
.
Laila Zollinger is a Director of Wildshaw Limited, the worldwide sales agent for Minsur SA, Peru, (which produces about 35,000 tonnes of tin metal annually). Laila has been involved in the metal industry all her working life and takes a keen interest in all things tin related, from the mine to finished products.
Pewter has always held a particular fascination for Laila, due to its versatility and beauty, and the Viking’s metal of choice can be found in numerous guises in her family home. The promotion of pewter is an ongoing challenge and Laila would dearly like to see pewter regain its prestige and be seen by the public as an equal to gold and silver.
Marc Meltonville - Food Historian, Historic Royal Palaces, EnglandMarc trained in Ceramic history, form and construction. After college he went to work in the media, firstly in advertising and then the writing of children’s books. To date he has over twenty books in print.
Never losing his love of history he also worked as a volunteer at the Chiltern Open Air Museum and later worked for his County as a Museum Education Officer. Marc was first commissioned to work for Hampton Court in 1991 for the reconstruction of the Tudor kitchens and then for the first attempt at using that space for experimental work. In 2003 Marc took over the project co-ordination of the Historic Kitchens of Hampton Court Palace. In 2006 the current project was born; an experiment to look at the three centuries of occupation of the Royal kitchens. His work at the Royal Palaces has seen him lecture all over England, America and Canada, along with countless TV and Radio appearances.
Nick Munro started his career in 1987 by turning bedsprings into eggcups – an instant hit which won him the accolade of UK Young Entrepreneur of the Year. Soon afterwards he invested all the money he’d made from this initial venture into his first collection of pewter, including teapots, cafetieres and pepper mills, manufactured by ARWentworth in Sheffield.
More latterly, Nick has gone on to work with companies all over the world including Royal Selangor Malaysia and his portfolio ranges from tea pots to wristwatches, crystal to porcelain. He opened his first independent shop last year and is presently expanding his own brand into China, Korea and Japan. But it all started with Sheffield made pewter (albeit by way of a bed-spring or two!).
Open Competition Pewter Live’s mission is to encourage innovation in design in order to exploit pewter to its fullest potential and produce ideas that will stretch the boundaries of this marvellous material. The object is to bring British pewter alive; to demonstrate an understanding of its inherent qualities and its appeal and relevance to contemporary consumers of all ages and tastes.
Open Category Brief 2011 – Gift for the Royal Scots Dragoon Guards
The Royal Scots Dragoon Guards are Scotland’s senior Regiment and have a history dating back to 1678; they are also regarded as Scotland’s cavalry and are equipped with the Challenger 2 Main Battle Tank. The Regiment has recently become affiliated to the Worshipful Company of Pewterers and, to commemorate that occasion, the Company wishes to commission a piece of pewter as a suitable gift. Alternatively, entrants are asked to design an item suitable for presentation to one of the Company’s other Service affiliations (HMS Liverpool or 3 (F) Squadron RAF). Over the next few pages you will see the final designs chosen from the preliminary judging.
Design BriefThe brief of the Open Competition is to design a suitable piece of pewter finished to a standard of excellence, which the Company could purchase to present to the Royal Scots Dragoon Guards. Initially, we are looking for designs that will be subjected to preliminary judging; those candidates selected will then be asked to make their designs for the final judging at Pewter Live. The design will need to incor-porate elements of the history and traditions both of the Company and Regiment; the actual object can be decided by the competitor, it may be sculptural, a centrepiece, a charger or candelabrum, chandelier, lectern or some other object of inspiration.
Judging PanelThe Master of the Company will chair the panel of judges that will be drawn from all sections of the Company.
Prize - If awarded, the first prize will be the purchase of the finished work by the Company for presentation to the Regiment; the second prize will be £1,000.
Pewter Live 2 0 1 1
Open Competition
Alfred Pain - [email protected]
Chandelier
The design is for a twelve lamp chandelier (1) with an enamelled frieze, and symbols and emblems of the Pewterers and the Regiment. These include references that will only be apparent to the Regiment, as the Officers’ Mess is a private place. There will be images (2) of Bluidy Tam and Sergeant Ewart on two of the arms.
Images on the arms:Bluidy Tam raised the Regiment. He is held in regard by the officers and enjoyed a robust career, and served as a General in the Russian Army. In my sketch, which is taken from his portrait in the National Gallery of Scotland, he is observed holding a hand of cards, as he is reputed to have played a game with the Devil. On the opposite arm of the chandelier will be an image of Sergeant Ewart, who scarcely needs introduction, but was the man who seized the Eagle which is seen with the Prince of Wales’ feathers on the body of the chandelier..
Pewter Live 2 0 1 1
Melanie Guy - [email protected]
Table Centre Piece
A modelled pewter casting 32cm diameter, set on a burr wood base, an oak burr, The whole piece will be appox. 18cm high. An appox 6.5cm depression in the centre holds a small vase for afew blooms. Emblems chosen are the hat emblem of The Royal Scots Dragoon Guards and The Worshipful Company of Pewterers’ crest.
Michael Hurley - [email protected] Oatcake & Cheese Board
This cheese board is designed specifically around the oat cake, oats having a long association with both the Scots and horses.
The wooden insert is carved with a novelty ‘Allied v’s Enemy Cheese ‘design.
Open Competition
Shannon O’Neil - [email protected]
Punch Bowl
The Punch Bowl and lid would be cast and turned to a thickness of between 3-5mm and I have pro-posed having a cast polyurethane in-sert into the base of the punch bowl to lower the centre of gravity and ensure stability when in use.
The ‘chased’ camouflage motif is created using outlines of some of the 790 Scottish Isles and echoes The Royal Scots Dragoon Guards’ global influence. The Regiment’s and Company’s coats of arms are engraved on the lid and their mottoes on the rim of the bowl. The finial, which suggests the offering of a gift, is taken from the crest of the Pewterers’ Coat of Arms, as is the base of the Punch Bowl, which is drawn from the fish tails of the two ‘seahorse supporters’. The Piper’s Ladle is inspired by the Royal Scots Dragoon Guards’ haunting and incredibly moving music that has touched the lives of generations across the globe; as it is music that is surely one of the truly great unifiers.
.
Pewter Live 2 0 1 1
Sam Williams - [email protected]
Scots Dragoon Guards Flagon and Bowl
A magnificent Traditional Thistle shaped Drink-ing Flagon. Original design dates from the 1600s when the predecessor regiments of the Royal Scots Dragoon Guards were first raised. There are 3 handles shaped into thistles (the guardian symbol of Scotland) which attach to the jug and they are to be set with amethysts or heather. 3 handles represents a Stirrup cup, which is a traditional drinking cup used amongst the cavalry and is a symbol of trust. At the top of the Flagon the crest can be found mounted on top of the lid. The crest represents the charge at Waterloo.
The bowl is a 20 inch Broad rim bowl, a unique piece which cannot be made anywhere else. Around the Broad Rim there will be an inscription “The Royal Scots Dragoon Guards” along with their motto. At the bottom of the rim there will be engraving of all of their honours and Victoria Cross Winners. Inside the Bowl there will be an embossed circular crest which will be a platform for the Jug to be placed on. On the side of the Bowl there will be intricate engravings of the charge at Waterloo. The other side of the bowl will feature the new Challenger 2
Main Battle Tank,
Open Competition
Laura Carnell - [email protected]
Quaich
Based on the traditional Scottish quaich. This communal drinking vessel celebrates the bond of brotherhood between the Wor-shipful Company of Pewterers’ and Royal Scots Dragoon Guards and the camaraderie of the soldiers.
With a central spun pewter bowl it is encased in wood with pewter inlaid using a laser technique. Therefore it utilises the techniques of spinning, turning and casting.
Karen Richmond - [email protected]
Pewter Live 2 0 1 1
the addition of the appropriate badge it would also be suitable for HMS Liverpool or 3(F) Squadron Royal Air Force.
The making process would be the casting or pressing of individual wing-forms then soldering the pieces together, alternatively a construction of a multi-part mold with soldering. With the upcoming bicentenary of the Battle of Waterloo the thoughts behind the piece are based on the symbolic strength of the eagle. I am also aiming for a visual lightness within the work with a polished surface of the vertical wing structure. With
Eagle Wings Bowl
Inspiration: The eagle within the Royal Scots Dragoon Guards cap badge.The ‘Eagle Wing Bowl’ is intended as a bold centrepiece; a three-dimensional layering of eagle wings. The manufacturing context is as a bespoke gift.
Prizes: First £500, Second £300 and Third £150
Interior, Architectural & Furniture Pewter offers students tremendous potential to design contemporary interior fixtures and fittings - from handles and hooks, shelves and brackets, to light fittings, lamp bases, and bathroom accessories. Today’s homes adopt a variety of ‘looks’ - minimalist urban loft-living, country-style utility, revivalist or traditional - and most successful businesses have a corporate look which inspires confidence through its professionalism. Pewter fixtures and fittings can enhance them all.
The students were asked to design a one-off item or a range of pieces which show originality and take into account today’s trends in interior design.
Alberto Deleze-Castro - [email protected] Buckinghamshire Chilterns University College3-Dimensional Design - Ceramics
Repoussé & Embossed Free Standing Mirror
I took an antique pine free standing mirror, acquired through Ebay. The idea was a mixed media object using wood, pewter and ceramic tiles. The mirror has been coated/wrapped with very low calibre (thin) sheets of pewter, embossed with erotic imagery/patterns.
Pewter Live 2 0 1 1Melina Xenaki - [email protected] Buckinghamshire Chilterns University College3-Dimensional Design - Ceramics
Debbie Leane - [email protected] Camberwell College of Arts BA Hons 3 Dimensional Design
Yosuke Kondo - [email protected] Camberwell College of Arts BA Hons 3 Dimensional Design
Chessboard Table
I am very intrigued by the way people communicate and interact with each other. Picasso’s “Guernica” is my main inspiration for the design of these pieces. I have used techniques such as oxidation, hammering, soldering and casting to achieve the chess set and the pewter rim. The tabletop is ceramic with a crackle glaze applied on the surface .
Wishbone Lamp
This prototype utilises the conductive property of pewter to eliminate wires, as the pewter wishbone conducts the electricity from the base to the bulb. The sandcast wishbone is coated in a resin which ensures safety to the user. The base and shade are hand carved sapele hardwood. Connotations of luck from the wishbone make it an ideal wedding gift.
Pliant
A single sheet of pewter cut in circle was utilised. Not an inch was wasted. The edges were manipulated by hand to create the corrugated effect. At one end of this fan-like shape a spout is formed. At the other end, a handle made of teak wood is attached. A lid is made of the same teak.
Interior, Architectural & Furniture
Chloe Sherwin - [email protected] University College Falmouth Ba (Hons) Contemporary Crafts
‘The Knocking Pin’
‘Place your hands lightly on each end of the pin and begin to roll’....Delia Smith. Pewter door handles to replicate a roll-ing pin, accentuating the han-dles much more than if on an everyday rolling pin. Moulded and casted door knob handles, such easy every day objects often over looked, but often it is much needed in every sce-nario of a building.
Anna Pearson - [email protected]
London Metropolitan University Silversmithing & Jewellery Design FDA
LED Wall Lights
. This design was inspired by Fibonacci and natural spirals. The Calla Lily was broken down to its simplest form and rebuilt in pewter. The clean, flow-ing lines of the wall lights would compliment any setting, be it corporate or in the home. The design was made by hand but would lend itself to large scale production easily.
Pewter Live 2 0 1 1
Tyra-Jane Ward - [email protected] University for Creative Arts at Rochester BAHons, Silversmithing, Goldsmithing and Jewellery
The Magnetic Key Keeper
Fun for all the family, this innovative magnetic key keeper solves that ever-lasting problem of ‘Where are my keys’ Just throw your keys at the pewter dome and watch them stick to the metal sur-face, you’ll never have to look for your keys again. Pewter is the ideal metal for this stylish, minimalist and contempo-rary design as the keys will continually texture the surface and will also them-selves, be an important decorative fea-ture of the design.
Alpine Succulent Art This modular set of units are specifically designed for alpine succulents, they are versatile and would befit any type of garden, whether it is a veranda, patio,rockery, or even by the window sill. Of additional interest and adaptability, these distinctive units are also designed to be mounted on a wall to create living succulent art of a striking nature.
Sanni Falkenberg - [email protected] University for Creative Arts at Rochester
BAHons, Silversmithing, Goldsmithing and Jewellery
Decorative Arts
Decorative ArtsThe students were asked to design a pewter item for the gift market. The design could be either functional, fun or merely decorative. We wanted them to look at the current market, bearing in mind retailers such as John Lewis or Heal’s.
The judges are seeking originality and beauty but also innovation. Students were asked to bear in mind what people need/want at the moment and to think about life-style trends. More and more people are entertaining at home: a wine chiller, a table centre piece, a modern take on the traditional vase, etc.
They also had to consider the visual benefits derived from the integration and use of colour to complement and enhance the pewter, using additional materials as appropriate. The final item had to be made predominantly of pewter. We also asked that consideration should be given to the possibility and practicality of large-scale production.
An additional theme which students were offered was to take a more architectural/interior approach. This could include accessories for interior decoration or pewter fixtures and fittings.
Prizes: First £350, Second £250 and Third £100
Tripti Samal - [email protected] Buckinghamshire Chilterns University College BAHons, Silversmithing, Goldsmithing and Jewellery
Candlestick Jigsaw Tower I styled this piece to become an elegant and modern addition to any home environment. The wood and pewter design is based on the idea of a jigsaw; giving it a playful, interactive nature, and the reversibility will attract both candle and tea light lovers. Charlotte Duckworth -
[email protected] Buckinghamshire Chilterns University College BAHons, Silversmithing, Goldsmithing and Jewellery
‘The Floating Bowl’ When I was designing my piece, I was aiming for a target audience used to life in the countryside. My research was based on nature, which led onto twigs and branches. I wanted to create an exquisite piece that has a certain unique feel to it, but is aesthetically pleasing.
Pewter Live 2 0 1 1
Modern Wine Decanter A modern twist on a traditional decanter. A contemporary pewter design based on wine vines and leaves which is then wrapped around a recycled wine bottle. The bottle itself has a vine design sandblasted on the surface to add texture and depth
Joanna Williamson [email protected]
Buckinghamshire Chilterns University College Three Dimensional Design, Glass
More than a mirror, this is Pewter Of all objects the mirror is deemed the most unlucky. Used intensively but never seen. Indeed, looking into the mirror is not looking at it. Here, gaze carefully, this is pewter naturally both rough and soft, matt and shiny
Marie de Boissezon - [email protected] Camberwell College of Arts Three Dimensional Design
Joseph Begley - [email protected] Camberwell College of Arts Three Dimensional Design,
Tilt Inspired by Fuller’s geodesic dome, this deceptively delicate pewter fruit bowl perfectly compliments a traditional table setting giving it a playful, interactive ‘slant’ whereby it tips with the shifting weight of its contents on its pentagonal pyramid base. Manufacturing consists of spinning and press moulding.
‘Pewter Business Card Holder
My design is a Pewter business card holder. This idea came from experimentation into different hinge mechanisms, resulting in part of the hinge being used to support the cards, allowing it to have 3 functions… Opening, Closing, Supporting - This product is aimed at the gift market for people to hold a collection of business cards.
Nadia Medani - [email protected] University College Falmouth BAHons, Contemporary Crafts
Squid Ink
Squid Ink is a free standing, cast pewter inkwell. It is a comic look at the quirks of nature and the fact that squid produce ink, com-bining functionality and contemporary humour. The ink well and pen are suspended in the body of the squid whilst the tentacles hold the piece upright.
Dionne Cole - [email protected] Camberwell College of Arts Three Dimensional Design
Laura Beer - [email protected] University College Falmouth
BAHons, Contemporary Crafts
‘Duck Cup’ Earthenware Ceramic Cup with Cast Pewter Duck’s Feet
‘Duck Cup’ is a comical yet functional vessel for drinking that brings a hint of the surreal to everyday life. The feet have been hand modelled and cast using the Lost Wax Process, and fin-ished by hand.
Napkin Ring The skyline of London City is the influence for this napkin ring and the layer finishes. Each layer of this piece rep-resents a part of London, shiny towers, old architecture, rough estates, dirty pavements and even the grey sky. The pewter has been finished accordingly, highly finished, hammered, lightly and heavily brushed pewter with the addition of grey perspex will represent the sky.
Sophie Botsis [email protected] London Metropolitan University
Silversmithing & Jewellery Design FDA
Decorative Arts
Segmented Fruit Bowl: Raised then pierced by hand. Fruit Bowl: The inspiration for the bowl came from both nature and architecture; the segments of cit-rus fruit and the Chrysler Building in New York. I was struck by how the top of the building looked like a slice of lemon. Rearranging the segments brought the form into being. The bowl was then raised and pierced by hand.
Anna Pearson [email protected]
London Metropolitan University Silversmithing & Jewellery Design FDA
Lotus Flower Incense burner Incense burners were used by ancient civilisations for worship, communication with spiritual beings and assurances of im-mortality. In Buddhist symbolism the lotus flower represents purity of body, speech and mind. The scent of the incense will bring the lotus flower alive.
Silke Helga Espinet [email protected] London Metropolitan University Silversmithing & Jewellery Design FDA
Seaspoon
This double ended pewter spoon is a contemporary take on how shells have had such a long history of being used by humans for various purposes, evidence of which dates back to Paleolithic times. The spoon has been made as one piece from casting two different sized seashells in sand.
Rosie Brewer - [email protected]
Camberwell College of Arts Three Dimensional Design
Pewter Live 2 0 1 1
Decorative Arts
Jessica Swallow [email protected] Faculty of Art & Design - Manchester Metropolitan University Three Dimensional Design
Ripple Vase
A smart and simple vase; defined by the aesthetic juxtaposition of mahogany and pewter. A ripple effect cascades down the vase and this subtle design feature ensures the contrasting materials are married together. The pewter element is watertight, and for convenience and maintenance purposes the two parts are detachable.
Kieron Mayall [email protected]
Faculty of Art & Design - Manchester Metropolitan University
Three Dimensional Design
Dishful
Dishful is a centre piece object that invites a variety of functions. It is designed to be the focal point of entertainment within the home, uniting families and friends.
It is an ideal gift or gesture for all occasions.
Rory Thompson [email protected] Faculty of Art & Design - Manchester Metropolitan University Three Dimensional Design
Matryoshka bowl
Matryoshka is the Russian word to describe their famous dolls that sit inside each other. It is from this concept I have created my bowls. Three beautifully crafted bowls that sit with each other to appear as one unique functional object.
Imogen Clarkstone [email protected] Faculty of Art & Design - Manchester Metropolitan University Three Dimensional Design
Cake Dish
I created this cake stand with tea parties in mind. I de-signed the hand-turned wooden handle so that the cakes can be handed out easily.
Taking inspiration from traditional cake stand decorations, I created the geometric floral pattern and acid etched the design onto the pewter, before having the dish spun.
Vincent Ratcliff [email protected]
Faculty of Art & Design - Manchester Metropolitan University
Three Dimensional Design
“Moon” Fruit Dish
‘Moon’ is a spun fruit dish which takes advantage of the malleable material. With its symmetrical indentations, the form keeps the fruit in place as well as dispersing light differently from every angle. The name relates to the cratered and reflective surface of the moon.
Pewter Live 2 0 1 1
Double Ended Flask
A new take on a traditional item. The double ended flask is unique as you are able to carry both your favourite spirits in your pocket. The elliptical shape sits comfortably in your hand and is beautiful to hold as well as visually pleasing. An item truly to behold.
Rory Thompson [email protected]
Faculty of Art & Design - Manchester Metropolitan University Three Dimensional Design
Decorative Arts
Decorative Key Fobs
Fun and topical key fobs based on any visual subject matter like Alice in Wonderland, Harry Potter, Films, TV and animations etc. This every day and popular product is suitable for everyone who uses keys and seeks fun and a design identity. My universal concept has a wide ap-peal and exciting potential for domestic, business and commercial con-siderations relating to manufacture, marketing and sales.
Elizabeth Mooney - [email protected] Sussex Coast College Hastings FdA Contemporary Crafts Practice
Sleep
Don’t the marks of a stretching hammer remind you of the creases in a poppy? In this decorative ornament, I let the process of hammering dictate the undulations of each pet-al. The result is a pewter poppy, a flower which represents sleep and oblivion.
Clair Archer - [email protected] University for Creative Arts at Rochester BA Silversmithin, Goldsmithing & Jewellery
Decorative Book
Inspired by the Book of Kells that I saw at Trinity Col-lege in Dublin, I will create an old fashioned cover for a book. This will be made in several sections and riv-eted together to create a layered surface. I will put individual designs on each of the pieces.
My Found Objects This body of work has allowed me to explore new materials and techniques. Pewter has inspired me to create many pieces through the method of sand casting. I have used a collection of natural objects: Wood, Stones, Shells and Drift Wood to cast and pour Pewter through, creating different patterns into sand below. I am taking enjoyment in the way the metal can so easily transform and pick up detail within the cast.
Harriet Lewin - [email protected] Sussex Coast College Hastings
FdA Contemporary Crafts Practice
Wendy Dorn - [email protected] Sussex Coast College Hastings
FdA Contemporary Crafts Practice
Pewter Live 2 0 1 1Richard Gamester - [email protected]
University for Creative Arts at Rochester BA Silversmithin, Goldsmithing & Jewellery
Suomalaiset Kaatimet - Con-diment Pourers
A trinity of pewter condiment pourers sup-ported, decorated and strengthened with Finnish soapstone. My contemporary and functional design will fit into many domestic settings and dining scenarios. Their visual purity and generic appear-ance endorses the simplicity of the de-sign allowing the contrasting materials to highlight and compliment their attractive, flowing and striking qualities.
Alexandra Kublickas - [email protected] Sussex Coast College Hastings FdA Contemporary Crafts Practice
Pewter Ceramic Flowers -
Ceramic petals held together by pewter acting as the centre of the flower. Brooches / sculp-tural pieces. Inspired by the petal shapes of gerberas and daisies, these delicate ceramic and pewter flowers can be worn as statement brooches or used as simple ornamental pieces. The pewter in the centre effectively contrasts against the different combinations of porcelain and coloured glazes. As they are handmade each piece will always be unique.
Truus Schlangen - [email protected] Sussex Coast College Hastings
FdA Contemporary Crafts Practice
Collection Box for Kew Gardend Seed Bank
Model of Collection Box with the idea to display it in prestigious establishments, supporting the work of the Millennium Seed Bank, Wakehurst Place, and finance the preservation of plants worldwide. Perspex box covered in pewter foil, inscribed with seeds from the book by Kesse-ler, Rob & Stuppy Wolfgang, 2nd ed. Seeds, Time Capsules of life. 2009, Winterbourne, Pa-padakis in collaboration with the Royal Botanic Gardens, Kew.
Decorative Arts
Margaret Bowden - [email protected] South Devon College FdA Contemporary Crafts Practice
Two cone shaped vessels, one pewter, one ceramic on a wooden plinth
A pewter spiral cone like shape, embossed with an image of Harts Tongue ferns, and a delicate ceramic vessel with a related pattern and similar structure are set into an oak plinth. Common plants of the Devon hedgerow, and their seasonal changes inspire the design.
Kari Furre - [email protected] South Devon College
FdA Contemporary Crafts Practice
Pewter Salt
One main dish, with a separate spoon and an ancillary dish for other salt or pepper. Two cone shaped vessels, one pewter, one ceramic on a wooden plinth
PEWTER SALT – is an organic dish, made by fold forming and anticlastic raising, in a boat form with organic tendrils supporting the dish and a small ancillary bowl. With a cast pewter spoon which follows the con-tours of the main dish. The ancilliary bowl could hold specialist salt, or pepper.
Rachel Bletcher - [email protected] South Devon College FdA Contemporary Crafts Practice
Porcelain and pewter desk tidy.
The textured porcelain vase with pewter rim holds pens etc. and sits in a pewter stand, which is also the letter holder.
Pewter Live 2 0 1 1
Fashion – From Jewellery to the Total Look Today’s high street is awash with jewellery and accessories, few of which are made of pewter. We challenged the students to come up with designs which could pro-mote pewter either as an accessory or part of the total look. Taking this into ac-count, they were asked to design a piece, or range of jewellery, which would appeal to young people to compliment today’s free-form fashion. Similarly to the Decorative Arts category Students were encouraged to keep the commercial price relative to the intended buyer.
Prizes: First £350, Second £250 and Third £100
Fenella Osborne - [email protected]
University College for Creative Arts at Farnham Three Dimensional Design, Glass
Water Cycle Bangle
The cyclical movement of water is represented by the form of this bangle. Uneven areas represent the unevenness of water distribution across the world. The hammered and textured pewter sits beneath or on top of the glass depending on how the bangle is worn. The pewter beneath the glass gives the effect of rippling water when it catches the light and is reminiscent of sun kissed waves. When the bangle is worn the other way the texture becomes the focal feature depicting raindrops on a window.
Bracelet with crocheted flower and pewter button & Fingerless gloves with crocheted flowers and pewter buttons
These handmade knitted bracelets and fingerless gloves with pewter button detail are warm and comfortable to wear. The crocheted flowers give the accessories a feminine appeal and are suitable for a wide range of ages. The bright wool and contrasting metal buttons make these pieces truly unique and interesting garments.
Grace Johnson - [email protected] University College for Creative Arts at Farnham Three Dimensional Design
Fashion – From Jewellery to the Total Look
Raha Ansari - [email protected] Camberwell College of Arts Three Dimensional Design
Pewter Amulet - A necklace to hold small objects with emotional value within
Worn around the neck the “Pewter Amulet” protects and secures pre-cious keepsakes; with emotional value such as a luck charm, a love note or lock of hair etc.
The top flap folds and locks when the disk is inserted into the slot. To reopen the string needs to be cut and replaced.
Sylia Panayiotidou - [email protected]
Camberwell College of Arts Three Dimensional Design
Nostalgia Necklace
The beginning of these drawings goes way back, when around 5 years ago a very good friend and I started sketching on the same piece of paper and created a single draw-ing together. By wearing this necklace, I cease feeling nostalgic and homesick as it takes me back home. In order to turn these into an actual three-dimensional object, and in particular jewellery, a very fine outcome is desired. After a lot of experimentation, I ended up choosing rubber moulding, which is more precise and detailed. Each piece is a different shape and pattern, but all the pieces are linked like a jigsaw, one fitting into the other.
Pewter Live 2 0 1 1Pewter Live 2 0 1 1
3 Pairs of mens cufflinks made from pewter and leather.
I am making 3 pairs of mens cufflinks out of pewter and leather. They are made of different colours of leather which will be dark red, black, dark green or brown, The design on the end could be different by distorting the guitar plectrum on the end of the cufflink.
Holly Sears - [email protected] University College for Creative Arts at Farnham Three Dimensional Design
Let Pewter Be
In this world, more than humans, nature knows about beauty.So deal with the setting only:75g of pewter, a brick under water.Heat the metal, pour it onto the brick,Let Pewter be.These handmade necklaces are unique pieces of jewellery, thanks to a process which allows pewter to react freely.
Marie de Boissezon - [email protected]
Camberwell College of Arts Three Dimensional Design
Virginie Stubi - [email protected] Camberwell College of Arts Three Dimensional Design
Fragments (Necklace. Acid treated pewter stitched onto leather)
Fragments explores the idea of waste. The tri-angles are recovered from cutting the circle and become part of a unique pattern. Every piece is acid treated individually and hand stitched to leather. The necklace not only adorns the body, it becomes a decorative piece when it is not worn.
Student Competition - Fashion
Fashion – From Jewellery to the Total Look
Jing Jing Cao - [email protected]
Central St Martins BA (Hons) Jewellery Design
‘Memento Mori’ Pewter Necklace
The lacy necklace formed by pewter with a polished surface and a rose gauze wreathe, throughout with black beads, highlighted with round brilliant cut crystals, diameter 30.00cm. The necklace is in memory of the Royal Scots Dragoon Guards, some of those who had lost their life in a war and those who are still serving.
‘Memento Mori’ Pewter Bangle
The lacy bangle formed by a matt surface pewter ‘crown’ and an acrylic ‘shadow’ base, throughout with black beads, highlighted with round brilliant cut crystals, circumfer-ence 19.50cm. The bangle is designed as a dedicated medium to connect the dead and the living for we who need it to remember.
Hannah Batstone - [email protected]
University College Falmouth BA Contemporary Crafts
’Out Flew The Cuckoo’ Pen-dants
Inspired by cuckoo clocks and their con-notations of childhood, and innocence, these pendants combine the use of cast pewter, nylon cord, resin and feathers to create a contemporary range that represents the happy bird that lives in the house.
Pewter Live 2 0 1 1
Fatima Usman - [email protected] London Metropolitan University FDA Jewellery and Silversmithing
Fold Formed Basket Earrings
These are beautiful fold formed earrings made from pewter, they are in a unique style and resemble small baskets. The texture appears inside of the earrings as a natural result of the forming process. The wire is purposely long to accentuate their light weightless elegance.
Frances Stanwyck - [email protected]
London Metropolitan University FDA Jewellery and Silversmithing
Gothic Melted Bow
I have designed a head piece in a gothic style. It is a melted pewter bow influenced by wax dripping down a candle. The bow is mounted on a contrast-ing background of red organza fabric which ties in with the gothic style. The piece connects to the head with an alice band making it easy to wear.
Victoria Freeman - [email protected] University for Creative Arts at Rochester BA Hons, Silversmithing, Goldsmithing and Jewellery
‘Seductive Secrets’ – An Intri-cate Masquerade Mask
Inspired by Victorian decorative arts, specifically looking at the intricate and vis-ual statements as seen in wallpaper pat-terns, my design captures and promotes many visual qualities from this period. My Face Mask offers a range of reactions and responses such as intrigue, emotion, mystique and seduction and will befit any special event, enabling the wearer to feel and look distinctive, unique and bespoke.
Fashion – From Jewellery to the Total Look
Nicola McLean - [email protected]
University for Creative Arts at Rochester BA Hons, Silversmithing, Goldsmithing and Jewellery
The Peacock’s Wing Fascinator
A new take on a fascinator, my inspiration comes from the repetitive movements of waves caressing the shore. The shimmer and the shapes of the feathers on a peacock’s body is captured through the decorative process of etching pewter where an effective contrast can be created between the polished and matt etched surface areas. The introduction of different leathers both creates a colour contrast and emulates the texture of the pewter pieces. This combination creates a captivating interactive piece where both the design and wearer stand out from the crowd in a unique and distinctive way.
Rachel Bletcher - [email protected] South Devon College FdA 3 Dimensional Design
Porcelain & Pewter Daisy Necklace & Porcelain & Pewter Fuchsia Pendant
Daisy necklace and earrings are made from fine white porcelain with pewter centres and strung together with pewter beads, aiding delicacy of the design. Fuchsia pendant. The fuchsia is made from fine white porcelain with pewter stamens inner petals hanging from a fine silk thread.
Bryony Gill - [email protected]
Truro College FdA Silversmithing and Jewellery
Organic Bobble Bracelet
My design compromises of several cast pewter elements as well as semi precious stone beads finished with a specially designed clasp. Mainly influenced by nature
Pewter Live 2010Pewter Live 2010- Last year’s winners and highlights
There was a wonderfully diverse range of entries in Pewter Live 2010. Over 50 students and 27 professionals entered the Student
and Open categories respectively.
Last years winners with Past Master Nicholas Bonham, Isabel Martinson & Sebastian Conran
Nicholas Bonham & guest of honour, David Linley, admiring a piece by Sam Williams (right)
Last year’s winners
STUDENT COMPETITION - DECORATIVE ARTS (above from left)First Prize (£500) - Sarah Jones, South Devon College for ‘Pewter Cups’Second Prize ( £350)- Malin Ohlsson, Bucks. Chilterns U C for “Tea for Two” Pewter cake stand Third Prize (£150)- Siobhan Wood, Bucks. Chilterns U C for “Holly Leaf” Christmas Decorations Highly Commended - Suzi Fuller, Sussex Coast College Hastings for “Letters from Afghanistan” Commended - Sue Harvey, Truro College for ‘Pewter Teapot’
OPEN COMPETITION (above from left)First Prize Laura Carnell, for ‘Olympic Vase’Second Prize Sam Williams, for ‘Olympic Tokens’ Third Prize Fleur Grenier, for ‘Olympic Torch’ Highly Commended Jayne Abdy ‘London Bowls’Commended Laura Carnell, for ‘Olympic Underground Napkin Ring Set’
FASHION - JEWELLERY AND ACCESSORIES, THE TOTAL LOOK (Clockwise from top)First Prize (£500) - Olivia Pountney, Truro College for “Parasite, Stacking, Rings” Second Prize (£350)- Emily Charlotte Betson, Sussex Coast C.Hastings for ‘Handbag Books’Third Prize (£150)- Sophie Jinks, Staffordshire University for ‘Shoe Embellishment’ Highly Commended - Alicia Head, South Devon College for ‘Lace Bracelet’
Isabel Martinson, Chief Executive of the Giftware Association, presented an award on behalf of the Giftware Association. This is in the form of publicity for the piece as well as entry to the Giftware Association Gift of the Year Award. This year it was presented to Emily Charlotte Betson, Sussex Coast College Hastings for ‘Handbag Books’ with Highly Commended given to Malin Ohlsson, Bucks Chilterns U C for “Tea for Two” (See Fashion and Decorative winners for images).
Mr Alex and Mrs Patricia Neish presented a prize of £600 to Alicia Head of South Devon College for ‘Pewter Book & Rose’. (above left)
Katherine Buckley presented the City & Guilds prize to Maxine MacIntosh , South Devon College for ‘Long Dress incorporating a pewter and plastic constructed textile ’. (Above right)
Pewter Live 2010
If you want to find out more about The Giftware Association MembershipCall Heather Truepenny on 0121 237 1104 or email: [email protected]
www.ga-uk.org
C
M
Y
CM
MY
CY
CMY
K
GA ADVERT FINAL AW.pdf 22/3/10 13:13:24
The Association of British Pewter Craftsman
The resurgence in trade can, in the main, be attributed to the formation in 1970 of the Association of British Pewter Craftsmen (ABPC).
The initiative was taken by a group of manufacturers, the metal suppliers and the Worshipful Company of Pewterers. By promoting high standards, raising awareness of pewter and encouraging innovation and excellence in manufacturing, the ABPC has achieved impressive results and together with the Pewterers’ Company, has helped to establish British pewter firmly in both domestic and international markets.
[email protected] www.britishpewter.com
A. E. Williams - www.pewtergiftware.com
A.R.Wentworth - www.wentworth-pewter.com
Alchemy Carta Ltd. - www.alchemygroup.com
Ancestors of Dover Ltd. - www.pewteruk.com
Benchmark Woodworking Ltd. - www.benchmarkwoodworking.com
Blyde Edwin & Co. Ltd. - www.edwinblyde.co.uk
Chimo Holdings - www.chimoholdings.co.uk
DJH Engineering Ltd. - www.djhpewterworks.co.uk
Keith Tyssen - www.keithtyssen.co.uk
Pinder Brothers Ltd .- www.pinder.co.uk
Fleur Grenier - www.fleurgrenier.co.uk
St Justin Cornwall Ltd. - www.stjustin.co.uk
For more details of members and Associate members of the APBC go to our manufacturers’ gallery:www.pewterers.org.uk -manufacturers galleryOr directly to the ABPC’s website: www.britishpewter.co.uk
Pewter Live 2 0 1 1
PEWTERERS’ HALL Conference & Banqueting
Ideally situated in the heart of the City and with its flexible suite of air conditioned rooms, Pewterers’ Hall is a wonderful backdrop for meetings, conferences and presentations. Audio Visual equipment can be arranged and our Beadle will be pleased to organise
whatever support services you require to ensure your event runs smoothly.
The Company is pleased to offer for hire parts of its imposing Hall in the City of London for special occasions. Few venues in the capital can rival a Livery Hall for prestige, splendour and an atmosphere of heritage.
It is only a few minutes walk from three underground stations in the heart of the City.
MEETINGS, CONFERENCES AND PRESENTATIONS
CATERING AT PEWTERERS’ HALLRichmond Creative Event Catering are in-house caterers at Pewterers’ Hall.
Richmond is one of London’s leading independent catering companies, drawing on 30 years of experience in corporate and private entertaining to provide mouth watering food, innovative drinks and exceptional service.
Whether your event is large or small, sim-ple or elaborate, Richmond will help you achieve your vision. Richmond understand how important your event is and the need to enjoy the experi-ence and impress your guests. They will work closely with you to design the cuisine and service you require.
‘perfect parties, prestigious places, professional people’
Richmond Creative Event Catering www.richmondcaterers.com
Contact at Pewterers’ Hall:Events Team
020 7397 [email protected]
Statement of Design Rights
The works shown in the exhibition and in this catalogue are required by the Worshipful Company of Pewterers to be original works, but the Company does not make any warranty in this regard.
Unregistered Rights. All the works shown in this catalogue and exhibited at Pewter Live 2011 at Pewterers’ Hall, London EC2V 7DE on 7th June 2011 may be protected automatically by Unregistered Design Right for 10 years in the UK as provided by the Copyright, Designs and Patents Act 1988 and for 3 years in Europe as provided by EC Council Regulation No. 6/2002 on Community Designs, subject to fulfilment of the requirements for qualification for UK Design Right protection and/or EU Unregistered Design protection. Unregistered Design rights protect only against copying by a third party.
Registered Rights. EC Council Regulation No. 6/2002 also provides that an application for EU Registered Design may be submitted for any of these designs so exhibited that fulfil the requirements for EU Registered Design protection within 12 months of the date of first exhibition of the design, as long as the exhibition was the first disclosure of the design otherwise than in confidence. The application would receive the filing date of the actual date of submission of the application but the exhibition disclosure will not be taken into account for the purpose of assessing qualification for Registered Design protection. Registered Design protection is also available in the UK only.
Further Details. Advice regarding asserting Unregistered Design Rights and the procedure involved in applying for the Registered Design Rights can be obtained at no charge by the authors of the designs (or with their written permission) by application to The Clerk, The Worshipful Company of Pewterers, Pewterers Hall, Oat Lane, London EC2V 7DE by post or email to [email protected] . These details are kindly provided by Kilburn & Strode, 20 Red Lion Street, London WC1R 4PJ.Copyright A Rurhmann 2008
Index of EntrantsAnsari, Raha -FASHION 36Archer, Claire -DEC. ARTS 32Batstone, Hannah -FASHION 38Beer, Laura -DEC. ARTS 28Begley, Joseph -DEC. ARTS 27Bletcher, Rachel -DEC. ARTS 34Bletcher, Rachel -FASHION 40Botsis, Sophie -DEC. ARTS 28Bowden, Margaret -DEC. ARTS 34Brewer, Rosie -DEC. ARTS 29Cao, Jing Jing -FASHION 38Carnell, Laura -OPEN 20Clarkestone, Imogen -DEC. ARTS 31Cole, Dionne -DEC. ARTS 28de Boissezon, Marie -DEC. ARTS 27de Boissezon, Marie -FASHION 37Deleze-Castro, Alberto -ARCHITECTURAL 22Dorn, Wendy -DEC. ARTS 32Duckworth, Charlotte -DEC. ARTS 26Espinet, Silke Helga -DEC. ARTS 29Falkenberg, Sanni -ARCHITECTURAL 25Freeman, Victoria -FASHION 39Furre, Kari -DEC. ARTS 34Gamester, Richard -DEC. ARTS 33Gill, Bryony -FASHION 40Guy, Melanie -OPEN 17Hurley, Michael -OPEN 17Johnson, Grace -FASHION 35Kondo, Yosuke -ARCHITECTURAL 23
Kublickas, Alexandra -DEC. ARTS 33Leane, Debbie -ARCHITECTURAL 23Lewin, Harriet -DEC. ARTS 32Mayall, Kieron -DEC. ARTS 30McLean, Nicola -FASHION 40Medani, Nadia -DEC. ARTS 28Mooney, Elizabeth -DEC. ARTS 32O’Neil, Shannon -OPEN 18Osborne, Fenella -FASHION 35Pain, Alfred -OPEN 16Panayiotidou, Sylia -FASHION 36Pearson, Anna -ARCHITECTURAL 29Pearson, Anna -DEC. ARTS 24Ratcliff, Vincent -DEC. ARTS 31Richmond, Karen -OPEN 21 Samal, Tripti -DEC. ARTS 26Schlangen, Truus -DEC. ARTS 33Sears, Holly -FASHION 37Sherwin, Chloe -ARCHITECTURAL 24Stanwyck, Frances -FASHION 39Stubi, Virginie -FASHION 37Swallow, Jessica -DEC. ARTS 30Thompson, Rory -DEC. ARTS 30Thompson, Rory -DEC. ARTS 31Usman, Fatima -FASHION 39Ward, Tyra-Jane -ARCHITECTURAL 25Williams, Sam -OPEN 17Williamson, Joanna -DEC. ARTS 27Xenaki, Melina -ARCHITECTURAL 23
Pewter Live 2 0 1 1
Hugh MullensChief Executive
Utility Funding Limited17 Glasshouse StudiosFryern Court RoadFordingbridgeHampshire SP6 1QX
t: 07966 395836e: [email protected]: www.utilityfunding.com
utility funding
Utility Funding is pleased to support Pewter Live 2011
Congratulations and good luck to all participants
Utility Funding enables smart metering of electricity and gas
supplies to monitor and control energy consumption and to reduce carbon dioxide emissions
www.utilityfunding.com
Utility Funding Limited Brewery House34 -44 Gigant StreetSalisbury, WiltshireSP1 2AP
£5.00
The Worshipful Company of Pewterers
Pewterers’ Hall, Oat Lane, London, EC2V 7DE
Telephone 020 7397 8190 [email protected] www.pewterers.org.uk
