On Laura Mulvey

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    People had a habit of

    looking at me as if I wassome kind of mirror

    instead of a person.

    They didn't see me,

    they saw their own lewdthoughts, then they

    white-masked

    themselves by calling

    me the lewd one.- Marilyn Monroe -

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    VISUAL PLEASURE &

    NARRATIVE CINEMA

    L a u r a M u l v e y

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    A POLITICAL USE OF

    P S Y C H O A N A L Y S I S

    Unconscious

    Penis /Phallus

    Castrationcomplex

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    A POLITICAL USE OF PSYCHOANALYSIS:

    U N C O N S C I O U S

    Freud The motives behind our

    actions are mostlyunconscious

    Mulvey Patriarchal

    unconsciousstructures film form

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    Theunconscious is

    structured like alanguage

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    A POLITICAL USE OF PSYCHOANALYSIS:

    P E N I S / P H A L L U S

    Penis

    Actualy bodilyorgan

    Phallus Signifier of

    lack

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    Fear ofcastrationBoys

    PenisenvyGirls

    A POLITICAL USE OF PSYCHOANALYSIS:

    C A S T R A T I O N C O M P L E X

    Woman as bearerof meaning,

    not makerof meaning.

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    How to fight the

    unconscious structured

    like a language,while still caught within

    the language of the

    patriarchy?

    Destruction of Pleasure!

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    PLEASURE IN

    L O O K I N G

    Scopophilia(Sexualinstinct)

    Narcissistic(Identification)

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    PLEASURE IN LOOKING

    S C O P O P H I L I A

    Taking other people asobjects, subjecting them

    to a controlling and

    curious gaze, e.g.

    voyeuristic activity ofchildren

    Spectator as voyeur

    (Peeping Toms)

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    PLEASURE IN LOOKING

    N A R C I S S I S T I C

    Mirror stage:identification with the

    image seen;

    constitution of the ego

    The spectatoridentifies with the

    glamorous stars on

    the screen their ego

    ideals

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    WOMAN AS IMAGE,MAN AS BEARER OF THE LOOK

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    WOMAN AS I M A G E

    MAN AS BEARER OF THE LOOK

    Women aresimultaneous-ly looked

    at and displayed, they

    connote to-be-looked-

    at-ness Women displayed on

    two levels: as erotic

    object for the characters

    within the screen story,and as erotic object for

    the spectator

    Active

    Male

    Passive

    Female

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    WOMAN AS IMAGE

    MAN AS B E A R E R OF THE LOOK

    The man on screencontrols the film

    phantasy.

    He is the agent of the

    look with whomspectators identify to

    enjoy vicarious control

    and possession of the

    woman.

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