Dutch MastersGreg Keller

featuringCorey Dorris & Josh ZuCkerman

Directed by Guillermo Cienfuegos

Rogue Machine at The MET Theatre 1089 N. Oxford Ave, Los Angeles, CA 90029

Opening Night August 26, 2016

by

Presents the West Coast Premiere of

ProduCed by John Perrin Flynn

assistant stage managerTaylor anne Cullen

Lighting designriC Zimmerman

sCeniC design/teChniCaL direCtorDaviD a. mauer

ProduCtion manager amanDa mauer

sound designChrisToPher mosCaTiello

Costume designChrisTine Cover Ferro

CastingviCToria hoFFman

stage managerRamón Valdez

ProPerty designDan Cole

A Letter From the Artistic DirectorRogue Machine was created ten years ago. I answered an ad –Writer looking for a Director. I didn’t know the writer and I had little hope I would like the piece. I did. The writer was John Pollono, the play was his first full length play, Lost and Found, the World Premiere of which was produced at The Lounge Theatre in 2006.

Intimate theatre has changed since then. In those days when I shopped World Premieres to existing theatres, I was told no one came to World Premieres. There were also a lot of funny, dark, poetic, and often disturbing plays coming out of England, Chicago and New York that no one was producing here. There were new playwrights that needed to be heard. There still are. My colleagues and I began talking about creating yet another theatre in Los Angeles. We all thought there were enough theatres here already, but there was work that we thought Los Angeles should know and no one was doing it.

Welcome to the third play of Rogue Machine’s ninth season. In the last nine years we have won every major award in Los Angeles multiple times and almost all of our productions are Critics’ Choices. We have sent five plays on to larger theatres including Off-Broadway productions, Baltimore Center Stage, the Denver Center for the Performing Arts and now the Donmar Warehouse in London. We have won The American Theatre Wing’s National Theatre Award, a Shubert grant and been selected for Bloomberg Philanthropies’ Arts Innovation and Management two-year program.

Theatre is a community, a family, and you, the audience, are an important part of the family. We are grateful for your support and loyalty. We are a non-profit charitable institution and our Board of Directors is also very important to us. They are our representatives in the greater Los Angeles community – our champions and our conscience. In the next few months we will be seeking some new Board members. If you or someone you know is a good candidate for the Board please reach out to us. We’d love to talk to you about what Board members do and answer any questions you might have.

Tonight you are seeing Greg Keller’s Dutch Masters. We chose this play because it evokes the devastation of the politics of race in America in an intimate, very personal way. These are real people and as their story unfolds, it’s funny, then frightening and then heartbreaking. What’s most alarming is how timely this piece is, how little has changed since 1992.

We’ll end this season with two World Premieres. The first is Tom Jacobson’s Captain of the Bible Quiz Team which we will be presenting in local churches throughout Los Angeles. Tom’s play is an immersive experience – a tragicomedy delivered in seven sermons with jello. Our last production of the season opens in early November – The Super Variety Match Bonus Round! by Deb Hiett, a playwright with a unique voice and a hilarious vision of how a game show can cure what’s right and wrong with America. Please remember, if you like what you see, the best thing you can do for us is share your enthusiasm with a friend. Word of mouth will always be the best advertising.

– John Flynn

Rogue Machine Proudly AnnouncesThe Henry Murray Fund

The Henry Murray Fund was created to honor our dear friend and Rogue Machine Theatre founding member Henry Murray, who passed away in December 2014. Henry was a talented playwright and gifted dramaturg. Rogue Machine produced three World Premieres by Henry including Treefall and Three Views of the Same Object, both of which have had significant subsequent productions. Henry was Rogue Machine’s first Literary Manager and he created the Dramaturg’s Table, Rogue Machine’s ongoing new play development program. The Henry Murray Fund was created to nurture and support playwrights and new play development, two things Henry cared about deeply. If you wish to support this mission, we invite you to make a tax-deductible contribution to the Fund today.

TO DONATE ONLINE: Go to www.RogueMachineTheatre.com.Click SUPPORT US and indicate a donation amount.

In the NOTES section, add “For the HENRY MURRAY Fund.”

TO DONATE BY MAIL: Make check payable to ROGUE MACHINE THEATRE and add “For the HENRY MURRAY Fund” on the MEMO line and mail to:

Rogue Machine Theatre 12405 Venice Blvd. #153 Los Angeles, CA 90066

Emily Hertzberg Betsy Hall & Sandy Keaton Angelica Huston Martha Hertzberg Jennifer Howard & Robert Schwentke Susan Moss Homola Gary Ireland & Elizabeth Zarlengo Amber Ireland Linda Janger Manson Jones & Susan Fitzgerald Gary & Enid Freund Mark Freund & Trice Koopman Trevor King Laurie Lathem Martin Leon of Alisal Builders Corp Martin Leffler Brian Letscher John Lichter & Linda Stonerock David Linde & Felicia Rosenfeld Nancy Linehan Charles Lynn Lobban Allan Mayer & Renee Vogel Carol Meckler Brian Nolan & Kadee Appleton Dottie O’Carroll Penny Orloff Nina Paskowitz Tony Pasqualini

AnonymousAmbrosia Knutson Associates Mary Appleton William Brady & Marni Ayers Lisa Beck Mitch & Danielle Bloch Alexandra Rebecca Borys Ann Buck Anne Gee Byrd K Callan Marcy Carsey Arline Chambers Chaspen Foundation Christopher Craig Jean Craig Michael Cohen Ry & Susan Cooder Hannah Cox Elina de Santos Jeffrey & Kirsten Dermer Joan & Tom Dunsmuir AnnaLisa Erickson Jeffrey Karoff & Nora Dvosin John Flynn & Ann Bronston Ben & Anna ForknerSteffen & Deborah Foster John Gray Jerry & Adi Greenberg

Gary & Fre Pokoik Bruce & Linda Porter Thomas Proctor James Rasmussen & David Rinehart Stephanie Ramer Lee & Susan Wertheimer Gail Rogers Gary Rosen & Holly Goldberg Sloan Rita Rubin David A. & Karen Richards SachsTom Safran Whitney Sander Carol Schoen Nadine SemerPatricia Shanks Peggy Shinner Gabriel Simon Calvin J. Sloan Maxwell Sloan Sold Out Crowd Sherry Sonnett Ari & Martha Swiller Shane Valentino Lewin Wertheimer Mary Westerman Diane Williams & Jeff Doryland Jack & Sandra Williams

HENRY MURRAY FUND CONTRIBUTORS

The Show Cant Go On Without You! Dear Friends,

Whether this is your 41st play or your first at Rogue Machine, welcome to the family and our ninth season. By coming here today, you’ve joined a growing community of theatregoers in Southern California who are looking for new work – adult drama, the stories of today, and the voices of contemporary writers from the English-speaking world, perhaps from London, Dublin, New York, Chicago, or especially, Los Angeles.

This is my third season as Board Chair, and as an architect, one of my primary long-term goals is a permanent home, all

our own, as exciting as the plays we produce.So bring your friends, talk about us, buy season tickets, endow a chair, join the Founder Circle. Hey, put your name on a building.

Lewin Wertheimer Chair, Rogue Machine Theatre Board of Directors

‘

Become a Founder Circle Member

We are establishing a group to advance our vision to create and produce the most relevant, engaging, and exceptional regional theatre today. For theatre to survive and thrive, we must develop and nurture the diverse voices of a new generation, who will speak to and for the emergent audience of the 21st century.

As a Founder, you will support the most remarkable theatre being produced today. This work speaks to the lives we live now and makes the art of theatre vibrant and necessary. With a range of exclusive benefits at various giving levels, we invite you to participate, bringing enhanced stability to Rogue Machine and bringing you unparalleled advantages. By joining the Founder Circle, you have access to intimate and exclusive events year-round, as well as other special benefits for your five-year commitment. We enthusiastically look forward to your reply, and to welcoming you as a member of our Founder Circle.

To join the Founder Circle or learn more, please email Managing Director Rick Bernstein at rick.bernstein@roguemachinetheatre.com or call (855) 585-5185

settinG: New York City. Summer. 1992.Th is performance will run without an inteRmission

Cast and CharacterseriC ....................................................... Corey dorris

steVe ................................................ Josh ZuCKerman

Alternates/Understudies: Actors never substitute for the listed players unless a specifi c announcement is made at the time of the performance.

pRoduCtion staff

Publicity ...................................................... Judith BorneSocial Media ........................................ Corryn Cummins Key Art Design ................................ Michelle Hanzelova

#DutchMastersPlay@RogueMachineLA

Special Thanks! Daniel Czypinski

Dutch Masters is produced by special arrangement with The GERSH AGENCY, 41 Madison Avenue, 33rd Floor, New York, NY 10010

CoRey doRRis Josh zuCkeRman

CoRey doRRis (Eric)Originally from Ann Arbor, Michigan, this is Corey’s Los Angeles theatre debut! TV: Fox’s The Grinder. Graduate, The Juilliard School. This performance is dedicated to Joan Sittenfield.

Josh zuCkeRman (Steve) Josh is a new company member here at Rogue Machine, and is thrilled to be involved in this production! He has played major roles in film genres ranging from comedy (Sex Drive), to horror (Feast), to drama (CBGB). He has also appeared in TV series such as: Desperate Housewives, CSI Miami, Boston Legal, House, Kyle XY, NYPD Blue and 90210. His Los Angeles theater credits include Women and Wallace, The Autumn Garden (Antaeus Theatre), Juno and the Paycock (Odyssey Theatre), Cock (Creative Works Theatre), and The Turn of The Screw.

GReG kelleR (Playwright)While attending NYU’s Graduate Acting Program, Greg wrote his first play, The Young Left, which was produced at the Cherry Lane Theatre and earned him a Lila Acheson Wallace fellowship at Juilliard’s Playwriting Program. Other plays include The Seduction Community (produced at Juilliard, and workshopped at Manhattan Theatre Club, Playwrights Horizons, and Naked Angels), Qaddafi’s Daughters (Williamstown) and his newest play, The Jokers, which just had its first reading at LAByrinth’s Summer Intensive. Dutch Masters received a workshop production at LAByrinth Theater Company, and subsequent productions in Massachusetts and Philadelphia. As an actor, Greg’s credits include Wit (Broadway), 33 Variations, and Seminar (both at the Ahmanson), and most recently Richard Greenberg’s Our Mother’s Brief Affair on Broadway with MTC.

GuilleRmo CienfueGos (Director) Guillermo has received acclaim for his many productions at Pacific Resident Theatre, most notably Safe At Home: An Evening With Orson Bean (LADCC Award), Pinter’s The Homecoming (Named “Best of 2015” by KCRW and LA Weekly), and Shakespeare’s Henry V, for which he won Ovation and LADCC Awards for Best Director. Also at PRT, Keith Stevenson’s cult-hit series The Fried Meat Trilogy, Neil McGowan’s My Girlfriend is an Alien! by Keith Defacto and Vince Melocchi’s Lions and Julia – the latter of which transferred to New York’s 59E59 Theatre, Off-Broadway. He is happy to be making his directing debut at Rogue Machine.daVid a. maueR (Scenic Design/Resident Technical Director) For Rogue Machine, David produced and designed the set for Samuel D. Hunter’s A Permanent Image and Rajiv Joseph’s Gruesome Playground Injuries, which he produced at the Edinburgh International Fringe Festival last August. David was awarded the 2013 LA Weekly Award for the scenic design of Rob Mersola’s Dirty Filthy Love Story at Rogue Machine. He also designed the sets for John Pollono’s Small Engine Repair and Lost Girls, and Samuel D. Hunter’s A Bright New Boise. David is Rogue Machine’s Technical Director and, more importantly, married to Amanda.

Whos Who‘

ChRistine CoVeR feRRo (Costume Design) Dutch Masters is Christine’s first project with Rogue Machine. She previously worked with Guillermo at Pacific Resident Theatre on My Girlfriend is an Alien! by Keith Defacto and The Homecoming, and she designed their current production of Eccentricities of a Nightingale. She is the resident costume designer at Unbound Productions for all Wicked Lit productions. Film and television credits include design for the feature film Yard Sale, the upcoming Edith & Harvey, and assistant design on the 86th and 87th Oscars and Fox’s Sleepy Hollow. She has a BA from Macalester College and an MFA in Theatre Design from Brandeis University.

RiC zimmeRman (Lighting Design)Previously at Rogue Machine: Pocatello and Penelope. Theatrical collaborators include Circle X, The Fountain Theatre, Theatre of NOTE, Company of Angels, Theatre Forty, The Vagrancy, The Visceral Company, Civic Light Opera of South Bay Cities, The Neighborhood Playhouse, The Madrid Theatre and many others. Dance collaborators include Helios Dance Theatre, Navarasa Dance Theatre, Rhapsody in Taps, Danza Floricanto, Viver Brasil, Theatre Bethune, Lula Washington, Louise Reichlin and Dancers, Keshet Chaim, and Lineage Dance among others. Corporate clients include Samsung, Muse/Ique, ESPN, Verizon, Tinder, Google, Panasonic, Boeing and more.

ChRistopheR mosCatiello (Sound Design)Christopher is an Ovation-nominated sound designer, composer, music editor and music director for theatre, television and film. TV credits include The Walking Dead, Psych, Eureka, Human Target, The Cape, Caprica, Trauma, and he has scored full series, specials and promos for National Geographic, The Discovery Channel, HBO, BBC, Animal Planet, MSNBC, The History Channel, and others. Theatre credits include The Kennedy Center, Arena Stage, Olney Theatre Center, Rogue Machine, Pacific Resident Theatre, the Odyssey Theatre, the Road Theatre, and he served as assistant conductor on the national tour of The Phantom of the Opera. Chris was formerly the Associate Artistic Director and Conductor of the Boston Chamber Ensemble.

dan Cole (Property Design)Dan has been acting in LA for longer than he cares to remember. He studied acting at the Professional Actors Conservatory & the Royal National Theatre of Great Britain. Some other productions Dan has worked on props for are Henry V, Tracers, The Trojan Women, and Wicked Lit. Dan has appeared on TV in the Office, Monk, Parks and Recreation, Brooklyn Nine-Nine and Baskets.

John peRRin flynn (Producer/Artistic Director) John is Rogue Machine’s founding Artistic Director and he has produced all of our mainstage productions. For RMT, he has directed the World Premieres of John Pollono’s Lost Girls and Henry Murray’s Treefall; Enda Walsh’s The New Electric Ballroom and Penelope; Samuel D. Hunter’s Pocatello, A Permanent Image and A Bright New Boise; The Sunset Limited, and our inaugural production, Compleat Female Stage Beauty. John was the Executive Producer and Director of Lifetime’s long-running series Strong Medicine

and has produced two other series and 14 television movies or miniseries including the Emmy-nominated Burden of Proof. In 2012, he received the Career Achievement Award for Theatre from the LA Weekly. John is a proud member of the Chickasaw Nation.

amanda maueR (Production Manager) Amanda is Rogue Machine’s longstanding Production Manager and has worked, in some capacity, on every play in Rogue’s nine-year history. She has co-produced several Off-the-Clock shows at Rogue, including Uploaded and Shorts & Sweets, for which she also wrote plays and baked countless tiny desserts. With husband and technical director/set designer/producer extraordinaire David, she founded Phantom Owl Productions and brought six shows to the 2015 Edinburgh Fringe Festival. With partner-in-tequila Ramón, she produces and art directs the Gone Rogue! fundraiser series. This year’s offering, the “Grimm and Bare It” nude playing cards, are now available.

Ramón Valdez (Stage Manager) Ramón received his BA from the USC School of Theatre where he emphasized in stage management. At Rogue Machine, Ramón has stage managed Three Views of the Same Object, Monkey Adored, The New Electric Ballroom, A Bright New Boise, Falling, Lost Girls, Gruesome Playground Injuries, Penelope, Cock, A Permanent Image and Pocatello. He is also partly responsible for the “…Gone Rogue” fundraiser series.

tayloR anne Cullen (Assistant Stage Manager)Taylor is ecstatic to be a part of the Dutch Masters team this season! She is currently studying Stage Management at the USC School of Dramatic Arts where she staged managed Love and Information, and That Long Damn Dark. There she also assistant stage managed A Little Night Music, and The American Clock. Other stage management credits include The Fantasticks, Art, Annie Get Your Gun, Dandelion Wine, Singing in the Rain, and Much Ado About Nothing. Thank you to Guillermo, Josh, Corey, Amanda, and John as well as the rest of the Rogue Machine family!

ViCtoRia hoffman (Casting) Victoria is a proud member of Rogue Machine, where she has been the resident Casting Director on Lost Girls, Falling, Penelope, Gruesome Playground Injuries, Cock, Nice Things, A Permanent Image, Need to Know, Pocatello, Honky and more. Recent casting projects include Padua Playwrights’ Villon by Murray Mednick at the Odyssey and Beyond Sight for CRE Outreach. A veteran of commercial casting, she currently works as an associate and session director for Terry Berland Casting. As an actor, she has performed in two installments of Rant & Rave, and worked in Regional Theaters as varied as The Kodak, South Coast Repertory, Kansas City Rep, and Theatricum Botanicum.

RiCk BeRnstein (Managing Director) Rick has worked in Los Angeles theatre for over 10 years in many management capacities. He has been the Managing Director at both The Road Theatre Company and Elephant Theatre Company, and he has also been a staff member at both The Colony Theatre and The Theatre @ Boston Court. He has served as a marketing consultant, grant writer and company

manager for many companies and theatres throughout the area. Rick is also the Managing Director of Impro Theatre and is a graduate of Stanford University. He can be reached at rick.bernstein@roguemachinetheatre.com.

elina de santos (Co-Artistic Director)Directing credits include the World Premieres of Dirty Filthy Love Story, Yard Sale Signs, Razorback and Nice Things, as well as Falling, Stop Kiss and Bhutan, all here at Rogue Machine. For West Coast Jewish Theatre: New Jerusalem and Broken Glass. For PRT: a workshop of Galileo, Death of a Salesman, Orpheus Descending (LADCC Award for Direction). At the Odyssey: Awake and Sing!, The Blue Room and Misalliance. She has directed at the Pasadena Playhouse and regionally at theatres including the Berkshire Theatre Festival and the Pittsburgh Public. In 2013, Elina received the LADCC Award for Career Achievement in Directing.matthew elkins (Producing Director) As Rogue Machine’s founding Producing Director, he produced Need to Know, Blackbird, Yard Sale Signs, Stop Kiss, our inaugural production, Compleat Female Stage Beauty, and the award-winning production of Cock, in which he appeared. Other Rogue Machine appearances include Falling, A Bright New Boise (LA Weekly Nomination), A Permanent Image and Pocatello. He directed MilkMilkLemonade for Rogue Machine and Raised in Captivity for the PRT Co-op. He has acted on the stages of the Kennedy Center, Hollywood Bowl, Asolo Rep & the Utah Shakespearean Festival. MFA from FSU/Asolo Conservatory.

Now playing around Los AngelesRogue Machine Theatre presents the World Premiere of

Captain of the Bible Quiz TeamAn Immersive Adventure in Performance and Community

by Tom Jacobson oDirected by Michael Michetti o

Just out of seminary, an idealistic Lutheran minister returns to a country church in Minnesota for Christmas and experiences an epiphany. Seven sermons in a single service: a tragicomedy with Jell-O.

For Tickets and Schedule visit:CaptainOfTheBibleQuizTeam.com or RogueMachineTheatre.com

Featuring: Amielynn Abellera, Wayne Tyrone CarrMark Jacobson and Deborah Puettein rotation as Pastor Landry Sorenson

Produced by Stephanie Kerley Schwartz and Anna Nicholas

Darkness in December a joint message to the Los Angeles Community from Pro99 and the plaintiffs in the lawsuit against Equity

Beginning December 14th, 2016, despite the Los Angeles Community’s urging and a lawsuit served on Actors’ Equity Association by Equity members and producers, Equity will impose new rules and regulations which will change theatre in Los Angeles forever. This change will take away most of the opportunities for Equity actors to work in intimate theatre in Los Angeles and destroy Los Angeles Intimate Theatre as we know it.

48 years ago Equity actors in Los Angeles fought for and were granted the right to form theater companies and perform without pay. These were professional actors. They wanted the same thing that we want now: The right to do the work we have always dreamed of – to be artists in relationship to our community, in theatres that are safe and treat all the artists fairly.

Equity’s new rules and regulations destroy a system and a community that have been in place for almost half a century. The changes will eliminate the prior 99-seat plan and a settlement agreement approved by both actors and the union after actors sued the union in 1986 to prevent similar changes. These current changes were brought to an advisory referendum on April 21, 2015 and were defeated by the Los Angeles Equity Membership 67% to 33%. Actors said they did not want these new rules and regulations by a margin of 2 to 1. No one is forcing actors to volunteer. It is an actor’s choice. It is an actor’s right. Equity is going to make these changes and take away the actors’ rights even though the members have said no.

Equity’s new rules indicate Equity believes making money must take precedence over making art. These new rules purport to create more paid contract work for actors and stage managers in LA’s small theaters. That’s a positive goal, and one we can all agree on in principle. Unfortunately, creating a rule doesn’t create a reality. All of us in this community would be like to be paid more to do the work we do but that is not why we make theatre. Los Angeles’ Intimate Theatres are one of the few places on earth created to house hope – and so they are priceless and must be protected at all cost. Equity’s New Agreement and new internal codes won’t help theater artists in LA, it will hurt them. Art is not and cannot be solely a commercial venture.

Many theatres you know and love will either be forced out of business or have to use non-union actors. Actors you know and love will no longer be appearing in intimate theatres. The theatres that will be forced to change or close include theatres that are large and small – The Odyssey Theatre, The Fountain, The Skylight Theatre, Boston Court, The Victory, The Blank and more than 70 other theatres.

Equity says their new internal rules and codes will afford actors similar opportunities to what they used to have under the old agreement. This is not true. The new codes have budget and rehearsal period restrictions so onerous that the good theatre being done and seen in Intimate Theatres will disappear after December 14th. These rules and codes greatly diminish both actors and theatres’ ability to achieve excellence.

The only exclusion which continues to give Equity members the opportunities they have had for the last 48-years is “the membership company rule.” Equity members can continue to volunteer in “Equity approved membership companies”, but without protections. This means that Equity members working in these theatres are no longer guaranteed the safety and other protections Equity still guarantees them in the other new rules and codes. Some Equity approved “membership theatres” you may know include Pacific Resident Theatre, Theatre 40, Theatre West, Rogue Machine, Antaeus, and many more. Why can actors volunteer in these theatres but cannot in other legitimate not-for-profit 99-seat and under theatre organizations?

The Los Angeles Intimate Theatre community has survived for almost a half century. It has been both a laboratory and a proving ground. Actors, playwrights and other theatre artists who may not have ever gotten an opportunity have found the beginnings of significant careers here. More than 120 plays that received world premieres in the Intimate Theatre Community have gone to contract. They’ve been seen on Broadway, Off-Broadway and all over the world. In most cases the local Equity actors who originated roles have benefited. Last year, Spring Awakening went from a 99-seat house to Broadway. 15 Los Angeles actors went with it.

For more information and to find out what you can do to help go to our website: www.ilove99.org

Don’t let Equity turn out the lights in December. Don’t let LA theatre go dark.

Our DonorsThank You to Our Supporters!

Contributions from March 2015 – Aug 10, 2016foundeR CiRCle

Platinum Circle ($5,000+ Annually)Anonymous (2)

Jean CraigIrving & Gail Weintraub

The Rosenthal Family Foundation(Rick Rosenthal & Nancy Stephens)

Silver Level ($1000+ Annually)Marni AyersJoanna Lipari

GRant & foundation suppoRtAmerican Theatre Wing - National Theatre Company Grant

Annenberg FoundationAttias Family FoundationBloomberg Philanthropies

City of Los Angeles Cultural Affairs DepartmentGeorge Lichter Family FundHamilton Street FoundationRichard Munroe Foundation

Henry Murray Fund for New PlaysThe Los Angeles County Arts Commision

Nancy E. Barton FoundationRosalinde and Arthur Gilbert Foundation

The Rosenthal Family FoundationSachs Family Fund

The Shapiro FoundationThe Shubert Foundation

U.S. Bank indiVidual donations

$5,000+Anonymous (2)Marcy CarseyJean CraigJohn Flynn & Ann BronstonGeorge Lichter Family Fund(John Lichter & Linda Stonerock)Joanna LipariRichard Munroe FoundationBruce & Linda PorterThe Rosenthal Family Foundation(Rick Rosenthal & Nancy Stephens)Irving & Gail WeintraubLewin & Alexey Wertheimer/Nosov

$1,000 - $4,999Anonymous (3) Attias Family Foundation Marni Ayers & William Brady Orson Bean & Alley MillsAnne Gee ByrdAdrea CarenCynthia ComskyHannah CoxChris Craig Maureen Craig & Glenn GoldbergTerry DavisElina de SantosJeffrey & Kirsten DermerPeter DvorakMichelle EskinPatricia GlaserRosa & Larry GoldsteinJerry & Adi GreenbergPaula HoltJennifer Howard & Robert SchwentkeAmber Ireland

$1,000 - $4,999 continued Mason Jones & Susan FitzgeraldJeffrey Karoff & Nora DvosinAllan Mayer & Renee VogelDavid Morisaki & Callista CardJon NeustadterJustin OkinPenny OrloffJames Rasmussen & David RinehartGary Rosen & Holly Goldberg SloanDavid A. & Karen Richards SachsTom SafranMichael Schwartz & Stephanie Kerley SchwartzTucker SmallwoodNeely & Larry SwansonAri & Martha SwillerMark & Judy TaylorBruce Wright & Nathan Clum

$250 - $999Anonymous (4)Matthew & Kristen AldrichRachel AveryDylan & Dean BaquetJennifer BarryAdam BesterMichael BierbauerRon Bottitta & Holly Fulger Ann BuckCate CaplinArlene ChambersCynthia ChapmanDavid Chertock & Melissa HermanErin P. CraigJaz DavisonRon de SalvoJason DelaneNaren & Ashli Desai

$250 - $999 continuedSusan DexterDaniel DulingPeter DvorakMatthew ElkinsBryan EllicksonBarry EngelmanPeter FinlaysonKate & William ForwardSteffen & Deborah FosterThomas Foster & Steven DahllofJames FreedMark Freund & Trice KoopmanJohn GrayDebra GriebChoppy GuillotteMark GurvitzKymberly HarrisAndrew HawtreyJoan Pearce Research AssociatesRichard Katz Kevin Kilner & Jordan Baker-Kilner Trevor KingSteven Klein & Kristine Penner KleinJeff KoberBeverly LeechRobert LeventerKay LibermanMeg LibermanDavid Linde & Felicia RosenfeldNancy LinehanKim & Marsha LovettKareen MartinPatrick & Eva MauerLillah McCarthyMyron MeiselRob MersolaRobert D. Moore

To find out how you can help or if you believe our records are inaccurate, please contact us at (855) 585-5185 or email managing.director@roguemachinetheatre.com.

$250 - $999 continued Anna NicholasAnn NobleBrian NorrisTony Pasqualini & Sarah BrookePenny PeyserGary & Fre PokoikLee RamerJoey & Anthony RichEdwin RobinsonWhitney SanderCarol SchoenKristina SegesvaryGabriel SimonRon & Nani SlayenSold Out CrowdJoe SternRita TaggartRichard ThalerMax TrumpowerJudith Vida-SpenceF. Norbert Weisser & Tandy ParksLee & Susan Wertheimer Mary & Carl WestermanJack & Sandra WilliamsChase WintonMark & Susan YackleyHarriet Zaretsky

$100 - $249 Anonymous (5)Tony AmendolaFrawley BeckerDavid & Nessa BernsteinJay BevanBlue Star DonutsJim BoelsenAlexandra Rebecca BorysMichelle BrooksStephen BurleighAubrey Thorne CareyMichael CohenRy & Susan CooderKatherine CortezChristopher CurryMaia DanzigerRon Di CostanzoValerie DillmanRob DoddAnnaLisa EricksonRichard FancyThomas FiscellaBen & Anna ForknerEllen FriedmanLaura GardnerTania GettyJames HarperRobert HeiberEugene HellerEmily Hertzberg

$100 - $249 continued Susan Moss HomolaDon HullAngelica HustonKrista HustonGary Ireland & Elizabeth ArlengoLinda JangerAnna KhajaJoel KimmelBA KnutsonAnil KumarSharon LapidMartin LefflerMartin LeonBrian LetscherPaul LinkeBonnie MacBirdDennis MaddenMarilyn MandelMichael MantellDoe MayerAllan MillerJohn & Ann MooreMiriam MuscarolasArlene & David NelsonArianne NeumarkLloyd NoonanDottie O’CarrollKatherine OdesmithTravis OrloffTom Ormeny & Maria GobettiScott PaulinPhilippe PerebinossoffS.E. & Rebecca PerryJulianne PhillipsAnnie PottsAnnabella PriceStephanie RamerDaniel RisiStephen RunningenBarbara SchufreiderArthur ScottiPatricia ShanksTom Shima & Barbara KallirDaniel ShoenmanJanet Staples-EdwardsDoug StevensonVanessa StewartPeter StoughtonKathryn SwinkGayle TauberSuzanne Ford TomanTyson TurrouApril WebsterSusan & Lee WertheimerDiane Williams & Jeffrey A. Doryland

$25 - 99AnonymousApril AlexanderMary Lou Belli & Charles DoughertyHarriet BorsonWilliam BrochtrupDavid Bronston & Patricia BrownKristin CareyChanning ChaseJoan ChodorowCathy ColloffDonna CorwinPaul DiVitoDan DulingJoan & Tom DunsmuirEdward EdwardsCynthia EttingerLesley Fera-MochelMona fieldRenae GeerlingsArlene GlazmanBetsy Hall & Sandy KeatonEbbins HarrisMartha HertzbergDan HoskinsJane JonaitisAriana KaiserSusan Kanowith-KleinDenise KautterMarvin KleinSusan LangLaurie LathemSusan LefkowitzSimon LevyJoanna LipariJudith MarlinNeil McGowanVince MelocchiGail MyersMichael MyersBrian Nolan & Kadee AppletonMary PortserJennifer RowlandPeggy A. ShinnerTracey SilverRoger StewartInger TudorShula UdoffNicholas UllettSteven VanceAlice WestSusan WilderShad WillinghamMichele Young

Th ank you for your ongoing support of Ralphs and Rogue Machine!Continue to shop and donate to Rogue Machine for FREE.

Ralphs is committed to helping communities grow and prosper by contributing more than $220 million annually to support local communities, including Rogue Machine. Step-by-step

registration instructions can be found online at Ralphs.com – just click Register. If you are already a member, you must register annually, starting this September 1.

Rogue Machine (NPO # 92241) will then receive the benefi ts of your shopping!

More Ways to Support Us! Shop at Ralphs!

Shop or Search at Good Search!Shop at Amazon!Go to Amazon.com via our link on the front page of our website and buy ANYTHING!

Rogue Machine Th eatre will get a percentage of what you spend, and it costs you nothing extra!Donate Online at RogueMachineTh eatre.com

Take a Seat!

Join us in our Seat Campaign and leave your mark in our theatre. A plaque will be placed prominently on the seat commemorating your love of theatre

or honoring a loved one.

Please contact Co-Artistic Director, Elina de Santos, at elinadesantos@gmail.com for more information.

Rogue Machine gratefully acknowledges these contributions that help cover the day-to-day expenses of a professional, non-profi t theatre company.

Board of DirectorsLewin Wertheimer, President/Chair

Jean Craig, Vice PresidentDavid Morisaki, SecretaryJeffrey Dermer, Treasurer

Callista CardHannah Cox

John Perrin FlynnPaula Holt

Penny Orloff Neely Swanson

Advisory Board Darrell BrownSheldon EppsHany Haddad

Annie PottsOz Scott

Production Team John Perrin Flynn+ .................. Artistic DirectorElina de Santos+ ................ Co-Artistic DirectorRick Bernstein ...................... Managing DirectorMatthew Elkins+ .................. Producing DirectorAmanda Mauer+ ................ Production ManagerDavid A. Mauer+ ................... Technical DirectorJen Pollono+ ... Off-the-Clock Producing Director

Stephanie Kerley Schwartz+ ...... Resident DesignerJohn Pollono*+ ................ Rant & Rave ProducerSara Fenton ...................... Rant & Rave ProducerTracie Lockwood+ ... Around-the-Clock ProducerRamón Valdez................. Membership CoordinatorJudith Borne+ ........................................ PublicistJosh Bitton ................. Dramaturg’s Table DirectorCorryn Cummins ......... Social Media Coordinator

For a complete list of our members, visit RogueMachineTheatre.com

Mission Statement Rogue Machine only produces world premieres of new plays, primarily by Los Angeles based playwrights, and plays new to Los Angeles, including American, West Coast, and Regional premieres of significant contemporary theatrical works. Rogue Machine seeks to be a theatre of ideas and imagination, a theatre which mirrors and examines contemporary culture, a theatre which nurtures contemporary playwrights, and a theatre whose work continually engages the community and creates a dialogue which resonates after the curtain closes.

Rogue Machine also considers building an audience for the future to be an important part of its mission and seeks to attract and serve a younger, more diverse Los Angeles adult audience.

Visit us online at RogueMachineTheatre.com

Rant & Rave happens one Monday night a month and is a Standing-Room-Only Sensation – it’s always fresh, funny & powerfully moving.

Upcoming Dates: September 19th and October 17th

* Playwright-in-Residence + Founding Member