Orchestral Excerpts Viola

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    VIOLA ORCHESTRAL REPERTOIRE

    EDITED BY

    RUDOLF HAKENPage Excerpt

    2 Bartk Concerto for Orchestra

    3 Beethoven Symphony #57 Berlioz Roman Carnival Overture

    9 Brahms Variations on a Theme of Haydn15 Brahms Symphony #2

    17 Brahms Symphony #419 Copland Appalachian Spring

    21 Enescu Romanian Rhapsody #1, viola solo22 Kodalyi Hary Janos, viola solo

    23 Mendelssohn Scherzo from Midsummer Night's Dream25 Mozart Symphony #35 (Haffner)

    31 Ravel Daphnis and Chlo Suite #235 Ravel Mother Goose Suite, viola solo

    36 Shostakovich Symphony #537 Strauss Don Juan

    39 Tchaikovsky Symphony #6 (Pathtique)41 Sample repertoire lists for auditions

    2011 Rudolf Haken

    Viola ProfessorUniversity of Illinois

    1114 W. Nevada St.Urbana, IL 61801 USA

    [email protected]

    Orchestral Excerpts for Viola, edited by Rudolf Haken www.rudolfhaken.com 2011-08-30 Page 1 of 41

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    e

    42

    Eo

    s

    o s

    d s d

    ed. R. HakenBartok Concerto for Orchestra, Mov. 4 m. 42-60

    m

    09

    Calmo - cantabile (viola section soli) r=160

    1 1 1 2 1 1- -

    e

    46

    o

    s s s

    f f d d d

    03 0

    40

    1 3 2 0

    e49

    d s s

    s d

    d

    s

    39 0 94 2

    e

    53

    s

    d

    o

    o s

    s s s d f

    30

    2 1 1 8 9 3 2 2 1- -

    e

    56

    f f d d d d f

    s

    29

    1 4 2 1 3 2

    e

    58

    d d s d f

    10

    n

    4 3 1 1 2 3

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    Beethoven Symphony #5, 2nd mov. m. 1-10

    Andante con moto =92

    dolce

    3 0 3

    no double-dot!

    3

    Beethoven Symphony #5, 2nd mov. m. 49-59

    Andante con moto =92

    dolce

    2

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    Andante con moto =92Beethoven Symphony #5, 2nd mov. m. 98-106

    dolce

    0

    2 0

    0

    4 1

    Beethoven Symphony #5, 2nd mov. m. 114-123

    brush stroke3

    Andante con moto =92

    1 23 3 2 1

    3

    1 3

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    Beethoven Symphony #5, 3rd mov. m. 146-213

    =80

    4 1

    3 4 0 4 2

    4

    4

    s s s

    4

    sempre pi piano

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    Andante sostenuto =104

    Do not change position unless indicated.

    2 after 1

    Berlioz Roman Carnival - preparatory exerciseby Rudolf Haken

    1

    espr.

    (no dim.!)

    2

    2 4

    cresc. molto

    4 31

    3 3 2 14 3

    2

    1 1

    3

    poco cresc.-----------------------------------------------------

    1

    s

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    Andante sostenuto =104

    Berlioz Roman Carnival - viola solo

    Do not change position unless indicated.

    2 after 1

    ed. Rudolf Haken

    1

    espr.

    (no dim.!)

    2

    2 4

    cresc. molto

    4 3

    1

    3 3 2 14 3

    2

    1

    1

    3

    poco cresc.-----------------------------------------------------

    1

    s

    6 6 6 6 6 6

    4

    6 6 6 6 6 6

    04 2 1 3

    6

    66

    6

    3 4 1 14

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    Brahms Variations on a Theme of Haydn, #V, VII, VIII

    Var. V

    Vivace =144-152

    ed. Rudolf Haken

    leggiero s

    4

    3

    210

    3

    2 1 1

    4

    1

    legg.

    214

    G

    s

    leggiero

    0 4 0

    s

    s

    220

    legg.

    0 2 3

    224

    2 4

    H 2

    228

    1

    4 4

    232

    1 2 1 2

    sempre

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    236

    3

    240

    245

    I 2

    1

    4

    249

    4

    1 2 1

    leggiero

    253

    1

    2

    256

    2 1

    259

    3

    pizz.

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    293

    Var. VIIGrazioso =138

    3

    espr.slight separation between notesgentle!

    1

    13 2

    3

    299

    dolce

    2 2

    304

    1

    2

    308

    4

    3

    espr.

    314

    1 1 3

    cresc.

    2

    318

    1 4

    dim.

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    323

    Var. VIII

    con sordino

    sempre

    Presto non troppo =204-2162 1

    4

    326

    1

    0 1 2

    1 3 4 3 1 2

    3

    331

    1

    12

    2

    K2 1 4

    336

    1

    1 2 3

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    343

    pizz. arco

    2

    1 2 4 2 1 1 4 1

    349

    3

    4 4 4 2 3 4 3 2 4 1 3

    1 1

    352

    2 1 4 1 2 3

    355

    1 2 3 4 0 2

    1 0 4

    358

    3 2 1 1

    pizz.

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    118

    Brahms Symphony #2, 1st mov., m. 118-131

    E

    (quasi riten.)

    Allegro non troppo(=138)

    first pos.

    sben marcato

    122

    smarcato

    1

    2

    126

    3

    middle

    2

    4

    2

    3

    1

    0 1 2

    129

    3

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    49

    C1

    Brahms Symphony #2, 2nd mov., m. 49 through downbeat of m. 51

    stay in second pos.

    (=138) keep 1st finger down on 2 middle strings in second position

    poco

    1 4 3 4 2 14 3

    50

    3 4 2 1 1 41 0 2 0 3

    2 0

    1 4

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    41

    B

    (=104-112)4

    2 3 2 3

    BRAHMS SYMPHONY #4 - 4TH MOV. M. 41-80ed. Rudolf Haken

    2 4 2 4

    3

    2 3 2 1 3 1

    45

    cresc. sempre piu

    3

    big cresc. m.45-55, in contrast to 1-bar hairpins in m. 41-44

    2 4 2

    4 2

    1 0 3 1

    3 4 3 2

    49

    espress. cresc.

    3 4 3 2 4 3 2

    2 1 3 2

    1 0 2 4 0 2

    2 1 0

    53

    4

    3 2 1 3 2 1

    3 2 1 3

    2

    lift

    2

    piu

    3

    frog

    57

    C 2

    frog

    frog

    frog

    3

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    60

    4

    frog

    2

    3 2 1 4 1

    frog

    2

    hook

    hook

    3

    frog

    64

    4

    1 2 3 0

    3

    frog

    0

    s

    1 34

    0 2

    68

    1 3

    frog

    2

    s

    3 1 3 1

    retake

    1

    4 3 2 1 3 2

    tip - very little bow

    71

    2 4 3 2 1 4

    3

    2

    0

    subito

    1

    frog

    (46

    1

    0

    0 1

    0

    brush

    4

    3 1 4 1 1

    74

    3

    3

    2

    2)3

    1 4 3

    3

    1 2 0 3

    3

    0 2 0

    76

    1

    (2 1

    4 1

    2

    3

    4

    3

    1

    4

    2

    1

    2

    1

    34

    3

    2

    1 3

    4)

    2

    3

    3-

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    vigoroso

    Allegro (=160)6

    brush near frog

    1 0 1

    COPLAND APPALACHIAN SPRING - Rehearsal 6 to Rehearsal 14ed. Rudolf Haken

    4

    1

    4 2 0 1

    pizz.

    1

    1

    alternative

    fingering

    0 1

    24

    4 2 0 1

    1pizz.

    arco

    brush near frog

    0 1 3 4 3 1 2 4 17

    1 0 1

    21

    3

    A

    2 1 4

    D

    3

    4

    1 1

    2

    .

    pizz. arco

    pizz. arco

    pizz. 1 3 2

    8

    marc.

    arco

    91 0

    2 1

    3

    A

    2 1 4

    D

    3

    4 1

    1 2

    0 1 3 1

    2 1

    3

    A

    2 1 4

    D

    3 3

    2 1 4 3

    D

    1 3

    G

    4

    2 0 4 2 0

    1

    4

    1 1

    0 1 3

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    4 0

    1

    3G

    D

    4

    0

    3G

    1D

    4

    2A

    0

    2 4 0 1

    1

    10

    11

    1

    2G

    4D

    s

    3

    2 112

    marc

    2

    0

    1

    2

    D

    0 1 2

    D

    1

    s

    0 1 2D

    (4 3

    13

    4)

    cresc.

    0 1

    D

    2 2

    cresc.

    0 1

    D

    2

    2

    1

    1 4 3 1 2 4 1

    espr.

    1 14

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    [1 bar after reh.#7 through 1 bar before reh. #8]

    Enescu - Romanian Rhapsody #1, viola solo

    1Posement (=160)

    2

    s douloureux

    2

    1

    4D

    3

    2

    2

    1 1

    stay

    4G

    1

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    Kodaly - Hary Janos Suite, Mov. III, viola solo[Dal - Lied - Song - Chanson]Andante, poco rubato (=80)

    espr.

    2

    fourth pos.----------------------------------------------------------------------------------------------------------

    1 4 2 1

    2

    3 4 1 2 1 2 1

    -

    5

    1

    2 3

    2

    1

    1 3

    -

    9

    3 1accel.3 2 3 1 3 2

    11

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    Allegro Vivace =84

    Mendelssohn Scherzo from Midsummer Night's Dreambeginning to letter D (meas. 1-93)

    ed. Rudolf Haken

    2

    24

    2A

    0

    1

    32

    cresc.

    38

    3

    49

    B3

    cresc.

    3

    53

    58

    2

    3 0

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    63

    1

    s

    s

    s

    1 2

    1

    69

    0

    2 C

    2

    4

    2 3 1

    4

    4

    3 -

    75

    3

    3

    3

    3

    80

    4

    2 3

    3

    1

    4

    4

    3

    3

    3-

    85

    4

    89

    24 2 4 1

    D

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    Mozart Symphony #35 (Haffner) 1st mov. m. 41 - 66

    Allegro con spirito =76

    2

    ed. Rudolf Haken

    1 2

    frog

    3

    3

    9

    1 3

    3

    13

    2

    1 2 3

    17

    3 2

    21

    4 4 2

    25

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    29

    4

    37

    1 2 3

    3

    2

    tip

    1

    sub.

    3

    4

    3

    2

    3

    3

    3

    1 4 1 3 2 3 2

    4

    4

    4

    4

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    2

    D

    Preparatory Exercises for Mozart Symphony #35 (Haffner) Finale m. 134-136

    2

    D

    2

    G

    4

    C

    2

    D

    4 2

    D

    4 2

    G

    4 4

    C

    2

    D

    3 4 2 2

    D

    3 4 0 2

    G

    3 4 1 4

    C

    4

    D

    4

    D

    4

    G

    4

    C

    4

    C

    4

    G

    4

    D

    4

    D

    3

    D

    3

    D

    3

    G

    3

    C

    3

    C

    3

    G

    3

    D

    3

    D

    2

    D

    2 2 2

    G

    2

    2

    D

    2 2

    1

    D

    1

    D

    1

    G

    1

    G

    1

    D D

    1 2

    D

    2

    D

    1

    D

    1

    G

    1

    G

    1

    D

    2

    D

    2

    D

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    2

    =138-144Mozart Symphony #35 (Haffner) Finale m. 134-181

    grazioso

    2 1 2

    1 3 0 1 2

    1 3

    4 1

    1 0

    cantabile

    2

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    4 4

    4 4 4 4

    4

    s

    s

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    =54

    espressif

    Ravel Daphnis & Chlo Suite II #158 to #166CD 1, Track 12, 01:23

    2 1 2 2G

    1 1 4

    1D

    1 2 2

    1

    D

    2 3

    1

    2 3 3 4

    1 2 3 4

    2 1 1 2

    3

    3 2 2 3D

    1 1 2

    3 2

    1 1

    2

    2 2

    3

    1

    3

    - -

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    3

    3

    3 3

    1 2 1

    3

    2

    3

    3 4 0

    3

    1 1

    6

    6 6

    66

    3 4 1 3 1 4 3 4 1 3 1 4 0 2 4

    3

    tres espressif

    = 2D

    3

    2

    3

    2A

    =

    3D

    2

    2

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    3

    33

    3

    =168

    3

    Ravel Daphnis & Chlo Suite II #212 to #216

    0

    3

    0

    3 3

    poco

    0 2 3 4 0 2 1 2 3 4

    (non subito)

    4 3

    3 3

    3

    0 1 1 2 2 3 4 2

    1

    0 1 2 1 1 1 2 3 4 3 2 4 1-

    1

    3 41

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    2 3 4 0 1 0 4 0 2 4

    crescendo------------------------------------------------------------------------------------------------------------3

    1 2 3 3 1 2 3

    3

    sempre cresc---------------------------------------------------------------------------------------------------------------

    1 2 2 3 1 2 3 3

    1 2 3 3 1 2

    3

    sub.

    gliss.

    0

    3 0

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    =84

    15Shostakovich Symphony #5, 1st mov. viola solo

    Preliminary exercise

    espr.

    D1

    A3 3 1

    D

    to

    17

    2G

    3D 4

    A2

    2A

    4D

    3A

    2D

    1 1D

    1G

    1G

    =84

    Excerpt

    espr.

    D

    1

    A3 3 1

    D2G

    3D 4

    A2

    2A

    4D

    3A

    2D

    1 1D

    1G

    1G

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    Richard Strauss - Don Juan

    Allegro, molto con brio (=164)

    [beginning to 6 after D]

    0

    1

    0

    3

    1 3

    14G

    1

    1

    sixth pos.-------------------------------------

    5 6

    5

    2A

    3

    2

    3

    3 4 1

    3

    1 2 4

    3

    3 1 33

    pizz.

    11

    arco

    3 3 3 3

    18

    3 3 3 3 3 3 3 3 3 3

    2

    squarehook

    1

    slur

    4

    22

    2

    short

    1

    long

    A

    3

    3

    2

    3

    1

    3

    2 4 3

    3

    1 0 3

    3 3

    25

    2

    3 3

    3 4

    3

    1 2

    3 3

    1

    3

    30

    1

    1

    3

    0 3 0

    3

    1 2

    3

    3 0 3

    3

    4 1 1

    3

    2 0 3

    3

    4 2

    34

    0

    3

    4

    3 0

    33

    3

    0 1 3

    3 3

    1 3 3

    3

    G

    1

    1

    1

    3

    1

    3

    2

    4

    2

    2

    3

    1

    4

    4

    3

    - -

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    37

    0

    1 2

    3

    3 1

    2

    3

    0

    1

    1

    2

    B

    3

    41

    sz. sz.

    2

    44

    3

    3

    2

    1

    48

    D2

    C

    2

    molto vivo

    4

    3

    1 2 3

    52

    2

    3

    1

    2

    3

    3 4 40

    3

    1A

    0 4

    3

    3 2 4 3

    3

    3 4

    3

    1 2 3

    3

    4 1 2

    3

    3 4 4

    56

    2

    D

    3

    3 4 1

    3

    1

    3

    2 3 4 2

    espr.

    1

    3

    2 3 4

    3

    4 3 2

    3

    1 3 1 3

    espr.

    2

    60

    4

    1

    3

    2 3 4

    3

    0 1

    1

    A

    3

    2 1 2

    3

    3 4

    3

    rapidamente

    2 4 1

    63

    1

    3

    2 3 4

    0

    1

    3

    4

    3

    1 23

    1

    sz.

    2

    poco calando3

    1 3D

    68

    1dim.

    2 3

    tranquillo

    D1D

    1 2

    3 4

    0

    3

    1 2 3

    3

    1 2 3 4

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    19

    Allegro non troppo =116Tchaikovsky Symphony #6 (Pathtique) 1st mov. m. 19-76

    1

    3

    A

    2 2

    23

    31

    A 2

    3 3 2

    1

    2

    34

    1

    2

    1 3

    36

    3

    2 1 3

    2 1 2

    C D

    1

    40

    1

    2

    2

    saltando

    4 1

    44

    4 3

    4 1

    48

    4 2 B

    51

    4

    0 3

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    53

    4 0

    55

    58

    3

    4

    34 2

    60

    0

    1 0 3 2 3

    41 2

    G

    62

    0

    1 0 3 2 C 4

    4 2 3 3

    4 3 1 2

    65

    3

    1 0 3 1 2 4

    4 2 3

    67

    4

    Un poco animando

    G

    4

    71

    dtach

    2

    Un poco pi animando

    2 1 2

    74

    1

    2

    D

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    Section Viola Audition RepertoireMarch 4-7, 2007

    Finals to be held on March 26, 2007

    I. SOLO REPERTOIRE

    A. The first movement of one of the following concerti (no cadenzas are required):

    Bartok, Hindemith, or Walton

    B. Two contrasting movements from any of the Bach Cello Suites.

    II. ORCHESTRAL REPERTOIRE

    BACH Brandenburg Concerto No. 3, Viola 1

    BARTOK Concerto for Orchestra

    Mvt 1, M 233-248

    Mvt 4, M42-60

    Mvt. 5, M80-96, M300-317, M384-444

    BEETHOVEN Symphony No. 9

    MENDELSSOHN Symphony No. 4

    MOZART Overture to Magic Flute

    MOZART Symphony No. 40

    ROSSINI Overture to La Gazza Ladra

    SHOSTAKOVICH Symphony No. 5

    Reh #15-#17

    Reh #22 through 4 measures after #25

    Reh #36 through 3 measures after #38Reh #55 - #56

    Reh #97 through 7measures after #102

    STRAUSS Don Juan

    III. POSSIBLE SIGHT READING

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