Perspectives on Photography. What do we feel when we see something?

Perspectives Perspectives on on

PhotographyPhotography

What do What do we feel we feel

when we when we see see

somethingsomething??

Image ControlImage Control

Point/Position of View (POV)Point/Position of View (POV)– Where do you place the camera Where do you place the camera

(your feet)?(your feet)?– Where is the camera in relation to the Where is the camera in relation to the

subject?subject?

Position/Point of ViewPosition/Point of View

Exploiting HeightExploiting Height


Exploiting DepthExploiting Depth


Exploiting DepthExploiting Depth


Exploiting Lines & Exploiting Lines & AnglesAngles


Field of View (FOV)Field of View (FOV)– Normal (shoulder width)Normal (shoulder width)– Wide angle (90Wide angle (90oo angle) angle)– Narrow (telephoto)Narrow (telephoto)

Field of ViewField of View

Field of View?Field of View?





CompositionComposition– How we orient the film plane to the How we orient the film plane to the

worldworld– Exploiting lines; creating illusionsExploiting lines; creating illusions– Rule of thirds {click to play video)Rule of thirds {click to play video)– StorytellingStorytelling

THE SIX GUIDELINES FOR THE SIX GUIDELINES FOR PHOTOGRAPHIC COMPOSITION PHOTOGRAPHIC COMPOSITION

1.1. Avoiding MergersAvoiding Mergers2.2. SimplicitySimplicity3.3. LinesLines4.4. The Rule of ThirdsThe Rule of Thirds5.5. BalanceBalance6.6. Framing Framing

Kodak’s Tutorial for PhotographyKodak’s Tutorial for Photography

Exploiting Position of View (proximity to subject)

Exploiting Composition(orientation of film plane to subject)

CompositionComposition

Exploiting lines – Exploiting lines – natural convergences in subjectnatural convergences in subject

Illusion…creating “depth”Illusion…creating “depth”


Capitalizing on “thirds”…


Rule of thirds {click to play video)

CompositionStorytelling…Storytelling…


ExposureExposure– Light (natural, flash)Light (natural, flash)– Duration/Speed Duration/Speed

film speed film speed (low, normal, high)(low, normal, high)

Shutter (light) speed Shutter (light) speed (under exposed, normal, over exposed)(under exposed, normal, over exposed)

Light

Remember to illuminate faces with flash…

LightLight

Source of Light:Source of Light:

Natural?Natural?

Artificial?Artificial?

Exposure: LightExposure: Light Speed of LightSpeed of Light

Under exposed Under exposed – dark subjectsdark subjects

Normal exposureNormal exposure– appears “okay” toappears “okay” to

the naked eye the naked eye

Over-exposedOver-exposed– Too much light, washed Too much light, washed

out areasout areas

Exposure: DurationExposure: Duration

Speed of Shutter:Speed of Shutter:

Slow shutter Slow shutter – (more light) (more light) – heavy action blur of heavy action blur of

moving objectsmoving objects

Normal shutter speed Normal shutter speed – minimal action blurminimal action blur

High speed High speed – freeze actionfreeze action

Exposure: DurationExposure: Duration

Shutter SpeedShutter Speed

Image Control – Picture #Image Control – Picture #

Position of View?Position of View?(inches? feet? yards? miles?)(inches? feet? yards? miles?)

Field of View?Field of View?(normal? wide angle? narrow?)(normal? wide angle? narrow?)

ExposureExposure– Light? (natural? artificial?)Light? (natural? artificial?)

– Speed? (under? normal? Speed? (under? normal?

over?over?))

Personal Observation(s)Personal Observation(s)

http://www.dummies.com/WileyCDA/DummiesArticle/id-3577.htmlhttp://www.dummies.com/WileyCDA/DummiesArticle/id-3577.html

When Framing a Shot . . . When Framing a Shot . . . Use Design & Composition Use Design & Composition

TheoryTheory Create visual tensionCreate visual tension BalanceBalance

– Symmetrical Symmetrical (mirrored)(mirrored)– Asymmetrical Asymmetrical (counterbalance)(counterbalance)– Radial Radial (flowers)(flowers)

CompositionComposition– PyramidalPyramidal ex. Portraits, renaissanceex. Portraits, renaissance– ““L” ShapeL” Shape Things that “pop” outside of shape get noticed.Things that “pop” outside of shape get noticed.– Rule of thirdsRule of thirds Hot SpotsHot Spots– Golden MeanGolden Mean Specific Ratio = 1.6 x 1Specific Ratio = 1.6 x 1

The Six Guidelines For Photographic Composition

Avoiding Mergers Simplicity Lines The Rule of Thirds Balance Framing

(http://www.kodak.com/)

Color MathematicsColor Mathematics

How many colors on the color palette?How many colors on the color palette?

2-bit color2-bit color

32-bit color32-bit color24-bit color24-bit color

8-bit color8-bit color4-bit color4-bit color0000010110101111

(4 colors)(4 colors)

00000000000100010011001101110111111111111110111011001100……(16 colors)(16 colors)

000000100000001000000011000000110111000001110000……

000000000000000000000000000000000000000000000000000000000000000000000001000000000000000000000001000000000000000000000011000000000000000000000011000000000000000000000111000000000000000000000111

00000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000100000000000000000000000000000010000000000000000000000000000011000000000000000000000000000001100000000000000000000000000001110000000000000000000000000000111

16-bit color16-bit color00000000000000010000000000000001000000000000001100000000000000110000000000000111000000000000001110. . .. . .

Worksheet C page 13.

HexidecimalHexidecimal0000010102020303040405050606070708080909

0A0A

0B0B

0C0C

0D0D

0E0E

0F0F

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Perspectives on Photography. What do we feel when we see something?