Nikon FM2 Manual

8/10/2019 Nikon FM2 Manual

1/51


2/51

NOMENCL TURECD Shutter speedlASAIiSO film speed DR window @

Shutter release button Meter coupling lever

Shutter release fingerguard Sync cord terminal

Lens moun ting inde x

Depth -of-field preview lever Focusing screen release latch

Self-timer lever Lens release button

J) Lens flange Refle x mirror

Film advance lever Film s prockets

Serial number

J Viewfinder eyepiece

jj) Rewind fork

Shutter curtains

Film cartridge chamber

Film guide pin

Film guide rails Film anti-curl roller @

Data back contact s Locking catch

2


3/51

@ Meter coupling shoe

@ Meter coupling ridge

Hot shoe contact

@ R .. nv-linlht contact

@ Accessory s hoe

Camera back lock lever

@ Film rewind knob

@ Film rewind crank

Film plane indicator

@ Motor drive shutter coupling

@ Motor drive coupling

@ Film rewind button

@ Memo holder

Distance scale @

Focusing ring @

Aperture scale @

Aperture ring @

DR scale

Shutter speed index

Shutter speed dial

Multiple exposure lever @

Frame counter @

ASAIISO film speed indicator

ASA/ISO film speed dial

Tripoc socket @

Motor drive electrical contacts

Battery chamber lid @

Film pressure plate @

camera back @


4/51

C O N T E N T SNOMENCLATURE . . . . . . . . . . . . . . . . . . . . . . . . . 2 3 ACCESSORIES . . . . . . . . . . . . . . . . . . . . 3 6 4 4FOREWORD . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Interchangeable focusing screens . . . . . . 3 6 37BASIC OPERATION . . . . . . . . . . . . . . . . . . . . . . . . 6 1 5 Close-up equipment. 38CONTROLS IN DETAIL . . . . . . . . . . . . . . . 1 6 3 5 Motor Drive MD 12. . . . . . . . . . . . 39

Film advance lever . . . . . 6 Nikon Speed ights . . . . . 40Frame counte r . . . . . . . . . . . . . . . . . . . 6 Data Back MF -16 . . . . . . . . . . . . 4Shutter release button . . . . . . . . . . . . . 7 Anti -Cold Battery Pack OB2 42ASAIISO film speed dial. . . . . . . 8 Right -Angle View ing Attachment DR -3 . . . . . . . . . . 42Shutter speed dial/exposure determination . . . 1 8 2 5 Eyepiece Magnifier DG -2 . . . . . . . . . . . 42

Setting the shutter speed . . . . 1 8 1 9 Rubber eyecup . . . . . . . . . . . . . . . . . . . . . . . 42Sett ing the apertu re . . . . . . . . . . . . . . 20 Eyepiece correction lemles . . . . . . . . . 42Exposure determ ination . . . . . . . . 2 Cable Release AR-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42Exposure display . . . . . . . . . . . . . . 2 Filters . . . . . . . . . . 43Metering range of exposure meter 22 Lens hoods 43

Stop -down exposure measurement . . .

.

.23

Camera cases . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

Exposure measurement in special cases . . . . . 24 Neckstraps . . . . . . . . . . . . 44Duplication work and photomicrography . . . . 25 Compartment cases . . . . . . . . . . . . 44

Viewfinder/viewing focus ing . . . . . . . 2 6 2 7 TIPS ON BATTERY USE . . . . . . . . . . . . . . 45Depth -of-f ield preview lever . . . . . . . . . . 2 8 3 0 TIPS ON CAMERA CARE . . . . . . . . . . . . . 4 6 4 7Self -t imer lever . . . . . . . . . . . . . . . . 30 SPECIFICATIONS . . . . . . . . . . . . . . . . . . . . . . 4 8 4 9Multiple exposure lever . . . . . . . . . . . . . 3 IMPORTANT I . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50Memo holder . . . . . . . . . . . 32Infrared compensat ion index . . . . . . . 32Flash photography . . . . . . . . . 3 3 3 5

Ready -ligh t . . . . . . . . . 3 4 3 5

4


5/51

F O R E W O RThank you for your purchase of the Nikon FM and welcometo Nikon s world of photography . The N ikon FM offers manyspecial features including top shutter speed of 1 4000 sec .and flash synchronization speeds as fast as 1 250 sec . TheFM also incorporates a TTL fullaperture metering system

and high -prec ision mechanically-controlled shutter curta ins .These features enable full manual operat ion and mechanicalcontrol the FM works without batter ies at all speeds , fora wide range of purposes. Whenever you are , at home or farafield , you ll always be ready for great shooting . To obtain thebest results with your FM , be su re to keep this instructionmanual handy until you ve fully mastered its operation - justa few minutes to ensure many years of reward ing photography .


6/51

BASIC O P E R T I O N

Remove the battery chamber lid 8 Use a coin to unscrew the lid in a counterclockwise direction .

6

Install the baUery Wipe the battery terminal s cleanand ins ert the batter ies , making sure thatthe + signs are up . Us ab le batterie s are : 3V lithium battery 1 unit) 1.55V silver -oxide batteries , 3.1V

2 units) 1.5V alkaline-manganese batteries , 3V ,

2 units)Caution Keep batteries away from infants andsmall children . In case a battery s accidentallys wallowed call a doctor immediately as thematerial inside the batteries can cause seriousproblems .

3 Putthe battery chamber lid back in Its place

Slip the battery clip back into the camerabody baseplate and screw it clockwisetightly into place .Note : For more information on batter i referto pag e 45.


7/51

4 Pullout the film advance lever lI to unlock the

shutter release button g The film advance lever doubles as ashutter release button lock You can un-lock the shutter release button by simplypulling out the film advance lever slightlyfrom the flush to the standoff position

Press the shutter release button lightly toswitch the exposure meteronThe shutter release button activates theexposure meter when lightly pressed Themeter itself stays on for approx 3 secafter you have taken your finger off thebutton

6Check battery power Switch the exposure meter on while

looking through the viewfinder If one ortwo of the red LED exposure indicatorlamps inside lights up this would meannormal condition Note When the shutter speed dial is on Bbulb) , none of the exposure indicator lamps will

light up Be sure to set the dial at another posi -tion If none of the exposure indicator lamps

light up , either the battery is improperly in-stal/ed in which case you should instal/ itproperly or battery power is not sufficient ,in which case you should change the battery .


8/51

BASIC O P E R T I O N c o n t i n u e d

7 Mount the lens onto the camera Place the lens onto the camera lining up the aperture/focusing index @ on the lens with the lens mounting index on the camera body . Then twist the lens mounting ringcounterclockwise until it clicks into place . Confirm that theaperture/focusing index is right on top .To remove Pu sh the lens release button @ and turn the lensmounting ring clockwise until the lens comes off .Note: hen changing lenses with film loaded in the camera be carefulnot to expose the mir ror bo x to d irect s unlight

Open the camera back 6 Push the camera back lock lever counterclockwise with your index fingerwhile lifting the film rewind knob @. Thecamera back will pop open

Caution Never touch the shutter curtai ns


9/51

Install the film cartridge Position the film cartridge in thefilm cartridge chamber @ with the filmleader pointing towards the takeup spool@ and push the rewind knob back downto secure it in place .Note: ou can use any o the 3Smm film car-tridges available on the market It is advisableto handle film in the shade to avoid direct ex -posure to sunlight

10 Insert the film leader In the takeup spoolull the leader across gently and insert it

into one of the slots in- the film takeupspool. Slowly rotate the takeup spoolinwards with your thumb making sure thelatch in the slot engages the first or second perforation along the side of the filmleader .

Wind the film advance lever to advance filmonto the takeup spoolWind the film advance lever and depressthe shutter release button until the filmsprockets engage the perforations onthe edges of the film . Make sure you windthe lever fully until it comes to a stop .


10/51


11/51


12/51


l Set the correct exposure First, position your main subject at the center i.e . the

12mm-diameter circle) of the field of view inside the viewfinder .Then turn the shutter speed dial and/or lens aperture ring @until the LED lamp for the symbol for correct exposurelights up.

12

Important Intermediate settings o lens aperture but not o shutterspeed are usable .Nota: he meter reads the light over the entire focusing screen but hasa distinct bias on the central 12mm diameter area .


13/51

8 Focuso

the subject by rotating the lensfocusing ring 6The FM2 is provided with the Type K2 fo-cusing screen as standard Look throughthe viewfinder while turning the focusingring until the two halves of the split imagerangefinder coincide perfectly to form asingle unbroken image and the image in

the microprism grid appears sharp Cor-rect focus will then be sec ured

3


14/51


19 Depress the shutter release buttonLook through the viewfinder , and depressthe shutter release button . In depressingthe shutter release button , apply light butsteady pressure with the ball of yourinde x finger to avoid camera shake thatmight result in image blur.

4

2 Advance the film Wind the film advance lever asfar as it will go to transport the film to thenext frame and ready the camera for thene xt shot . Do not apply e xcessive pres-sure in winding the lever . You cannot windthe lever when the film is at an end youshould then rew ind the film .

2 Press the film rewind button 43 After the last exposure has been made ,turn the camera upside down and p ressthe film rewind button , so that the e x-posed film can be rewound back into itscartridge . You don t have to depress thebutton all the way


15/51


16/51

CONTROLS IN DET IL

ilm advance leverThe film advance lever also functions as a lock for the shutterrelease button . The shutter release button is unlocked when thelever is pulled out to the standoff position . To advance the film ,wind the lever to the right all the way until it stops . It automatically returns to the standoff position the moment you takeyour thumb off it A single , completed stroke of the lever ad-vances the film by a single frame and simultaneously cocksthe shutter .

16

rame counterlThe additive type frame counter is graduated from S 1 4

up to 36 in even numbers with odd numbers indicated by whitedots in between the even numbers . Even if there s no film in thecamera , the frame counter is operative , advancing by a singleframe every time the film advance lever is fully wound . Afterframe 36 of a 36-exposure roll of film, the counter will not operate even if you repeatedly press the shutter release button andwind the film advance lever ; film will be advanced, however ,

until the actual end of the film roll. The counter is automaticallyreset to S when the camera back is opened .


17/51

Shutter re e button

The shutter release button also serves to activate the FM2 sbuilt-in exposure meter. When the film advance lever is in theflush position , the shutter release button is locked and will notoperate . To release the button from its locked position, pull outthe film advance lever to the standoff position . Slight pressureon the shutter release button will then switch on both the ex-posure meter and the LED exposure information display insidethe viewfinder . The meter and the display remain on for approx .

3 sec . after the finger is removed from the button, after whichthey are automatically switched off to conserve battery power .Pressing the shutter release button all the way down releasesthe shutter . When you depress the button , touch the fingerguard with the tip of your index finger and depress it lightlywith smooth , even pressure . This makes shutter release operation smooth and stable. With a shutter speed of 1 30 sec . or

slower , it is advisable to attach the camera to a tripod and usea cable release to release the shutter; this will prevent camerashake which results in blurred photographs . The cable connector can be screwed into the hole at the center of the s hutterrelease button . If the tripod has a large head , contact betweenthe lens barrel and the head may make it impossible to turn thelens aperture ring . In this case , use ,he special tripod adaptersupplied with the camera between the tripod head and the

camera body .

7


18/51

CONTROLS IN D E T I L c o n t i n u e d

ASAIISO film speed dial The ASAIISO scale on the dial has numbered settings fo rspeeds from ASAIISO 12 to 6400. The dots between each pair ofASAIISO numbers stand for intermediate settings, such as 64 ,8 , etc . The illustration above gives the speeds for all intermediate settings . ASAIISO 1 and 400 are indicated in red asthey are used quite often .ASAIISO is a numerical rating of the film 's sensitivity to a givenamount of ligh t. The higher the number, the greater the sensi

tivity, and vice versa . The ASAIISO of your film is indicated onthe cartridge itself . It is also printed on the film carton and onthe data sheet packed inside .

18

-

, ' . I

.:. :: .

Shutter speed dial exposuredeterminationetting the shutter speed

To set the shutter speed , turn the shutter speed dial to the rightor left until the desired shutter speed number click -stops and isaligned with the shutter speed index . The dial has indicationsfor B (bulb) and for shutter speeds from 1 to 1 4000 sec . The 250engraved in red indicates the fastest sync speed for an electronicflash unit. On B, the shutter curtains remain o pen for as longas the shutter release button is kept depressed . 1 is for indicating one second , 2 for 1 2 sec . 6 for 1 60 sec . and so on . One ofthe two adjoining numbers, e xcluding B is two times or 1 2 asmuch as the exposure amount of the other number. Note thatshutter speeds between printed numbers (i.e . intermediatespeeds) cannot be used . Since you can alway s confirm theshutter speed number inside the viewfinder , you don 't have tosee the shutter speed dial as you turn it .


19/51

ast shut ter speed Sl w snutter speed9


20/51

CONTROLS IN DETAIL continued

Setting the apertureThe lens aperture determines the amount of light reaching thefilm plane . Generally , when you turn the aperture ring onegraduation in the direction of the larger numbers , the amount isreduced by 1/2 This is what stopping down by one graduationmeans .) On the other hand, when the aperture ring is turned onegraduation in the direction of smaller numbers , the amount oflight is doubled . This is known as opening the aperture by 1stop .) The lens aperture ring clicks at the position of the numbersengraved although intermed iate lens apertures are usable continuously. Lens aperture greatly affects depth of field see page28 . With the e xception of a few special lenses, Nikkor and

2

Nikon Series E lenses enable full -aperture light measurementeven when the aperture ring is moved . These lenses , which aresaid to have an automatic diaphragm , stop down to the setaperture only at the instant the shutter release button isdepressed .


21/51

xposure determin tionThe amount of light reaching the film plane is determined by acombination of the shutter speed and the lens aperture. Ashutter speed of 1/500 sec. lets in twice as much light as a setting of 1/1000 sec . and only half as much light as 1/250 sec . An

aperture setting of lets in twice as much light as 1116 half asmuch as 118. Thus if the correct exposure for a particularpicture -taking situation is 1/500 at 1111 then 1/250 at 1116 or111000 at 118 will give the same exposure. It is very convenientto know this interrelation when considering depth of field. Thefollowing table illustrates the interrelation between shutterspeed and aperture .

1/4000 112000 1/1000 1/500 1/250

4 5 6 8 11 16

xposure displayThe LED exposure indicator lamps can be seen on the right sideof the viewfield frame within the viewfinder . The shutter speednumber and IInumber in use are also visible . The LED exposuredisplay indicates exposure five ways as shown in the table

below in accordance with the conditions of each exposure.

Overexposure by more than 1 stop

Overexposure by 1 5 to 1 stop

Correct exposure

Underexposure by 1 5 to 1 stop

Underexposure by more than 1 stop

As correct exposure is approached the LED exposure displayinside the viewfinder is liable to change rapidly and easily withinthe very narrow range so it is important to turn the lens aperture ring and shutter speed dial carefully. Although intermediate

shutter speeds cannot be used intermediate lens aperturescan just turn the aperture ring for fine adjustment.Note When the shutter speed dial is set at B bulb), the LEO exposuredisplay inside the viewfinde r is turned off.

2

CONTROLS N D E T I L l d


22/51

CONTROLS N D E T I L c o n t l n u e d --Metering range of exposure meterWhen there is a proper combination of lens aperture and shutterspeed , lights up, indicating correct e xposure . This sign will notlight up when the aperture and shutter speed combination is nots uitable for co rrect e xposu re . Also , if the combination of aperture and shutter speed is improper for the brightnes s of thesubject , the e xposure meter will not give an indication for correct e xposure even if you vary the neighboring settings withina very narrow range . You should try altogether different combinations of aperture and shutter speed . If you still fail to obtainan indication for correct e xposure , then subject brightness is

22

probably beyond the metering range of the exposure meter . Itis necessary to illuminate the subject or to use an NO neutraldensity) filter to adjust brightness. Note that in full-aperturemeasurement, the range of brightness that can be measuredby the meter varies with the maximum flnumber of the lensin use , as follows:With a 50mm f .4 len s 1 sec . at f/1.4 and 1/4000 sec . at fiBand ASAIISO 100 film, the EV range i s from EV 1 to EV 1B.With a 135mm f/2 . l n s 1 sec . .at f/2.B and 1/4000 sec . at f/16and ASAIISO 100 film, the EV range is from EV3 to EV20


23/51

top down exposure measurementThis exposure measurement method is used when the diaphragm on the lens does not link with the meter coupling lever

on the camera body , such as when a non-AI lens or an extension ring is mounted on the camera. The procedure is as follows:1 Set the ASA/ ISO number .2 Compose your picture and secure subject focus .3 Press the shutter release button lightly to turn the meter on .4) Perform exposure measurement, depending on the type of

lens used: Len s with automatic diaphragm

Determine the correct exposure while pre ssi ng the depthof-field preview lever then take your finger off the leverand depre ss the sh utter release button .

Lens without automatic d iaphragm PC -Nikkor lens)First , determine the correct exposure by adjusting theshutter speed and aperture . Then , focus at full aperture .Shift the lens so that you get the desired compositio n. Re-

turn the aperture setting to the preset po si tion and shoot. Lens with fixed aperture Reflex -Nikkor lens)

Exposure cannot be changed according to the aperture because in this type of lens , the aperture is fixed. Determinethe correct exposure by turning the shutter speed dial. Ifcorrect exposure is unobtainable , use an ND neu tral density) filter or change the illumination to adjust the exposure .

3

CONTROLS N D E T I L i d


24/51

CONTROLS N D E T I L c o n t i n u e d

Exposure measurement in special casesThe exposure meter of the Nikon FM2 adopts the centerweighted exposure measurement system in which approximately 60 of the total amount of light is measured by the12 mm diameter circle at the center of the focusing sc ree n .When the background of the main subject is too bright and themain subject is not centered within the frame , the result isunderexposure see Fig . . When the background is too darkand the main subject is too bright with the same framing asabove, the result is overexposure .To compensate1 Focus on the main subject with the composition you have

in mind.2) Move the camera to center the main subject in the viewfinder

see Fig . 2) and perform exposure measurement.3) Move the camera back to the position described in 1) with theexposure setting described in 2) and depress the shutterrelease button .

This way , you will be able to obtain correct exposure .

24

Fig. 1

Fig . 2

o

Under exposure ~I I

I II

- - I

Correct exposure

IIII

+ IIIII

J


25/51

uplication work and photomicrographyIn copy work, s lide duplication, and photomicrography, youca nnot obtain correct exposu re by simply referring to the FM2 'sexposure meter di splay because these types of photographyrepresent unu sual contrast si tuation s. Expos ure compensation

is required. Shown here is the table of the relationship betweenspec ific photo type s a nd proper exposure. Since this is meantto be a guide, in practice you s hould make further .compensationby experimentation until you achievelthe proper r es ults.

SubjectMethod of exposure Exposure

measurement compensationPhotographs and Compensa tion notpictures withcontinuous gradation necessary

Copywork Full-aperture or Approx. +1 to +2Documents and stop-down stops for black lettersdrawings of high on white background ;contras t approx. -112 to 1

stop for white letterson black background.

General film with con- Approx.+1 to +2 stops.tinuous gradation

S ide Approx. 1- 1 2 toduplication Filmof documents S op-down 2-1/2 stops for black

The exposure compensation values lis ted below are referencedata obtained when general-purpose film was used . With co lorrever sal film or micro film for duplication wo rk , it is advisable totake additional shots with one -s top exposu re compe nsatio n

as the se films have ve ry sma ll exposure latitude . To avoid vibration, you can make the exposure by turning theillumination on and off .

It is advisable to use a cable rele ase to avoid camera vib ration .

Requiredaccessories Remarks

Forhigh-contrast subjects use of an 1 8Micro-Nikkor or AF reflectance gray card in determining exposureMicro-Nikkorlens' is recomme nded. Withthe card, no exposureCablerelease compensa tion is required regardless of whether

the background is black or white.

Micro-Nikkoror AFMicro-Nikkorlens'NikonSlide Copying

Whenus ng NikonSlide CopyingAdapter PS-6,Adapter PS-6and drawings letters on white background se t the floodlamp 30cm awayfrom its opal plate.NikonBellows Focus-photographed o o approx. -1 /2 stop for

white lette rs on blackbackground

Photo-Prepared specimen Stop-down Approx. + 1 s topmcrography

+ more exposure-,

less exposure

ing Attachment PB-6Cable release

MicroflexPFX

Generally, results come out better with moreexposure in photomicrography. The compen-sa tion value on he eft is only a guide ; determinethe compensation value bytest shooting.

'Set the lens' A-Mring to M. 25

-CONTROLS IN D E T I L c o n t i n u e d


26/51

-CONTROLS IN D E T I L c o n t i n u e dInside the viewfinder:

1. Fine matte l Fre s nel outer field2. Mic roprism colla r3 Split -image rangefinder spot4 12 mm -diameter reference circle

2 3 4

V.lewflnder vlewlng focusingThe conventional way of securing correct focus is to turn thelens focusing ring until the image in the viewfinder appearssharp . The K2 focusing scre e n that c ome s with the camera ass tandard equipment ha s three fo cus ing aids . When focusingwith the split imag e, turn the r ing until the imag e in the twohalves becomes whole. With the microprism grid, turn the ringuntil the s himmering image appear s s harp . With the matte outerfield, turn the ring until the image appear s sharp . The split -imagerangefinder works well for subjects with definite lines , contoursand boundarie s. The microprism collar is for focu s ing on fastmoving subje c ts or those with indi s tinct lines , wh ile the matteouter field is s uitable for close-ups or when u s ing len ses with ama ximum aperture s maller than f/4 5

2 6

There 's another way of securing correct focus . Using the distance scale @ on the lens , set the focusing ring in accordancewith the measured distance . Be sure to gauge the distancebetween the subject and the film plane indicator -e-@ .Note The F M2 viewfinder covers approx 93 % o the image a rea o theactual pho tograph so the actual pic tu re comes out larger tha n the imagein the viewfinde r Not e that the picture comes ou t trimmed down in thecase o moun ted sli des or service s ize prints from negatives

With F Nikkor lenses: Set th e lens ' A-M ring or A-M sw itchto M.


27/51

Split magefocusing

icroprism gridfocusing

atte outer

field focusing

ut of focus n focus7



28/51

CONTROLS IN D E T I L c o n t i n u e dDepth of fleld preview leverWhat depth of fiel isWhen you focus on your subject at a certain aperture, you willfind that not only is the subject itself in focus but objects in acertain distance range both in front of and behind it appears harp . Objects increasingly out of this range become increasingly out of focus. This in-focus zone is known as depthof field . When this zone of sharpness is large , the depth offield is said to be deep; when it is small, the depth of field issaid to be s hallow .The following can be said of depth of field , given the samefocusing distance :1) The smaller the taking aperture (i.e ., the higher the flstop

number) , the deeper the depth of field , and the larger the

aperture, the shallower the depth of field.2) The farther away the subject is from the lens, the deeper thedepth of field becomes ; the closer to the lens , the shallowerthe depth of field .

3) There s greater depth of field behind the main subject thanin front of it.

8

Note, too , that in the case of lenses with different focal lengthsbut of the same maximum flnumber , the shorter the focal lengthof the lens, the larger the depth of field , and vice versa . Thedepth of field at the taking aperture is indicated by the colorcoded lines having the same color as that of the aperture setand which correspond to the distance sca le on the focusingring. The range is indicated by the distance between the lines .Shown in the photo is an example of the difference in depth offield with a 50mm f/1 4 lens when using different aperture settings at a set focusing distance of 2 m. Control of depth of fieldenables selective blurring of the background elements of apicture either to let the major subject stand out or for overall

sharpness, so that all elements in the entire picture field appearsharp . This will give your picture its own character, thu s makingit different from other pictures .Getting the subject in focus is only one aspect of photography.When you take pictures , be sure to consider depth of field, too .


29/51



30/51


Depth of field pr vi w l v r When a lens with an automatic diaphragm is used , the imagein the viewfinder is viewed with the aperture diap hragm of thelens wide open . However , pressing the depth-of-field previewlever will cause the lens to be stopped down to the fin umber setto enable you to e xamine depth of f ield before shooting _Theimage in the viewfinder darkens according to the selectedf/number the smaller the aperture (i.e . the larger the flnumber) , the darker the image . Components of the picturethat appear in focus when the lever is pressed will be in the

zone of sharp focus.Note Be sure to pre ss the depth-of -field prev iew lever fully. lso releasethe lever when you depre ss the shutter relea se button .

3

elf t lmer lever

This device is useful in self -portraits or when taking a picture ofyourself with other people. Set the self-timer by turning the leveras far as it will go in the direction of the arrow shown in thephoto. This can be done either before or after the film is advanced . After the self-timer has been set , press the shutterrelease button . Reflex mirror @ will go up and the self-timer willstart to operate ; the shutter is released after a delay of approx .10 sec . If you wa nt to cancel self -timer operation after the leverhas been set , move it back to its original position with yourfinger . You can then take the picture the standard way as before .However , turning the self-timer lever when it is already inoperation will result in the shutter 's being released the momentthe lever is back in its original position . Except for B (bulb) , theself-timer can be used at any shutter speed .


31/51

ultiple exposure lever 5Taking a picture of different subjects or two or more of the samesubject on the same frame means multiple exposure . To make amultiple e xposure , observe the following :1 Take the first shot. Press the shutter release button .)2 Pull the multiple e xposure lever in the direction of the arrow

shown in the photo , as you wind the film advance lever fully .The frame counter will not advance ; only the shutter is readyto be released again . Although the finger pulling the multipleexposure lever will automatically slip off the lever as the filmadvance lever is wound , multiple exposure operation willhave been performed correctly .

3 After winding the film advance lever fully, take the secondshot .

To take three e xposure s or more on the same frame , repeat thepro c edures de s cribed in 2 and 3 .

te In multiple exposure photography the F M2 s designe d to re ducefilm dislocation to the minimum . But it may occur due to film cu rling filmslack r inapp ropriate film winding .

' - -

tt

31

CONTROLS IN DETAIL continued


32/51

Memo holder 4

To remind yourself of the film type and number of exposures onthe roll of film in use, clip off the end of the film package andinsert it into the memo holder. Of course , you can use the memoholder to store anything , including your name card .

32

nfrared compensation index When you shoot infrared film , note that the plane of sharpestfocus is slightly farther away than that in visible -light photography . As a rule of thumb , you can compensate for this s hiftin focus by referring to the infrared compensation inde x in theform of either a dot or a line) near the focu s ing index on the lensbarrel. Some lenses , including the Reflex Nikkor , do not needcompensation .)After focu s ing the image sharply through the viewfinder , checkthe focused distance and turn the focusing ring to the left until

the red infrared compensation index lines up with the prefocuseddistance . Be sure to shoot with appropriate filter , such as theR60 , etc . In this photo, the subject-to-camera distance is setat 00.


33/51

Flash photographyA Nikon electronic flash unit will prove very convenient forindoor or nighttime shooting or for use in the daytime as supplementary lighting . The FM2 s built-in hot-shoe contact @enables direct mounting of the Nikon S8-27, S8-26, S8-25,S8-24, S8-22, S8-20, S8-19 or S8 168 Speedlight, requiringno special connecting cords. When shooting with a flash unit,you should determine the aperture setting that corresponds tothe shooting distance after checking the guide number of theelec tronic flash unit or flashbulb in use. Also, if the speed ight

requires the use of a connecting cord, insert the cord into thecamera body s sync cord terminal @. Since the FM2 s hotshoe contact becomes active only when an electronic flash unitis mounted, touching it accidentally is harmless.The use of flash units not provided with a hot-shoe contact isnot recommended because accidental firing is likely to occurdue to short circuiting at the contact. When using such flashunits, seal the hot -shoe contact on the camera body with vinyltape or something appropriate to insulate it.

The FM2, provided only with an X-contact for synchronization,synchronizes with the speedlight when the shutter speed set is1/250 sec . or slower.Old type flash units with metallic leaf spring on mounting portion .

Synchronization angeShutte r spee 11 4000 112 000sec IpeedUghl

M PandMFlashbu lbs

[= J Synchronized[= J Cannot be used

1 000 500 1 2 50 11 25 6 1 / 1 B

Note: When using a special electronic flash unit with prov ision for time lag , anelectronic flash unit with long flash duration, the Medical -Nikkor 120mm fl4IP , r the Nikon Repeating Rash Unit 58-6 at 112 r full output , adjust shutterspeed down to 1 1125 sec . r slower . With flashbulbs , set shutter speed at1130 sec. r slower.Not available in EU countries.

33

CONTROLS IN DETAIL con t inued


34/51

Picture taken by balancing the flash exposure with daylight.

34

I IIII I

l

Ready lightWhen the 8B-28, 8B-27 , 8B-26 , 8B-25 , 8B-24, 8B-22, 8B-20 ,8B 19 or 8B-16B is attached to the FM2 , the built-in LEDready -light tells you when the speed ight is recycled and readyto fire or when the shutter speed is set outside sync range ,without your having to remove your eye from the viewfinder.Before you shoot , make sure the ready-light is on . The momentthe shutter is released , the speedlight will fire and the readylight will go out.If the shutter speed is set between 1/500 sec . and 1/4000 sec .

the ready-light will blink when the speedlight is fully charged , towarn you that the shutter speed is outside sync range .For ready-light availability with speedlights other than the8B-28 , 8B-27 , 8B-26 , 8B-25 , 8B-24 , 8B-22 , 8B-20 , 8B-19 and8B-16B , refer to page 35 .


35/51

Ready Light Status Per Shutter Speed Dial Setting

Shutler speed dial ISpeedlight charging ISpeedlight chargingsetting complete incomplete

1/4000 sec . - 1/500 sec. Blinks O ff

11250 sec. - 1 sec . Lights u p continuously O ff

B Lights u p con tinuous ly O ff

Notes :

1) No matter how the shutter speed dial is set , the speedlight will firewhen the ready-light is on the moment the shutter release button isdepre s sed .

2) The ready -light will funct ion regardless of whether the camera s expcsure meter is on or off .

3) When the camera s e xp sure meter is on , the LED e xpcsure d isplayins ide the viewfinder shows the expc s ure cond ition of the mome n tregardless of whether or not the flash fires. If the shutter speed is s e tat B , the LED e xpo sure d isplay will not be activated .

Caution: For flas h photography , it is recommended that you use a Nlko nded icated electron ic flas h unit wh ich operates at a low voltage curre nt.Us e of any other flas h which operates at h igh voltages may damage thecamera s c ircu itry. Any damage caused by such use is not covered bythe N ikon Warrant y.

Combination Chart of Nlkon FM2 and Nlkon Speed ightsm e r a s

Usable las hSpee dloght Connection ready-light Ioperates modes

88-21A ViaAS-6 couple Yes Manual88-218' D rect Yes ManualSB-241SB-2WB2 SB-28 Drecl Yes Auto, manual, repealing88-20/S8-221S8-27 Drect Yes Auto, manual88-19 Drect Yes AutoS8-17 Via AS-6 couper Yes Auto, manual, MDS8-16A ViaAS-6 coupler Yes Auto, manual, MOS8-168 Direct Yes Auto, manual, MD

ViaSC-11 sync cord No Auto , manual88 11 1S8-14/S8-140 ViaSC-13 sensor cord Yes Auto , manual

ViaSC-23 l l emote cord Yes Manual

S8-1O Drect Yes Auto, manualViaSC-6 sync cord No Manual

S8-6 ViaAS-2 coupler with SC-9 No Auto, manualextension cordRnglight Unil8R 2 Via sync cord (provided) No ManualMacro Ringlight Unit

Viasync cord (provided) No ManualSM-2Via2-pln synccord SC-20

NoMedical-Nkkor' (provided)120mm f141F Va 3-pln sync cord 8C-22

Yes(provided)

- Not available in EUcountries .WithS8-140, usable only for visible-lightflash photography.

.. Flash output is determined by the lens' ASA/ISOring setting. The focusing ring is coupledto the diaphragm , so as the lens Is focused, the aperture Is simultaneously set to providethe correct exposure.

5


36/51


37/51

ocusing Screen Selector Qulde

Type I Name/style I Features

Split -image rangefinder/microprismsystem

Matte system

Horizontal andvertical lineetched s ystem

Suitable lor general photography.Has microprism collar around thecentral split-image rangefinder spot.

With PC-Nikkor or lenses having amaximum aperature slower than f/4 5the split image range finder or micro-prism collar is dim . In this case focuson the surrounding matte area .

Works well for general photography close-up photography and duplicationwork . Especially useful for peoplewho prefer to focus on the mattelocusing spot at the center of thescreen or when t s inconvenient to

use the split-image rangefinder forfocusing as is the case with telephotolenses.

Extremely useful in pictorial composition. Consists of Type B matte fieldwith etched horizontal and verticallines . Also useful with PC-Nikkorlenses.

Type Kc lear-matte s c reen

Type Kscreen

Caution : Type K2IB2IE2 focusing screens have a notche d tab If you usethe Type KlBlE screen you must make exposure compensation.

7

ACCESSOR I S c o n t i n u e d


38/51

Close up quipm ntThe following are some of the accessories you can use forclose-up photography .1) Close-Up Lenses No. 0, No . 1, No . 2, No . 3T, No. 4T, No . 5T,

NO. 6T.

Since these lenses are attached to the front of the lens inuse, metering can still be done at full aperture .

2) Auto Extension Rings PK-llA, 12 and 13.3) Bellows Focusing Attachment PB -6.

The Auto Extension Rings and the PB-6 are attached betweenthe lens and camera body. If one of the rings is used with anAI lens, exposure determination is at full aperture becausethe exposure meter is linked to the automatic diaphragm ofthe lens . As for the PB-6 , stop-down exposure measurement

is necessary because the exposure meter is not linked withthe automatic diaphragm of the lens . You can change magnifications continuously by extending the bellows.Note , too , that it is possible to use a close-up lens, ring andthe PB-6 all at the same time.

4) Micro-Nikkor 55mm f/2.8 Micro-Nikkor 105mm fl2.8 MicroNikkor 200mm fl4 AF Micro-Nikkor 60mm f/2.8 0 , AF MicroNikkor 105mm f/2.8 and AF Micro -Nikkor ED 200mm f/4IF lenses. These specially designed lenses for close-up photography offer continuous focusing from infinity down to 1/2Micro-Nikkor lenses) or 1/ 1 lifesize (AF Micro -Nikkor lenses).

The closest focused distance of the lenses are 0.25m (0.82ft.), 0.23m 0.75 ft.), 0.41m 1.34 ft.), 0.219m 0.719 ft.),0.314m 1.03 ft.) and 0.5m 1.64 ft.), respectively.

Note that in close-up photography , the depth of field is generally shallow.Thus , you should stop down as much as possible in photographing a subjectwith very little depth . Also, it is advisable to use the Type K2 s matte outerfield for focusing or to change focusing screens) because it is no easy tofocus with the split-Image or microprism ring.

38

Note Non-AI extension rings such as the P -I 2, 3, P -I etc . cannot beattached to the FM2 .

Auto Extension Rings

Close -Up l ns s


39/51

C C E S S O R I E S c o n t i n u e d


40/51

ikon Speed ightsNikon speed ights are co nvenient for shoot ing in dim light ortaking backlit portraits , as well as for synchro-sunlight shooting .Various models are available-from speed ights for beginners tothose for professionals . The Nikon 88-28 , 88-27 , 88-26 , 88-25 ,

88 24 , 88 22 , 88 20 , 88 19 , or 88 168 Speed ight can bedirectly mounted onto the FM2 s built-in hot shoe . Thesespeed ights also activate the camera s LED ready-light inside theviewfinder which lights up when the flash unit is fully recycledand ready to fire, and blinks when the shutter speed set isoutside the synchronization range all without having to removeyour eye from the viewfinder (see page 34 .)

4

8B 16B


41/51

Data Back MF 6

To ke ep track of when photo s were taken , the FM2 a ccept s thes lim , lightweight Data Back M F- . Th is back attaches in placeof the FM2 s regular c a mera back with no sync c ord requ ired .Three imprint ing modes are pro vided : year /month /day , day /

hour /min ute , or pictur e c ount ing (up to 2000) ; each mode i sdisplayed on the data ba c k in c lea r LCD numerals and printedby LED s , on the photo in unobtru s ive red numeral s Servingas a handy clock , a quartz t imer with a larm is incorporated.Note The Nikon FM2 a/so accept s Data Back MF- 2 . In this case use thecord provided w ith the da ta back to connect the socket contact o f theMF- 2 to the s ync term ina of the c amera .

MF-16

4

C C E S S O R I E S c o n t l n u e d


42/51

Anti Cold Battery Pack DB 2In cold weather, use the Anti-Cold Battery Pack OB-2, whichaccepts two M -type batteries , as an alternative power supplyto the batteries inside the camera body . Simply connect theOB-2 to the camera body , then slip the assembly inside your

pocket or coat to keep it warm . This assures that the camera smetering system will function even in very cold temperatures.

Right Angie Viewing Attachment DR 3Screws onto the viewfinder eyepiece @ to provide a viewfinderimage at a 90 angle to the camera s optical axis . Very helpfulfor closeup photography, duplication work and photomicrography .

Eyepiece Magnifier DG 2

Attached to the viewfinder eyepiece , this accessory enlargesthe image at the center of the viewfinder to assure ever precisefocusing in closeup photography , duplication work and telephotography .

RubbereyecupAttached to the finder eyepiece , this eyecup excludes stronglight and helps prevent eye fatigue.

Eyepiece correction lensesAccessory lenses that screw onto the viewfinder eyepiece toenable near- and farsighted photographers .to take pictures without having to wear eyeglasses . Nine models are available ,offering a choice of the following diopters : - 5 , - 4 , - 3 , - 2 , 0,

0.5, 1 , 2 and 3 ; the diopters represent the combineddioptry of the viewfinder and lens , and not the dioptry of theeyepiece correction lens only . For best results , choose the eye -

42

piece correction lens most suitable for you only after actuallytrying out various models at the camera shop .

Cable Release AR 3The screw -type AR-3 makes for vibration-free shutter release.

DR 3 DG -2 Rubber eyecup

Eyepiece correction lensesq ~

AR 3


43/51

ilters

As is shown on the table Nikon filters are broadly divided intothe screw-in drop-in and bayonet t ype Be cause the FM2incorporates a TIL full-aperture metering the filter factor canbe ignored except in the case of the R60 For examp le, whenusing the R60 in daylight set the aperture three f/stops widertha n the figure indicated by the exposure meterNotes

1 For lens protection, the N filter is recommended,2 When shooting a backlit subject or if there s a bright light source in the

frame , a ghost Image is likely to resuff from the use of a finer, In this case,you should take the picture without a filter,

Lenshoods

Recommended to prevent extraneous light from striking thelens Nikon s lens hoods come in four styles : screw-in slip-on snap-on and collapsible-rubber. Every lens should be fitted withthe lens hood specially designed for it. Note however that somelens hoods can be used in common by several len ses

Black wni1.

G .

So

' -

2 hi

43

C C E S S O R I E S c o n t l n u e d


44/51

amera casesSemi-soft ca s es , such as the CF -27 , CF -28 and CF -29 , areavailable . The CF-27 case accommodates the FM2 mountedwith a lens smaller than 50 mm f 4 The CF -28 is for thecamera mounted with any lens from 50mm fl 2 to 105mm f/2 5

When a motor drive is attached to the FM 2 use the CF -29 case .The soft -type CS -16 case is also available .

NeckstrapsAvailable are the leather neckstrap AN-1 black) , webbed nylonneckstraps AN-4Y yellow) and AN-4B black) , and widerwebbed nylon neckstraps AN-6Y yellow) and AN -6W brown).

ompartment casesA wide selection of six types to choose from , ranging from acompact type to a large type which can accommodate large orbulky camera equipment: FB-8 , FB -11A , FB -14 , FB-15 FB-16and FB -17 .

44

T PS ON B TTERY USE


45/51

Keep batteries away from infants and small children . ncase a battery is accidentally swallowed , call a doctorimmed iately as the material inside the batteries can causeserious problems .

Battery power falls offin

extremely cold temperatures andthis may cause the camera s photometeric circuit to mal-function . n this situation , use new batteries and protectthe camera body from the cold. Note that battery powerwill be recovered as soon as the temperature becomesnormal.

Should the battery be left in the battery chamber for a longperiod , insufficient contact may occur due to batteryleakage . Thus , it is good practice to periodically clean thebattery and the contact section in the battery chamberwith a soft cloth . If the battery chamber is stained with aleaking battery , remove the battery at once and cleanthe chamber .

If you re using a pair of batteries, change them at the sametime; never mix new and old batteries .

When not using the camera for a long period , take bat-teries out and store them in a cool , dry place .

Never disassemble batteries or discard them in fire. When using a pair of batteries, make sure they are of the

same make . Always check battery power before the shooting session

because battery power can become exhausted withoutwarning. It is a good idea to have spare batteries on handduring a protracted shooting assignment.

n normal use , a battery s lifespan is about one year. Thebattery packed with this camera , however , is for test pur-poses only so its lifespan may be shorter than usual.

5

T PS ON C MER C RE


46/51

Although the FM2 is a tougha nd durable camera , bear inmind that is a precision optical instrument , and that careles s or rough handl ing maydamage it. Observe the following tips , and the FM2 willalways work as perfectly a sthe day you bought it.

Generally , the camera does notneed lubrication .

6

Don t touch the reflex mirror orthe focusing screen to preventthem from getting scratc hed .Remove dust with a blowertypebrush .

If the came ra body is exposedto rain or mist, wipe mOistu regently with a soft clo th a nd d rythe ca mera . Afte r usi ng theca mera nea r salt wate r, takecare tha t you wipe it with acloth moistene d with purewater to remove possi b letraces of salt.

Do not touch the s hutte r curtains .

x If the Inside of the camera body

accidentally gets wet , its internal precision parts may getrusty . Take the camera righ taway to the nea rest authorizedNikon dealer for a checkupwhich may require repair payment.

Clean glass su rfaces such asthe lens or the finder eyepiecewith a blower-type brush ; avoidusi ng lens tissue as much aspossible . Gently wipe dirt ,smudges or fingerprin ts withsoft cotton moistened With asmall amount of absolute al-cohol, using a s p iral motionfrom center to peri phery . Makesure you leave no wiping traces .

When not uSing the camera fora long time , take ou t the bat-teries and s tore the cameraaway from high temperatu rehigh humidity , naphtha ine orcampho r,


47/51

S P E C I F I C T I O N SType of camera : 35mm single-lens reflex (SLR) focal Film advance: Lever provided; 30 standoff angle


48/51

Type of camera :

Usable film :Picture format:Lens mount:Shutter :

Shutter speed settings :

Self timer:

Viewfinder :

Viewfinder display:

Focus in screen :

Mirror:

48

35mm single lens reflex (SLR) focalplane shutter cameraAny cartridge-type 35 mm film24mmx36mmNikon F bayonet mountVertical-travel , metal focal plane

sh utter1 se c _ 1/4000 sec . B (bulb) ; 14fixe d se tt ings in allSet/cancel type provi ded; ap p rox.10-sec . s hutter release de layEye -level type, with 93 framecoverageShutter speed, flnumber, and LEDexposure display for overexposure

+ , correct exposure and underexposure -Split-image microprism type (TypeK2) p rovided as standard ; mattetype (B) and matte with horizontaland vertical line etchings (E)optio nally available .Quick-return type

Film advance: Lever provided; 30 standoff anglean d 135 0 winding angle

Automatic film advance : Possible with optional Motor DriveMD-12

Multiple exposure lever:

Frame counter:

Film rewind:

Flash synchronization:

Ready light:

Exposure meter:

Provided , d isengages framecounter for correct count

Additive type S , 0 '36); automatically resets to S when cameraback is openedBy cra nk prov ide d after film rewi ndbu tton is pressedBuilt-in hot shoe for mounting f lashunit ; sync cord terminal alsoprovide d ; 1/250 sec. syncProvided inside the viewfinderTTL center-weighted full apertureexposure measuring system usinga pair of SPD 's (silicon photodiodes)as photoelectric element ; measuresfrom EV 1 to EV 18 at ASAIISO100 and with 50mm f/1 4 lens (i.e .from 1 sec . at fl1 4 to 1/4000 sec. atfl8

Film sensitivity range: ASAIISO 12 '6400


49/51

Film sensitivity range:Power source:

Exposure meter switch:

Battery power check :

Camera back :

Dimensions W x H x D):camera body only)

Weight:camera body only)

ASAIISOChoice of one 3V lithium battery ,two 1.55V silver -oxide batteries , ortwo 1.5V alkal ine -manganesebatteriesLight pressure on shutter release

button switches meter on ; meterstays on for approx . 30 sec . afterfinger leaves button, then automatically switches offLED exposure display inside viewfinder lights up when the exposuremeter is switched on if there issufficient power i.e . the shutterspeed dial should be set anywhereexcept B)Pops open when the film rewindknob as the camera back lock ispushed ; detachable ; memo holderprovided.Approx . 142.5mm x 90mm x 60mmor 5 .6 x 3.5 x 2.4 in .Approx . 540g or 19 oz .

Specificatio ns are subject to change without no tice .

49

IMPORTANT


50/51

5

The Nikon FM2 is an AI-type (Automatic Maximum Aperture Indexing) camerawhic h performs full-aperture metering with AI-type lenses . The aperture rings ofthese lenses are fitted with meter coupling ridges see illustration). Almost all lensesnow manufa ctured b y Nikon are the AI type . However, please confirm whether ornot your lens is AI before using it with the FM2.

Although almost all Nikkor lenses that ha ve the Nikon F bayonet mount, as well asthe Nikon Series E lenses , can be mounted on the FM2 , the FM2 cannot be usedwith Nikkor lenses that have not yet been modified to offer the AI facility and with afew special-purpose lenses because the FM2 s meter coupling ridge is fixed , andthe FM2 does not have a mirror lock-up mechanism. For particulars , refer to thetable below .

L e n s R easo n R e m a rk s

Fis heye- Nikkor 6mm 1/5 6 R equi res m irror loc k -up Not usable

R s heye- Nikkor 1 Om m fl5 6 O P R equi res m irror loc k-up Not usablePC -Nikkor 2Smm fl4 S e ria l No. 180 901 an d higher usa ble

P C Nikkor 35m m f/2.S Seri a l Nos. 85 1001 to 906200 no t us ab le

Re flex -Nlkkor 1000mm fl11S erial No. lowe r tha n 14 236 1 and h ighe rthan 143000 u sable

Re flex-Nlkkor 2oo0mm f/ 11 H its camera s meter Serial No. 2003 11 and higher usable

Zoom- Nikkor 200 - 600mm f/9 5 coupler lever Serial No . 300491 and higher usa b leZoom- Nikkor ED 1S0 - 600mm f/S S erial No. 17 4 167 and highe r u sa b leZoom- Nikkor ED 360 - 1200mm f/ 1 1 S eria l No. 17 4 0S8 a nd high er usa ble

Foc using Unit AU-1 Not usa b le

Other Nikkor lenses that have not Not usablebeen modified to offer the AI faci lity

No reproduc tion in any form of this manual, Inwhole or In part except for brief quotation In criticalarticles or reviews). may be made without writtenauthorization from NIKONCORPORATION.


51/51

authorization from NIKONCORPORATION.

, ~

NIKON CORPORATION

ikon

FUJ I BLDG., 2-3, MARUNOUCHI3-CHOME, CHIYODA-KU,TOKYO100-8331, JAPANPHONE 81-3-3214-531 1 TELEX NIKON J22601 FAX 81-3-3201-5856

Printed in Japan K8A1505601 S391)