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MIT November, 2004 Origami Design Tree Theory for Uniaxial Bases Robert J. Lang robert@langorigami.com

Origami design, the theory for uniaxial bases

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Page 1: Origami design, the theory for uniaxial bases

MITNovember, 2004

Origami DesignTree Theory for Uniaxial Bases

Robert J. [email protected]

Page 2: Origami design, the theory for uniaxial bases

MITNovember, 2004

Context

Page 3: Origami design, the theory for uniaxial bases

MITNovember, 2004

Background• Origami: Japanese paper-folding.

• Traditional form: Decorative abstract shapes & child’s craft

• Modern extension: a form of sculpture in which the primarymeans of creating the form consists of folding

• Most common version: a figure folded from one sheet of paper,usually a square, with no cuts.

Page 4: Origami design, the theory for uniaxial bases

MITNovember, 2004

Traditional Origami• Japanese newspaper from 1734: Crane, boat, table, “yakko-san”• By 1734, it is already well-developed

Page 5: Origami design, the theory for uniaxial bases

MITNovember, 2004

Modern Origami• The modern art form was reborn in the early 20th century

through the efforts of a Japanese artist, Akira Yoshizawa, whocreated new figures of artistic beauty and developed a writteninstructional language.

A. Yoshizawa, Origami Dokuhon I

Page 6: Origami design, the theory for uniaxial bases

MITNovember, 2004

The Design Revolution• “Creative” origami caught on worldwide in the 1950s and 1960s.

• Beginning in the 1970s, many geometric design techniqueswere developed that enabled the creation of figures ofundreamed-of complexity.

• The mathematical theory of origami was greatly expanded inthe 1990s, leading to computer-aided origami design.

Page 7: Origami design, the theory for uniaxial bases

MITNovember, 2004

Origamitoday

• “Black Forest Cuckoo Clock,”designed in 1987

• One sheet, no cuts• 216 steps

– not including repeats• Several hours to fold

Page 8: Origami design, the theory for uniaxial bases

MITNovember, 2004

Ibex

Page 9: Origami design, the theory for uniaxial bases

MITNovember, 2004

Dragonfly

Page 10: Origami design, the theory for uniaxial bases

MITNovember, 2004

Scaled Koi

Page 11: Origami design, the theory for uniaxial bases

MITNovember, 2004

Western Pond Turtle

Page 12: Origami design, the theory for uniaxial bases

MITNovember, 2004

Rattlesnake

Page 13: Origami design, the theory for uniaxial bases

MITNovember, 2004

White-tailed Deer

Page 14: Origami design, the theory for uniaxial bases

MITNovember, 2004

Bull Moose

Page 15: Origami design, the theory for uniaxial bases

MITNovember, 2004

Bull Elephant

Page 16: Origami design, the theory for uniaxial bases

MITNovember, 2004

Hummingbird & Trumpet Vine

Page 17: Origami design, the theory for uniaxial bases

MITNovember, 2004

(Hummingbird Close-up)

Page 18: Origami design, the theory for uniaxial bases

MITNovember, 2004

Grizzly Bear

Page 19: Origami design, the theory for uniaxial bases

MITNovember, 2004

Roosevelt Elk

Page 20: Origami design, the theory for uniaxial bases

MITNovember, 2004

Tree Frog

Page 21: Origami design, the theory for uniaxial bases

MITNovember, 2004

Tarantula

Page 22: Origami design, the theory for uniaxial bases

MITNovember, 2004

Murex

Page 23: Origami design, the theory for uniaxial bases

MITNovember, 2004

Spindle Murex

Page 24: Origami design, the theory for uniaxial bases

MITNovember, 2004

12-Spined Shell

Page 25: Origami design, the theory for uniaxial bases

MITNovember, 2004

Banana Slug

Page 26: Origami design, the theory for uniaxial bases

MITNovember, 2004

Spiral Tessellation

Page 27: Origami design, the theory for uniaxial bases

MITNovember, 2004

Egg17 Tessellation

Page 28: Origami design, the theory for uniaxial bases

MITNovember, 2004

Molecular Tessellation

Page 29: Origami design, the theory for uniaxial bases

MITNovember, 2004

Chalk time…

Page 30: Origami design, the theory for uniaxial bases

MITNovember, 2004

A Tree & Active Polygons

aaa

1

234

56 7 8

91011

1213 14

1516

17

181920

21

222324

25 26

(root)

9

15

16

9

15

14

5 8

11

15

1617

20

21

23

25 26

Page 31: Origami design, the theory for uniaxial bases

MITNovember, 2004

Subtrees

Page 32: Origami design, the theory for uniaxial bases

MITNovember, 2004

Chalk time…

Page 33: Origami design, the theory for uniaxial bases

MITNovember, 2004

Molecules• Crease patterns that collapse a polygon so that all edges lie on a

single line are called “bun-shi,” or molecules (Meguro)• Different bun-shi are known from the origami literature.• Triangles have only one possible molecule.

aaa

A

CB

DD

D

a a

b

b c

cE

A

C

BD

a

bc

E A

C

BD

a

bc

the “rabbit ear” molecule

Page 34: Origami design, the theory for uniaxial bases

MITNovember, 2004

Quadrilateral molecules• There are two possible trees and several different molecules for a

quadrilateral.• Beyond 4 sides, the possibilities grow rapidly.

a

“4-star” “sawhorse”

Husimi/Kawasaki Maekawa Lang

Page 35: Origami design, the theory for uniaxial bases

MITNovember, 2004

Four is enough• It is always possible to add flaps (circles) to a base so that the

only polygons are triangles and quadrilaterals, so thesemolecules suffice.

Page 36: Origami design, the theory for uniaxial bases

MITNovember, 2004

Universal molecule• An algorithm that produces the crease pattern to collapse an

arbitrary valid convex polygon into a base whose projection is aspecified tree.

aa

0.449

0.354

0.194

0.325

0.393

0.372

0.627

Page 37: Origami design, the theory for uniaxial bases

MITNovember, 2004

A pentagonal UM

aa

TA B

C

D

E F

P

pB

pC

pD

pE

pA

pF,2

pF,1

pF,4

pF,3

Page 38: Origami design, the theory for uniaxial bases

MITNovember, 2004

Insetting

Page 39: Origami design, the theory for uniaxial bases

MITNovember, 2004

Gusset formation

aa

v2v 1

v3

v4

v5

Mv2v 1

v3

v4

v5

M

′v1 ′v2

′v3′v4

′v5hmax

Page 40: Origami design, the theory for uniaxial bases

MITNovember, 2004

Finished gussets

aa

v2v1

v3

v4

v5

M

Page 41: Origami design, the theory for uniaxial bases

MITNovember, 2004

Creases & Folded Form

aa

P

pB

pC

pA pF,1

pE

pF,3

pD

pF,4

pF,2

pF,5

pF,6

pBpC

pA

pEpD

Page 42: Origami design, the theory for uniaxial bases

MITNovember, 2004

Chalk time…

Page 43: Origami design, the theory for uniaxial bases

MITNovember, 2004

Universal Molecule 1

a

1

2

3

45

6

7 8

1

1

1

3

5

5

7 85

5

3

3

6

1

42

Page 44: Origami design, the theory for uniaxial bases

MITNovember, 2004

Universal Molecule 2

a

1

23 4 5

6 7

8 9 10 11

12 13 14 15

1

1 11

2 3

4

4

4

5

7

7

11

10

1514

13

12

6

8

8

8 6 9 9

9

6

7

Page 45: Origami design, the theory for uniaxial bases

MITNovember, 2004

Resources• Origami design software TreeMaker (with 170 pp manual) can

be downloaded from:– http://origami.kvi.nl/programs/treemaker

• …or Google-search for “TreeMaker”• Version 5.0 (Mac/Linux/Windows) is under construction.• Other origami-related software, including ReferenceFinder, is

at the same site• Theory described in 12 ACM SCG paper, “An Algorithm for

Origami Design” (1996) by Robert J. Lang.

Page 46: Origami design, the theory for uniaxial bases

MITNovember, 2004

More Resources• Origami Design Secrets, my new book teaching how to design

origami (and more), was published by A. K. Peters in October2003.

• Origami Insects II, my latest, contains a collection of fairlychallenging insect designs

• Both (and other books) available from the OrigamiUSA Source(www.origami-usa.org).

• Further information may be found athttp://www.langorigami.com, or email me [email protected]