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THE NATURE OF MUSIC
OTHER MINDS AND THE DAVID BROWER CENTER PRESENT
Thursday, February 15, 2018, 7:00pmThe Richard & Rhoda Goldman Theater
David Brower Center2150 Allston Way, Berkeley, CA
Sound sculptor and multimedia artist Bill Fontana
Bill Fontana: BiographyImagine that instead of two ears, you had eight, located at various far distances from your cranium. Now you can hear a rich, telescoped orchestration of sounds live as they happen from disparate locations— from the Golden Gate Bridge to the Farallon Islands, for example.
Bill Fontana (b. 1947), is an American composer and artist who has developed an international reputation for his pioneering experiments in sound. Since the early 70’s Fontana has used sound as a sculptural medium to interact with and transform our perceptions of visual and architectural spaces. He has realized sound sculptures and radio projects for museums and broadcast organizations worldwide.
His work has been experienced at the Whitney Museum of American Art, New York, the San Francisco Museum of Modern Art, the Museum Ludwig, Cologne, the Post Museum in Frankfurt, the Art History and Natural History Museums in Vienna, both Tate Modern and Tate Britain in London, the 48th Venice Biennale, the National Gallery of Victoria in Melbourne, and the Art Gallery of NSW in Sydney He has done major radio sound art projects for the BBC, the European Broadcast Union, the Australian Broadcasting Corporation, National Public Radio, West German Radio (WDR), Swedish Radio, and Radio France. He is the recipient of numerous prestigious international awards and fellowships.
Shadow SoundingsShadow Soundings creates a real-time connection between the 25th of April Bridge and the Museum of Art, Architecture, and Technology in Lisbon. Live cameras, microphones, accelerometers, and hydrophones (microphones designed to be used underwater for recording or listening to underwater sound) create an abstract real time media art work for the 800 Square Meter Oval Gallery, the main exhibition space in the Museum. There is one channel of live video from a camera atop the South Tower and there are 6 channels of recorded video from the bridge. The moving images are projected onto hanging screens viewable on both side.
The immersive sound sculpture is created from two parallel rings of speakers. One ring surrounds the inner core of the Oval Gallery and plays sonic choreography made from the live oscillating tones of traffic over a steel grid roadway, and accelerometers picking up the accumulative sonic energy from the main suspension cables. A second parallel ring of speakers sounds over the outer walkway ramp surrounding the Oval Gallery and plays a spatial composition derived from a live hydrophone in the Tagus River. This live hydrophone also plays from speakers on the river facing façade of the museum.
Primal Sonic VisionsThe goal of Primal Sonic Visions is to awaken a sense of astonishment amongst the public by the primal power and beauty of wind, solar, hydro, and geothermal energy sources. As people enter the space, they are met with an emotional experience that at first instills a sense of wonder, and later transforms into a deep reflection on the potential and power of these energy sources to be used in securing a future for our planet. This work comes at a particularly crucial point in time as the negative effects of climate change are becoming evident. This work is a unique collaboration between the artist and IRENA (the International Renewable Energy Agency) in a daring attempt to engage the public’s insight and awaken a global emotional reaction to the environment. The exhibition will also include a live media artwork with the new flood barrier system for Venice, MOSE. The Modulo Sperimentale Elettromeccanico (Experimental Electromechanical Module) is an integrated system consisting of rows of mobile water gates intended to protect the city of Venice and its lagoon from the ever more frequent flooding.
Primal Sonic Visions had its origins in another collaboration with IRENA–Visions of Sustainability, an exhibition in Abu Dhabi of artistic works inspired by renewable energy and sustainability.
THE N
ATUR
E OF M
USIC
THE
NA
TUR
E O
F M
USI
C:
Sinc
e th
e m
usic
of H
aydn
, Dvo
řák
and
Mes
siae
n, c
lass
ical
com
pose
rs h
ave
been
usi
ng th
e so
unds
of
the
natu
ral w
orld
as
sour
ce m
ater
ial.
With
the
adve
nt o
f ree
l-to-
reel
ta
pe re
cord
ers
that
insp
ired
com
pose
rs o
f the
mus
ique
con
cret
e m
ovem
ent,
we
coul
d he
ar s
ound
s sl
owed
dow
n or
spe
eded
up
to b
ring
new
ear
s to
com
mon
eve
ryda
y so
urce
s. A
long
the
way
Jo
hn C
age
prop
osed
in 19
52, w
ith 4
’33”
, a s
ilent
pie
ce fo
r pia
no,
that
a li
sten
er c
ould
cre
ate
thei
r ow
n co
ncer
t by
sim
ply
liste
ning
to
am
bien
t sou
nds
with
out a
lterin
g th
em, r
ecog
nizi
ng th
at th
ey
too
have
form
and
con
tent
. With
the
adve
nt o
f per
sona
l rec
ordi
ng
equi
pmen
t lik
e th
e ca
sset
te re
cord
er, e
nviro
nmen
tal s
ound
s ha
ve b
een
reco
rded
, sam
pled
and
inte
grat
ed in
to c
ompo
sed
and
impr
ovis
ed m
usic
. In
1970
, Cha
rles
Amirk
hani
an a
nd R
icha
rd
Frie
dman
laun
ched
the
Wor
ld E
ar P
roje
ct a
t KPF
A in
Ber
kele
y. Th
ey
invi
ted
peop
le fr
om a
roun
d th
e w
orld
to re
cord
con
tinuo
us s
ound
fo
r 15
min
utes
or l
onge
r with
out a
ltera
tion.
The
resu
lt w
as a
long
-ru
nnin
g pr
ogra
m in
whi
ch li
sten
ers
driv
ing
over
the
Bay
Brid
ge
wou
ld b
e m
ystifi
ed b
y lo
ng s
egm
ents
of s
ound
s of
a s
treet
mar
ket
in In
dia
or fr
ogs
and
cric
kets
at n
ight
in C
ayuc
os, C
alifo
rnia
.
AR
TWO
RK
CR
EDIT
S: Im
ages
on
the
front
cov
er a
nd th
e to
p of
this
pag
e ar
e fro
m c
ompo
sitio
ns b
y Lu
cian
o O
ri, fr
om th
e co
llect
ion
of C
harle
s Am
irkha
nian
. The
top
phot
o of
Bill
Fon
tana
is
by
Stua
rt D
avid
son;
the
phot
ogra
pher
for t
he b
otto
m p
hoto
is
unk
now
n. T
he e
vent
s im
age
belo
w is
from
an
asse
mbl
age
by L
iam
O’G
alla
gher
, als
o fro
m th
e co
llect
ion
of C
harle
s Am
irkha
nian
. Pro
gram
des
igne
d by
Mar
k Ab
ram
son.
© 2
018
Oth
er M
inds
OTH
ER M
IND
S is
ded
icat
ed
to th
e en
cour
agem
ent a
nd
prop
agat
ion
of c
onte
mpo
rary
m
usic
in a
ll its
form
s th
roug
h co
ncer
ts, w
orks
hops
and
co
nfer
ence
s th
at b
ring
toge
ther
ar
tists
and
aud
ienc
es o
f di
vers
e tra
ditio
ns, g
ener
atio
ns
and
cultu
ral b
ackg
roun
ds.
By fo
ster
ing
cros
s-cu
ltura
l ex
chan
ge a
nd c
reat
ive
dial
ogue
, an
d by
enc
oura
ging
exp
lora
tion
of a
reas
in n
ew m
usic
sel
dom
to
uche
d up
on b
y m
ains
tream
m
usic
inst
itutio
ns, O
ther
Min
ds
is c
omm
itted
to e
xpan
ding
and
re
shap
ing
the
defin
ition
of w
hat
cons
titut
es “s
erio
us m
usic
.”
ww
w.o
ther
min
ds.o
rg
THE
DA
VID
BR
OW
ER C
ENTE
R
prov
ides
a h
ome
for t
he e
nviro
nmen
tal
mov
emen
t by
advo
catin
g fo
r the
bea
uty,
dive
rsity
and
eco
logi
cal i
nteg
rity
of
Earth
. The
Bro
wer
Cen
ter a
ccom
plis
hes
this
mis
sion
thro
ugh
a di
stin
ctiv
e co
mbi
natio
n of
per
man
ent i
nfra
stru
ctur
e an
d on
goin
g pr
ogra
ms
in a
uni
que
civi
c in
stitu
tion
that
info
rms
the
publ
ic a
bout
th
e en
viro
nmen
tal c
halle
nges
we
face
an
d th
e bo
ld a
ctio
ns w
e m
ust t
ake
if ou
rs is
to re
mai
n a
livin
g pl
anet
; ins
pire
s pe
ople
to re
cogn
ize
thei
r ow
n po
wer
an
d re
spon
sibi
lity
to a
ct o
n be
half
of
the
Earth
; and
con
nect
s in
divi
dual
s an
d or
gani
zatio
ns d
edic
ated
to s
ocia
l equ
ity
and
ecol
ogic
al s
usta
inab
ility
.
ww
w.b
row
erce
nter
.org
UP
CO
MIN
G O
THER
MIN
DS
EVEN
TS
Oth
er M
inds
Fes
tiva
l 23
Soun
d Po
etry
: The
Wag
es o
f Syn
tax
Mon
day
- Sat
urda
y, Ap
ril 9
- 14
, 201
8O
DC
The
ater
3153
17th
Stre
etSa
n Fr
anci
sco,
CA
The
Nat
ure
of M
usic
Gui
tari
st a
nd C
ompo
ser M
icha
el P
isar
oTu
esda
y, M
ay 2
2, 2
018,
7:0
0pm
The
Rich
ard
& Rh
oda
Gol
dman
The
ater
Dav
id B
row
er C
ente
r21
50 A
llsto
n W
ay, B
erke
ley,
CA