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Vitruvius’ De Architectura led to the Palladio’sVilla Rotunda of 1550 which led to Napoleon’s The Madeline of 1806 which led to
Andrea Palladio•He pursued mathematical clarity in both plan and elevation, stemming from the Renaissance belief that beauty could be attained through the use of geometry and measurement. •His buildings were largely intended as reconstructions of antique architecture, based on his reading of Vitruvius’ De Architectura.•His villas, the most influential part of his work, use the temple front, because Palladio believed that this was also a feature of antique domestic architecture. •Palladio conceived of architecture as something rational, which obeyed rules: if a work is created according to rules, it can be imitated and taught, assuming that the same basic precepts are imparted. •Expect geometrical symmetry.
The Madeline, Paris
Designated a temple to his Grande Armee by Napoleon in 1806, in 1837 it was proposed as Paris’ first railway station before finally being consecrated as a church in 1842.
The Pantheon Jacques-Germain Soufflot
1755-1792
• the portico is modeled directly on Roman temples
• the dome is inspired by Wren’s dome in London (St. Paul’s)
• the central-plan Greek cross was inspired by Chiswick House
The Classical Landscape: The Picturesque Movement
The desire was to create an idealized rural landscape; these idealized landscapes were often punctuated by architectural follies.