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Paralinguistics and Suprasegmentals AREJA | DELA CRUZ | SANCHEZ | FERNANDEZ | NEPOMUCENO | VALLINAS

Paralinguistics and Suprasegmentals

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Page 1: Paralinguistics and Suprasegmentals

Paralinguistics and SuprasegmentalsAREJA | DELA CRUZ | SANCHEZ | FERNANDEZ | NEPOMUCENO | VALLINAS

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Paralinguistics

Is the study of:

•Vocal

•Non-vocal

signals that are beyond the verbal message or speech.

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How do you convey your message?

•Tone

•Pitch

•Rhythm

•Timber

•Loudness

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Effective Use Of Paralinguistics

• Try to vary your tone

- Awareness of the underlying message

• Concentrate on how you phrase

- Tones and facial expressions emphasize ideas

•Use soft/low voice that your participants can hear

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Forms of Non-vocal Communication

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Facial Expression

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Facial Expression

• Motions of muscles beneath the face’s skin

• Convey emotional state of an individual

• Convey social information between humans

• Maybe voluntary or involuntary

• Stronger understanding of what others feel

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Examples of Facial Expression

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Shocked

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Disgust / Revolting

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Confused

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Hunger / Sadness/ Discomfort

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Disappointment

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Dismay

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Effective use of Facial Expression

• Smile regularly

• Smiling is often contagious

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Eye Contact

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Eye Contact

• Eyes : “Windows to the soul”

•Helps regulate the flow of communication

• Important part of communication

• Can establish relationship between the parties

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Examples of Eye Contact

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Eyes GazeHow eyes focus on speaker

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Avoiding Eye Contact

• evading or trying to hide something

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Breaking Eye Contact• distracted, uncomfortable, disinterested

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Prolonged Eye Contact• confrontational, intimidating, threatening

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Looking Directly to Eyes• interested, paying attention

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Looking Up and Down

•sizing up

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BlinkingRapid closing and opening of eye lids

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Blinking

• Rapid blinking – uncomfortable, lying, fluttered

• Blinking on pause – listening carefully

• Single blink – surprised, “unbelievable”

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Pupil SizeDilation and contraction of pupils

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Pupil Size

• Bedroom Eyes – interested, attracted, sexually aroused

• Contracted Pupils – disinterested, threatened

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Which is more attractive?

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Effective use of eye contact

•Maintain eye contact

• Intervals of eye contact:

• lasting 4 to 5 seconds

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Gesture

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Gesture

• Visible bodily actions that has meanings

• Can sometimes substitute speech

• Shows your intentions and emotions

• Reinforce and support your words

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Examples of Gesture

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The Dog Call• Summoning someone towards you

• tempting woman to her man

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O.K• everything is good, well or O.K.

• Zero (Australia)

•Homosexual (Turkey)

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Hand Kissing

• respect

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Face Palm

• Frustration and embarrassment

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Effective use of gestures

• Be lively

• Be animated

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Reference

• http://en.wikipedia.org/wiki/Eye_contact

• http://en.wikipedia.org/wiki/Gesture

• http://en.wikipedia.org/wiki/Facial_expression

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Posture and Body Orientation

• Important aspect of non verbal communication

• Conveys one’s feelings and attitudes

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Standing Sitting Slouching Lying

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Standing vs. Sitting

• Signals confidence and honesty

Stand to present when:

• Formalizing a group

• Filling the space, creating a dynamic movement while speaking

• Drawing attention

• Signals Intimacy and informality

Sit to present when:

• Focusing on building trust and rapport first

• Drawing people in

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Appearance

• Impression

• Clothes, colors, hairstyle, etc.

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Dress Code: Casual

• “Laid back”

• Translates to road trips, mall visits, school, etc

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Dress Code: Smart Casual

• Includes trousers, collared shirt, leather loafers, blouse, sweater, and the like

• “Informal but neat”

• It’s like wearing business clothes in a relaxed fashion

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Dress Code: Business

• Includes long sleeves, tie slacks, business skirts, blazers, and the like

• “let’s work like a boss”

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Dress Code: Formal

• Includes evening gowns, tuxedo jackets, black shoes, high-heels, and the like

• “Elegance and beauty”

• Can be worn during formal events like formal parties, formal gatherings, and the like

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Effective Use of Appearance

•Different colors can invoke different moods

•Warm colors: vary from warmth to anger and hostility

• Cool colors: vary from calm to feelings of sadness

• Appearance can also change physiological reactions, judgment, and interpretations

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Proxemics

• also known as personal space

Social

Personal

Intimate

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Distance Between Faces Tone of Voice Type of Message

Very close (3-6 inches)Close (8-12 inches)

Soft whisperAudible whisper

Top secret or sensualVery confidential

Neutral (20-36 inches) Soft voice, low volume Personal subject matter

Neutral (4.5-5 feet) Full voice Non-personal information

Across the room (8-20 feet) Loud voice Talking to a group stretching the limit

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Effective Use of Proxemics

•Move around the area

- May increase interaction

• Closeness allows better eye contact

- May increase opportunity for participants to speak

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Game

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3. What posture/position is more effective if you want to formalize a group?

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4. What dress code is conveyed by this:

“informal but neat”

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Suprasegmentals

"It a'int what you say but the way you say it."

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Segments and Segmentals

• Vowels

• Consonants

• Phonemes

• Phones

• Allophones

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Suprasegmental vs. Segmental

• longer stretches of speech, such as rhythm and voice quality

• individual sounds

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Suprasegmentals

• Length or quantity

• Tone

• Pitch accent

• Stress

• Intonation

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STRESS

• giving emphasis on certain syllable/s orword/s

• can be classified as word and phrase or sentence stress

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WORD STRESS

• stress on syllable/s marked by an acute accent (´)

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WORD STRESS

1. Stress on one syllable

• change of meaning

a) from noun to another noun

desert and dessert

b)from noun to verb and vice versa

cónduct and condúct

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WORD STRESS

c)from single word to two words

hotdog and hot dog

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WORD STRESS

• in other languages:

Filipino

o sáma and samá

Spanish

o término (terminal), termíno (I finish.), and terminó(he finished.)

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WORD STRESS

2. Stresses on more than one syllable

• main or primary stress marked by accute accent (´)

• secondary stress marked by grave accent (`)

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WORD STRESS

• examples:

a. rèsignátion

b. sỳstemátic

c. rèvolútion

d. fùndaméntal

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PHRASE OR SENTENCE STRESS

• stress on word/s

• shift in meaning

• example: “I love you.”

“I love you.”

“I love you.”

“I love you.”

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WAYS ON PUTTING STRESS

1. Length

2. Pause

3. Volume

4. Pitch

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Intonation

•variation of spoken pitch over

an entire phrase or sentence

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Pitch Contours

•serves as a tracking device

that perceives pitch

over a period of time

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Pitch Contours

Example:

What did you put in my drink, Jane?

What did you put in my drink, Jane?

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Functions of Intonation

• Attitudinal

• Accentual

•Grammatical

•Discourse

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Types of Intonation

• Rising Intonation

• Falling Intonation

• Level Intonation

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Transcription of Intonation

\ Falling

/ Rising

\/ Dipping (fall - rise)

/\ Peaking (rise - fall)

_ Level

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Falling

• definite, final

• used in WH- questions

Examples:Mary likes John.\She hates swimming\.What does it say?\

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Rising

• indicates uncertainty, curiosity

• used in yes-no questions

Examples:Mary likes John?/

Did you finish your homework?/

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Dipping• surprised, scepticism

• Also used in tag questionsExamples:

She's nice,\ isn’t she?\

The singer was good,\ wasn’t he?\

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Peaking• Emphatic statement

• Also used in tag questions

Example:

I'd /love some\!

She’s nice,\ isn’t she?/

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Level

• boredom, not interested

Example:

Cool.

Great.

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Rhythm

• Relationship between stressed and unstressed syllables

• Patterns of combination of stressed and unstressed syllables

• The liaison or other phonological structures

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Examples:

The ‘boy is ‘interested in en’larging his vo"cabulary.

‘Great ‘progress is ‘made "daily.

Rhythm

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Language Types (Rhythm)

• Stress-timed

• Syllable-timed

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Syllable-timed

• duh-duh-duh-duh-duh-duh

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Stressed-timed

• English is a stress-timed language

• duh-DUH-duh-DUUUH-duh

• duh-duh-DUUUH

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Stressed-timed

• Dogs chase cats.

• The dogs chase cats.

• The dogs chase the cats.

• The dogs will chase the cats.

• The dogs will be chasing the cats.

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Questions

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References

• http://grhttp://www.slideshare.net/trinawong/nonverbal-communication-3296384ammar.about.com/od/pq/g/paralinguisticsterm.htm

• http://www.slideshare.net/trinawong/nonverbal-communication-3296384

• http://hrcommunication.blogspot.com/2007/06/body-posture-and-orientation.html

• http://en.wikipedia.org/wiki/Posture_(psychology)

• http://www.goddessofpublicspeaking.com.au/blog/public-speaking/sitting-versus-standing-position-yourself-powerfully-when-you-speak/

• http://www.ncbi.nlm.nih.gov/pmc/articles/PMC2811283/

• http://www.emilypost.com/everyday-manners/your-personal-image/69-attire-guide-beach-casual-to-white-tie

Paralinguistics

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References

• http://www.phon.ox.ac.uk/jcoleman/PROSODY.htm

• http://tkacmaz.files.wordpress.com/2014/02/suprasegmentals.pdf

• http://web.ntpu.edu.tw/~language/workshop/2010-3.pdf

Suprasegmentals