Orchestron Manual

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    This manual is copyright GForce Software Ltd 2012©. All rights reserved. No part may be reproduced without permission. All trademarks are acknowledged.

    An Expansion Pack for M-Tron Pro

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    OrchesTron History

    Initially developed by Opsonar, the same company behind the Optigan, the

    Orchestron was adopted by ex-Moog super salesman David Van Koevering under

    the company name VaKo and offered to professional musicians in the mid 1970s as

    a potential alternative to the Mellotron®. The main advantage was looped sounds,

    increased portability due to its smaller size and a quick way of changing sounds.

    Instead of the sounds being stored on bulky and nite length tapes, as per the

    Mellotron, Orchestron sounds were stored on celluloid discs in a manner almost

    identical to that of the Optigan. However, unlike Optigan discs, Orchestron discs

    contained no chords, effects or rhythmic motifs, only individual notes spread

    across a 37 note keyboard.Each disc contained a single sound and the initial library consisted of Cello,

    Choir, Flute, French Horn, Hammond B3, Pipe Organ, Saxophone & Violin.

    These sounds could best be described as lo- - perhaps slightly higher in

    quality than the Optigan but not in any hugely discernible way. It’s rumored

    that some of the Orchestron sounds actually came from original Optigan master

    recordings. Additionally, some were created by Paul Beaver - one half of

     pioneering synth duo Beaver and Krause.

    Despite their Lo- glory, the Orchestron sounds have a genuine charm and

    ciné-like quality that really hits home when used in conjunction with more

    high delity sounds. Even a mere whisper of a Orchestron Choir or Strings on

    a contemporary track will evoke the grainy quality of days gone by and it’s forthis reason that we fell in love with the instrument years ago.

    There were several models produced before the company folded only a few

    years after the Orchestron debuted and it was used by a wealth of diverse artists

    from Yes to Kraftwerk. The latter used an Orchestron Model A on  Radioactivity 

    and Trans Europe Express and its successor, the Model B, was used by

    Patrick Moraz on his album, Story Of I . Later, Vako made him a custom three

    manual monster which he toured with Yes but sadly this model seems to have

    completely vanished over the ensuing years.

    Our Orchestron is a Model C which is essentially a more ‘space age’ looking

    Model B and although ours is a single manual, there were dual and single

    manual Model C and Model D’s made in very small quantities. In fact, the total

    amount of Orchestron models manufactured is estimated as being between 50

    and 100.

    Today, the number of surviving Orchestrons is thought to be somewhere around

    40 and as such prices have risen sharply. The last Model B we saw on eBay

    sold for well over $6000 and in the UK we recently heard of a private sale of a

    Model C for £6000 (approximately $9000) with only four discs.

    Finding original discs to purchase, without actually purchasing an instrument,

    is a near impossible task these days but thankfully there is help at hand.

    Optigan.com owner, Pea Hicks occasionally makes limited runs of Optigan and

    Orchestron discs and in this expansion pack we’re been privileged enough to

    include several of these.

    Firstly, in order to use this expansion pack you must own a copy of M-Tron Pro.

    To use this in the M-Tron Pro simply place the file named ‘OrchesTron.cpt2’ into the folder on your computer named ‘M-Tron Pro Library’

    Once this is done, when you next open the M-Tron Pro and click on the Layer A and B windows you will have

    access to the samples from this OrchesTron Expansion Pack. LIkewise, when you click in the M-Tron Pro’s Patch

    Selection Window you will be able to access the patches created using the Orchestron sounds.

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    This Expansion Pack gives you access to both old and new Orchestron

    sounds in all their grainy, scratchy and lo- quality. As such we give you

    the same advice as we did with the Optigan sounds. If you’re looking for

    cleanliness and audio perfection, these sounds aren’t for you. However,

    if you’re looking for something grainy and lo- that you can use to inject

    vintage and evocative character into your music this expansion pack might

     just be the ticket.

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     ; Piano

    One of our favourite new Orchestron

    sounds. Just play and hold for

     beautiful old vibe piano rhythms.

    The OrchesTron Expansion Pack Sounds

     ; Choir.

    A superbly grainy choir sound fro the

    original Orchestron Library. As used by

    Kraftwerk on Europe Endless.

     ; Flute

    If you love the Mellotron Flute then

    this original Orchestron ute is

    guaranteed to inspire.

     ; French Horn

    Another gloriously lo- original

    Orchestron disc recording.

     ; Marimba

    One of the newer Orchestron discs, a

    repeating marimba.

    ; Hammond B3

    From the original Orchestron library,

    the classic organ sound.

     ; Pipe Organ

    From the original Orchestron discs.

     ; Saxophone

    Scratchy and grainy and not the

    most elegant of Saxophone sounds

     but, again, an original Orchestronsound.

     ; String Ensemble

    From the newer Orchestron discs,

    an elegantly grainy and lo- string

    ensemble.

     ; Cello.

    From the original Orchestron Library.

    A cello bank in all its lo-, crackling

    glory.

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     ; Tremolo Guitar

    Another one of our favourite new

    Orchestron recordings. A magnicent

    Electric Tremolo Guitar.

     ; Violins

    A classic original Orchestron sound.

    Patches

    As with other M-Tron Pro Expansion Packs, The OrchesTron Expansion Packcontains loads of Patches. These are broken down into several sections for each

    sound.

    Patch names containing “Basic” are Patches using a single layer and have no

    effects or velocity sensitivity assigned to the sound.

    Patch names containing “Basic Wide” are Patches that use both Layers A and

    B with each layer panned L and R respectively. These Basic Patches are great

    starting points for your own experimentation.

    Patch names containing “Dyn” are Patches offering a degree of dynamic control

    via velocity, this may be routed to either Amplitude or Filter Cutoff or both.

    Patch names containing “Slow” are Patches that have a slower amplitude attack

    than the “Basic” Patches and will more often than not offer velocity sensitivityand contain effects.

    Finally, the more interesting and ambitious sounds will be found in the Artist

    Presets. We’re very particular about who we use to create presets and each of the

    artists here will have used the M-Tron Pro in their normal work for a considerable

    time before being invited to submit Patches for an Expansion Pack. That way you

    can be assured that these are carefully constructed and considered Patches and as

    such we thoroughly recommend that you dive in here to nd the real gems.

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    Acknowledgements & Thanks

    Pea Hicks and Ian Legge.

    www. optigan.com

    Mellotron is a registered trademark of David Kean, www.mellotron.com

    Patch Design

    Roger Lyons

    Dave Spiers

    Yorkie - MOONGOOSE. www.moongoosetheband.com

    Legal Notice

    All product names used in this product are trademarks of their respective owners

    and are in no way associated or afliated with GForce Software Ltd. These

    trademarks of other manufacturers are used solely to identify the products of

    those manufacturers whose tones and sounds were studied and or recorded during

    development of this product.

    The data contained within this product is licensed to you for use in your own

    musical compositions both for commercial and personal projects. Redistribution

    of the data in any other form is strictly forbidden.

    Put simply, we went to a great deal of expense and effort to provide M-Tron Pro

    users with something very cool and unique and we do not want to see any of this

    work miraculously appear in other products or provided in other formats. It also

    goes without saying that we do not want to see this work passed around on the

    internet and will pursue anyone who thinks it’s a good idea.

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