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PERCEPTION OF MUSIC & LANGUAGE

PERCEPTION OF MUSIC & LANGUAGE

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PERCEPTION OF MUSIC & LANGUAGE. Music Perception. Musical notes Sounds of music extend across frequency range: 25 – 4200 Hz To increase by one octave double the frequency Intervals that sound good together have overlapping harmonic frequencies. Music Perception. Music Perception. - PowerPoint PPT Presentation

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Page 1: PERCEPTION OF MUSIC  & LANGUAGE

PERCEPTION OF MUSIC & LANGUAGE

Page 2: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 2

Music Perception

• Musical notes– Sounds of music extend across frequency

range: 25–4200 Hz

– To increase by one octave double the frequency– Intervals that sound good together have

overlapping harmonic frequencies

Page 3: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 3

Music Perception

Page 4: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 4

Music Perception

•Tone height: A sound quality whereby a sound is heard to be of higher or lower pitch; monotonically related to frequency

•Tone chroma: A sound quality shared by tones that have the same octave interval•Musical helix: Can help visualize musical pitch

Page 5: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 5

Music Perception

• Rhythm: Not just in music– Lots of activities have rhythm: Walking,

waving, finger tapping, heartbeat, breathing, etc.

– More examples: Car, train rides

Page 6: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 6

Speech Perception

1. Cortical Areas For Speech Perception and Production

2. Phonemes• Articulation • Forment transitions

3. Speech Segmentation4. Intonation & Prosidy

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Anthony J Greene 7

Broca’s Area & Wernicke’s Area

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Anthony J Greene 8

Aphasia• Broca's aphasics produce slow, halting speech that is rarely

grammatical. They generally retain their vocabularies and have no difficulty naming objects or performing other meaning-related tasks. In general, they can deduce the meanings of sentences from general knowledge, but cannot understand sentences whose syntax is essential to their meaning.

• Wernicke's aphasics are able to produce generally grammatical sentences, but they are often nonsensical and include invented words. Wernicke's aphasics show few signs of understanding others' speech, and have difficulty naming objects.

Page 9: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 9

Phonemes - The auditory components of speech

• 43 Phonemes • An alphabet for spoken language -- non-

decomposable• All sounds English words can be built from

a combination of phonemes

Page 10: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 10

Articulation: Consonants

1 Place of articulation:– Lips: b, p, m– Alveolar ridge: d, t, n– Soft palate: g, k, ng

Page 11: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 11

Articulation: Consonants

2 Manner of Articulation:– Totally obstructed: b, p, d, t, g, k– Partially obstructed: s, z, f, v, th, sh– Slightly obstructed: l, r, w, y– Initially obstructed: ch, j– Nasals: n, m, ng

Page 12: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 12

Articulation: Consonants

3 Voicing:– Voiced: b, m ,z, l, r– Voiceless: p, s, ch

Page 13: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 13

Articulation: VowelsFront Vowels Central Vowelsbeet aboutbit butbaitbet Diphthongsat bite

boyBack Vowels boughbootbookboatcausecot

Page 14: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 14

Recognizing Phonemes

1 Place ofarticulation:

Front Middle Back

Page 15: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 15

Recognizing Phonemes

2 Manner ofarticulation:

Obstructed

Unobstructed

Page 16: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 16

Recognizing Phonemes

3 Voicing:

Page 17: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 17

Recognizing Phonemes

Vowels

Page 18: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 18

Recognizing Phonemes

Vowels

Page 19: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 19

Speech Segmentation• The problem of determining which phonemes are

to be grouped into words before you know what has been said

Page 20: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 20

Page 21: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 21

Speech Segmentation

• Appears to be largely a function of context, learning common phoneme groupings, common segmentations and familiar phrases

Page 22: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 22

Speech Segmentation

• Appears to be largely a function of context, learning common phoneme groupings, common segmentations and familiar phrases

• "I owe you a yo-yo". "Mares eat oats and does eat oats, and little lambs eat ivy, a kid'll eat ivy too, wouldn't you?"

Page 23: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 23

Spectrogram: I owe you a yo-yo

Page 24: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 24

Speech Segmentation (cont.)

• When speaking with someone who doesn't understand what you just said, or with a young child, we tend to put audible spaces between words in order to assist segmentation

• Many errors of speech perception occur because of improper segmentation - " 'scuse me while I kiss the sky" - or with one phoneme shift -" 'scuse me while I kiss this guy".

Page 25: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 25

Intonation & Prosidy

• Meaning is carried in intonation "Oh yeah, that course is Great" or "That's it, you're finished”

• Prosidy is not only distinct behaviorally, but neuropsychologically as well

Page 26: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 26

Language Acquisition

Discernable speech sounds require reinforcement:Retroflex Consonant

Page 27: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 27

Language AcquisitionUniversal Grammar Associative Learning

Nativism Empiricism

Noam Chomsky B.F. Skinner

Experience isinsufficient

Experience is sufficient

Page 28: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 28

Universal Grammar

• Critical Period• Human Specific Behavior• The structure of syntax: The case for

generative grammar• Insufficiency of Experience• Creoles & ASL

Page 29: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 29

Associative Learning and Language

• While language is a remarkable capacity, a predilection for language acquisition does not imply a “universal grammar”

• Purely associative neural network models can learn language and do so remarkably similarly to humans

Page 30: PERCEPTION OF MUSIC  & LANGUAGE

Anthony J Greene 30

Resolution of The Debate

• Ethology: The Ecological Perspective for Learning: Conrad Lorenz

• Prepared and Unprepared Learning• Nativism Vs. Empiricism Redux: Language

acquisition, as with other learning is associative (empiricism),but occurs within systems adapted for certain types of acquisition (nativism)